This Last Lonely Place (2016)
| Theatrical Performance | ||
| Domestic Box Office | $20,507 | Details |
| OpusData ID: 253090100 More info... | ||
| Further financial details... | ||
Synopsis
Iraqi war veteran Sam Taylor lives in a rundown downtown hotel and drives a yellow cab. One dark night in Beverly Hills, investment banker Frank Devore, slides into the taxi’s back seat. Throwing $500 cash over the seat, Frank says “turn off the meter and just drive.” Needing the money, Sam does as he’s told. Nervous, and fueled by too much whiskey, Frank complains about his wife and confesses to a shady investment scheme. He’s on the run, headed for a private jet. They pick up his beautiful and scheming mistress— the high-end escort Faye Gardner. She has a gun. An unspeakable crime has been committed. Something has gone horribly wrong, and Sam is now at their mercy. As this long and bloody evening progresses—through the lonely streets and back alleys of Los Angeles—the dark layers of deceit come to light. This night might never end.
Metrics
| Opening Weekend: | $6,089 (29.7% of total gross) |
| Legs: | 3.37 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/4 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,322 |
Movie Details
| Domestic Releases: | August 12th, 2016 (Limited) by Indican Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Plot point: | Cover Up, Taxi Driver |
| Social setting: | Retirement |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Santana Films, Industry Standard Films, Mudflap Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 71 | $6,089 | 2 | $3,045 | $6,089 | 1 | |
| Aug 19, 2016 | 92 | $804 | -87% | 1 | $804 | $9,309 | 2 |
| Nov 4, 2016 | 88 | $1,400 | 4 | $350 | $11,606 | 13 | |
| Nov 11, 2016 | 106 | $606 | -57% | 4 | $152 | $13,440 | 14 |
| Nov 18, 2016 | 89 | $1,053 | +74% | 2 | $527 | $14,996 | 15 |
| Nov 25, 2016 | 86 | $1,007 | -4% | 2 | $504 | $16,111 | 16 |
| Dec 2, 2016 | 79 | $1,744 | +73% | 2 | $872 | $18,267 | 17 |
| Dec 9, 2016 | 97 | $275 | -84% | 2 | $138 | $19,007 | 18 |
| Dec 16, 2016 | 98 | $250 | -9% | 1 | $250 | $19,563 | 19 |
| Jan 6, 2017 | 73 | $225 | 1 | $225 | $20,215 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 85 | $2,416 | 2 | $1,208 | $8,505 | 1 | |
| Aug 19, 2016 | 95 | $1,701 | -30% | 1 | $1,701 | $10,206 | 2 |
| Nov 4, 2016 | 95 | $1,228 | 4 | $307 | $12,834 | 13 | |
| Nov 11, 2016 | 115 | $1,109 | -10% | 2 | $555 | $13,943 | 14 |
| Nov 18, 2016 | 114 | $1,161 | +5% | 2 | $581 | $15,104 | 15 |
| Nov 25, 2016 | 99 | $1,419 | +22% | 2 | $710 | $16,523 | 16 |
| Dec 2, 2016 | 91 | $2,209 | +56% | 2 | $1,105 | $18,732 | 17 |
| Dec 9, 2016 | 106 | $581 | -74% | 1 | $581 | $19,313 | 18 |
| Dec 16, 2016 | 94 | $680 | +17% | 1 | $680 | $19,993 | 19 |
| Jan 6, 2017 | 66 | $292 | 1 | $292 | $20,507 | 22 |
Leading
| Rhys Coiro | Sam Taylor | |
| Xander Berkeley | Frank Devore | |
| Carly Pope | Faye Gardner |
Supporting
| Richard Portnow | Jason Pure | |
| Jeananne Goossen | Luna | |
| Jeff Marchelletta | Cameron Kane | |
| Erin Matthews | Laura Devore | |
| Heather Snell | Hope | |
| Logan Clarke | Barry Dean | |
| Channing Chase | Sam’s Mother |
Production and Technical Credits
| Steve Anderson | Director | |
| Steve Anderson | Screenwriter | |
| Steve Anderson | Producer | |
| Jeff Marchelletta | Producer | |
| Josh Mandel | Producer | |
| Robert de Klerk | Executive Producer | |
| Stephen Bogart | Executive Producer | |
| D. Hanna | Executive Producer | |
| Brad Willis | Executive Producer | |
| Mary Jeanne Russell | Executive Producer | |
| Brett Bozeman | Executive Producer | |
| Andre Fontanelle | Co-Producer | |
| Wendy Weidman | Co-Producer | |
| Rebecca Mangieri | Co-Producer | |
| Sumiko Braun | Associate Producer | |
| Paul Jamison | Associate Producer | |
| Brian Gustafson | Associate Producer | |
| Hal Stellini | Associate Producer | |
| Steve Anderson | Editor | |
| Jason A. Payne | Editor | |
| Patrick Meade Jones | Director of Photography | |
| Aaron Osborne | Production Designer | |
| Ise White | Costume Designer | |
| Jonathan Hartman | Composer | |
| Wendy Weidman | Casting Director | |
| Rebecca Mangieri | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Iraqi war veteran Sam Taylor lives in a rundown downtown hotel and drives a yellow cab. One dark night in Beverly Hills, investment banker Frank Devore, slides into the taxi’s back seat. Throwing $500 cash over the seat, Frank says “turn off the meter and just drive.” Needing the money, Sam does as he’s told. Nervous, and fueled by too much whiskey, Frank complains about his wife and confesses to a shady investment scheme. He’s on the run, headed for a private jet. They pick up his beautiful and scheming mistress— the high-end escort Faye Gardner. She has a gun. An unspeakable crime has been committed. Something has gone horribly wrong, and Sam is now at their mercy. As this long and bloody evening progresses—through the lonely streets and back alleys of Los Angeles—the dark layers of deceit come to light. This night might never end.
