Temblores (2019)
(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $23,911 | Details |
| International Box Office | $99,782 | Details |
| Worldwide Box Office | $123,693 | |
| OpusData ID: 409880100 More info... | ||
| Further financial details... | ||
Synopsis
When handsome and charismatic Pablo arrives at his affluent family’s house everyone is eagerly awaiting the return of their beloved son, devoted father and caring husband. A seemingly exemplary pillar of Guatemala City’s Evangelical Christian community, Pablo’s announcement that he intends to leave his wife for another man sends shock waves through the family. As Pablo tries to acclimate to his new life in the city’s gay subculture with the liberated Francisco, his ultra-religious family does everything in its power to get their prodigal son back on track, no matter the cost.
Metrics
| Opening Weekend: | $6,904 (28.9% of total gross) |
| Legs: | 3.46 (domestic box office/biggest weekend) |
| Domestic Share: | 19.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,204 |
Movie Details
| Domestic Releases: | November 29th, 2019 (Limited) by Film Movement, released as Tremors |
| International Releases: | May 3rd, 2019 (Wide) (France)
August 23rd, 2019 (Wide) (Netherlands) September 4th, 2020 (Wide) (Spain) |
| Video Release: | March 10th, 2020 by Film Movement Video, released as Tremors |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Plot point: | Bigotry, LGBTQ+, Religious |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tu Vas Voir, La Casa de Produccion, Memento Films , Iris Productions, ARTE France, Aide aux Cinemas du Monde, Film Fund Luxembourg, Ministerio de Cultura y Deportes of Guatemala, La Region Nouvelle-Aquitaine, Fondation Gan pour le cinema |
| Production Countries: | Guatemala, France, Luxembourg |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2019 | 52 | $6,904 | 1 | $6,904 | $6,904 | 1 | |
| Dec 6, 2019 | 60 | $3,340 | -52% | 4 | $835 | $12,092 | 2 |
| Dec 13, 2019 | 69 | $1,316 | -61% | 5 | $263 | $15,320 | 3 |
| Dec 20, 2019 | 63 | $439 | -67% | 2 | $220 | $17,047 | 4 |
| Dec 27, 2019 | 63 | $920 | +110% | 3 | $307 | $18,295 | 5 |
| Jan 3, 2020 | 66 | $537 | -42% | 3 | $179 | $19,562 | 6 |
| Jan 10, 2020 | 64 | $1,007 | +88% | 3 | $336 | $20,942 | 7 |
| Jan 17, 2020 | 71 | $161 | -84% | 1 | $161 | $21,486 | 8 |
| Feb 14, 2020 | 78 | $255 | 1 | $255 | $23,391 | 12 | |
| Feb 21, 2020 | 88 | $56 | -78% | 1 | $56 | $23,911 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Dec 5, 2019 | - | $8,752 | 2 | $4,376 | $8,752 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2019 | 54 | $8,752 | 2 | $4,376 | $8,752 | 1 | |
| Dec 6, 2019 | 58 | $5,252 | -40% | 4 | $1,313 | $14,004 | 2 |
| Dec 13, 2019 | 65 | $2,604 | -50% | 6 | $434 | $16,608 | 3 |
| Dec 20, 2019 | 69 | $767 | -71% | 2 | $384 | $17,375 | 4 |
| Dec 27, 2019 | 64 | $1,650 | +115% | 4 | $413 | $19,025 | 5 |
| Jan 3, 2020 | 65 | $910 | -45% | 3 | $303 | $19,935 | 6 |
| Jan 10, 2020 | 65 | $1,390 | +53% | 3 | $463 | $21,325 | 7 |
| Jan 17, 2020 | 70 | $415 | -70% | 1 | $415 | $21,740 | 8 |
| Jan 24, 2020 | 65 | $1,396 | +236% | 1 | $1,396 | $23,136 | 9 |
| Feb 14, 2020 | 81 | $410 | 1 | $410 | $23,855 | 12 | |
| Feb 21, 2020 | 93 | $56 | -86% | 1 | $56 | $23,911 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 5/3/2019 | $69,451 | 57 | 57 | 57 | $69,451 | 5/10/2019 | |||
| Netherlands | 8/23/2019 | $9,999 | 18 | 19 | 37 | $28,457 | 10/19/2022 | |||
| Spain | 9/4/2020 | $1,836 | 8 | 8 | 8 | $1,874 | 9/10/2020 | |||
| International Total | $99,782 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Juan Pablo Olyslager | Pablo | |
| Mauricio Armas Zebadua | Francisco | |
| Diane Bathen | Isa | |
| Maria Telon | Rosa | |
| Sabrina de la Hoz | Pastor’s Wife | |
| Rui Frati | Pastor | |
| Magnolia Morales | Cristina | |
| Sergio Luna | Salvador | |
| Pablo Arenales | Abel | |
| Mara Martinez | Eva |
Production and Technical Credits
| Jayro Bustamante | Director | |
| Jayro Bustamante | Screenwriter | |
| Edgard Tenembaum | Producer | |
| Pilar Peredo | Producer | |
| Jayro Bustamante | Producer | |
| Gérard Lacroix | Producer | |
| Marina Peralta | Producer | |
| Georges Renand | Producer | |
| Alexandre Mallet-Guy | Co-Producer | |
| Nicolas Steil | Co-Producer | |
| Olivier Pere | Co-Producer | |
| Gustavo Matheu | Executive Producer | |
| Luis Armando Arteaga | Cinematographer | |
| Pilar Peredo | Production Designer | |
| Cesar Diaz | Editor | |
| Santiago Otheguy | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When handsome and charismatic Pablo arrives at his affluent family’s house everyone is eagerly awaiting the return of their beloved son, devoted father and caring husband. A seemingly exemplary pillar of Guatemala City’s Evangelical Christian community, Pablo’s announcement that he intends to leave his wife for another man sends shock waves through the family. As Pablo tries to acclimate to his new life in the city’s gay subculture with the liberated Francisco, his ultra-religious family does everything in its power to get their prodigal son back on track, no matter the cost.
