Those Who Wish Me Dead (2021)
| Theatrical Performance | ||
| Domestic Box Office | $7,407,200 | Details |
| International Box Office | $11,700,000 | Details |
| Worldwide Box Office | $19,107,200 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $869,460 | |
| Blu-ray Sales (estimated) | $1,102,511 | |
| Total | $1,971,971 | |
| OpusData ID: 395520100 More info... | ||
| Further financial details... | ||
Synopsis
A teenage murder witness is lost in the Montana wilderness with the twin assassins hunting him, a survival expert tasked with protecting him, and a forest fire that threatens to consume them all.
Metrics
| Opening Weekend: | $2,830,000 (38.2% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 38.8% (domestic box office/worldwide) |
| Theater counts: | 3,188 opening theaters/3,379 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,710,922 |
Movie Details
| Domestic Releases: | May 14th, 2021 (Wide) by Warner Bros. |
| International Releases: | May 5th, 2021 (Wide) (South Korea)
May 13th, 2021 (Wide) (New Zealand) May 13th, 2021 (Wide), released as Aquellos Que Desean Mi Muerte (Mexico) May 14th, 2021 (Wide) (Taiwan) May 14th, 2021 (Wide), released as Trokštantys mano mirties (Those Who Wish me Dead) (Lithuania) ... Show all releases |
| Video Release: | May 14th, 2021 by Max |
| MPA Rating: | R for strong violence, and language throughout. (Rating bulletin 2662 (cert #52965), 1/6/2021) |
| Running Time: | 100 minutes |
| Geographical setting: | Montana |
| Plot point: | Death of a Partner, Firefighter, Hitmen, PTSD, Witnessing a Crime |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, Bron Studios, Filmrights, Creative Wealth Media Finance |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 3 | $2,830,000 | 3,188 | $888 | $2,830,000 | 1 | |
| May 21, 2021 | 3 | $1,920,000 | -32% | 3,379 | $568 | $5,622,000 | 2 |
| May 28, 2021 | 9 | $590,000 | -69% | 1,805 | $327 | $6,866,000 | 3 |
| Jun 4, 2021 | 12 | $108,275 | -82% | 748 | $145 | $7,211,275 | 4 |
| Jun 11, 2021 | - | $33,216 | -69% | 116 | $286 | $7,292,328 | 5 |
| Jun 18, 2021 | - | $19,483 | -41% | 73 | $267 | $7,328,607 | 6 |
| Jun 25, 2021 | - | $8,587 | -56% | 53 | $162 | $7,343,135 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 3 | $3,701,657 | 3,188 | $1,161 | $3,701,657 | 1 | |
| May 28, 2021 | 9 | $923,015 | 1,805 | $511 | $7,103,342 | 3 | |
| Jun 4, 2021 | 12 | $155,770 | -83% | 748 | $208 | $7,259,112 | 4 |
| Jun 11, 2021 | 21 | $50,012 | -68% | 116 | $431 | $7,309,124 | 5 |
| Jun 18, 2021 | 23 | $25,424 | -49% | 116 | $219 | $7,334,548 | 6 |
| Jun 25, 2021 | 32 | $12,555 | -51% | 53 | $237 | $7,347,103 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/14/2021 | $871,066 | 333 | 333 | 1,309 | $2,442,429 | 9/9/2021 | |||
| Colombia | 5/21/2021 | $0 | 0 | 0 | 0 | $206,000 | 10/20/2022 | |||
| Hong Kong | 5/14/2021 | $48,886 | 0 | 0 | 0 | $150,000 | 10/20/2022 | |||
| Indonesia | 5/21/2021 | $220,000 | 390 | 390 | 390 | $302,000 | 10/20/2022 | |||
| Lithuania | 5/14/2021 | $4,900 | 11 | 11 | 17 | $9,749 | 6/3/2021 | |||
| Mexico | 5/13/2021 | $271,903 | 0 | 437 | 437 | $561,000 | 10/20/2022 | |||
| New Zealand | 5/13/2021 | $75,649 | 73 | 75 | 298 | $196,562 | 8/10/2021 | |||
| Portugal | 5/14/2021 | $20,810 | 41 | 41 | 95 | $39,479 | 6/8/2021 | |||
| Russia (CIS) | 5/14/2021 | $419,629 | 902 | 902 | 2,171 | $755,000 | 10/20/2022 | |||
| Saudi Arabia | 5/14/2021 | $534,000 | 35 | 35 | 70 | $1,900,000 | 10/20/2022 | |||
| Singapore | 5/14/2021 | $0 | 0 | 0 | 0 | $118,000 | 10/20/2022 | |||
| South Korea | 5/5/2021 | $5,230 | 212 | 268 | 748 | $455,000 | 10/20/2022 | |||
| Spain | 5/14/2021 | $0 | 0 | 84 | 84 | $335,000 | 10/20/2022 | |||
| Taiwan | 5/14/2021 | $0 | 0 | 0 | 0 | $274,000 | 10/20/2022 | |||
| Ukraine | 5/14/2021 | $0 | 0 | 0 | 0 | $217,000 | 10/20/2022 | |||
| United Arab Emirates | 5/14/2021 | $0 | 0 | 0 | 0 | $412,000 | 6/21/2021 | |||
