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Three Billboards Outside Ebbing, Missouri (2017)

Three Billboards Outside Ebbing, Missouri
Theatrical Performance
Domestic Box Office $19,748,978Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After months have passed without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town’s revered chief of police. When his second-in-command Officer Dixon, an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,401-3,500) 3,438 $19,748,978
All Time Worldwide Box Office (Rank 4,501-4,600) 4,507 $19,748,978
All Time Domestic Highest Grossing Limited Release Movies (Rank 101-200) 127 $19,748,978

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 10th, 2017 (Limited) by Fox Searchlight
December 1st, 2017 (Expands Wide) by Fox Searchlight
MPAA Rating: Not Rated
Running Time: 115 minutes
Comparisons: vs. En kongelig affære
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Keywords: Police Brutality, Police Procedural, Corrupt Cops, Murder Mystery, Sex Crimes, Bigotry, Death of a Son or Daughter, Death of a Sibling, Dysfunctional Family, Terminal Illness, Cancer, Suicide, Non-Chronological
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Fox Searchlight Pictures, Film4, Blueprint Films
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 5th Weekend Limited Release 51 $2,862,109 Dec 8, 2017 31
Biggest 4th Weekend Limited Release 27 $4,396,537 Dec 1, 2017 24
Biggest 3rd Weekend Limited Release 21 $4,403,003 Nov 24, 2017 17
Thanksgiving (All Movies, 5-Day) 228 $5,845,462 Nov 24, 2017 17
Thanksgiving (All Movies, 5-Day, Inflation Adjusted) 247 $10,241,885 Nov 24, 2017 17
Theater Average Opening Weekend 46 $80,542 Nov 10, 2017 3
Theater Average 59 $80,542 Nov 10, 2017 3
Top 2017 Theater Average 5 $80,542 Nov 10, 2017 3
Widest Expansion Limited Release 19 1,616 Nov 10, 2017 0

Cast

   Mildred
   Willoughby
   Dixon
Abbie Cornish    Anne
Lucas Hedges    Robbie
Zeljko Ivanek    Desk Sergeant
Caleb Landry-Jones    Red Welby
Clarke Peters    Abercrombie
Samara Weaving    Penelope
John Hawkes    Charlie
Peter Dinklage    James
Kerry Condon    Pamela
Alejandro Barrios    Latino
Jason Ledford    Latino #2
Darrell Britt Gibson    Jerome
Riya May Atwood    Polly
Selah Atwood    Jane
Amanda Mason Warren    Denise
Malaya Rivera Drew    Gabriella
Sandy Martin    Momma Dixon
Christopher Berry    Tony
Gregory Nassif St. John    Doctor
Jerry Winsett    Geoffrey
Kathryn Newton    Angela
Allyssa Barley    Girl
William J. Harrison    Boy
Brendan Sexton III    Crop-Haired Guy
Eleanor Threatt Hardy    Nurse
Michael Aaron Milligan    Pal

Production and Technical Credits

Director   
Screenwriter    Martin McDonagh
Producer    Graham Broadbent
Producer    Peter Czernin
Producer    Martin McDonagh
Executive Producer    Bergen Swanson
Executive Producer    Diarmuid McKeown
Executive Producer    Rose Garnet
Executive Producer    David Kosse
Executive Producer    Daniel Battsek
Director of Photography    Ben Davis
Production Designer    Inbal Weinberg
Editor    Jon Gregory
Costume Designer    Melissa Toth
Composer    Carter Burwell
Co-Producer    Ben Knight
Casting Director    Sarah Halley Finn
Stunt Coordinator    Doug Coleman
Unit Production Manager    Bergen Swanson
First Assistant Director    Peter Kohn
Second Assistant Director    Paula Case
Set Decorator    Merissa Lombardo
Sound Mixer    Jonathan Gaynor
Script Supervisor    Jeanette McGrath
Make up    Leo Corey Castellano
Special Make-up Effects    Leo Corey Castellano
Make-up and Hair Designer    Jorie Mars Malan
Hairstylist    Cydney Cornell
Art Director    Jesse Rosenthal
Costume Supervisor    Hartsell Taylor
Location Manager    Robert Foulkes
Special Effects Supervisor    Burt Dalton
Post-Production Supervisor    Alistair Hopkins
First Assistant Editor    Gabrielle Smith
First Assistant Editor    Nicholas Lipari
First Assistant Editor    Adam Duthie
Re-recording Mixer    Chris Burdon
Re-recording Mixer    Doug Cooper
Supervising Sound Editor    Joakim Sundstrom
Sound Effects Editor    Christer Melen
Dialogue Editor    Matt Skelding
Visual Effects Supervisor    Tyler Gooden
Visual Effects Supervisor    Simon Hughes
Visual Effects Executive Producer    Tim Caplan
Visual Effects Executive Producer    Adam Gascoyne
Visual Effects Producer    Noga Alon Stein
Music Supervisor    Karen Elliott
Music Editor    John Warhurst
Executive Music Producer    James Gibb
Score Mixer    Michael Farrow

