Thoroughbreds (2018)
| Theatrical Performance | ||
| Domestic Box Office | $3,072,605 | Details |
| International Box Office | $401,616 | Details |
| Worldwide Box Office | $3,474,221 | |
| OpusData ID: 306920100 More info... | ||
| Further financial details... | ||
Synopsis
Childhood friends Lily and Amanda reconnect in suburban Connecticut after years of growing apart. Lily has turned into a polished, upper-class teenager, with a fancy boarding school on her transcript and a coveted internship on her resume; Amanda has developed a sharp wit and her own particular attitude, but all in the process of becoming a social outcast. Though they initially seem completely at odds, the pair bond over Lily’s contempt for her oppressive stepfather, Mark, and as their friendship grows, they begin to bring out one another’s most destructive tendencies. Their ambitions lead them to hire a local hustler, Tim, and take matters into their own hands to set their lives straight.
Metrics
| Opening Weekend: | $1,224,430 (39.8% of total gross) |
| Legs: | 2.51 (domestic box office/biggest weekend) |
| Domestic Share: | 88.4% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 549 opening theaters/564 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,033,845 |
Movie Details
| Domestic Releases: | March 9th, 2018 (Limited) by Focus Features |
| International Releases: | April 6th, 2018 (Limited) (United Kingdom)
August 2nd, 2018 (Wide), released as Amiche di sangue (Italy) August 17th, 2018 (Wide), released as Purasangre (Spain) |
| Video Release: | May 22nd, 2018 by Focus Features |
| MPA Rating: | R for disturbing behavior, bloody images, language, sexual references, and some drug content. (Rating bulletin 2516 (Cert #50967), 2/28/2018) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Film festival: | Sundance Film Festival 2017 |
| Plot point: | Drug Dealer, Dysfunctional Family, Narcotics, Step-Family, Wrongfully Convicted |
| Social setting: | High School |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 15 | $1,224,430 | 549 | $2,230 | $1,224,430 | 1 | |
| Mar 16, 2018 | 20 | $487,690 | -60% | 564 | $865 | $2,294,050 | 2 |
| Mar 23, 2018 | 26 | $160,875 | -67% | 117 | $1,375 | $2,747,595 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 15 | $436,060 | 549 | $794 | $436,060 | 1 | ||
| Mar 10, 2018 | 15 | $460,325 | +6% | 549 | $838 | $896,385 | 2 | |
| Mar 11, 2018 | 15 | $328,045 | -29% | 549 | $598 | $1,224,430 | 3 | |
| Mar 12, 2018 | - | $148,795 | -55% | 549 | $271 | $1,373,225 | 4 | |
| Mar 13, 2018 | - | $169,980 | +14% | 549 | $310 | $1,543,205 | 5 | |
| Mar 14, 2018 | 15 | $152,130 | -11% | 549 | $277 | $1,695,335 | 6 | |
| Mar 15, 2018 | 15 | $111,025 | -27% | 549 | $202 | $1,806,360 | 7 | |
| Mar 16, 2018 | - | $149,195 | +34% | -66% | 564 | $265 | $1,955,555 | 8 |
| Mar 17, 2018 | - | $189,685 | +27% | -59% | 564 | $336 | $2,145,240 | 9 |
| Mar 18, 2018 | - | $148,810 | -22% | -55% | 564 | $264 | $2,294,050 | 10 |
| Mar 19, 2018 | - | $69,975 | -53% | -53% | 564 | $124 | $2,364,025 | 11 |
| Mar 20, 2018 | - | $78,720 | +12% | -54% | 564 | $140 | $2,442,745 | 12 |
| Mar 21, 2018 | - | $79,150 | +1% | -48% | 564 | $140 | $2,521,895 | 13 |
