Terror in the Aisles (1984)
| Theatrical Performance | ||
| Domestic Box Office | $8,316,206 | Details |
| OpusData ID: 39910100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,009,866 (48.2% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,127 opening theaters/1,134 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,992,940 |
Movie Details
| Domestic Releases: | October 26th, 1984 (Wide) by Universal |
| Video Release: | October 14th, 2012 by Universal Home Entertainment |
| MPA Rating: | R |
| Running Time: | 84 minutes |
| Source: | Compilation |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Kaleidoscope Prods, TEM Programs International |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1984 | 2 | $4,009,866 | 1,127 | $3,558 | $4,009,866 | 1 | |
| Nov 2, 1984 | 4 | $2,171,747 | -46% | 1,134 | $1,915 | $6,894,977 | 2 |
| Nov 9, 1984 | 15 | $869,120 | -60% | 679 | $1,280 | $8,316,206 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1984 | 2 | $4,723,230 | 1,127 | $4,191 | $4,723,230 | 1 | |
| Nov 2, 1984 | 4 | $2,723,856 | -42% | 1,134 | $2,402 | $7,447,086 | 2 |
Leading
| Donald Pleasance | Host | |
| Nancy Allen | Hostess |
Production and Technical Credits
| Andrew J. Kuehn | Director | |
| Stephen J. Netburn | Producer | |
| Andrew J. Kuehn | Producer | |
| Margery Doppelt | Screenwriter | |
| John A. Alonzo | Director of Photography | |
| Gregory McClatchy | Editor | |
| John Beal | Composer | |
| Jon Johnson | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,009,866 (48.2% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,127 opening theaters/1,134 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,992,940 |
Movie Details
| Domestic Releases: | October 26th, 1984 (Wide) by Universal |
| Video Release: | October 14th, 2012 by Universal Home Entertainment |
| MPA Rating: | R |
| Running Time: | 84 minutes |
| Source: | Compilation |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Kaleidoscope Prods, TEM Programs International |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1984 | 2 | $4,009,866 | 1,127 | $3,558 | $4,009,866 | 1 | |
| Nov 2, 1984 | 4 | $2,171,747 | -46% | 1,134 | $1,915 | $6,894,977 | 2 |
| Nov 9, 1984 | 15 | $869,120 | -60% | 679 | $1,280 | $8,316,206 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1984 | 2 | $4,723,230 | 1,127 | $4,191 | $4,723,230 | 1 | |
| Nov 2, 1984 | 4 | $2,723,856 | -42% | 1,134 | $2,402 | $7,447,086 | 2 |
Leading
| Donald Pleasance | Host | |
| Nancy Allen | Hostess |
Production and Technical Credits
| Andrew J. Kuehn | Director | |
| Stephen J. Netburn | Producer | |
| Andrew J. Kuehn | Producer | |
| Margery Doppelt | Screenwriter | |
| John A. Alonzo | Director of Photography | |
| Gregory McClatchy | Editor | |
| John Beal | Composer | |
| Jon Johnson | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.