Table 19 (2017)
| Theatrical Performance | ||
| Domestic Box Office | $3,614,896 | Details |
| International Box Office | $1,005,503 | Details |
| Worldwide Box Office | $4,620,399 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $290,562 | |
| Blu-ray Sales (estimated) | $114,059 | |
| Total | $404,621 | |
| OpusData ID: 256280100 More info... | ||
| Further financial details... | ||
Synopsis
Ex-maid of honor Eloise—having been relieved of her duties after being unceremoniously dumped by the best man via text—decides to hold her head up high and attend her oldest friend's wedding anyway. She finds herself seated at the “random” table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets. As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships—and even a little romance—can happen under the most unlikely circumstances.
Metrics
| Opening Weekend: | $1,597,928 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 78.2% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 868 opening theaters/868 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,819,856 |
Movie Details
| Domestic Releases: | March 3rd, 2017 (Wide) by Fox Searchlight |
| International Releases: | March 31st, 2017 (Wide), released as Mesa 19 (Spain)
April 7th, 2017 (Wide) (United Kingdom) April 21st, 2017 (Wide) (Australia) May 5th, 2017 (Wide) (New Zealand) June 2nd, 2017 (Wide), released as Tavolo n. 19 (Italy) ... Show all releases |
| Video Release: | June 13th, 2017 by Fox Home Entertainment |
| MPA Rating: | PG-13 for thematic elements, sexual content, drug use, language and some brief nudity. (Rating bulletin 2419 (Cert #50238), 4/6/2016) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Cancer, Life on the Outside, Relationship Advice, Relationships Gone Wrong, Romance, Terminal Illness, Unexpected Pregnancy |
| Social setting: | Wedding Day |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3311 Productions, Fox Searchlight Pictures, 21 Laps Entertainment |
| Production Countries: | Finland, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 17 | $1,597,928 | 868 | $1,841 | $1,597,928 | 1 | |
| Mar 10, 2017 | 19 | $841,403 | -47% | 868 | $969 | $2,978,103 | 2 |
| Mar 17, 2017 | 31 | $125,045 | -85% | 209 | $598 | $3,500,201 | 3 |
| Mar 24, 2017 | 52 | $17,124 | -86% | 33 | $519 | $3,591,047 | 4 |
| Mar 31, 2017 | 64 | $6,906 | -60% | 16 | $432 | $3,606,977 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 15 | $519,652 | 868 | $599 | $519,652 | 1 | ||
| Mar 4, 2017 | - | $685,669 | +32% | 868 | $790 | $1,205,321 | 2 | |
| Mar 5, 2017 | - | $392,607 | -43% | 868 | $452 | $1,597,928 | 3 | |
| Mar 6, 2017 | - | $116,563 | -70% | 868 | $134 | $1,714,491 | 4 | |
| Mar 7, 2017 | - | $179,785 | +54% | 868 | $207 | $1,894,276 | 5 | |
| Mar 8, 2017 | 15 | $123,020 | -32% | 868 | $142 | $2,017,296 | 6 | |
| Mar 9, 2017 | 14 | $119,404 | -3% | 868 | $138 | $2,136,700 | 7 | |
| Mar 10, 2017 | 15 | $246,844 | +107% | -52% | 868 | $284 | $2,383,544 | 8 |
| Mar 11, 2017 | - | $376,120 | +52% | -45% | 868 | $433 | $2,759,664 | 9 |
| Mar 12, 2017 | - | $218,439 | -42% | -44% | 868 | $252 | $2,978,103 | 10 |
| Mar 13, 2017 | - | $94,780 | -57% | -19% | 868 | $109 | $3,072,883 | 11 |
| Mar 14, 2017 | - | $130,976 | +38% | -27% | 868 | $151 | $3,203,859 | 12 |
| Mar 15, 2017 | - | $101,733 | -22% | -17% | 868 | $117 | $3,305,592 | 13 |
