Tale of the Mummy (1998)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 485040100 More info... | ||
| Further financial details... | ||
Synopsis
Fifty years ago, Sir Richard Turkel met disaster while exploring the supposedly cursed tomb of the ancient Egyptian tyrant Talos. Now his granddaughter, archaeologist Samantha Turkel, eagerly picks up where he left off, delving into its depths to uncover Talos’ sarcophagus. But, shortly after the tomb’s artifacts are transferred to a London museum, a strange series of murders begins to plague the city. Baffled local detectives enlist Samantha for help.
Metrics
Movie Details
| Running Time: | 88 minutes |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United States, Luxembourg, Germany, United Kingdom |
| Languages: | English |
Production and Technical Credits
| Russell Mulcahy | Director | |
| Tom Reeve | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
Fifty years ago, Sir Richard Turkel met disaster while exploring the supposedly cursed tomb of the ancient Egyptian tyrant Talos. Now his granddaughter, archaeologist Samantha Turkel, eagerly picks up where he left off, delving into its depths to uncover Talos’ sarcophagus. But, shortly after the tomb’s artifacts are transferred to a London museum, a strange series of murders begins to plague the city. Baffled local detectives enlist Samantha for help.
Metrics
Movie Details
| Running Time: | 88 minutes |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United States, Luxembourg, Germany, United Kingdom |
| Languages: | English |
Production and Technical Credits
| Russell Mulcahy | Director | |
| Tom Reeve | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.