Taxi Driver (1976)
| Theatrical Performance | ||
| Domestic Box Office | $28,262,574 | Details |
| International Box Office | $252,583 | Details |
| Worldwide Box Office | $28,515,157 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $33,938 | |
| Blu-ray Sales (estimated) | $3,154,552 | |
| Total | $3,188,490 | |
| OpusData ID: 24340100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 242.68 (domestic box office/biggest weekend) |
| Domestic Share: | 99.1% (domestic box office/worldwide) |
| Production Budget: | $1,900,000 (worldwide box office is 15.0 times production budget) |
Movie Details
| Domestic Releases: | February 8th, 1976 (Wide) by Columbia |
| International Releases: | April 15th, 1977 (Wide) (Portugal)
February 17th, 1989 (Limited) (South Korea) October 18th, 2001 (Wide) (New Zealand) February 10th, 2017 (Limited), released as Taxi Driver (Re: 2017) (United Kingdom) July 7th, 2017 (Limited), released as Taxi Driver (Re:2017) (Netherlands) ... Show all releases |
| Video Release: | August 4th, 1982 by Columbia Pictures Home Entertainment |
| MPA Rating: | R |
| Running Time: | 113 minutes |
| Award nomination: | 1977 Oscars Best Picture Nominee |
| Plot point: | Child Prostitution, Ex-soldier, Mental Illness, Prostitution, PTSD, Relationships Gone Wrong, Romance |
| Social setting: | Film Noir, Vietnam War |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 16, 1996 | 45 | $116,458 | 8 | $14,557 | $116,458 | 1,046 | |
| Mar 1, 1996 | 47 | $86,995 | 15 | $5,800 | $378,678 | 1,048 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/7/2017 | $7,515 | 29 | 29 | 44 | $21,745 | 7/21/2017 | |||
| New Zealand | 10/18/2001 | $0 | 0 | 1 | 3 | $3,150 | 4/4/2026 | |||
| Portugal | 4/15/1977 | $0 | 0 | 1 | 2 | $5,919 | 10/5/2016 | |||
| Russia (CIS) | 6/24/2021 | $12,921 | 18 | 204 | 398 | $129,385 | 10/20/2022 | |||
| South Korea | 2/17/1989 | $0 | 0 | 93 | 0 | $65,758 | 4/6/2026 | |||
| United Kingdom | 2/10/2017 | $25,973 | 8 | 8 | 8 | $25,973 | 2/16/2017 | |||
| Rest of World | $653 | |||||||||
| International Total | $252,583 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robert De Niro | Travis Bickle |
Supporting
| Harvey Keitel | Sport | |
| Jodie Foster | Iris | |
| Albert Brooks | Tom | |
| Cybill Shepherd | Betsy | |
| Peter Boyle | Wizard |
Cameo
| Martin Scorsese | Homicidal passenger in Travis' cab |
Production and Technical Credits
| Martin Scorsese | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 242.68 (domestic box office/biggest weekend) |
| Domestic Share: | 99.1% (domestic box office/worldwide) |
| Production Budget: | $1,900,000 (worldwide box office is 15.0 times production budget) |
Movie Details
| Domestic Releases: | February 8th, 1976 (Wide) by Columbia |
| International Releases: | April 15th, 1977 (Wide) (Portugal)
February 17th, 1989 (Limited) (South Korea) October 18th, 2001 (Wide) (New Zealand) February 10th, 2017 (Limited), released as Taxi Driver (Re: 2017) (United Kingdom) July 7th, 2017 (Limited), released as Taxi Driver (Re:2017) (Netherlands) ... Show all releases |
| Video Release: | August 4th, 1982 by Columbia Pictures Home Entertainment |
| MPA Rating: | R |
| Running Time: | 113 minutes |
| Award nomination: | 1977 Oscars Best Picture Nominee |
| Plot point: | Child Prostitution, Ex-soldier, Mental Illness, Prostitution, PTSD, Relationships Gone Wrong, Romance |
| Social setting: | Film Noir, Vietnam War |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 16, 1996 | 45 | $116,458 | 8 | $14,557 | $116,458 | 1,046 | |
| Mar 1, 1996 | 47 | $86,995 | 15 | $5,800 | $378,678 | 1,048 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/7/2017 | $7,515 | 29 | 29 | 44 | $21,745 | 7/21/2017 | |||
| New Zealand | 10/18/2001 | $0 | 0 | 1 | 3 | $3,150 | 4/4/2026 | |||
| Portugal | 4/15/1977 | $0 | 0 | 1 | 2 | $5,919 | 10/5/2016 | |||
| Russia (CIS) | 6/24/2021 | $12,921 | 18 | 204 | 398 | $129,385 | 10/20/2022 | |||
| South Korea | 2/17/1989 | $0 | 0 | 93 | 0 | $65,758 | 4/6/2026 | |||
| United Kingdom | 2/10/2017 | $25,973 | 8 | 8 | 8 | $25,973 | 2/16/2017 | |||
| Rest of World | $653 | |||||||||
| International Total | $252,583 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robert De Niro | Travis Bickle |
Supporting
| Harvey Keitel | Sport | |
| Jodie Foster | Iris | |
| Albert Brooks | Tom | |
| Cybill Shepherd | Betsy | |
| Peter Boyle | Wizard |
Cameo
| Martin Scorsese | Homicidal passenger in Travis' cab |
Production and Technical Credits
| Martin Scorsese | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.