Thief of Hearts (1984)
| Theatrical Performance | ||
| Domestic Box Office | $10,400,000 | Details |
| International Box Office | $265 | Details |
| Worldwide Box Office | $10,400,265 | |
| OpusData ID: 36600100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,091,670 (29.7% of total gross) |
| Legs: | 3.36 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,200 opening theaters/1,200 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,007,142 |
Movie Details
| Domestic Releases: | October 19th, 1984 (Wide) by Paramount Pictures |
| International Releases: | December 30th, 1989 (Wide) (South Korea)
May 12th, 2021 (Wide) (South Korea) |
| MPA Rating: | R |
| Running Time: | 100 minutes |
| Subgenre: | Erotic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 1984 | 3 | $3,091,670 | 1,200 | $2,576 | $3,091,670 | 1 | |
| Oct 26, 1984 | 5 | $2,009,585 | -35% | 1,200 | $1,675 | $6,117,363 | 2 |
| Nov 2, 1984 | 10 | $1,418,301 | -29% | 880 | $1,612 | $8,110,245 | 3 |
| Nov 9, 1984 | 16 | $801,602 | -43% | 535 | $1,498 | $9,404,860 | 4 |
| Nov 16, 1984 | 21 | $349,262 | -56% | 283 | $1,234 | $9,988,563 | 5 |
| Nov 23, 1984 | 24 | $206,120 | -41% | 181 | $1,139 | $10,364,904 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 1984 | 2 | $4,107,778 | 1,200 | $3,423 | $4,107,778 | 1 | |
| Oct 26, 1984 | 5 | $2,584,166 | -37% | 1,200 | $2,153 | $6,691,944 | 2 |
| Nov 2, 1984 | 9 | $1,911,314 | -26% | 880 | $2,172 | $8,603,258 | 3 |
| Nov 9, 1984 | 15 | $1,036,043 | -46% | 535 | $1,937 | $9,639,301 | 4 |
| Nov 16, 1984 | 19 | $519,483 | -50% | 283 | $1,836 | $10,158,784 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 12/30/1989 | $0 | 0 | 1 | 1 | $265 | 5/13/2021 | |||
| International Total | $265 | 5/13/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steven Bauer | Scott Muller |
Supporting
| Barbara Williams | Mickey Davis | |
| John Getz | Ray Davis | |
| George Wendt | Marty Morrison | |
| David Caruso | Buddy Calamara | |
| Christine Ebersole | Janie Pointer |
Production and Technical Credits
| Douglas Day Stewart | Director | |
| Harold Faltermeyer | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,091,670 (29.7% of total gross) |
| Legs: | 3.36 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,200 opening theaters/1,200 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,007,142 |
Movie Details
| Domestic Releases: | October 19th, 1984 (Wide) by Paramount Pictures |
| International Releases: | December 30th, 1989 (Wide) (South Korea)
May 12th, 2021 (Wide) (South Korea) |
| MPA Rating: | R |
| Running Time: | 100 minutes |
| Subgenre: | Erotic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 1984 | 3 | $3,091,670 | 1,200 | $2,576 | $3,091,670 | 1 | |
| Oct 26, 1984 | 5 | $2,009,585 | -35% | 1,200 | $1,675 | $6,117,363 | 2 |
| Nov 2, 1984 | 10 | $1,418,301 | -29% | 880 | $1,612 | $8,110,245 | 3 |
| Nov 9, 1984 | 16 | $801,602 | -43% | 535 | $1,498 | $9,404,860 | 4 |
| Nov 16, 1984 | 21 | $349,262 | -56% | 283 | $1,234 | $9,988,563 | 5 |
| Nov 23, 1984 | 24 | $206,120 | -41% | 181 | $1,139 | $10,364,904 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 1984 | 2 | $4,107,778 | 1,200 | $3,423 | $4,107,778 | 1 | |
| Oct 26, 1984 | 5 | $2,584,166 | -37% | 1,200 | $2,153 | $6,691,944 | 2 |
| Nov 2, 1984 | 9 | $1,911,314 | -26% | 880 | $2,172 | $8,603,258 | 3 |
| Nov 9, 1984 | 15 | $1,036,043 | -46% | 535 | $1,937 | $9,639,301 | 4 |
| Nov 16, 1984 | 19 | $519,483 | -50% | 283 | $1,836 | $10,158,784 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 12/30/1989 | $0 | 0 | 1 | 1 | $265 | 5/13/2021 | |||
| International Total | $265 | 5/13/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steven Bauer | Scott Muller |
Supporting
| Barbara Williams | Mickey Davis | |
| John Getz | Ray Davis | |
| George Wendt | Marty Morrison | |
| David Caruso | Buddy Calamara | |
| Christine Ebersole | Janie Pointer |
Production and Technical Credits
| Douglas Day Stewart | Director | |
| Harold Faltermeyer | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.