2017 - Awards Season: SAG - Nominations

December 13th, 2017

Three Billboards Outside Ebbing, Missouri

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. Three Billboards Outside Ebbing, Missouri picked up four nominations, which is extra impressive, as there are only six theatrical categories. More...

Theater Averages: Tonya Skates its Way to $66,039

December 12th, 2017

I, Tonya

There was another Oscar contender on top of the theater average chart this weekend, as I, Tonya earned an average of $66,039 in four theaters. Call Me by Your Name was the next best film with an average of $31,761 in nine theaters. The film isn’t expanding as fast as one would expect, given its theater average, but this could be because the studio doesn’t think it has mainstream appeal. The Shape of Water was close behind with an average of $27,843 in 41 theaters and it has already earned some measure of mainstream success. The final film in the $10,000 club was Darkest Hour with an average of $13,989 in 53 theaters. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Weekend Estimates: Disaster Artist Hits, Just Getting Started Misses

December 10th, 2017

Coco

Coco remains the number one movie at the box office this weekend by a considerable margin, mainly due to a lack of serious competition from new releases. Disney’s animated adventure will gross about $18.3 million this weekend, for a domestic total of $135.5 million. The film will also pile up another $55.3 million internationally, taking its worldwide cume to $389.5 million. It still has some big openings to come, including Brazil, Korea, the UK, and Japan in January, so it has some way to go, although its progress will be eclipsed by The Last Jedi for the next few weeks. More...

Theater Averages: Awards Season is Shaping Up

December 6th, 2017

The Shape of Water

It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release. More...

Weekend Estimates: Coco Wins, Limited Releases on Fire

December 3rd, 2017

Coco

The weekend after Thanksgiving is usually when the studios take a breather before the big Christmas season, and this year is no different, with no new wide releases, and relatively minor shuffles on screen use at the theaters. It’s therefore little surprise that Coco holds on at the top of the chart, and its strong reviews and season-friendly nature help it to extend its lead over Justice League. Coco is headed towards $26.114 million this weekend, according to Disney, for $109 million or so to date. That’s down 49% from last weekend. Justice League, meanwhile, drops a more troubling 60% to $16.58 million, for $197 million after three weekends.

More exciting action lies among the limited and expanding releases, however… More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

2017 - Awards Season: Independent Spirit Awards - Nominations

November 22nd, 2017

Call Me by Your Name

The Independent Spirit Awards nominations were announced yesterday and thus the 2017 Awards Season begins. The movie with the most nominations is Call Me by Your Name, which opens on Friday. This is amazingly good timing. It’s not the only film that should get a financial boost. More...

Theater Averages: Justice League tops Chart with $23,165, Three Billboards Grabs Second

November 21st, 2017

Justice League

Justice League topped the theater average chart with $23,165 in just over 4,000 theaters. This is in the top ten best theater averages for any wide release that has come out this year, but it is about 25% lower than it needed to be. Last week’s winner, Three Billboards Outside Ebbing Missouri was pushed into second place with an average of $20,796 in 53 theaters. Its strong hold plus its early success during Awards Season should help it stick around in theaters for a long time. Roman J. Israel, Esq was next with an average of $15,500 in four theaters. This would be a good start for a limited release, but it is scheduled to expand wide on Wednesday, so I’m not sure it is good enough. Finally, Lady Bird rounded out the $10,000 club with an average of $10,573 in 238 theaters. It has already earned a significant measure of mainstream success and it still has room to grow. More...