| Mar 16, 2017 | - | $69,564 | -32% | -42% | 868 | $80 | $3,375,156 | 14 |
| Mar 17, 2017 | - | $35,144 | -49% | -86% | 209 | $168 | $3,410,300 | 15 |
| Mar 18, 2017 | - | $60,423 | +72% | -84% | 209 | $289 | $3,470,723 | 16 |
| Mar 19, 2017 | - | $29,478 | -51% | -87% | 209 | $141 | $3,500,201 | 17 |
| Mar 20, 2017 | - | $14,802 | -50% | -84% | 209 | $71 | $3,515,003 | 18 |
| Mar 21, 2017 | - | $27,214 | +84% | -79% | 209 | $130 | $3,542,217 | 19 |
| Mar 22, 2017 | - | $16,058 | -41% | -84% | 209 | $77 | $3,558,275 | 20 |
| Mar 23, 2017 | - | $15,648 | -3% | -78% | 209 | $75 | $3,573,923 | 21 |
| Mar 24, 2017 | - | $5,200 | -67% | -85% | 33 | $158 | $3,579,123 | 22 |
| Mar 25, 2017 | - | $7,147 | +37% | -88% | 33 | $217 | $3,586,270 | 23 |
| Mar 26, 2017 | - | $4,777 | -33% | -84% | 33 | $145 | $3,591,047 | 24 |
| Mar 27, 2017 | - | $2,089 | -56% | -86% | 33 | $63 | $3,593,136 | 25 |
| Mar 28, 2017 | - | $2,850 | +36% | -90% | 33 | $86 | $3,595,986 | 26 |
| Mar 29, 2017 | - | $2,082 | -27% | -87% | 33 | $63 | $3,598,068 | 27 |
| Mar 30, 2017 | - | $2,003 | -4% | -87% | 33 | $61 | $3,600,071 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 17 | $2,136,700 | 868 | $2,462 | $2,136,700 | 1 | |
| Mar 10, 2017 | 18 | $1,238,456 | -42% | 868 | $1,427 | $3,375,156 | 2 |
| Mar 17, 2017 | 31 | $198,767 | -84% | 209 | $951 | $3,573,923 | 3 |
| Mar 24, 2017 | 49 | $26,148 | -87% | 33 | $792 | $3,600,071 | 4 |
| Mar 31, 2017 | 56 | $14,825 | -43% | 16 | $927 | $3,614,896 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/21/2017 | $262,301 | 162 | 162 | 465 | $627,846 | 5/22/2017 | |||
| Italy | 6/2/2017 | $23,505 | 0 | 0 | 0 | $23,505 | 6/8/2017 | |||
| New Zealand | 5/5/2017 | $23,917 | 27 | 27 | 75 | $62,753 | 5/30/2017 | |||
| Spain | 3/31/2017 | $20,722 | 50 | 50 | 65 | $32,692 | 4/21/2017 | |||
| United Kingdom | 4/7/2017 | $161,917 | 221 | 221 | 221 | $161,917 | 4/12/2017 | |||
| Rest of World | $96,790 | |||||||||
| International Total | $1,005,503 | 6/8/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Anna Kendrick | Eloise McGarry | |
| Craig Robinson | Jerry Kepp | |
| June Squibb | Jo Flanagan | |
| Lisa Kudrow | Bina Kepp |
Supporting
| Wyatt Russell | Teddy |
Lead Ensemble Member
| Tony Revolori | Renzo Eckberg | |
| Stephen Merchant | Walter Thimble |
Supporting
| Amanda Crew | Nikki | |
| Rya Meyers | Francie Millner | |
| Charles Green | Mr. Manny | |
| Margo Martindale | Freda Eckberg | |
| Carlos Aviles | Jalapeño | |
| Brad Oberhofer | Wedding Singer | |
| Megan Lawless | Megan-Ann | |
| Jay Klaitz | Photographer | |
| Richard Haylor | Roger Millner | |
| Tom Cocquerel | Huck | |
| Andrew Daly | Luke Pfaffler | |
| Maria Thayer | Infamous Kate Millner | |
| Andy Blitz | Notorious Donny Haczyk | |
| Becky Ann Baker | Carol Millner | |
| Max Silvestri | Champagne Server | |
| Nick Arapoglou | Receptionist | |
| Andy Stahl | Henry Grotsky | |
| Sheri Stewart | Sherri Grotsky | |
| Matthew Cornwell | Drunk Military Buddy | |
| Chris Whitley | Douglas Grotsky | |
| Elizabeth Ludlow | Caterer | |
| Omer Mughal | Hotel Staff Member | |
| Chelle Ramos | Rodriguez Bride | |
| Gabriella Cila | Renzo’s Study Buddy |
Production and Technical Credits
| Jeffrey Blitz | Director | |
| Jeffrey Blitz | Screenwriter | |
| Mark Duplass | Story by | |
| Jay Duplass | Story by | |
| Jeffrey Blitz | Story by | |
| Shawn Levy | Producer | |
| Dan Cohen | Producer | |
