T2: Trainspotting (2017)
| Theatrical Performance | ||
| Domestic Box Office | $2,402,004 | Details |
| International Box Office | $39,728,112 | Details |
| Worldwide Box Office | $42,130,116 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $608,180 | |
| Blu-ray Sales (estimated) | $1,130,317 | |
| Total | $1,738,497 | |
| OpusData ID: 242810100 More info... | ||
| Further financial details... | ||
Synopsis
First there was an opportunity…then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.
Metrics
| Opening Weekend: | $170,575 (7.1% of total gross) |
| Legs: | 6.17 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 2.3 times production budget) |
| Theater counts: | 5 opening theaters/331 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,202,673 |
Movie Details
| Domestic Releases: | March 17th, 2017 (Limited) by Sony Pictures |
| International Releases: | January 27th, 2017 (Wide) (United Kingdom)
February 16th, 2017 (Wide) (Switzerland) February 16th, 2017 (Wide) (Slovenia) February 16th, 2017 (Wide) (Slovakia) February 16th, 2017 (Wide) (Serbia and Montenegro) ... Show all releases |
| Video Release: | June 13th, 2017 by TriStar Pictures Video |
| MPA Rating: | R for drug use, language throughout, strong sexual content, graphic nudity and some violence. (Rating bulletin 2459 (Cert #50338), 1/18/2017) |
| Running Time: | 117 minutes |
| Franchise: | Trainspotting |
| Cast, crew, or production detail: | Archival Footage of Previous Installment, CCTV or Security Footage, Legacy Sequel, Same Role, Multiple Actors, Voiceover/Narration |
| Geographical setting: | Scotland |
| Plot point: | Addiction, Brothel, Medical and Hospitals, Narcotics, No Honor Among Thieves, Non-Chronological, Prison Break, Prostitution, Rehab / Former Addict, Relationships Gone Wrong, Revenge, Suicide |
| Subgenre: | Black Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Decibel Films, Cloud Eight , Tri-Star Pictures, Film4, Creative Scotland, DNA Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 29 | $170,575 | 5 | $34,115 | $170,575 | 1 | |
| Mar 24, 2017 | 18 | $389,535 | +128% | 59 | $6,602 | $622,809 | 2 |
| Mar 31, 2017 | 15 | $377,618 | -3% | 140 | $2,697 | $1,155,125 | 3 |
| Apr 7, 2017 | 18 | $268,000 | -29% | 159 | $1,686 | $1,605,332 | 4 |
| Apr 14, 2017 | 22 | $234,714 | -12% | 331 | $709 | $1,979,488 | 5 |
| Apr 21, 2017 | 34 | $78,876 | -66% | 160 | $493 | $2,198,746 | 6 |
| Apr 28, 2017 | 42 | $36,429 | -54% | 67 | $544 | $2,289,243 | 7 |
| May 5, 2017 | 46 | $22,886 | -37% | 45 | $509 | $2,335,346 | 8 |
| May 12, 2017 | 52 | $18,408 | -20% | 32 | $575 | $2,372,493 | 9 |
| May 19, 2017 | - | $10,234 | -44% | 22 | $465 | $2,395,410 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | - | $63,873 | 5 | $12,775 | $63,873 | 1 | ||
| Mar 18, 2017 | - | $65,101 | +2% | 5 | $13,020 | $128,974 | 2 | |
| Mar 19, 2017 | - | $41,601 | -36% | 5 | $8,320 | $170,575 | 3 | |
| Mar 20, 2017 | - | $15,720 | -62% | 5 | $3,144 | $186,295 | 4 | |
| Mar 21, 2017 | - | $20,200 | +28% | 5 | $4,040 | $206,495 | 5 | |
| Mar 22, 2017 | - | $14,593 | -28% | 5 | $2,919 | $221,088 | 6 | |
| Mar 23, 2017 | - | $12,186 | -16% | 5 | $2,437 | $233,274 | 7 | |
| Mar 24, 2017 | - | $128,488 | +954% | +101% | 59 | $2,178 | $361,762 | 8 |
| Mar 25, 2017 | - | $150,496 | +17% | +131% | 59 | $2,551 | $512,258 | 9 |
| Mar 26, 2017 | - | $110,551 | -27% | +166% | 59 | $1,874 | $622,809 | 10 |
| Mar 27, 2017 | 14 | $36,697 | -67% | +133% | 59 | $622 | $659,506 | 11 |
| Mar 28, 2017 | 14 | $43,465 | +18% | +115% | 59 | $737 | $702,971 | 12 |
| Mar 29, 2017 | 14 | $38,875 | -11% | +166% | 59 | $659 | $741,846 | 13 |
| Mar 30, 2017 | 15 | $35,661 | -8% | +193% | 59 | $604 | $777,507 | 14 |