| United Kingdom | 5/17/2021 | $428,505 | 283 | 283 | 526 | $788,000 | 10/20/2022 | |||
| Rest of World | $2,538,781 | |||||||||
| International Total | $11,700,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Angelina Jolie | Hannah | |
| Nicholas Hoult | Patrick | |
| Finn Little | Connor | |
| Aidan Gillen | Jack | |
| Medina Senghore | Allison | |
| Jon Bernthal | Ethan |
Supporting
| Jake Weber | Owen | |
| Tyler Perry | Arthur | |
| Boots Southerland | Sheriff | |
| Tory Kittles | Ryan | |
| James Jordan | Ben | |
| Lora Martinez-Cunningham | Tina | |
| Howard Ferguson Jr | Vic | |
| Ryan Jason Cook | Leo | |
| Laura Niemi | Maggie | |
| Dylan Kenin | Pilot | |
| Faith Lynch | Pretty Girl | |
| Alex Wagenman | Boy #1 | |
| Mason Howell | Boy #2 | |
| Calvin Olson | Boy #3 | |
| Tessa Jo Mentus Darlington | Newscaster | |
| Keith Meriweather | Forest Service Official | |
| John Trejo | Contractor #1 | |
| Sofia Embid | Lady Driver | |
| Mary Fenton | Beth | |
| Charissa Lauren Potter | Waitress #2 |
Production and Technical Credits
| Taylor Sheridan | Director | |
| Taylor Sheridan | Screenwriter | |
| Michael Koryta | Screenwriter | |
| Charles Leavitt | Screenwriter | |
| Michael Koryta | Story based on the book by | |
| Steven Zaillian | Producer | |
| Garrett Basch | Producer | |
| Aaron L. Gilbert | Producer | |
| Kevin Turen | Producer | |
| Taylor Sheridan | Producer | |
| Steven Thibault | Executive Producer | |
| Ashley Levinson | Executive Producer | |
| Andria Spring | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Richard McConnell | Executive Producer | |
| Kathryn Dean | Executive Producer | |
| Michael Friedman | Executive Producer | |
| Daria Cercek | Executive Producer | |
| Celia Khong | Executive Producer | |
| Neil Spisak | Production Designer | |
| Chad Galster | Editor | |
| Brian Tyler | Composer | |
| Ben Richardson | Director of Photography | |
| Kari Perkins | Costume Designer | |
| Andrea von Foerster | Music Supervisor | |
| Cathy Sandrich Gelfond* | Casting Director | |
| Amanda Mackey | Casting Director | |
| Kate Dean | Unit Production Manager | |
| Jason Altieri | First Assistant Director | |
| Peter McGrew | Second Assistant Director | |
| Brenda Gilbert | Co-Executive Producer | |
| Adam Davids | Co-Executive Producer | |
| Harrison Kreiss | Co-Producer | |
| Grace Morton | Associate Producer | |
| Andrejs Prokopenko | Sound Mixer | |
| Dawn Swiderski | Supervising Art Director | |
| Greg Papalia | Art Director | |
| Sandra D. Carmola | Art Director | |
| Taura C.C. Rivera | Set Designer | |
| Emma Sparer | Set Designer | |
| Natalie Pascual | Costume Supervisor | |
| Jay Hart | Set Decorator | |
| Tim Muir | Hairstylist | |
| Nichole Miller | Hairstylist | |
| Felicity Bowring | Make up | |
| Bonnie Masoner | Make up | |
| Daniel Holt | Special Effects Supervisor | |
| Anita Sum | Production Supervisor | |
| Wade Allen | Second Unit Director | |
| Sharron Reynolds-Enriquez | Script Supervisor | |
| Len Murach | Supervising Location Manager | |
| Tim Pedegana | Post-Production Supervisor | |
| Brooke Rupe | First Assistant Editor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Tom Ozanich | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Tom Ozanich | Sound Designer | |
| John Joseph Thomas | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Christian Wenger | Sound Effects Editor | |
| Michael Hertlein | Dialogue Editor | |
| Kevin R.W. Murray | Foley Editor | |
| Tavish Grade | Foley Mixer | |
| Arno Stephanian | Foley Mixer | |
| Mark Stetson | Visual Effects Supervisor | |
| Jason Chen | Visual Effects Supervisor | |
| Beverly Abbott | Visual Effects Producer | |
| Wade Allen | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A teenage murder witness is lost in the Montana wilderness with the twin assassins hunting him, a survival expert tasked with protecting him, and a forest fire that threatens to consume them all.