| P. Jennifer Dana | Producer | |
| Mark Roberts | Producer | |
| Jeremy Kipp Walker | Executive Producer | |
| Ross Jacobson | Executive Producer | |
| Tom McNulty | Executive Producer | |
| Sheldon Rabinowitz | Executive Producer | |
| Ben Richardson | Director of Photography | |
| Timothy D. O'Brien | Production Designer | |
| Yana Gorskaya | Editor | |
| Peggy Stamper | Costume Designer | |
| John Swihart | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Rachel Tenner | Casting Director | |
| Quincy Lamar Willis | Choreography | |
| Bob Fisher | Stunt Coordinator | |
| Kelley Sims | Production Supervisor | |
| Richard Sanchez | Additional Editor | |
| Eric Edwards | Additional Photography | |
| Brittany Hites | Art Director | |
| Kristen Hunsicker | Set Designer | |
| Georgeanne Olive | Set Decorator | |
| Mike Filosa | Sound Mixer | |
| Melissa Randle | Script Supervisor | |
| Daniel George | Costume Supervisor | |
| Essie Cha | Make up | |
| Nesrin Ismail | Make up | |
| K. G. Ramsey | Hairstylist | |
| Voni Hinkle | Hairstylist | |
| Steve Battaglia | Hairstylist | |
| Kai Thorup | Location Manager | |
| Kathleen Tonkin-Vazquez* | Special Effects Coordinator | |
| Drew Ponder | Sound Mixer | |
| Richard Sanchez | First Assistant Editor | |
| Jonathan Thornhill | Second Assistant Editor | |
| Erik Evans | Second Assistant Editor | |
| Ian Morabito | Second Assistant Editor | |
| Peter Brown | Sound Supervisor | |
| Dave McMoyler | Sound Supervisor | |
| Andy Koyama | Re-recording Mixer | |
| Richard Shapiro | Dialogue Editor | |
| Walter Spencer | Foley Recordist | |
| Ando Johnson | Sound Effects Editor | |
| Albert Glasser | Sound Effects Editor | |
| David Lebensfeld | Visual Effects Supervisor | |
| Grant Miller | Visual Effects Supervisor | |
| Shie Rozow | Music Editor | |
| Ted Blaisdell | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ex-maid of honor Eloise—having been relieved of her duties after being unceremoniously dumped by the best man via text—decides to hold her head up high and attend her oldest friend's wedding anyway. She finds herself seated at the “random” table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets. As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships—and even a little romance—can happen under the most unlikely circumstances.
Metrics
| Opening Weekend: | $1,597,928 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 78.2% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 868 opening theaters/868 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,819,856 |
Movie Details
| Domestic Releases: | March 3rd, 2017 (Wide) by Fox Searchlight |
| International Releases: | March 31st, 2017 (Wide), released as Mesa 19 (Spain)
April 7th, 2017 (Wide) (United Kingdom) April 21st, 2017 (Wide) (Australia) May 5th, 2017 (Wide) (New Zealand) June 2nd, 2017 (Wide), released as Tavolo n. 19 (Italy) ... Show all releases |
| Video Release: | June 13th, 2017 by Fox Home Entertainment |
| MPA Rating: | PG-13 for thematic elements, sexual content, drug use, language and some brief nudity. (Rating bulletin 2419 (Cert #50238), 4/6/2016) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Cancer, Life on the Outside, Relationship Advice, Relationships Gone Wrong, Romance, Terminal Illness, Unexpected Pregnancy |