| Mar 31, 2017 | 15 | $113,716 | +219% | -11% | 140 | $812 | $891,223 | 15 |
| Apr 1, 2017 | 15 | $163,620 | +44% | +9% | 140 | $1,169 | $1,054,843 | 16 |
| Apr 2, 2017 | 15 | $100,282 | -39% | -9% | 140 | $716 | $1,155,125 | 17 |
| Apr 3, 2017 | 15 | $37,087 | -63% | +1% | 140 | $265 | $1,192,212 | 18 |
| Apr 4, 2017 | 15 | $53,929 | +45% | +24% | 140 | $385 | $1,246,141 | 19 |
| Apr 5, 2017 | 15 | $46,356 | -14% | +19% | 140 | $331 | $1,292,497 | 20 |
| Apr 6, 2017 | 14 | $44,835 | -3% | +26% | 140 | $320 | $1,337,332 | 21 |
| Apr 7, 2017 | - | $76,820 | +71% | -32% | 159 | $483 | $1,414,152 | 22 |
| Apr 8, 2017 | - | $118,972 | +55% | -27% | 159 | $748 | $1,533,124 | 23 |
| Apr 9, 2017 | - | $72,208 | -39% | -28% | 159 | $454 | $1,605,332 | 24 |
| Apr 10, 2017 | - | $29,727 | -59% | -20% | 159 | $187 | $1,635,059 | 25 |
| Apr 11, 2017 | - | $41,766 | +40% | -23% | 159 | $263 | $1,676,825 | 26 |
| Apr 12, 2017 | - | $32,890 | -21% | -29% | 159 | $207 | $1,709,715 | 27 |
| Apr 13, 2017 | - | $35,059 | +7% | -22% | 159 | $220 | $1,744,774 | 28 |
| Apr 14, 2017 | - | $75,756 | +116% | -1% | 331 | $229 | $1,820,530 | 29 |
| Apr 15, 2017 | - | $93,818 | +24% | -21% | 331 | $283 | $1,914,348 | 30 |
| Apr 16, 2017 | - | $65,140 | -31% | -10% | 331 | $197 | $1,979,488 | 31 |
| Apr 17, 2017 | - | $35,722 | -45% | +20% | 331 | $108 | $2,015,210 | 32 |
| Apr 18, 2017 | - | $37,911 | +6% | -9% | 331 | $115 | $2,053,121 | 33 |
| Apr 19, 2017 | - | $35,948 | -5% | +9% | 331 | $109 | $2,089,069 | 34 |
| Apr 20, 2017 | - | $30,801 | -14% | -12% | 331 | $93 | $2,119,870 | 35 |
| Apr 21, 2017 | - | $22,072 | -28% | -71% | 160 | $138 | $2,141,942 | 36 |
| Apr 22, 2017 | - | $33,883 | +54% | -64% | 160 | $212 | $2,175,825 | 37 |
| Apr 23, 2017 | - | $22,921 | -32% | -65% | 160 | $143 | $2,198,746 | 38 |
| Apr 24, 2017 | - | $12,344 | -46% | -65% | 160 | $77 | $2,211,090 | 39 |
| Apr 25, 2017 | - | $16,235 | +32% | -57% | 160 | $101 | $2,227,325 | 40 |
| Apr 26, 2017 | - | $12,137 | -25% | -66% | 160 | $76 | $2,239,462 | 41 |
| Apr 27, 2017 | - | $13,352 | +10% | -57% | 160 | $83 | $2,252,814 | 42 |
| Apr 28, 2017 | - | $9,469 | -29% | -57% | 67 | $141 | $2,262,283 | 43 |
| Apr 29, 2017 | - | $15,444 | +63% | -54% | 67 | $231 | $2,277,727 | 44 |
| Apr 30, 2017 | - | $11,516 | -25% | -50% | 67 | $172 | $2,289,243 | 45 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 29 | $233,274 | 5 | $46,655 | $233,274 | 1 | |
| Mar 24, 2017 | 16 | $544,233 | +133% | 59 | $9,224 | $777,507 | 2 |
| Mar 31, 2017 | 15 | $559,825 | +3% | 140 | $3,999 | $1,337,332 | 3 |
| Apr 7, 2017 | 18 | $407,442 | -27% | 159 | $2,563 | $1,744,774 | 4 |
| Apr 14, 2017 | 21 | $375,096 | -8% | 331 | $1,133 | $2,119,870 | 5 |
| Apr 21, 2017 | 32 | $132,944 | -65% | 160 | $831 | $2,252,814 | 6 |
| Apr 28, 2017 | 44 | $59,646 | -55% | 160 | $373 | $2,312,460 | 7 |
| May 5, 2017 | 44 | $41,625 | -30% | 160 | $260 | $2,354,085 | 8 |
| May 12, 2017 | 49 | $31,091 | -25% | 160 | $194 | $2,385,176 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/2/2017 | $172,660 | 102 | 102 | 203 | $396,584 | 1/1/2019 | |||
| Australia | 2/17/2017 | $283,371 | 197 | 264 | 905 | $2,242,949 | 10/19/2022 | |||
| Austria | 3/10/2017 | $63,241 | 58 | 59 | 261 | $199,303 | 5/31/2017 | |||
| Belgium | 3/1/2017 | $72,999 | 28 | 28 | 100 | $177,651 | 4/11/2017 | |||
| Brazil | 3/23/2017 | $75,618 | 32 | 32 | 105 | $279,956 | 6/6/2017 | |||
| Bulgaria | 2/17/2017 | $19,934 | 45 | 45 | 120 | $64,302 | 2/26/2019 | |||
| Chile | 3/9/2017 | $67,471 | 25 | 25 | 69 | $221,958 | 12/20/2018 | |||
| Colombia | 4/20/2017 | $42,708 | 17 | 17 | 68 | $162,157 | 1/1/2019 | |||
| Croatia | 2/23/2017 | $39,865 | 54 | 54 | 130 | $89,814 | 1/1/2019 | |||
