Tamara Drewe (2010)
| Theatrical Performance | ||
| Domestic Box Office | $560,391 | Details |
| International Box Office | $6,167,359 | |
| Worldwide Box Office | $6,727,750 | |
| OpusData ID: 139490100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $18,604 (3.3% of total gross) |
| Legs: | 10.80 (domestic box office/biggest weekend) |
| Domestic Share: | 8.3% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/59 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $805,811 |
Movie Details
| Domestic Releases: | October 8th, 2010 (Limited) by Sony Pictures Classics |
| MPA Rating: | R for language and some sexuality. (Rating bulletin 2131, 7/28/2010) |
| Running Time: | 110 minutes |
| Plot point: | Relationships Gone Wrong, Romance, Ugly Duckling, You Can't Go Home Again |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | WestEnd Films, BBC Films, UK Film Council, Ruby Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 8, 2010 | 64 | $18,604 | 4 | $4,651 | $18,604 | 1 | |
| Oct 15, 2010 | 59 | $19,634 | +6% | 10 | $1,963 | $49,800 | 2 |
| Oct 22, 2010 | 45 | $46,114 | +135% | 20 | $2,306 | $107,011 | 3 |
| Oct 29, 2010 | 46 | $28,188 | -39% | 13 | $2,168 | $153,689 | 4 |
| Nov 5, 2010 | 40 | $51,903 | +84% | 27 | $1,922 | $216,717 | 5 |
| Nov 12, 2010 | 49 | $27,401 | -47% | 21 | $1,305 | $268,027 | 6 |
| Nov 19, 2010 | 36 | $51,860 | +89% | 34 | $1,525 | $331,078 | 7 |
| Nov 26, 2010 | 47 | $31,275 | -40% | 24 | $1,303 | $377,806 | 8 |
| Dec 3, 2010 | 44 | $37,062 | +19% | 47 | $789 | $422,399 | 9 |
| Dec 10, 2010 | 42 | $36,481 | -2% | 59 | $618 | $474,499 | 10 |
| Dec 17, 2010 | 50 | $14,952 | -59% | 11 | $1,359 | $509,221 | 11 |
| Dec 24, 2010 | 65 | $2,732 | -82% | 14 | $195 | $518,946 | 12 |
| Dec 31, 2010 | 73 | $3,390 | +24% | 14 | $242 | $526,639 | 13 |
| Jan 7, 2011 | 59 | $7,721 | +128% | 19 | $406 | $538,029 | 14 |
| Jan 21, 2011 | 71 | $4,023 | 14 | $287 | $551,077 | 16 | |
| Jan 28, 2011 | 84 | $1,644 | -59% | 6 | $274 | $554,918 | 17 |
| Feb 4, 2011 | 82 | $2,201 | +34% | 3 | $734 | $557,531 | 18 |
| Feb 11, 2011 | 108 | $489 | -78% | 2 | $245 | $558,779 | 19 |
| Feb 18, 2011 | 106 | $712 | +46% | 4 | $178 | $559,556 | 20 |
| Mar 11, 2011 | 117 | $230 | 1 | $230 | $560,101 | 23 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 90 | $155 | 4 | $39 | $559,711 | 137 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 8, 2010 | 64 | $30,166 | 4 | $7,542 | $30,166 | 1 | |
| Oct 15, 2010 | 58 | $30,731 | +2% | 10 | $3,073 | $60,897 | 2 |
| Oct 22, 2010 | 43 | $64,604 | +110% | 20 | $3,230 | $125,501 | 3 |
| Oct 29, 2010 | 49 | $39,313 | -39% | 13 | $3,024 | $164,814 | 4 |
| Nov 5, 2010 | 43 | $75,812 | +93% | 27 | $2,808 | $240,626 | 5 |
| Nov 12, 2010 | 49 | $38,592 | -49% | 21 | $1,838 | $279,218 | 6 |
| Nov 19, 2010 | 43 | $67,313 | +74% | 34 | $1,980 | $346,531 | 7 |
| Nov 26, 2010 | 49 | $38,806 | -42% | 24 | $1,617 | $385,337 | 8 |