Weekend Wrap-Up: Justice is Leagues ahead of Competition, but Misses Expectations with $93.84 million

November 21st, 2017

Justice League

Justice League easily won the race for first place on the weekend box office chart. However, it only managed $93.84 million, which is substantially lower than it was expected to open with. In fact, it’s the first film in the DCEU to not open with more than $100 million. (To be fair, it is doing better internationally.) Wonder was a surprising hit in second place and it helped the box office rise 32% from last weekend to $199 million. More importantly, this weekend was 26% higher than the same weekend last year. 2017 ended its most recent slump, but it is still 4.5% or $430 million behind last year’s pace at $9.21 billion to $9.65 billion. More...

Weekend Estimates: How Much Trouble Does a $96 Million Opening Spell for the DCEU?

November 19th, 2017

Justice League

Justice League was meant to the be the big pay-off for the first phase of the DC Extended Universe, bringing together the characters introduced in Man of Steel, Batman v Superman: Dawn of Justice, and Wonder Woman, and setting the stage for next year’s Aquaman. The huge success of Wonder Woman this Summer seemed to be just the kick the franchise needed, and, given the history of the Marvel Cinematic Universe, which enjoyed steadily building success leading up to the gigantic opening of The Avengers, an opening north of $150 million, and maybe even approaching $200 million seemed a possibility a couple of months ago. In that context, the $96 million projected weekend announced by Warner Bros. this morning looks like a huge disappointment. What does it mean for the franchise? More...

Friday Estimates: Justice Prevails on Friday with $38.8 Million, but the DCEU in Peril

November 18th, 2017

Justice League

As predicted, Justice League dominated the Friday box office chart, earning four times its nearest competitor. However, it only managed $38.8 million on Friday, which is well below expectations. In fact, tracking has been dropping and the film is now widely expected to open with less than $100 million over the weekend, making it the only film in the DCEU to fail to reach the century mark during its opening weekend. There are a number of reasons why this film is struggling. Firstly, except for Wonder Woman, no film in the franchise has earned good reviews and mainstream audiences may have given up on the franchise. Secondly, the troubled production meant a lot of people who were part of the target audience, but not hardcore D.C. Comics fans, are taking a wait-and-see approach here. Since its reviews are bad, these people are staying home. Its CinemaScore is just a B plus, so it won’t have great legs going forward. Finally, there’s Thor: Ragnarok. That film is proving to be stronger than expected competition, as it started faster and is holding up better than most similar films. I think Warner Bros. is going to have to rethink the entire DCEU before going forward. Aquaman is already in post-production and Wonder Woman 2 is definitely going forward. After that, I’m not sure what films will or will not be made. More...

Theater Averages: Three Billboards Earns 1st for the Weekend and 3rd for the Year with $80,542

November 14th, 2017

Lady Bird

This week’s winner on the theater average chart was Three Billboards Outside Ebbing Missouri, opening with an average of $80,542 in four theaters. This puts it in third place for the year, behind Lady Bird ($91,109) and The Big Sick ($84,315). Speaking of Lady Bird, the film earned an average $32,426 in 37 theaters, putting it in the top ten over the weekend. Bill Nye Science Guy is traveling the country and this week it was playing in one theater in Los Angeles earning $14,350. Thor: Ragnarok was right behind with an average of $13,990. The final film in the $10,000 club was Thelma, which earned $10,841 in one theater. More...