| Social setting: | Wedding Day |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3311 Productions, Fox Searchlight Pictures, 21 Laps Entertainment |
| Production Countries: | Finland, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 17 | $1,597,928 | 868 | $1,841 | $1,597,928 | 1 | |
| Mar 10, 2017 | 19 | $841,403 | -47% | 868 | $969 | $2,978,103 | 2 |
| Mar 17, 2017 | 31 | $125,045 | -85% | 209 | $598 | $3,500,201 | 3 |
| Mar 24, 2017 | 52 | $17,124 | -86% | 33 | $519 | $3,591,047 | 4 |
| Mar 31, 2017 | 64 | $6,906 | -60% | 16 | $432 | $3,606,977 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 15 | $519,652 | 868 | $599 | $519,652 | 1 | ||
| Mar 4, 2017 | - | $685,669 | +32% | 868 | $790 | $1,205,321 | 2 | |
| Mar 5, 2017 | - | $392,607 | -43% | 868 | $452 | $1,597,928 | 3 | |
| Mar 6, 2017 | - | $116,563 | -70% | 868 | $134 | $1,714,491 | 4 | |
| Mar 7, 2017 | - | $179,785 | +54% | 868 | $207 | $1,894,276 | 5 | |
| Mar 8, 2017 | 15 | $123,020 | -32% | 868 | $142 | $2,017,296 | 6 | |
| Mar 9, 2017 | 14 | $119,404 | -3% | 868 | $138 | $2,136,700 | 7 | |
| Mar 10, 2017 | 15 | $246,844 | +107% | -52% | 868 | $284 | $2,383,544 | 8 |
| Mar 11, 2017 | - | $376,120 | +52% | -45% | 868 | $433 | $2,759,664 | 9 |
| Mar 12, 2017 | - | $218,439 | -42% | -44% | 868 | $252 | $2,978,103 | 10 |
| Mar 13, 2017 | - | $94,780 | -57% | -19% | 868 | $109 | $3,072,883 | 11 |
| Mar 14, 2017 | - | $130,976 | +38% | -27% | 868 | $151 | $3,203,859 | 12 |
| Mar 15, 2017 | - | $101,733 | -22% | -17% | 868 | $117 | $3,305,592 | 13 |
| Mar 16, 2017 | - | $69,564 | -32% | -42% | 868 | $80 | $3,375,156 | 14 |
| Mar 17, 2017 | - | $35,144 | -49% | -86% | 209 | $168 | $3,410,300 | 15 |
| Mar 18, 2017 | - | $60,423 | +72% | -84% | 209 | $289 | $3,470,723 | 16 |
| Mar 19, 2017 | - | $29,478 | -51% | -87% | 209 | $141 | $3,500,201 | 17 |
| Mar 20, 2017 | - | $14,802 | -50% | -84% | 209 | $71 | $3,515,003 | 18 |
| Mar 21, 2017 | - | $27,214 | +84% | -79% | 209 | $130 | $3,542,217 | 19 |
| Mar 22, 2017 | - | $16,058 | -41% | -84% | 209 | $77 | $3,558,275 | 20 |
| Mar 23, 2017 | - | $15,648 | -3% | -78% | 209 | $75 | $3,573,923 | 21 |
| Mar 24, 2017 | - | $5,200 | -67% | -85% | 33 | $158 | $3,579,123 | 22 |
| Mar 25, 2017 | - | $7,147 | +37% | -88% | 33 | $217 | $3,586,270 | 23 |
| Mar 26, 2017 | - | $4,777 | -33% | -84% | 33 | $145 | $3,591,047 | 24 |
| Mar 27, 2017 | - | $2,089 | -56% | -86% | 33 | $63 | $3,593,136 | 25 |
| Mar 28, 2017 | - | $2,850 | +36% | -90% | 33 | $86 | $3,595,986 | 26 |
| Mar 29, 2017 | - | $2,082 | -27% | -87% | 33 | $63 | $3,598,068 | 27 |
| Mar 30, 2017 | - | $2,003 | -4% | -87% | 33 | $61 | $3,600,071 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 17 | $2,136,700 | 868 | $2,462 | $2,136,700 | 1 | |
| Mar 10, 2017 | 18 | $1,238,456 | -42% | 868 | $1,427 | $3,375,156 | 2 |
| Mar 17, 2017 | 31 | $198,767 | -84% | 209 | $951 | $3,573,923 | 3 |
| Mar 24, 2017 | 49 | $26,148 | -87% | 33 | $792 | $3,600,071 | 4 |
| Mar 31, 2017 | 56 | $14,825 | -43% | 16 | $927 | $3,614,896 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/21/2017 | $262,301 | 162 | 162 | 465 | $627,846 | 5/22/2017 | |||
| Italy | 6/2/2017 | $23,505 | 0 | 0 | 0 | $23,505 | 6/8/2017 | |||
| New Zealand | 5/5/2017 | $23,917 | 27 | 27 | 75 | $62,753 | 5/30/2017 | |||
| Spain | 3/31/2017 | $20,722 | 50 | 50 | 65 | $32,692 | 4/21/2017 | |||
| United Kingdom | 4/7/2017 | $161,917 | 221 | 221 | 221 | $161,917 | 4/12/2017 | |||