Metrics
| Opening Weekend: | $2,830,000 (38.2% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 38.8% (domestic box office/worldwide) |
| Theater counts: | 3,188 opening theaters/3,379 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,710,922 |
Movie Details
| Domestic Releases: | May 14th, 2021 (Wide) by Warner Bros. |
| International Releases: | May 5th, 2021 (Wide) (South Korea)
May 13th, 2021 (Wide) (New Zealand) May 13th, 2021 (Wide), released as Aquellos Que Desean Mi Muerte (Mexico) May 14th, 2021 (Wide) (Taiwan) May 14th, 2021 (Wide), released as Trokštantys mano mirties (Those Who Wish me Dead) (Lithuania) ... Show all releases |
| Video Release: | May 14th, 2021 by Max |
| MPA Rating: | R for strong violence, and language throughout. (Rating bulletin 2662 (cert #52965), 1/6/2021) |
| Running Time: | 100 minutes |
| Geographical setting: | Montana |
| Plot point: | Death of a Partner, Firefighter, Hitmen, PTSD, Witnessing a Crime |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, Bron Studios, Filmrights, Creative Wealth Media Finance |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 3 | $2,830,000 | 3,188 | $888 | $2,830,000 | 1 | |
| May 21, 2021 | 3 | $1,920,000 | -32% | 3,379 | $568 | $5,622,000 | 2 |
| May 28, 2021 | 9 | $590,000 | -69% | 1,805 | $327 | $6,866,000 | 3 |
| Jun 4, 2021 | 12 | $108,275 | -82% | 748 | $145 | $7,211,275 | 4 |
| Jun 11, 2021 | - | $33,216 | -69% | 116 | $286 | $7,292,328 | 5 |
| Jun 18, 2021 | - | $19,483 | -41% | 73 | $267 | $7,328,607 | 6 |
| Jun 25, 2021 | - | $8,587 | -56% | 53 | $162 | $7,343,135 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 3 | $3,701,657 | 3,188 | $1,161 | $3,701,657 | 1 | |
| May 28, 2021 | 9 | $923,015 | 1,805 | $511 | $7,103,342 | 3 | |
| Jun 4, 2021 | 12 | $155,770 | -83% | 748 | $208 | $7,259,112 | 4 |
| Jun 11, 2021 | 21 | $50,012 | -68% | 116 | $431 | $7,309,124 | 5 |
| Jun 18, 2021 | 23 | $25,424 | -49% | 116 | $219 | $7,334,548 | 6 |
| Jun 25, 2021 | 32 | $12,555 | -51% | 53 | $237 | $7,347,103 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/14/2021 | $871,066 | 333 | 333 | 1,309 | $2,442,429 | 9/9/2021 | |||
| Colombia | 5/21/2021 | $0 | 0 | 0 | 0 | $206,000 | 10/20/2022 | |||
| Hong Kong | 5/14/2021 | $48,886 | 0 | 0 | 0 | $150,000 | 10/20/2022 | |||
| Indonesia | 5/21/2021 | $220,000 | 390 | 390 | 390 | $302,000 | 10/20/2022 | |||
| Lithuania | 5/14/2021 | $4,900 | 11 | 11 | 17 | $9,749 | 6/3/2021 | |||
| Mexico | 5/13/2021 | $271,903 | 0 | 437 | 437 | $561,000 | 10/20/2022 | |||
| New Zealand | 5/13/2021 | $75,649 | 73 | 75 | 298 | $196,562 | 8/10/2021 | |||
| Portugal | 5/14/2021 | $20,810 | 41 | 41 | 95 | $39,479 | 6/8/2021 | |||
| Russia (CIS) | 5/14/2021 | $419,629 | 902 | 902 | 2,171 | $755,000 | 10/20/2022 | |||
| Saudi Arabia | 5/14/2021 | $534,000 | 35 | 35 | 70 | $1,900,000 | 10/20/2022 | |||
| Singapore | 5/14/2021 | $0 | 0 | 0 | 0 | $118,000 | 10/20/2022 | |||
| South Korea | 5/5/2021 | $5,230 | 212 | 268 | 748 | $455,000 | 10/20/2022 | |||
| Spain | 5/14/2021 | $0 | 0 | 84 | 84 | $335,000 | 10/20/2022 | |||
| Taiwan | 5/14/2021 | $0 | 0 | 0 | 0 | $274,000 | 10/20/2022 | |||
| Ukraine | 5/14/2021 | $0 | 0 | 0 | 0 | $217,000 | 10/20/2022 | |||
| United Arab Emirates | 5/14/2021 | $0 | 0 | 0 | 0 | $412,000 | 6/21/2021 | |||
| United Kingdom | 5/17/2021 | $428,505 | 283 | 283 | 526 | $788,000 | 10/20/2022 | |||
| Rest of World | $2,538,781 | |||||||||
| International Total | $11,700,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Angelina Jolie | Hannah | |