| Dec 3, 2010 | 42 | $52,681 | +36% | 47 | $1,121 | $438,018 | 9 |
| Dec 10, 2010 | 42 | $56,251 | +7% | 59 | $953 | $494,269 | 10 |
| Dec 17, 2010 | 55 | $21,945 | -61% | 11 | $1,995 | $516,214 | 11 |
| Dec 24, 2010 | 68 | $7,035 | -68% | 14 | $503 | $523,249 | 12 |
| Dec 31, 2010 | 69 | $7,059 | n/c | 14 | $504 | $530,308 | 13 |
| Jan 7, 2011 | 59 | $11,656 | +65% | 19 | $613 | $541,964 | 14 |
| Jan 14, 2011 | 79 | $5,090 | -56% | 11 | $463 | $547,054 | 15 |
| Jan 21, 2011 | 76 | $6,220 | +22% | 14 | $444 | $553,274 | 16 |
| Jan 28, 2011 | 87 | $2,056 | -67% | 6 | $343 | $555,330 | 17 |
| Feb 4, 2011 | 83 | $2,960 | +44% | 3 | $987 | $558,290 | 18 |
| Feb 11, 2011 | 111 | $554 | -81% | 2 | $277 | $558,844 | 19 |
| Feb 18, 2011 | 105 | $1,027 | +85% | 4 | $257 | $559,871 | 20 |
| Mar 11, 2011 | 118 | $520 | 1 | $520 | $560,391 | 23 |
Lead Ensemble Member
| Gemma Arterton | Tamara Drewe | |
| Roger Allam | Nicholas Hardiment | |
| Dominic Cooper | Ben Sergeant | |
| Luke Evans | Andy Cobb | |
| Tamsin Greig | Beth Hardiment |
Supporting
| Jessica Barden | Jody Long | |
| Charlotte Christie | Casey Shaw |
Production and Technical Credits
| Alison Owen | Producer | |
| Paul Trijbits | Producer | |
| Tracey Seaward | Producer | |
| Christine Langan | Executive Producer | |
| Sharon Harel | Executive Producer | |
| Maya Amsellem | Executive Producer | |
| Eve Schoukroun | Executive Producer | |
| Stephen Frears | Director | |
| Moira Buffini | Screenwriter | |
| Posy Simmonds | Story Creator | |
| Tina Jones | Set Decorator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $18,604 (3.3% of total gross) |
| Legs: | 10.80 (domestic box office/biggest weekend) |
| Domestic Share: | 8.3% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/59 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $805,811 |
Movie Details
| Domestic Releases: | October 8th, 2010 (Limited) by Sony Pictures Classics |
| MPA Rating: | R for language and some sexuality. (Rating bulletin 2131, 7/28/2010) |
| Running Time: | 110 minutes |
| Plot point: | Relationships Gone Wrong, Romance, Ugly Duckling, You Can't Go Home Again |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | WestEnd Films, BBC Films, UK Film Council, Ruby Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 8, 2010 | 64 | $18,604 | 4 | $4,651 | $18,604 | 1 | |
| Oct 15, 2010 | 59 | $19,634 | +6% | 10 | $1,963 | $49,800 | 2 |
| Oct 22, 2010 | 45 | $46,114 | +135% | 20 | $2,306 | $107,011 | 3 |
| Oct 29, 2010 | 46 | $28,188 | -39% | 13 | $2,168 | $153,689 | 4 |
| Nov 5, 2010 | 40 | $51,903 | +84% | 27 | $1,922 | $216,717 | 5 |
| Nov 12, 2010 | 49 | $27,401 | -47% | 21 | $1,305 | $268,027 | 6 |
| Nov 19, 2010 | 36 | $51,860 | +89% | 34 | $1,525 | $331,078 | 7 |
| Nov 26, 2010 | 47 | $31,275 | -40% | 24 | $1,303 | $377,806 | 8 |
| Dec 3, 2010 | 44 | $37,062 | +19% | 47 | $789 | $422,399 | 9 |
| Dec 10, 2010 | 42 | $36,481 | -2% | 59 | $618 | $474,499 | 10 |
