The Tax Collector (2020)
| Theatrical Performance | ||
| Domestic Box Office | $1,044,212 | Details |
| International Box Office | $265,759 | Details |
| Worldwide Box Office | $1,309,971 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,139,876 | |
| Blu-ray Sales (estimated) | $1,613,901 | |
| Total | $2,753,777 | |
| OpusData ID: 348030100 More info... | ||
| Further financial details... | ||
Synopsis
David and Creeper, are “tax collectors” for the crime lord Wizard, collecting his cut from the profits of local gangs’ illicit dealings. But when Wizard’s old rival returns to Los Angeles from Mexico, the business is upended, and David finds himself desperate to protect what matters more to him than anything else: his family.
Metrics
| Opening Weekend: | $309,694 (29.7% of total gross) |
| Legs: | 3.37 (domestic box office/biggest weekend) |
| Domestic Share: | 79.7% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 129 opening theaters/138 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,360,438 |
Movie Details
| Domestic Releases: | August 7th, 2020 (Limited) by RLJ Entertainment |
| International Releases: | November 6th, 2020 (Wide), released as Выбивая долги (Russia (CIS))
November 18th, 2020 (Wide) (South Korea) |
| Video Release: | August 7th, 2020 by RLJ |
| Running Time: | 95 minutes |
| Geographical setting: | Los Angeles, Mexico |
| Plot point: | Gangs |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cedar Park Entertainment, Cross Creek Pictures, Iwood Studios, Atwater Capital |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | 1 | $309,694 | 129 | $2,401 | $309,694 | 1 | |
| Aug 14, 2020 | 3 | $182,105 | -41% | 138 | $1,320 | $612,528 | 2 |
| Aug 21, 2020 | - | $123,177 | -32% | 121 | $1,018 | $814,713 | 3 |
| Aug 28, 2020 | 9 | $69,181 | -44% | 63 | $1,098 | $942,666 | 4 |
| Sep 4, 2020 | - | $16,035 | -77% | 27 | $594 | $988,342 | 5 |
| Sep 11, 2020 | - | $8,939 | -44% | 32 | $279 | $1,006,863 | 6 |
| Sep 18, 2020 | - | $7,006 | -22% | 13 | $539 | $1,017,641 | 7 |
| Sep 25, 2020 | - | $7,602 | +9% | 12 | $634 | $1,027,269 | 8 |
| Oct 2, 2020 | - | $7,548 | -1% | 10 | $755 | $1,039,192 | 9 |
| Oct 9, 2020 | - | $1,951 | -74% | 7 | $279 | $1,043,014 | 10 |
| Oct 16, 2020 | - | $496 | -75% | 2 | $248 | $1,044,145 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $115,000 | 129 | $891 | $115,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | 1 | $430,423 | 129 | $3,337 | $430,423 | 1 | |
| Aug 14, 2020 | - | $261,113 | -39% | 138 | $1,892 | $691,536 | 2 |
| Aug 21, 2020 | 6 | $181,949 | -30% | 121 | $1,504 | $873,485 | 3 |
| Aug 28, 2020 | 9 | $98,822 | -46% | 63 | $1,569 | $972,307 | 4 |
| Sep 4, 2020 | - | $25,617 | -74% | 27 | $949 | $997,924 | 5 |
| Sep 11, 2020 | - | $12,711 | -50% | 32 | $397 | $1,010,635 | 6 |
| Sep 18, 2020 | - | $9,032 | -29% | 13 | $695 | $1,019,667 | 7 |
| Sep 25, 2020 | - | $11,977 | +33% | 12 | $998 | $1,031,644 | 8 |
| Oct 2, 2020 | - | $9,419 | -21% | 10 | $942 | $1,041,063 | 9 |
| Oct 9, 2020 | - | $2,586 | -73% | 7 | $369 | $1,043,649 | 10 |
| Oct 16, 2020 | - | $563 | -78% | 2 | $282 | $1,044,212 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 11/6/2020 | $58,996 | 401 | 401 | 694 | $124,055 | 4/4/2026 | |||
| South Korea | 11/18/2020 | $50,758 | 293 | 293 | 338 | $127,346 | 12/9/2020 | |||
| Rest of World | $14,358 | |||||||||
| International Total | $265,759 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bobby Soto | David | |
| Shia LaBeouf | Creeper | |
| Cinthya Carmona | ||
| George Lopez |
Supporting
| Lana Parrilla | ||
| Chelsea Rendon | ||
| Elpidia Carrillo |
Production and Technical Credits
| David Ayer | Director | |
| David Ayer | Screenwriter | |
| Chris Long | Producer | |
| David Ayer | Producer | |
| Tyler Thompson | Producer | |
| Matt Antoun | Producer | |
| Douglas Duncan | Executive Producer | |
| Buddy Patrick | Executive Producer | |
| Steve Matzkin | Executive Producer | |
| Misook Doolittle | Executive Producer | |
| Sarah Schroeder-Matzkin | Executive Producer | |
| Doug McKay | Executive Producer | |
| Cindy Bond | Executive Producer | |
| Todd Williams | Executive Producer | |
| Anthony M. Scott | Co-Producer | |
| Salvatore Totino | Director of Photography | |
| Andrew Menzies | Production Designer | |
| Geoffrey O'Brien | Editor | |
| Kelli Jones | Costume Designer | |
| Season Kent | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Michael Yezerski | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
David and Creeper, are “tax collectors” for the crime lord Wizard, collecting his cut from the profits of local gangs’ illicit dealings. But when Wizard’s old rival returns to Los Angeles from Mexico, the business is upended, and David finds himself desperate to protect what matters more to him than anything else: his family.