| Czech Republic | 2/16/2017 | $148,438 | 120 | 120 | 331 | $432,757 | 1/1/2019 | |||
| Denmark | 3/2/2017 | $52,768 | 64 | 64 | 143 | $152,509 | 4/19/2017 | |||
| Estonia | 3/17/2017 | $14,419 | 10 | 10 | 30 | $43,929 | 4/24/2017 | |||
| Finland | 2/17/2017 | $93,522 | 55 | 55 | 189 | $333,276 | 5/2/2017 | |||
| France | 3/1/2017 | $440,890 | 254 | 254 | 489 | $749,792 | 3/21/2017 | |||
| Germany | 2/17/2017 | $496,607 | 376 | 376 | 1,569 | $1,471,306 | 6/20/2017 | |||
| Greece | 3/2/2017 | $53,994 | 64 | 64 | 128 | $167,494 | 4/4/2017 | |||
| Hong Kong | 3/2/2017 | $88,928 | 37 | 37 | 71 | $232,784 | 4/11/2017 | |||
| Hungary | 3/2/2017 | $50,163 | 48 | 59 | 165 | $152,630 | 1/1/2019 | |||
| Iceland | 2/17/2017 | $14,312 | 9 | 9 | 19 | $40,587 | 1/1/2019 | |||
| Israel | 2/23/2017 | $34,485 | 22 | 22 | 49 | $69,713 | 1/1/2019 | |||
| Italy | 2/24/2017 | $1,135,856 | 287 | 287 | 721 | $2,620,659 | 4/19/2017 | |||
| Japan | 4/8/2017 | $302,951 | 86 | 86 | 350 | $1,561,515 | 6/20/2017 | |||
| Latvia | 3/17/2017 | $8,982 | 8 | 8 | 14 | $18,944 | 1/1/2019 | |||
| Lebanon | 2/23/2017 | $6,406 | 5 | 5 | 6 | $8,595 | 1/1/2019 | |||
| Lithuania | 3/10/2017 | $17,791 | 102 | 102 | 124 | $39,161 | 6/1/2017 | |||
| Mexico | 3/17/2017 | $107,514 | 44 | 94 | 396 | $826,490 | 5/31/2017 | |||
| Netherlands | 2/16/2017 | $149,934 | 73 | 75 | 379 | $617,001 | 4/24/2017 | |||
| New Zealand | 2/24/2017 | $145,860 | 72 | 72 | 351 | $549,706 | 5/31/2017 | |||
| Norway | 2/24/2017 | $55,570 | 136 | 136 | 193 | $127,054 | 3/27/2017 | |||
| Peru | 5/4/2017 | $27,979 | 10 | 10 | 21 | $71,208 | 1/1/2019 | |||
| Philippines | 3/1/2017 | $4,801 | 2 | 2 | 2 | $4,801 | 1/1/2019 | |||
| Poland | 3/3/2017 | $75,175 | 93 | 95 | 257 | $249,981 | 1/1/2019 | |||
| Portugal | 2/23/2017 | $56,799 | 44 | 44 | 128 | $166,132 | 5/9/2017 | |||
| Romania | 2/24/2017 | $50,434 | 68 | 68 | 162 | $94,618 | 1/1/2019 | |||
| Russia (CIS) | 3/8/2017 | $507,247 | 433 | 433 | 959 | $1,238,519 | 1/1/2019 | |||
| Serbia and Montenegro | 2/16/2017 | $14,990 | 21 | 21 | 61 | $48,541 | 1/1/2019 | |||
| Singapore | 3/2/2017 | $21,621 | 8 | 8 | 16 | $40,151 | 3/14/2017 | |||
| Slovakia | 2/16/2017 | $74,511 | 72 | 72 | 140 | $159,707 | 3/23/2017 | |||
| Slovenia | 2/16/2017 | $7,874 | 19 | 19 | 46 | $21,351 | 3/21/2017 | |||
| South Africa | 2/24/2017 | $16,639 | 30 | 31 | 71 | $43,831 | 4/4/2017 | |||
| Spain | 2/24/2017 | $382,412 | 305 | 316 | 959 | $1,282,991 | 6/20/2017 | |||
| Sweden | 2/22/2017 | $99,592 | 76 | 76 | 123 | $191,680 | 4/4/2017 | |||
| Switzerland | 2/16/2017 | $75,919 | 33 | 34 | 140 | $220,989 | 4/4/2026 | |||
| Thailand | 6/1/2017 | $8,081 | 2 | 2 | 4 | $17,519 | 6/20/2017 | |||
| Turkey | 5/4/2017 | $26,440 | 42 | 42 | 81 | $83,709 | 2/26/2019 | |||
| United Kingdom | 1/27/2017 | $6,449,613 | 590 | 609 | 2,868 | $21,675,104 | 4/26/2017 | |||
| Uruguay | 3/9/2017 | $9,375 | 6 | 6 | 19 | $26,116 | 1/1/2019 | |||
| Rest of World | $40,588 | |||||||||
| International Total | $39,728,112 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ewan McGregor | Renton | |
| Ewen Bremner | Spud | |
| Jonny Lee Miller | Simon | |
| Robert Carlyle | Begbie |
Supporting
| Kelly Macdonald | Diane | |
| Shirley Henderson | Gail | |
| James Cosmo | Renton’s Father | |
| Anjela Nedyalkova | Veronika | |
| Logan Gillies | Simon (aged 9) | |
| Ben Skelton | Renton (aged 9) | |
| Aiden Haggarty | Spud (aged 9) | |
| Daniel Smith | Begbie (aged 9) | |
| Elijah Wolf | Tommy (aged 9) | |
| Steven Robertson | Stoddart | |
| John Kazek | Tom (Rehab Group) | |
| Charlie Hardie | Fergus (aged 9) | |
| Scott Aitken | Farmer | |
| Gordon Kennedy | Tulloch | |
| Tereza Duskova | Tourism Girl | |
| Elek Kish | Dozo | |
| Lewis Gribben | Dealer | |
| Dominic Maccoll | Dealer | |