| Nicholas Hoult | Patrick | |
| Finn Little | Connor | |
| Aidan Gillen | Jack | |
| Medina Senghore | Allison | |
| Jon Bernthal | Ethan |
Supporting
| Jake Weber | Owen | |
| Tyler Perry | Arthur | |
| Boots Southerland | Sheriff | |
| Tory Kittles | Ryan | |
| James Jordan | Ben | |
| Lora Martinez-Cunningham | Tina | |
| Howard Ferguson Jr | Vic | |
| Ryan Jason Cook | Leo | |
| Laura Niemi | Maggie | |
| Dylan Kenin | Pilot | |
| Faith Lynch | Pretty Girl | |
| Alex Wagenman | Boy #1 | |
| Mason Howell | Boy #2 | |
| Calvin Olson | Boy #3 | |
| Tessa Jo Mentus Darlington | Newscaster | |
| Keith Meriweather | Forest Service Official | |
| John Trejo | Contractor #1 | |
| Sofia Embid | Lady Driver | |
| Mary Fenton | Beth | |
| Charissa Lauren Potter | Waitress #2 |
Production and Technical Credits
| Taylor Sheridan | Director | |
| Taylor Sheridan | Screenwriter | |
| Michael Koryta | Screenwriter | |
| Charles Leavitt | Screenwriter | |
| Michael Koryta | Story based on the book by | |
| Steven Zaillian | Producer | |
| Garrett Basch | Producer | |
| Aaron L. Gilbert | Producer | |
| Kevin Turen | Producer | |
| Taylor Sheridan | Producer | |
| Steven Thibault | Executive Producer | |
| Ashley Levinson | Executive Producer | |
| Andria Spring | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Richard McConnell | Executive Producer | |
| Kathryn Dean | Executive Producer | |
| Michael Friedman | Executive Producer | |
| Daria Cercek | Executive Producer | |
| Celia Khong | Executive Producer | |
| Neil Spisak | Production Designer | |
| Chad Galster | Editor | |
| Brian Tyler | Composer | |
| Ben Richardson | Director of Photography | |
| Kari Perkins | Costume Designer | |
| Andrea von Foerster | Music Supervisor | |
| Cathy Sandrich Gelfond* | Casting Director | |
| Amanda Mackey | Casting Director | |
| Kate Dean | Unit Production Manager | |
| Jason Altieri | First Assistant Director | |
| Peter McGrew | Second Assistant Director | |
| Brenda Gilbert | Co-Executive Producer | |
| Adam Davids | Co-Executive Producer | |
| Harrison Kreiss | Co-Producer | |
| Grace Morton | Associate Producer | |
| Andrejs Prokopenko | Sound Mixer | |
| Dawn Swiderski | Supervising Art Director | |
| Greg Papalia | Art Director | |
| Sandra D. Carmola | Art Director | |
| Taura C.C. Rivera | Set Designer | |
| Emma Sparer | Set Designer | |
| Natalie Pascual | Costume Supervisor | |
| Jay Hart | Set Decorator | |
| Tim Muir | Hairstylist | |
| Nichole Miller | Hairstylist | |
| Felicity Bowring | Make up | |
| Bonnie Masoner | Make up | |
| Daniel Holt | Special Effects Supervisor | |
| Anita Sum | Production Supervisor | |
| Wade Allen | Second Unit Director | |
| Sharron Reynolds-Enriquez | Script Supervisor | |
| Len Murach | Supervising Location Manager | |
| Tim Pedegana | Post-Production Supervisor | |
| Brooke Rupe | First Assistant Editor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Tom Ozanich | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Tom Ozanich | Sound Designer | |
| John Joseph Thomas | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Christian Wenger | Sound Effects Editor | |
| Michael Hertlein | Dialogue Editor | |
| Kevin R.W. Murray | Foley Editor | |
| Tavish Grade | Foley Mixer | |
| Arno Stephanian | Foley Mixer | |
| Mark Stetson | Visual Effects Supervisor | |
| Jason Chen | Visual Effects Supervisor | |
| Beverly Abbott | Visual Effects Producer | |
| Wade Allen | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.