Metrics
| Opening Weekend: | $309,694 (29.7% of total gross) |
| Legs: | 3.37 (domestic box office/biggest weekend) |
| Domestic Share: | 79.7% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 129 opening theaters/138 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,360,438 |
Movie Details
| Domestic Releases: | August 7th, 2020 (Limited) by RLJ Entertainment |
| International Releases: | November 6th, 2020 (Wide), released as Выбивая долги (Russia (CIS))
November 18th, 2020 (Wide) (South Korea) |
| Video Release: | August 7th, 2020 by RLJ |
| Running Time: | 95 minutes |
| Geographical setting: | Los Angeles, Mexico |
| Plot point: | Gangs |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cedar Park Entertainment, Cross Creek Pictures, Iwood Studios, Atwater Capital |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | 1 | $309,694 | 129 | $2,401 | $309,694 | 1 | |
| Aug 14, 2020 | 3 | $182,105 | -41% | 138 | $1,320 | $612,528 | 2 |
| Aug 21, 2020 | - | $123,177 | -32% | 121 | $1,018 | $814,713 | 3 |
| Aug 28, 2020 | 9 | $69,181 | -44% | 63 | $1,098 | $942,666 | 4 |
| Sep 4, 2020 | - | $16,035 | -77% | 27 | $594 | $988,342 | 5 |
| Sep 11, 2020 | - | $8,939 | -44% | 32 | $279 | $1,006,863 | 6 |
| Sep 18, 2020 | - | $7,006 | -22% | 13 | $539 | $1,017,641 | 7 |
| Sep 25, 2020 | - | $7,602 | +9% | 12 | $634 | $1,027,269 | 8 |
| Oct 2, 2020 | - | $7,548 | -1% | 10 | $755 | $1,039,192 | 9 |
| Oct 9, 2020 | - | $1,951 | -74% | 7 | $279 | $1,043,014 | 10 |
| Oct 16, 2020 | - | $496 | -75% | 2 | $248 | $1,044,145 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $115,000 | 129 | $891 | $115,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | 1 | $430,423 | 129 | $3,337 | $430,423 | 1 | |
| Aug 14, 2020 | - | $261,113 | -39% | 138 | $1,892 | $691,536 | 2 |
| Aug 21, 2020 | 6 | $181,949 | -30% | 121 | $1,504 | $873,485 | 3 |
| Aug 28, 2020 | 9 | $98,822 | -46% | 63 | $1,569 | $972,307 | 4 |
| Sep 4, 2020 | - | $25,617 | -74% | 27 | $949 | $997,924 | 5 |
| Sep 11, 2020 | - | $12,711 | -50% | 32 | $397 | $1,010,635 | 6 |
| Sep 18, 2020 | - | $9,032 | -29% | 13 | $695 | $1,019,667 | 7 |
| Sep 25, 2020 | - | $11,977 | +33% | 12 | $998 | $1,031,644 | 8 |
| Oct 2, 2020 | - | $9,419 | -21% | 10 | $942 | $1,041,063 | 9 |
| Oct 9, 2020 | - | $2,586 | -73% | 7 | $369 | $1,043,649 | 10 |
| Oct 16, 2020 | - | $563 | -78% | 2 | $282 | $1,044,212 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 11/6/2020 | $58,996 | 401 | 401 | 694 | $124,055 | 4/4/2026 | |||
| South Korea | 11/18/2020 | $50,758 | 293 | 293 | 338 | $127,346 | 12/9/2020 | |||
| Rest of World | $14,358 | |||||||||
| International Total | $265,759 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bobby Soto | David | |
| Shia LaBeouf | Creeper | |
| Cinthya Carmona | ||
| George Lopez |
Supporting
| Lana Parrilla | ||
| Chelsea Rendon | ||
| Elpidia Carrillo |
Production and Technical Credits
| David Ayer | Director | |
| David Ayer | Screenwriter | |
| Chris Long | Producer | |
| David Ayer | Producer | |
| Tyler Thompson | Producer | |
| Matt Antoun | Producer | |
| Douglas Duncan | Executive Producer | |
| Buddy Patrick | Executive Producer | |
| Steve Matzkin | Executive Producer | |
| Misook Doolittle | Executive Producer | |
| Sarah Schroeder-Matzkin | Executive Producer | |
| Doug McKay | Executive Producer | |
| Cindy Bond | Executive Producer | |
| Todd Williams | Executive Producer | |
| Anthony M. Scott | Co-Producer | |
| Salvatore Totino | Director of Photography | |
| Andrew Menzies | Production Designer | |
| Geoffrey O'Brien | Editor | |
| Kelli Jones | Costume Designer | |
| Season Kent | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Michael Yezerski | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.