| Calum Verrecchia | Dealer | |
| Simon Weir | Jailhouse | |
| Bradley Welsh | Doyle | |
| Katie Leung | Nurse | |
| Thierry Mabonga | Security Officer Wilson | |
| Atta Yaqub | Medical Student | |
| Christopher Douglas | Chris the Oracle | |
| Pauline Turner | June | |
| Scot Greenan | Frank Junior | |
| James McElvar | Simon (aged 20) | |
| Connor McIndoe | Renton (aged 20) | |
| Bryan Quinn | Man in Music Video | |
| Irvine Welsh | Mickey Forrester | |
| Ged Hanley | Social Club Band | |
| Neil Thomson | Social Club Band | |
| Margaret Davies | Social Club Singer | |
| Alex Jackson | Social Club Singer | |
| Tom Urie | Big Bear | |
| Phil Coppola | Boxing Instructor | |
| John Bell | Spud (aged 20) | |
| Kyle Fitzpatrick | Fergus | |
| Eileen Nicholas | Renton’s Mother | |
| Michael Shaw | Tommy (aged 20) | |
| Kevin McKidd | Tommy | |
| Lauren Lamb | Baby Dawn | |
| Devon Lamb | Baby Dawn | |
| Amy Manson | Woman in Club | |
| Russell Dunsmore | Hard Guy Driver | |
| Nebli Basani | Hardman | |
| Edyta Szewczyk | Girl in Sauna | |
| Fiori Miari | Girls in Sauna | |
| Pauline Lynch | Lizzy | |
| Christopher Mullen | Begbie (aged 20) | |
| Hamish Haggerty | Young Renton | |
| Daniel Jackson | Young Begbie | |
| Svetlana Yancheva | Veronika’s Mother | |
| Emil Bonev | Veronika’s Son |
Production and Technical Credits
| Danny Boyle | Director | |
| John Hodge | Screenwriter | |
| Irvine Welsh | Based on the books ‘Porno’ and ‘Trainspotting’ by | |
| Andrew MacDonald | Producer | |
| Danny Boyle | Producer | |
| Christian Colson | Producer | |
| Bernard Bellew | Producer | |
| Allon Reich | Executive Producer | |
| Irvine Welsh | Executive Producer | |
| Anthony Dod Mantle | Director of Photography | |
| Mark Tildesley | Production Designer | |
| Patrick Rolfe | Production Designer | |
| Jon Harris | Editor | |
| Rick Smith (Composer-Underworld) | Composer | |
| Rachael Fleming | Costume Designer | |
| Steven Noble | Costume Designer | |
| Ivana Primorac | Make-up and Hair Designer | |
| Adam Gascoyne | Visual Effects Supervisor | |
| Glenn Freemantle | Sound Designer | |
| Colin Nicolson | Sound Mixer | |
| Gail Stevens | Casting Director | |
| Julian Spencer | Stunt Coordinator | |
| Claire Campbell | Production Manager | |
| David Gilchrist | First Assistant Director | |
| Veronique Melery | Set Decorator | |
| Clare St. John | Post-Production Supervisor | |
| Adam Squires | Art Director | |
| Chris Wyatt | Art Director | |
| Gerry Fraser | Second Unit Director | |
| Samar Pollitt | Production Manager | |
| Zoe Liang | First Assistant Director | |
| Harry Boyd | First Assistant Director | |
| Michael Queen | Second Assistant Director | |
| Sylvia Parker | Script Supervisor | |
| Tamsin Jeffrey | First Assistant Editor | |
| Ruth Antoine | Second Assistant Editor | |
| Lloret Dunn | Location Manager | |
| Harriet Edmonds | Costume Supervisor | |
| Mike Kelt | Special Effects Supervisor | |
| Joanna Dewar | Special Effects Coordinator | |
| Rebecca Farhall | Casting Associate | |
| Clare Gordon | Casting Assistant | |
| Glenn Freemantle | Supervising Sound Editor | |
| Gillian Dodders | Supervising Dialogue Editor | |
| Danny Freemantle | Sound Effects Editor | |
| Rob Malone | Sound Effects Editor | |
| James Wichall | Dialogue Editor | |
| Emilie O’Connor | Dialogue Editor | |
| Niv Adiri | Re-recording Mixer | |
| Ian Tapp | Re-recording Mixer | |
| Glen Gathard | Foley Mixer | |
| Tim Caplan | Visual Effects Producer | |
| Noga Alon Stein | Visual Effects Producer | |
| Vesselin Karadjov | Line Producer | |
| Allan Jenkins | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
First there was an opportunity…then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.
