That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea (劇場版 転生したらスライムだった件 蒼海の涙編) (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $1,423,753 | Details |
| International Box Office | $6,586,576 | Details |
| Worldwide Box Office | $8,010,329 | |
| OpusData ID: 779030100 More info... | ||
| Further financial details... | ||
Synopsis
After concluding the opening ceremony of the Demon Kingdom Federation Tempest, Rimuru and his companions are invited by the Celestial Emperor Elmesia of the great elven nation — the Magi Dynasty Thalion — to visit her private resort island. As the group enjoys their brief vacation, a mysterious woman named Yura appears. A new incident unfolds against the backdrop of the boundless azure sea.
Metrics
| Opening Weekend: | $947,325 (66.5% of total gross) |
| Legs: | 1.50 (domestic box office/biggest weekend) |
| Domestic Share: | 17.8% (domestic box office/worldwide) |
| Theater counts: | 837 opening theaters/837 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,423,753 |
Movie Details
| Domestic Releases: | May 1st, 2026 (Wide) by Sony Pictures, released as That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea |
| International Releases: | February 27th, 2026 (Limited), released as Gekijou-ban Tensei Shitara Slime Datta Ken: Soukai no Namida-hen (Japan)
March 26th, 2026 (Wide), released as That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea (О моём перерождении в слизь: Слёзы синего моря) (Russia (CIS)) April 28th, 2026 (Wide), released as Meine Wiedergeburt als Schleim in einer anderen Welt, Der Film: Tränen des azurblauen Meers (Germany) April 28th, 2026 (Wide), released as Meine Wiedergeburt Als Schleim In Einer Anderen Welt, Der Film: Tranen Des Azurblauen Meers (Austria) April 28th, 2026 (Wide) (Taiwan) ... Show all releases |
| MPA Rating: | PG-13 for some violence and suggestive material. (Rating bulletin 2932 (Cert #55887) (Dubbed), 4/15/2026) PG-13 for some violence and suggestive material. (Rating bulletin 2932 (cert #55888) (Subtitled), 4/15/2026) |
| Running Time: | 105 minutes |
| Franchise: | That Time I Got Reincarnated as a Slime |
| Cast, crew, or production detail: | Anime |
| Plot point: | Isekai |
| Subgenre: | Action Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Eightbit |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 1, 2026 | 10 | $947,325 | 837 | $1,132 | $947,325 | 1 | |
| May 8, 2026 | - | $130,137 | -86% | 837 | $155 | $1,345,896 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 1, 2026 | 9 | $418,559 | 837 | $500 | $418,559 | 1 | ||
| May 2, 2026 | - | $311,674 | -26% | 837 | $372 | $730,233 | 2 | |
| May 3, 2026 | - | $217,092 | -30% | 837 | $259 | $947,325 | 3 | |
| May 4, 2026 | - | $80,169 | -63% | 837 | $96 | $1,027,494 | 4 | |
| May 5, 2026 | - | $80,857 | +1% | 837 | $97 | $1,108,351 | 5 | |
| May 6, 2026 | - | $68,482 | -15% | 837 | $82 | $1,176,833 | 6 | |
| May 7, 2026 | - | $38,926 | -43% | 837 | $47 | $1,215,759 | 7 | |
| May 8, 2026 | - | $34,452 | -11% | -92% | 837 | $41 | $1,250,211 | 8 |
| May 9, 2026 | - | $57,114 | +66% | -82% | 837 | $68 | $1,307,325 | 9 |
| May 10, 2026 | - | $38,571 | -32% | -82% | 837 | $46 | $1,345,896 | 10 |
| May 11, 2026 | - | $20,368 | -47% | -75% | 837 | $24 | $1,366,264 | 11 |