Metrics
| Opening Weekend: | $6,089 (29.7% of total gross) |
| Legs: | 3.37 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/4 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,322 |
Movie Details
| Domestic Releases: | August 12th, 2016 (Limited) by Indican Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Plot point: | Cover Up, Taxi Driver |
| Social setting: | Retirement |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Santana Films, Industry Standard Films, Mudflap Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 71 | $6,089 | 2 | $3,045 | $6,089 | 1 | |
| Aug 19, 2016 | 92 | $804 | -87% | 1 | $804 | $9,309 | 2 |
| Nov 4, 2016 | 88 | $1,400 | 4 | $350 | $11,606 | 13 | |
| Nov 11, 2016 | 106 | $606 | -57% | 4 | $152 | $13,440 | 14 |
| Nov 18, 2016 | 89 | $1,053 | +74% | 2 | $527 | $14,996 | 15 |
| Nov 25, 2016 | 86 | $1,007 | -4% | 2 | $504 | $16,111 | 16 |
| Dec 2, 2016 | 79 | $1,744 | +73% | 2 | $872 | $18,267 | 17 |
| Dec 9, 2016 | 97 | $275 | -84% | 2 | $138 | $19,007 | 18 |
| Dec 16, 2016 | 98 | $250 | -9% | 1 | $250 | $19,563 | 19 |
| Jan 6, 2017 | 73 | $225 | 1 | $225 | $20,215 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 85 | $2,416 | 2 | $1,208 | $8,505 | 1 | |
| Aug 19, 2016 | 95 | $1,701 | -30% | 1 | $1,701 | $10,206 | 2 |
| Nov 4, 2016 | 95 | $1,228 | 4 | $307 | $12,834 | 13 | |
| Nov 11, 2016 | 115 | $1,109 | -10% | 2 | $555 | $13,943 | 14 |
| Nov 18, 2016 | 114 | $1,161 | +5% | 2 | $581 | $15,104 | 15 |
| Nov 25, 2016 | 99 | $1,419 | +22% | 2 | $710 | $16,523 | 16 |
| Dec 2, 2016 | 91 | $2,209 | +56% | 2 | $1,105 | $18,732 | 17 |
| Dec 9, 2016 | 106 | $581 | -74% | 1 | $581 | $19,313 | 18 |
| Dec 16, 2016 | 94 | $680 | +17% | 1 | $680 | $19,993 | 19 |
| Jan 6, 2017 | 66 | $292 | 1 | $292 | $20,507 | 22 |
Leading
| Rhys Coiro | Sam Taylor | |
| Xander Berkeley | Frank Devore | |
| Carly Pope | Faye Gardner |
Supporting
| Richard Portnow | Jason Pure | |
| Jeananne Goossen | Luna | |
| Jeff Marchelletta | Cameron Kane | |
| Erin Matthews | Laura Devore | |
| Heather Snell | Hope | |
| Logan Clarke | Barry Dean | |
| Channing Chase | Sam’s Mother |
Production and Technical Credits
| Steve Anderson | Director | |
| Steve Anderson | Screenwriter | |
| Steve Anderson | Producer | |
| Jeff Marchelletta | Producer | |
| Josh Mandel | Producer | |
| Robert de Klerk | Executive Producer | |
| Stephen Bogart | Executive Producer | |
| D. Hanna | Executive Producer | |
| Brad Willis | Executive Producer | |
| Mary Jeanne Russell | Executive Producer | |
| Brett Bozeman | Executive Producer | |
| Andre Fontanelle | Co-Producer | |
| Wendy Weidman | Co-Producer | |
| Rebecca Mangieri | Co-Producer | |
| Sumiko Braun | Associate Producer | |
| Paul Jamison | Associate Producer | |
| Brian Gustafson | Associate Producer | |
| Hal Stellini | Associate Producer | |
| Steve Anderson | Editor | |
| Jason A. Payne | Editor | |
| Patrick Meade Jones | Director of Photography | |
| Aaron Osborne | Production Designer | |
| Ise White | Costume Designer | |
| Jonathan Hartman | Composer | |
| Wendy Weidman | Casting Director | |
| Rebecca Mangieri | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.