Metrics
| Opening Weekend: | $170,575 (7.1% of total gross) |
| Legs: | 6.17 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 2.3 times production budget) |
| Theater counts: | 5 opening theaters/331 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,202,673 |
Movie Details
| Domestic Releases: | March 17th, 2017 (Limited) by Sony Pictures |
| International Releases: | January 27th, 2017 (Wide) (United Kingdom)
February 16th, 2017 (Wide) (Switzerland) February 16th, 2017 (Wide) (Slovenia) February 16th, 2017 (Wide) (Slovakia) February 16th, 2017 (Wide) (Serbia and Montenegro) ... Show all releases |
| Video Release: | June 13th, 2017 by TriStar Pictures Video |
| MPA Rating: | R for drug use, language throughout, strong sexual content, graphic nudity and some violence. (Rating bulletin 2459 (Cert #50338), 1/18/2017) |
| Running Time: | 117 minutes |
| Franchise: | Trainspotting |
| Cast, crew, or production detail: | Archival Footage of Previous Installment, CCTV or Security Footage, Legacy Sequel, Same Role, Multiple Actors, Voiceover/Narration |
| Geographical setting: | Scotland |
| Plot point: | Addiction, Brothel, Medical and Hospitals, Narcotics, No Honor Among Thieves, Non-Chronological, Prison Break, Prostitution, Rehab / Former Addict, Relationships Gone Wrong, Revenge, Suicide |
| Subgenre: | Black Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Decibel Films, Cloud Eight , Tri-Star Pictures, Film4, Creative Scotland, DNA Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 29 | $170,575 | 5 | $34,115 | $170,575 | 1 | |
| Mar 24, 2017 | 18 | $389,535 | +128% | 59 | $6,602 | $622,809 | 2 |
| Mar 31, 2017 | 15 | $377,618 | -3% | 140 | $2,697 | $1,155,125 | 3 |
| Apr 7, 2017 | 18 | $268,000 | -29% | 159 | $1,686 | $1,605,332 | 4 |
| Apr 14, 2017 | 22 | $234,714 | -12% | 331 | $709 | $1,979,488 | 5 |
| Apr 21, 2017 | 34 | $78,876 | -66% | 160 | $493 | $2,198,746 | 6 |
| Apr 28, 2017 | 42 | $36,429 | -54% | 67 | $544 | $2,289,243 | 7 |
| May 5, 2017 | 46 | $22,886 | -37% | 45 | $509 | $2,335,346 | 8 |
| May 12, 2017 | 52 | $18,408 | -20% | 32 | $575 | $2,372,493 | 9 |
| May 19, 2017 | - | $10,234 | -44% | 22 | $465 | $2,395,410 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | - | $63,873 | 5 | $12,775 | $63,873 | 1 | ||
| Mar 18, 2017 | - | $65,101 | +2% | 5 | $13,020 | $128,974 | 2 | |
| Mar 19, 2017 | - | $41,601 | -36% | 5 | $8,320 | $170,575 | 3 | |
| Mar 20, 2017 | - | $15,720 | -62% | 5 | $3,144 | $186,295 | 4 | |
| Mar 21, 2017 | - | $20,200 | +28% | 5 | $4,040 | $206,495 | 5 | |
| Mar 22, 2017 | - | $14,593 | -28% | 5 | $2,919 | $221,088 | 6 | |
| Mar 23, 2017 | - | $12,186 | -16% | 5 | $2,437 | $233,274 | 7 | |
| Mar 24, 2017 | - | $128,488 | +954% | +101% | 59 | $2,178 | $361,762 | 8 |
| Mar 25, 2017 | - | $150,496 | +17% | +131% | 59 | $2,551 | $512,258 | 9 |
| Mar 26, 2017 | - | $110,551 | -27% | +166% | 59 | $1,874 | $622,809 | 10 |
| Mar 27, 2017 | 14 | $36,697 | -67% | +133% | 59 | $622 | $659,506 | 11 |
| Mar 28, 2017 | 14 | $43,465 | +18% | +115% | 59 | $737 | $702,971 | 12 |
| Mar 29, 2017 | 14 | $38,875 | -11% | +166% | 59 | $659 | $741,846 | 13 |
| Mar 30, 2017 | 15 | $35,661 | -8% | +193% | 59 | $604 | $777,507 | 14 |
| Mar 31, 2017 | 15 | $113,716 | +219% | -11% | 140 | $812 | $891,223 | 15 |
| Apr 1, 2017 | 15 | $163,620 | +44% | +9% | 140 | $1,169 | $1,054,843 | 16 |
| Apr 2, 2017 | 15 | $100,282 | -39% | -9% | 140 | $716 | $1,155,125 | 17 |
| Apr 3, 2017 | 15 | $37,087 | -63% | +1% | 140 | $265 | $1,192,212 | 18 |
| Apr 4, 2017 | 15 | $53,929 | +45% | +24% | 140 | $385 | $1,246,141 | 19 |