| May 12, 2026 | - | $24,118 | +18% | -70% | 837 | $29 | $1,390,382 | 12 |
| May 13, 2026 | - | $21,055 | -13% | -69% | 837 | $25 | $1,411,437 | 13 |
| May 14, 2026 | - | $12,316 | -42% | -68% | 837 | $15 | $1,423,753 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 1, 2026 | 11 | $1,215,759 | 837 | $1,453 | $1,215,759 | 1 | |
| May 8, 2026 | 16 | $207,994 | -83% | 837 | $248 | $1,423,753 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/30/2026 | $39,362 | 56 | 56 | 0 | $56,547 | 5/25/2026 | |||
| Finland | 5/1/2026 | $4,354 | 18 | 18 | 18 | $6,787 | 5/8/2026 | |||
| Hungary | 4/30/2026 | $0 | 0 | 16 | 0 | $10,969 | 5/15/2026 | |||
| Italy | 4/30/2026 | $30,139 | 0 | 0 | 0 | $30,139 | 5/4/2026 | |||
| Netherlands | 4/30/2026 | $29,827 | 66 | 66 | 66 | $29,827 | 5/4/2026 | |||
| New Zealand | 4/30/2026 | $5,858 | 20 | 20 | 0 | $5,858 | 5/4/2026 | |||
| Portugal | 4/30/2026 | $5,507 | 18 | 18 | 0 | $5,507 | 5/5/2026 | |||
| Romania | 5/7/2026 | $8,796 | 77 | 77 | 0 | $15,441 | 5/27/2026 | |||
| Russia (CIS) | 3/26/2026 | $0 | 0 | 249 | 249 | $55,803 | 4/8/2026 | |||
| South Korea | 6/10/2026 | $17,812 | 71 | 71 | 0 | $38,667 | 6/24/2026 | |||
| Spain | 4/30/2026 | $21,056 | 110 | 110 | 110 | $28,810 | 5/7/2026 | |||
| Taiwan | 4/28/2026 | $178,065 | 90 | 90 | 261 | $299,972 | 5/22/2026 | |||
| United Kingdom | 5/1/2026 | $33,657 | 23 | 23 | 23 | $33,657 | 5/7/2026 | |||
| Rest of World | $5,968,592 | |||||||||
| International Total | $6,586,576 | 6/24/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miho Okasaki | Rimuru |
Production and Technical Credits
| Yasuhito Kikuchi | Director | |
| Toshizo Nemoto | Screenwriter | |
| Yasuhito Kikuchi | Screenwriter | |
| Odg | Story Creator | |
| Hiroshi Satou | Cinematographer | |
| Hitoshi Fujima | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After concluding the opening ceremony of the Demon Kingdom Federation Tempest, Rimuru and his companions are invited by the Celestial Emperor Elmesia of the great elven nation — the Magi Dynasty Thalion — to visit her private resort island. As the group enjoys their brief vacation, a mysterious woman named Yura appears. A new incident unfolds against the backdrop of the boundless azure sea.
Metrics
| Opening Weekend: | $947,325 (66.5% of total gross) |
| Legs: | 1.50 (domestic box office/biggest weekend) |
| Domestic Share: | 17.8% (domestic box office/worldwide) |
| Theater counts: | 837 opening theaters/837 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,423,753 |
Movie Details
| Domestic Releases: | May 1st, 2026 (Wide) by Sony Pictures, released as That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea |
| International Releases: | February 27th, 2026 (Limited), released as Gekijou-ban Tensei Shitara Slime Datta Ken: Soukai no Namida-hen (Japan)
March 26th, 2026 (Wide), released as That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea (О моём перерождении в слизь: Слёзы синего моря) (Russia (CIS)) April 28th, 2026 (Wide), released as Meine Wiedergeburt als Schleim in einer anderen Welt, Der Film: Tränen des azurblauen Meers (Germany) April 28th, 2026 (Wide), released as Meine Wiedergeburt Als Schleim In Einer Anderen Welt, Der Film: Tranen Des Azurblauen Meers (Austria) April 28th, 2026 (Wide) (Taiwan) ... Show all releases |