| Mar 22, 2018 | - | $64,825 | -18% | -42% | 564 | $115 | $2,586,720 | 14 |
| Mar 23, 2018 | - | $43,770 | -32% | -71% | 117 | $374 | $2,630,490 | 15 |
| Mar 24, 2018 | - | $63,500 | +45% | -67% | 117 | $543 | $2,693,990 | 16 |
| Mar 25, 2018 | - | $53,605 | -16% | -64% | 117 | $458 | $2,747,595 | 17 |
| Mar 26, 2018 | - | $23,690 | -56% | -66% | 117 | $202 | $2,771,285 | 18 |
| Mar 27, 2018 | - | $24,175 | +2% | -69% | 117 | $207 | $2,795,460 | 19 |
| Mar 28, 2018 | - | $17,805 | -26% | -78% | 117 | $152 | $2,813,265 | 20 |
| Mar 29, 2018 | - | $17,510 | -2% | -73% | 117 | $150 | $2,830,775 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 15 | $1,806,360 | 549 | $3,290 | $1,806,360 | 1 | |
| Mar 16, 2018 | 19 | $780,360 | -57% | 564 | $1,384 | $2,586,720 | 2 |
| Mar 23, 2018 | 27 | $244,055 | -69% | 117 | $2,086 | $2,830,775 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 8/2/2018 | $34,825 | 0 | 0 | 0 | $34,825 | 8/6/2018 | |||
| Spain | 8/17/2018 | $8,287 | 12 | 12 | 12 | $8,287 | 8/24/2018 | |||
| United Kingdom | 4/6/2018 | $71,585 | 128 | 128 | 128 | $71,585 | 4/4/2026 | |||
| Rest of World | $286,919 | |||||||||
| International Total | $401,616 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Olivia Cooke | ||
| Anya Taylor-Joy |
Supporting
| Anton Yelchin | ||
| Paul Sparks | ||
| Francie Swift |
Production and Technical Credits
| Cory Finley | Director | |
| Cory Finley | Screenwriter | |
| Kevin J. Walsh | Producer | |
| Nat Faxon | Producer | |
| Jim Rash | Producer | |
| Andrew Duncan | Producer | |
| Alex Saks | Producer | |
| Ted Deiker | Executive Producer | |
| Ryan Stowell | Executive Producer | |
| Declan Baldwin | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Childhood friends Lily and Amanda reconnect in suburban Connecticut after years of growing apart. Lily has turned into a polished, upper-class teenager, with a fancy boarding school on her transcript and a coveted internship on her resume; Amanda has developed a sharp wit and her own particular attitude, but all in the process of becoming a social outcast. Though they initially seem completely at odds, the pair bond over Lily’s contempt for her oppressive stepfather, Mark, and as their friendship grows, they begin to bring out one another’s most destructive tendencies. Their ambitions lead them to hire a local hustler, Tim, and take matters into their own hands to set their lives straight.
Metrics
| Opening Weekend: | $1,224,430 (39.8% of total gross) |
| Legs: | 2.51 (domestic box office/biggest weekend) |
| Domestic Share: | 88.4% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 549 opening theaters/564 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,033,845 |
Movie Details
| Domestic Releases: | March 9th, 2018 (Limited) by Focus Features |
| International Releases: | April 6th, 2018 (Limited) (United Kingdom)
August 2nd, 2018 (Wide), released as Amiche di sangue (Italy) August 17th, 2018 (Wide), released as Purasangre (Spain) |
| Video Release: | May 22nd, 2018 by Focus Features |
| MPA Rating: | R for disturbing behavior, bloody images, language, sexual references, and some drug content. (Rating bulletin 2516 (Cert #50967), 2/28/2018) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Film festival: | Sundance Film Festival 2017 |
