Ta'm e guilass (1998)

Ta
Theatrical Performance
Domestic Box Office $311,873Details
International Box Office $10,954Details
Worldwide Box Office $322,827
OpusData ID: 71230100 More info...
Further financial details...

Synopsis

A depressed middle-aged man travels the Iranian countryside searching for someone to bury him after he commits suicide. Eventually, he encounters a Turkish taxidermist who tries to get him to see life’s beauty.

Metrics

Legs:11.05 (domestic box office/biggest weekend)
Domestic Share:96.6% (domestic box office/worldwide)
Infl. Adj. Dom. BO $795,304

Movie Details

Domestic Releases: January 30th, 1998 (Wide) by New Line, released as Taste of Cherry
International Releases: February 14th, 1998 (Wide), released as O Sabor da Cereja (Portugal)
Video Release: June 8th, 1999 by Criterion, released as Taste of Cherry
MPA Rating: Not Rated
Running Time: 95 minutes
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Islamic Republic of Iran, France
Languages: Persian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 27, 1998 58 $26,969   4 $6,742   $63,317 9
Apr 3, 1998 60 $28,223 +5% 5 $5,645   $115,871 10
Nov 6, 1998 94 $337   2 $169   $301,622 41
Nov 20, 1998 69 $7,908   2 $3,954   $311,873 43

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 27, 1998 52 $51,300   4 $12,825   $87,648 9

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Portugal 2/14/1998 $0 0 2 4 $10,954 2/21/2018
  
International Total $10,954 2/21/2018

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Production and Technical Credits

Abbas Kiarostami    Director
Abbas Kiarostami    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Synopsis

A depressed middle-aged man travels the Iranian countryside searching for someone to bury him after he commits suicide. Eventually, he encounters a Turkish taxidermist who tries to get him to see life’s beauty.

Metrics

Legs:11.05 (domestic box office/biggest weekend)
Domestic Share:96.6% (domestic box office/worldwide)
Infl. Adj. Dom. BO $795,304

Movie Details

Domestic Releases: January 30th, 1998 (Wide) by New Line, released as Taste of Cherry
International Releases: February 14th, 1998 (Wide), released as O Sabor da Cereja (Portugal)
Video Release: June 8th, 1999 by Criterion, released as Taste of Cherry
MPA Rating: Not Rated
Running Time: 95 minutes
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Islamic Republic of Iran, France
Languages: Persian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 27, 1998 58 $26,969   4 $6,742   $63,317 9
Apr 3, 1998 60 $28,223 +5% 5 $5,645   $115,871 10
Nov 6, 1998 94 $337   2 $169   $301,622 41
Nov 20, 1998 69 $7,908   2 $3,954   $311,873 43

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 27, 1998 52 $51,300   4 $12,825   $87,648 9

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Portugal 2/14/1998 $0 0 2 4 $10,954 2/21/2018
  
International Total $10,954 2/21/2018

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Production and Technical Credits

Abbas Kiarostami    Director
Abbas Kiarostami    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.