| MPA Rating: | PG-13 for some violence and suggestive material. (Rating bulletin 2932 (Cert #55887) (Dubbed), 4/15/2026) PG-13 for some violence and suggestive material. (Rating bulletin 2932 (cert #55888) (Subtitled), 4/15/2026) |
| Running Time: | 105 minutes |
| Franchise: | That Time I Got Reincarnated as a Slime |
| Cast, crew, or production detail: | Anime |
| Plot point: | Isekai |
| Subgenre: | Action Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Eightbit |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 1, 2026 | 10 | $947,325 | 837 | $1,132 | $947,325 | 1 | |
| May 8, 2026 | - | $130,137 | -86% | 837 | $155 | $1,345,896 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 1, 2026 | 9 | $418,559 | 837 | $500 | $418,559 | 1 | ||
| May 2, 2026 | - | $311,674 | -26% | 837 | $372 | $730,233 | 2 | |
| May 3, 2026 | - | $217,092 | -30% | 837 | $259 | $947,325 | 3 | |
| May 4, 2026 | - | $80,169 | -63% | 837 | $96 | $1,027,494 | 4 | |
| May 5, 2026 | - | $80,857 | +1% | 837 | $97 | $1,108,351 | 5 | |
| May 6, 2026 | - | $68,482 | -15% | 837 | $82 | $1,176,833 | 6 | |
| May 7, 2026 | - | $38,926 | -43% | 837 | $47 | $1,215,759 | 7 | |
| May 8, 2026 | - | $34,452 | -11% | -92% | 837 | $41 | $1,250,211 | 8 |
| May 9, 2026 | - | $57,114 | +66% | -82% | 837 | $68 | $1,307,325 | 9 |
| May 10, 2026 | - | $38,571 | -32% | -82% | 837 | $46 | $1,345,896 | 10 |
| May 11, 2026 | - | $20,368 | -47% | -75% | 837 | $24 | $1,366,264 | 11 |
| May 12, 2026 | - | $24,118 | +18% | -70% | 837 | $29 | $1,390,382 | 12 |
| May 13, 2026 | - | $21,055 | -13% | -69% | 837 | $25 | $1,411,437 | 13 |
| May 14, 2026 | - | $12,316 | -42% | -68% | 837 | $15 | $1,423,753 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 1, 2026 | 11 | $1,215,759 | 837 | $1,453 | $1,215,759 | 1 | |
| May 8, 2026 | 16 | $207,994 | -83% | 837 | $248 | $1,423,753 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/30/2026 | $39,362 | 56 | 56 | 0 | $56,547 | 5/25/2026 | |||
| Finland | 5/1/2026 | $4,354 | 18 | 18 | 18 | $6,787 | 5/8/2026 | |||
| Hungary | 4/30/2026 | $0 | 0 | 16 | 0 | $10,969 | 5/15/2026 | |||
| Italy | 4/30/2026 | $30,139 | 0 | 0 | 0 | $30,139 | 5/4/2026 | |||
| Netherlands | 4/30/2026 | $29,827 | 66 | 66 | 66 | $29,827 | 5/4/2026 | |||
| New Zealand | 4/30/2026 | $5,858 | 20 | 20 | 0 | $5,858 | 5/4/2026 | |||
| Portugal | 4/30/2026 | $5,507 | 18 | 18 | 0 | $5,507 | 5/5/2026 | |||
| Romania | 5/7/2026 | $8,796 | 77 | 77 | 0 | $15,441 | 5/27/2026 | |||
| Russia (CIS) | 3/26/2026 | $0 | 0 | 249 | 249 | $55,803 | 4/8/2026 | |||
| South Korea | 6/10/2026 | $17,812 | 71 | 71 | 0 | $38,667 | 6/24/2026 | |||
| Spain | 4/30/2026 | $21,056 | 110 | 110 | 110 | $28,810 | 5/7/2026 | |||
| Taiwan | 4/28/2026 | $178,065 | 90 | 90 | 261 | $299,972 | 5/22/2026 | |||
| United Kingdom | 5/1/2026 | $33,657 | 23 | 23 | 23 | $33,657 | 5/7/2026 | |||
| Rest of World | $5,968,592 | |||||||||
| International Total | $6,586,576 | 6/24/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miho Okasaki | Rimuru |
Production and Technical Credits
| Yasuhito Kikuchi | Director | |
| Toshizo Nemoto | Screenwriter | |
| Yasuhito Kikuchi | Screenwriter | |
| Odg | Story Creator | |
| Hiroshi Satou | Cinematographer | |
| Hitoshi Fujima | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.