Metrics
| Opening Weekend: | $6,904 (28.9% of total gross) |
| Legs: | 3.46 (domestic box office/biggest weekend) |
| Domestic Share: | 19.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,204 |
Movie Details
| Domestic Releases: | November 29th, 2019 (Limited) by Film Movement, released as Tremors |
| International Releases: | May 3rd, 2019 (Wide) (France)
August 23rd, 2019 (Wide) (Netherlands) September 4th, 2020 (Wide) (Spain) |
| Video Release: | March 10th, 2020 by Film Movement Video, released as Tremors |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Plot point: | Bigotry, LGBTQ+, Religious |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tu Vas Voir, La Casa de Produccion, Memento Films , Iris Productions, ARTE France, Aide aux Cinemas du Monde, Film Fund Luxembourg, Ministerio de Cultura y Deportes of Guatemala, La Region Nouvelle-Aquitaine, Fondation Gan pour le cinema |
| Production Countries: | Guatemala, France, Luxembourg |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2019 | 52 | $6,904 | 1 | $6,904 | $6,904 | 1 | |
| Dec 6, 2019 | 60 | $3,340 | -52% | 4 | $835 | $12,092 | 2 |
| Dec 13, 2019 | 69 | $1,316 | -61% | 5 | $263 | $15,320 | 3 |
| Dec 20, 2019 | 63 | $439 | -67% | 2 | $220 | $17,047 | 4 |
| Dec 27, 2019 | 63 | $920 | +110% | 3 | $307 | $18,295 | 5 |
| Jan 3, 2020 | 66 | $537 | -42% | 3 | $179 | $19,562 | 6 |
| Jan 10, 2020 | 64 | $1,007 | +88% | 3 | $336 | $20,942 | 7 |
| Jan 17, 2020 | 71 | $161 | -84% | 1 | $161 | $21,486 | 8 |
| Feb 14, 2020 | 78 | $255 | 1 | $255 | $23,391 | 12 | |
| Feb 21, 2020 | 88 | $56 | -78% | 1 | $56 | $23,911 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Dec 5, 2019 | - | $8,752 | 2 | $4,376 | $8,752 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2019 | 54 | $8,752 | 2 | $4,376 | $8,752 | 1 | |
| Dec 6, 2019 | 58 | $5,252 | -40% | 4 | $1,313 | $14,004 | 2 |
| Dec 13, 2019 | 65 | $2,604 | -50% | 6 | $434 | $16,608 | 3 |
| Dec 20, 2019 | 69 | $767 | -71% | 2 | $384 | $17,375 | 4 |
| Dec 27, 2019 | 64 | $1,650 | +115% | 4 | $413 | $19,025 | 5 |
| Jan 3, 2020 | 65 | $910 | -45% | 3 | $303 | $19,935 | 6 |
| Jan 10, 2020 | 65 | $1,390 | +53% | 3 | $463 | $21,325 | 7 |
| Jan 17, 2020 | 70 | $415 | -70% | 1 | $415 | $21,740 | 8 |
| Jan 24, 2020 | 65 | $1,396 | +236% | 1 | $1,396 | $23,136 | 9 |
| Feb 14, 2020 | 81 | $410 | 1 | $410 | $23,855 | 12 | |
| Feb 21, 2020 | 93 | $56 | -86% | 1 | $56 | $23,911 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 5/3/2019 | $69,451 | 57 | 57 | 57 | $69,451 | 5/10/2019 | |||
| Netherlands | 8/23/2019 | $9,999 | 18 | 19 | 37 | $28,457 | 10/19/2022 | |||
| Spain | 9/4/2020 | $1,836 | 8 | 8 | 8 | $1,874 | 9/10/2020 | |||
| International Total | $99,782 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Juan Pablo Olyslager | Pablo | |
| Mauricio Armas Zebadua | Francisco | |
| Diane Bathen | Isa | |
| Maria Telon | Rosa | |
| Sabrina de la Hoz | Pastor’s Wife | |
| Rui Frati | Pastor | |
| Magnolia Morales | Cristina | |
| Sergio Luna | Salvador | |
| Pablo Arenales | Abel | |
| Mara Martinez | Eva |
Production and Technical Credits
| Jayro Bustamante | Director | |
| Jayro Bustamante | Screenwriter | |
| Edgard Tenembaum | Producer | |
| Pilar Peredo | Producer | |
| Jayro Bustamante | Producer | |
| Gérard Lacroix | Producer | |
| Marina Peralta | Producer | |
| Georges Renand | Producer | |
| Alexandre Mallet-Guy | Co-Producer | |
| Nicolas Steil | Co-Producer | |
| Olivier Pere | Co-Producer | |
| Gustavo Matheu | Executive Producer | |
| Luis Armando Arteaga | Cinematographer | |
| Pilar Peredo | Production Designer | |
| Cesar Diaz | Editor | |
| Santiago Otheguy | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.