| Dec 17, 2010 | 50 | $14,952 | -59% | 11 | $1,359 | $509,221 | 11 |
| Dec 24, 2010 | 65 | $2,732 | -82% | 14 | $195 | $518,946 | 12 |
| Dec 31, 2010 | 73 | $3,390 | +24% | 14 | $242 | $526,639 | 13 |
| Jan 7, 2011 | 59 | $7,721 | +128% | 19 | $406 | $538,029 | 14 |
| Jan 21, 2011 | 71 | $4,023 | 14 | $287 | $551,077 | 16 | |
| Jan 28, 2011 | 84 | $1,644 | -59% | 6 | $274 | $554,918 | 17 |
| Feb 4, 2011 | 82 | $2,201 | +34% | 3 | $734 | $557,531 | 18 |
| Feb 11, 2011 | 108 | $489 | -78% | 2 | $245 | $558,779 | 19 |
| Feb 18, 2011 | 106 | $712 | +46% | 4 | $178 | $559,556 | 20 |
| Mar 11, 2011 | 117 | $230 | 1 | $230 | $560,101 | 23 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 90 | $155 | 4 | $39 | $559,711 | 137 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 8, 2010 | 64 | $30,166 | 4 | $7,542 | $30,166 | 1 | |
| Oct 15, 2010 | 58 | $30,731 | +2% | 10 | $3,073 | $60,897 | 2 |
| Oct 22, 2010 | 43 | $64,604 | +110% | 20 | $3,230 | $125,501 | 3 |
| Oct 29, 2010 | 49 | $39,313 | -39% | 13 | $3,024 | $164,814 | 4 |
| Nov 5, 2010 | 43 | $75,812 | +93% | 27 | $2,808 | $240,626 | 5 |
| Nov 12, 2010 | 49 | $38,592 | -49% | 21 | $1,838 | $279,218 | 6 |
| Nov 19, 2010 | 43 | $67,313 | +74% | 34 | $1,980 | $346,531 | 7 |
| Nov 26, 2010 | 49 | $38,806 | -42% | 24 | $1,617 | $385,337 | 8 |
| Dec 3, 2010 | 42 | $52,681 | +36% | 47 | $1,121 | $438,018 | 9 |
| Dec 10, 2010 | 42 | $56,251 | +7% | 59 | $953 | $494,269 | 10 |
| Dec 17, 2010 | 55 | $21,945 | -61% | 11 | $1,995 | $516,214 | 11 |
| Dec 24, 2010 | 68 | $7,035 | -68% | 14 | $503 | $523,249 | 12 |
| Dec 31, 2010 | 69 | $7,059 | n/c | 14 | $504 | $530,308 | 13 |
| Jan 7, 2011 | 59 | $11,656 | +65% | 19 | $613 | $541,964 | 14 |
| Jan 14, 2011 | 79 | $5,090 | -56% | 11 | $463 | $547,054 | 15 |
| Jan 21, 2011 | 76 | $6,220 | +22% | 14 | $444 | $553,274 | 16 |
| Jan 28, 2011 | 87 | $2,056 | -67% | 6 | $343 | $555,330 | 17 |
| Feb 4, 2011 | 83 | $2,960 | +44% | 3 | $987 | $558,290 | 18 |
| Feb 11, 2011 | 111 | $554 | -81% | 2 | $277 | $558,844 | 19 |
| Feb 18, 2011 | 105 | $1,027 | +85% | 4 | $257 | $559,871 | 20 |
| Mar 11, 2011 | 118 | $520 | 1 | $520 | $560,391 | 23 |
Lead Ensemble Member
| Gemma Arterton | Tamara Drewe | |
| Roger Allam | Nicholas Hardiment | |
| Dominic Cooper | Ben Sergeant | |
| Luke Evans | Andy Cobb | |
| Tamsin Greig | Beth Hardiment |
Supporting
| Jessica Barden | Jody Long | |
| Charlotte Christie | Casey Shaw |
Production and Technical Credits
| Alison Owen | Producer | |
| Paul Trijbits | Producer | |
| Tracey Seaward | Producer | |
| Christine Langan | Executive Producer | |
| Sharon Harel | Executive Producer | |
| Maya Amsellem | Executive Producer | |
| Eve Schoukroun | Executive Producer | |
| Stephen Frears | Director | |
| Moira Buffini | Screenwriter | |
| Posy Simmonds | Story Creator | |
| Tina Jones | Set Decorator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.