Tenemos La Carne (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $8,438 | Details |
| Further financial details... | ||
Synopsis
After the end of the world, a young brother and sister roam an apocalyptic city looking for food and shelter. They take refuge in the dilapidated lair of a strange hermit who makes them a dangerous offer to survive. He puts them to work building a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in a maddening womb-like world under his malign influence, they find themselves sinking into the realms of dark and forbidden behavior.
Metrics
| Opening Weekend: | $835 (9.9% of total gross) |
| Legs: | 4.09 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,254 |
Movie Details
| Domestic Releases: | January 13th, 2017 (Limited) by Arrow Releasing, released as We Are the Flesh |
| MPA Rating: | Not Rated |
| Running Time: | 79 minutes |
| Cast, crew, or production detail: | Scene in End Credits |
| Plot point: | Avant Garde, Dysfunctional Family, Incest |
| Social setting: | Post Apocalypse |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Piano , Detalle Films, Sedna Films, Splendor Omnia |
| Production Countries: | Mexico, France |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 58 | $835 | 3 | $278 | $835 | 1 | |
| Jan 20, 2017 | 62 | $1,469 | +76% | 3 | $490 | $2,876 | 2 |
| Jan 27, 2017 | 56 | $2,064 | +41% | 3 | $688 | $5,737 | 3 |
| Feb 3, 2017 | 66 | $533 | -74% | 2 | $267 | $7,850 | 4 |
| Feb 10, 2017 | 77 | $260 | -51% | 1 | $260 | $8,110 | 5 |
| Feb 24, 2017 | 75 | $328 | 1 | $328 | $8,438 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 55 | $1,407 | 3 | $469 | $1,407 | 1 | |
| Jan 20, 2017 | 63 | $2,266 | +61% | 3 | $755 | $3,673 | 2 |
| Jan 27, 2017 | 53 | $3,644 | +61% | 3 | $1,215 | $7,317 | 3 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After the end of the world, a young brother and sister roam an apocalyptic city looking for food and shelter. They take refuge in the dilapidated lair of a strange hermit who makes them a dangerous offer to survive. He puts them to work building a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in a maddening womb-like world under his malign influence, they find themselves sinking into the realms of dark and forbidden behavior.
Metrics
| Opening Weekend: | $835 (9.9% of total gross) |
| Legs: | 4.09 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,254 |
Movie Details
| Domestic Releases: | January 13th, 2017 (Limited) by Arrow Releasing, released as We Are the Flesh |
| MPA Rating: | Not Rated |
| Running Time: | 79 minutes |
| Cast, crew, or production detail: | Scene in End Credits |
| Plot point: | Avant Garde, Dysfunctional Family, Incest |
| Social setting: | Post Apocalypse |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Piano , Detalle Films, Sedna Films, Splendor Omnia |
| Production Countries: | Mexico, France |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 58 | $835 | 3 | $278 | $835 | 1 | |
| Jan 20, 2017 | 62 | $1,469 | +76% | 3 | $490 | $2,876 | 2 |
| Jan 27, 2017 | 56 | $2,064 | +41% | 3 | $688 | $5,737 | 3 |
| Feb 3, 2017 | 66 | $533 | -74% | 2 | $267 | $7,850 | 4 |
| Feb 10, 2017 | 77 | $260 | -51% | 1 | $260 | $8,110 | 5 |
| Feb 24, 2017 | 75 | $328 | 1 | $328 | $8,438 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 55 | $1,407 | 3 | $469 | $1,407 | 1 | |
| Jan 20, 2017 | 63 | $2,266 | +61% | 3 | $755 | $3,673 | 2 |
| Jan 27, 2017 | 53 | $3,644 | +61% | 3 | $1,215 | $7,317 | 3 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.