| Apr 5, 2017 | 15 | $46,356 | -14% | +19% | 140 | $331 | $1,292,497 | 20 |
| Apr 6, 2017 | 14 | $44,835 | -3% | +26% | 140 | $320 | $1,337,332 | 21 |
| Apr 7, 2017 | - | $76,820 | +71% | -32% | 159 | $483 | $1,414,152 | 22 |
| Apr 8, 2017 | - | $118,972 | +55% | -27% | 159 | $748 | $1,533,124 | 23 |
| Apr 9, 2017 | - | $72,208 | -39% | -28% | 159 | $454 | $1,605,332 | 24 |
| Apr 10, 2017 | - | $29,727 | -59% | -20% | 159 | $187 | $1,635,059 | 25 |
| Apr 11, 2017 | - | $41,766 | +40% | -23% | 159 | $263 | $1,676,825 | 26 |
| Apr 12, 2017 | - | $32,890 | -21% | -29% | 159 | $207 | $1,709,715 | 27 |
| Apr 13, 2017 | - | $35,059 | +7% | -22% | 159 | $220 | $1,744,774 | 28 |
| Apr 14, 2017 | - | $75,756 | +116% | -1% | 331 | $229 | $1,820,530 | 29 |
| Apr 15, 2017 | - | $93,818 | +24% | -21% | 331 | $283 | $1,914,348 | 30 |
| Apr 16, 2017 | - | $65,140 | -31% | -10% | 331 | $197 | $1,979,488 | 31 |
| Apr 17, 2017 | - | $35,722 | -45% | +20% | 331 | $108 | $2,015,210 | 32 |
| Apr 18, 2017 | - | $37,911 | +6% | -9% | 331 | $115 | $2,053,121 | 33 |
| Apr 19, 2017 | - | $35,948 | -5% | +9% | 331 | $109 | $2,089,069 | 34 |
| Apr 20, 2017 | - | $30,801 | -14% | -12% | 331 | $93 | $2,119,870 | 35 |
| Apr 21, 2017 | - | $22,072 | -28% | -71% | 160 | $138 | $2,141,942 | 36 |
| Apr 22, 2017 | - | $33,883 | +54% | -64% | 160 | $212 | $2,175,825 | 37 |
| Apr 23, 2017 | - | $22,921 | -32% | -65% | 160 | $143 | $2,198,746 | 38 |
| Apr 24, 2017 | - | $12,344 | -46% | -65% | 160 | $77 | $2,211,090 | 39 |
| Apr 25, 2017 | - | $16,235 | +32% | -57% | 160 | $101 | $2,227,325 | 40 |
| Apr 26, 2017 | - | $12,137 | -25% | -66% | 160 | $76 | $2,239,462 | 41 |
| Apr 27, 2017 | - | $13,352 | +10% | -57% | 160 | $83 | $2,252,814 | 42 |
| Apr 28, 2017 | - | $9,469 | -29% | -57% | 67 | $141 | $2,262,283 | 43 |
| Apr 29, 2017 | - | $15,444 | +63% | -54% | 67 | $231 | $2,277,727 | 44 |
| Apr 30, 2017 | - | $11,516 | -25% | -50% | 67 | $172 | $2,289,243 | 45 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 29 | $233,274 | 5 | $46,655 | $233,274 | 1 | |
| Mar 24, 2017 | 16 | $544,233 | +133% | 59 | $9,224 | $777,507 | 2 |
| Mar 31, 2017 | 15 | $559,825 | +3% | 140 | $3,999 | $1,337,332 | 3 |
| Apr 7, 2017 | 18 | $407,442 | -27% | 159 | $2,563 | $1,744,774 | 4 |
| Apr 14, 2017 | 21 | $375,096 | -8% | 331 | $1,133 | $2,119,870 | 5 |
| Apr 21, 2017 | 32 | $132,944 | -65% | 160 | $831 | $2,252,814 | 6 |
| Apr 28, 2017 | 44 | $59,646 | -55% | 160 | $373 | $2,312,460 | 7 |
| May 5, 2017 | 44 | $41,625 | -30% | 160 | $260 | $2,354,085 | 8 |
| May 12, 2017 | 49 | $31,091 | -25% | 160 | $194 | $2,385,176 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/2/2017 | $172,660 | 102 | 102 | 203 | $396,584 | 1/1/2019 | |||
| Australia | 2/17/2017 | $283,371 | 197 | 264 | 905 | $2,242,949 | 10/19/2022 | |||
| Austria | 3/10/2017 | $63,241 | 58 | 59 | 261 | $199,303 | 5/31/2017 | |||
| Belgium | 3/1/2017 | $72,999 | 28 | 28 | 100 | $177,651 | 4/11/2017 | |||
| Brazil | 3/23/2017 | $75,618 | 32 | 32 | 105 | $279,956 | 6/6/2017 | |||
| Bulgaria | 2/17/2017 | $19,934 | 45 | 45 | 120 | $64,302 | 2/26/2019 | |||
| Chile | 3/9/2017 | $67,471 | 25 | 25 | 69 | $221,958 | 12/20/2018 | |||
| Colombia | 4/20/2017 | $42,708 | 17 | 17 | 68 | $162,157 | 1/1/2019 | |||
| Croatia | 2/23/2017 | $39,865 | 54 | 54 | 130 | $89,814 | 1/1/2019 | |||
| Czech Republic | 2/16/2017 | $148,438 | 120 | 120 | 331 | $432,757 | 1/1/2019 | |||
| Denmark | 3/2/2017 | $52,768 | 64 | 64 | 143 | $152,509 | 4/19/2017 | |||
| Estonia | 3/17/2017 | $14,419 | 10 | 10 | 30 | $43,929 | 4/24/2017 | |||
