The Girl in the Photographs (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 229460100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | April 1st, 2016 (Limited) by Vertical Entertainment |
| MPA Rating: | R for strong bloody violence, sexuality/nudity, language throughout and some drug use. (Rating bulletin 2417 (Cert #50359), 3/23/2016) |
| Running Time: | 95 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
| Kal Penn |
Production and Technical Credits
| Nick Simon | Director | |
| Nick Simon | Screenwriter | |
| Robert Morast | Screenwriter | |
| Oz Perkins | Screenwriter | |
| Wes Craven | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
Movie Details
| Domestic Releases: | April 1st, 2016 (Limited) by Vertical Entertainment |
| MPA Rating: | R for strong bloody violence, sexuality/nudity, language throughout and some drug use. (Rating bulletin 2417 (Cert #50359), 3/23/2016) |
| Running Time: | 95 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
| Kal Penn |
Production and Technical Credits
| Nick Simon | Director | |
| Nick Simon | Screenwriter | |
| Robert Morast | Screenwriter | |
| Oz Perkins | Screenwriter | |
| Wes Craven | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.