| Plot point: | Drug Dealer, Dysfunctional Family, Narcotics, Step-Family, Wrongfully Convicted |
| Social setting: | High School |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 15 | $1,224,430 | 549 | $2,230 | $1,224,430 | 1 | |
| Mar 16, 2018 | 20 | $487,690 | -60% | 564 | $865 | $2,294,050 | 2 |
| Mar 23, 2018 | 26 | $160,875 | -67% | 117 | $1,375 | $2,747,595 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 15 | $436,060 | 549 | $794 | $436,060 | 1 | ||
| Mar 10, 2018 | 15 | $460,325 | +6% | 549 | $838 | $896,385 | 2 | |
| Mar 11, 2018 | 15 | $328,045 | -29% | 549 | $598 | $1,224,430 | 3 | |
| Mar 12, 2018 | - | $148,795 | -55% | 549 | $271 | $1,373,225 | 4 | |
| Mar 13, 2018 | - | $169,980 | +14% | 549 | $310 | $1,543,205 | 5 | |
| Mar 14, 2018 | 15 | $152,130 | -11% | 549 | $277 | $1,695,335 | 6 | |
| Mar 15, 2018 | 15 | $111,025 | -27% | 549 | $202 | $1,806,360 | 7 | |
| Mar 16, 2018 | - | $149,195 | +34% | -66% | 564 | $265 | $1,955,555 | 8 |
| Mar 17, 2018 | - | $189,685 | +27% | -59% | 564 | $336 | $2,145,240 | 9 |
| Mar 18, 2018 | - | $148,810 | -22% | -55% | 564 | $264 | $2,294,050 | 10 |
| Mar 19, 2018 | - | $69,975 | -53% | -53% | 564 | $124 | $2,364,025 | 11 |
| Mar 20, 2018 | - | $78,720 | +12% | -54% | 564 | $140 | $2,442,745 | 12 |
| Mar 21, 2018 | - | $79,150 | +1% | -48% | 564 | $140 | $2,521,895 | 13 |
| Mar 22, 2018 | - | $64,825 | -18% | -42% | 564 | $115 | $2,586,720 | 14 |
| Mar 23, 2018 | - | $43,770 | -32% | -71% | 117 | $374 | $2,630,490 | 15 |
| Mar 24, 2018 | - | $63,500 | +45% | -67% | 117 | $543 | $2,693,990 | 16 |
| Mar 25, 2018 | - | $53,605 | -16% | -64% | 117 | $458 | $2,747,595 | 17 |
| Mar 26, 2018 | - | $23,690 | -56% | -66% | 117 | $202 | $2,771,285 | 18 |
| Mar 27, 2018 | - | $24,175 | +2% | -69% | 117 | $207 | $2,795,460 | 19 |
| Mar 28, 2018 | - | $17,805 | -26% | -78% | 117 | $152 | $2,813,265 | 20 |
| Mar 29, 2018 | - | $17,510 | -2% | -73% | 117 | $150 | $2,830,775 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 15 | $1,806,360 | 549 | $3,290 | $1,806,360 | 1 | |
| Mar 16, 2018 | 19 | $780,360 | -57% | 564 | $1,384 | $2,586,720 | 2 |
| Mar 23, 2018 | 27 | $244,055 | -69% | 117 | $2,086 | $2,830,775 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 8/2/2018 | $34,825 | 0 | 0 | 0 | $34,825 | 8/6/2018 | |||
| Spain | 8/17/2018 | $8,287 | 12 | 12 | 12 | $8,287 | 8/24/2018 | |||
| United Kingdom | 4/6/2018 | $71,585 | 128 | 128 | 128 | $71,585 | 4/4/2026 | |||
| Rest of World | $286,919 | |||||||||
| International Total | $401,616 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Olivia Cooke | ||
| Anya Taylor-Joy |
Supporting
| Anton Yelchin | ||
| Paul Sparks | ||
| Francie Swift |
Production and Technical Credits
| Cory Finley | Director | |
| Cory Finley | Screenwriter | |
| Kevin J. Walsh | Producer | |
| Nat Faxon | Producer | |
| Jim Rash | Producer | |
| Andrew Duncan | Producer | |
| Alex Saks | Producer | |
| Ted Deiker | Executive Producer | |
| Ryan Stowell | Executive Producer | |
| Declan Baldwin | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.