| Finland | 2/17/2017 | $93,522 | 55 | 55 | 189 | $333,276 | 5/2/2017 | |||
| France | 3/1/2017 | $440,890 | 254 | 254 | 489 | $749,792 | 3/21/2017 | |||
| Germany | 2/17/2017 | $496,607 | 376 | 376 | 1,569 | $1,471,306 | 6/20/2017 | |||
| Greece | 3/2/2017 | $53,994 | 64 | 64 | 128 | $167,494 | 4/4/2017 | |||
| Hong Kong | 3/2/2017 | $88,928 | 37 | 37 | 71 | $232,784 | 4/11/2017 | |||
| Hungary | 3/2/2017 | $50,163 | 48 | 59 | 165 | $152,630 | 1/1/2019 | |||
| Iceland | 2/17/2017 | $14,312 | 9 | 9 | 19 | $40,587 | 1/1/2019 | |||
| Israel | 2/23/2017 | $34,485 | 22 | 22 | 49 | $69,713 | 1/1/2019 | |||
| Italy | 2/24/2017 | $1,135,856 | 287 | 287 | 721 | $2,620,659 | 4/19/2017 | |||
| Japan | 4/8/2017 | $302,951 | 86 | 86 | 350 | $1,561,515 | 6/20/2017 | |||
| Latvia | 3/17/2017 | $8,982 | 8 | 8 | 14 | $18,944 | 1/1/2019 | |||
| Lebanon | 2/23/2017 | $6,406 | 5 | 5 | 6 | $8,595 | 1/1/2019 | |||
| Lithuania | 3/10/2017 | $17,791 | 102 | 102 | 124 | $39,161 | 6/1/2017 | |||
| Mexico | 3/17/2017 | $107,514 | 44 | 94 | 396 | $826,490 | 5/31/2017 | |||
| Netherlands | 2/16/2017 | $149,934 | 73 | 75 | 379 | $617,001 | 4/24/2017 | |||
| New Zealand | 2/24/2017 | $145,860 | 72 | 72 | 351 | $549,706 | 5/31/2017 | |||
| Norway | 2/24/2017 | $55,570 | 136 | 136 | 193 | $127,054 | 3/27/2017 | |||
| Peru | 5/4/2017 | $27,979 | 10 | 10 | 21 | $71,208 | 1/1/2019 | |||
| Philippines | 3/1/2017 | $4,801 | 2 | 2 | 2 | $4,801 | 1/1/2019 | |||
| Poland | 3/3/2017 | $75,175 | 93 | 95 | 257 | $249,981 | 1/1/2019 | |||
| Portugal | 2/23/2017 | $56,799 | 44 | 44 | 128 | $166,132 | 5/9/2017 | |||
| Romania | 2/24/2017 | $50,434 | 68 | 68 | 162 | $94,618 | 1/1/2019 | |||
| Russia (CIS) | 3/8/2017 | $507,247 | 433 | 433 | 959 | $1,238,519 | 1/1/2019 | |||
| Serbia and Montenegro | 2/16/2017 | $14,990 | 21 | 21 | 61 | $48,541 | 1/1/2019 | |||
| Singapore | 3/2/2017 | $21,621 | 8 | 8 | 16 | $40,151 | 3/14/2017 | |||
| Slovakia | 2/16/2017 | $74,511 | 72 | 72 | 140 | $159,707 | 3/23/2017 | |||
| Slovenia | 2/16/2017 | $7,874 | 19 | 19 | 46 | $21,351 | 3/21/2017 | |||
| South Africa | 2/24/2017 | $16,639 | 30 | 31 | 71 | $43,831 | 4/4/2017 | |||
| Spain | 2/24/2017 | $382,412 | 305 | 316 | 959 | $1,282,991 | 6/20/2017 | |||
| Sweden | 2/22/2017 | $99,592 | 76 | 76 | 123 | $191,680 | 4/4/2017 | |||
| Switzerland | 2/16/2017 | $75,919 | 33 | 34 | 140 | $220,989 | 4/4/2026 | |||
| Thailand | 6/1/2017 | $8,081 | 2 | 2 | 4 | $17,519 | 6/20/2017 | |||
| Turkey | 5/4/2017 | $26,440 | 42 | 42 | 81 | $83,709 | 2/26/2019 | |||
| United Kingdom | 1/27/2017 | $6,449,613 | 590 | 609 | 2,868 | $21,675,104 | 4/26/2017 | |||
| Uruguay | 3/9/2017 | $9,375 | 6 | 6 | 19 | $26,116 | 1/1/2019 | |||
| Rest of World | $40,588 | |||||||||
| International Total | $39,728,112 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ewan McGregor | Renton | |
| Ewen Bremner | Spud | |
| Jonny Lee Miller | Simon | |
| Robert Carlyle | Begbie |
Supporting
| Kelly Macdonald | Diane | |
| Shirley Henderson | Gail | |
| James Cosmo | Renton’s Father | |
| Anjela Nedyalkova | Veronika | |
| Logan Gillies | Simon (aged 9) | |
| Ben Skelton | Renton (aged 9) | |
| Aiden Haggarty | Spud (aged 9) | |
| Daniel Smith | Begbie (aged 9) | |
| Elijah Wolf | Tommy (aged 9) | |
| Steven Robertson | Stoddart | |
| John Kazek | Tom (Rehab Group) | |
| Charlie Hardie | Fergus (aged 9) | |
| Scott Aitken | Farmer | |
| Gordon Kennedy | Tulloch | |
| Tereza Duskova | Tourism Girl | |
| Elek Kish | Dozo | |
| Lewis Gribben | Dealer | |
| Dominic Maccoll | Dealer | |
| Calum Verrecchia | Dealer | |
| Simon Weir | Jailhouse | |