| Rest of World | $96,790 | |||||||||
| International Total | $1,005,503 | 6/8/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Anna Kendrick | Eloise McGarry | |
| Craig Robinson | Jerry Kepp | |
| June Squibb | Jo Flanagan | |
| Lisa Kudrow | Bina Kepp |
Supporting
| Wyatt Russell | Teddy |
Lead Ensemble Member
| Tony Revolori | Renzo Eckberg | |
| Stephen Merchant | Walter Thimble |
Supporting
| Amanda Crew | Nikki | |
| Rya Meyers | Francie Millner | |
| Charles Green | Mr. Manny | |
| Margo Martindale | Freda Eckberg | |
| Carlos Aviles | Jalapeño | |
| Brad Oberhofer | Wedding Singer | |
| Megan Lawless | Megan-Ann | |
| Jay Klaitz | Photographer | |
| Richard Haylor | Roger Millner | |
| Tom Cocquerel | Huck | |
| Andrew Daly | Luke Pfaffler | |
| Maria Thayer | Infamous Kate Millner | |
| Andy Blitz | Notorious Donny Haczyk | |
| Becky Ann Baker | Carol Millner | |
| Max Silvestri | Champagne Server | |
| Nick Arapoglou | Receptionist | |
| Andy Stahl | Henry Grotsky | |
| Sheri Stewart | Sherri Grotsky | |
| Matthew Cornwell | Drunk Military Buddy | |
| Chris Whitley | Douglas Grotsky | |
| Elizabeth Ludlow | Caterer | |
| Omer Mughal | Hotel Staff Member | |
| Chelle Ramos | Rodriguez Bride | |
| Gabriella Cila | Renzo’s Study Buddy |
Production and Technical Credits
| Jeffrey Blitz | Director | |
| Jeffrey Blitz | Screenwriter | |
| Mark Duplass | Story by | |
| Jay Duplass | Story by | |
| Jeffrey Blitz | Story by | |
| Shawn Levy | Producer | |
| Dan Cohen | Producer | |
| P. Jennifer Dana | Producer | |
| Mark Roberts | Producer | |
| Jeremy Kipp Walker | Executive Producer | |
| Ross Jacobson | Executive Producer | |
| Tom McNulty | Executive Producer | |
| Sheldon Rabinowitz | Executive Producer | |
| Ben Richardson | Director of Photography | |
| Timothy D. O'Brien | Production Designer | |
| Yana Gorskaya | Editor | |
| Peggy Stamper | Costume Designer | |
| John Swihart | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Rachel Tenner | Casting Director | |
| Quincy Lamar Willis | Choreography | |
| Bob Fisher | Stunt Coordinator | |
| Kelley Sims | Production Supervisor | |
| Richard Sanchez | Additional Editor | |
| Eric Edwards | Additional Photography | |
| Brittany Hites | Art Director | |
| Kristen Hunsicker | Set Designer | |
| Georgeanne Olive | Set Decorator | |
| Mike Filosa | Sound Mixer | |
| Melissa Randle | Script Supervisor | |
| Daniel George | Costume Supervisor | |
| Essie Cha | Make up | |
| Nesrin Ismail | Make up | |
| K. G. Ramsey | Hairstylist | |
| Voni Hinkle | Hairstylist | |
| Steve Battaglia | Hairstylist | |
| Kai Thorup | Location Manager | |
| Kathleen Tonkin-Vazquez* | Special Effects Coordinator | |
| Drew Ponder | Sound Mixer | |
| Richard Sanchez | First Assistant Editor | |
| Jonathan Thornhill | Second Assistant Editor | |
| Erik Evans | Second Assistant Editor | |
| Ian Morabito | Second Assistant Editor | |
| Peter Brown | Sound Supervisor | |
| Dave McMoyler | Sound Supervisor | |
| Andy Koyama | Re-recording Mixer | |
| Richard Shapiro | Dialogue Editor | |
| Walter Spencer | Foley Recordist | |
| Ando Johnson | Sound Effects Editor | |
| Albert Glasser | Sound Effects Editor | |
| David Lebensfeld | Visual Effects Supervisor | |
| Grant Miller | Visual Effects Supervisor | |
| Shie Rozow | Music Editor | |
| Ted Blaisdell | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.