| Bradley Welsh | Doyle | |
| Katie Leung | Nurse | |
| Thierry Mabonga | Security Officer Wilson | |
| Atta Yaqub | Medical Student | |
| Christopher Douglas | Chris the Oracle | |
| Pauline Turner | June | |
| Scot Greenan | Frank Junior | |
| James McElvar | Simon (aged 20) | |
| Connor McIndoe | Renton (aged 20) | |
| Bryan Quinn | Man in Music Video | |
| Irvine Welsh | Mickey Forrester | |
| Ged Hanley | Social Club Band | |
| Neil Thomson | Social Club Band | |
| Margaret Davies | Social Club Singer | |
| Alex Jackson | Social Club Singer | |
| Tom Urie | Big Bear | |
| Phil Coppola | Boxing Instructor | |
| John Bell | Spud (aged 20) | |
| Kyle Fitzpatrick | Fergus | |
| Eileen Nicholas | Renton’s Mother | |
| Michael Shaw | Tommy (aged 20) | |
| Kevin McKidd | Tommy | |
| Lauren Lamb | Baby Dawn | |
| Devon Lamb | Baby Dawn | |
| Amy Manson | Woman in Club | |
| Russell Dunsmore | Hard Guy Driver | |
| Nebli Basani | Hardman | |
| Edyta Szewczyk | Girl in Sauna | |
| Fiori Miari | Girls in Sauna | |
| Pauline Lynch | Lizzy | |
| Christopher Mullen | Begbie (aged 20) | |
| Hamish Haggerty | Young Renton | |
| Daniel Jackson | Young Begbie | |
| Svetlana Yancheva | Veronika’s Mother | |
| Emil Bonev | Veronika’s Son |
Production and Technical Credits
| Danny Boyle | Director | |
| John Hodge | Screenwriter | |
| Irvine Welsh | Based on the books ‘Porno’ and ‘Trainspotting’ by | |
| Andrew MacDonald | Producer | |
| Danny Boyle | Producer | |
| Christian Colson | Producer | |
| Bernard Bellew | Producer | |
| Allon Reich | Executive Producer | |
| Irvine Welsh | Executive Producer | |
| Anthony Dod Mantle | Director of Photography | |
| Mark Tildesley | Production Designer | |
| Patrick Rolfe | Production Designer | |
| Jon Harris | Editor | |
| Rick Smith (Composer-Underworld) | Composer | |
| Rachael Fleming | Costume Designer | |
| Steven Noble | Costume Designer | |
| Ivana Primorac | Make-up and Hair Designer | |
| Adam Gascoyne | Visual Effects Supervisor | |
| Glenn Freemantle | Sound Designer | |
| Colin Nicolson | Sound Mixer | |
| Gail Stevens | Casting Director | |
| Julian Spencer | Stunt Coordinator | |
| Claire Campbell | Production Manager | |
| David Gilchrist | First Assistant Director | |
| Veronique Melery | Set Decorator | |
| Clare St. John | Post-Production Supervisor | |
| Adam Squires | Art Director | |
| Chris Wyatt | Art Director | |
| Gerry Fraser | Second Unit Director | |
| Samar Pollitt | Production Manager | |
| Zoe Liang | First Assistant Director | |
| Harry Boyd | First Assistant Director | |
| Michael Queen | Second Assistant Director | |
| Sylvia Parker | Script Supervisor | |
| Tamsin Jeffrey | First Assistant Editor | |
| Ruth Antoine | Second Assistant Editor | |
| Lloret Dunn | Location Manager | |
| Harriet Edmonds | Costume Supervisor | |
| Mike Kelt | Special Effects Supervisor | |
| Joanna Dewar | Special Effects Coordinator | |
| Rebecca Farhall | Casting Associate | |
| Clare Gordon | Casting Assistant | |
| Glenn Freemantle | Supervising Sound Editor | |
| Gillian Dodders | Supervising Dialogue Editor | |
| Danny Freemantle | Sound Effects Editor | |
| Rob Malone | Sound Effects Editor | |
| James Wichall | Dialogue Editor | |
| Emilie O’Connor | Dialogue Editor | |
| Niv Adiri | Re-recording Mixer | |
| Ian Tapp | Re-recording Mixer | |
| Glen Gathard | Foley Mixer | |
| Tim Caplan | Visual Effects Producer | |
| Noga Alon Stein | Visual Effects Producer | |
| Vesselin Karadjov | Line Producer | |
| Allan Jenkins | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.