Weekend Estimates: Daddies Sneak into Second Place; Thor Solid in Second Week

November 12th, 2017

Daddy’s Home 2

Thor: Ragnarok maintains a firm hold on top spot at the domestic and international box office this weekend, with a respectable decline of 54% at home taking it to $56.6 million for the weekend and $211.6 million to date. With another $75.9 million internationally, for a total of $438.5 million overseas, Ragnarok will pass $650 million worldwide today. That makes it the most successful Thor film already, and it seems like it should retain decent traction into the holidays, even with Justice League coming out next weekend. More...

Limited and VOD Releases: Three, Four, Five films worth Checking Out

November 10th, 2017

Three Billboards Outside Ebbing, Missouri

It is not a particularly long list this week, but fortunately we do have one top-notch limited release: Three Billboards Outside Ebbing, Missouri. This film will likely pick up at least a few Awards Season nominations. Also worth checking out are Destination Unknown, Mayhem, Thelma, and Gold Star. Although I’m a little biased when it comes to that last one, as we helped writer / director / star Victoria Negri create her business plan to get that film produced. It is also free on Video on Demand, if you have an Amazon Prime account, so you don’t have to risk any money to watch it, if you have already signed up for Amazon Prime. More...

Three Billboards Outside Ebbing, Missouri Trailer

November 7th, 2017

Black comedy starring Frances McDormand and Woddy Harrelson, opens November 10 ... Full Movie Details.

After months have passed without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town’s revered chief of police. When his second-in-command Officer Dixon, an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/10 26 $322,168   4 $80,542   $322,168 1
2017/11/17 9 $1,102,166 +242% 53 $20,796   $1,536,391 2
2017/11/24 10 $4,403,003 +299% 614 $7,171   $7,614,532 3
2017/12/01 7 $4,396,537 n/c 1,430 $3,075   $13,537,057 4
2017/12/08 11 $2,862,109 -35% 1,620 $1,767   $18,312,393 5

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/11/10 - $102,828   4 $25,707   $102,828 1
2017/11/11 - $125,143 +22% 4 $31,286   $227,971 2
2017/11/12 - $94,197 -25% 4 $23,549   $322,168 3
2017/11/13 - $30,269 -68% 4 $7,567   $352,437 4
2017/11/14 - $27,479 -9% 4 $6,870   $379,916 5
2017/11/15 - $29,086 +6% 4 $7,272   $409,002 6
2017/11/16 - $25,223 -13% 4 $6,306   $434,225 7
2017/11/17 9 $333,410 +1,222% 53 $6,291   $767,635 8
2017/11/18 10 $452,161 +36% 53 $8,531   $1,219,796 9
2017/11/19 9 $316,595 -30% 53 $5,973   $1,536,391 10
2017/11/20 10 $118,248 -63% 53 $2,231   $1,654,639 11
2017/11/21 10 $114,431 -3% 53 $2,159   $1,769,070 12
2017/11/22 9 $785,371 +586% 590 $1,331   $2,554,441 13
2017/11/23 10 $657,088 -16% 590 $1,114   $3,211,529 14
2017/11/24 10 $1,640,749 +150% 614 $2,672   $4,852,278 15
2017/11/25 10 $1,687,968 +3% 614 $2,749   $6,540,246 16
2017/11/26 8 $1,074,286 -36% 614 $1,750   $7,614,532 17
2017/11/27 7 $368,746 -66% 614 $601   $7,983,278 18
2017/11/28 10 $437,793 +19% 614 $713   $8,421,071 19
2017/11/29 9 $364,636 -17% 614 $594   $8,785,707 20
2017/11/30 9 $354,813 -3% 614 $578   $9,140,520 21
2017/12/01 7 $1,374,443 +287% 1,430 $961   $10,514,963 22
2017/12/02 7 $1,870,514 +36% 1,430 $1,308   $12,385,477 23
2017/12/03 9 $1,151,580 -38% 1,430 $805   $13,537,057 24
2017/12/04 7 $430,843 -63% 1,430 $301   $13,967,900 25
2017/12/05 7 $616,674 +43% 1,430 $431   $14,584,574 26
2017/12/06 8 $454,067 -26% 1,430 $318   $15,038,641 27
2017/12/07 8 $411,643 -9% 1,430 $288   $15,450,284 28
2017/12/08 10 $834,673 +103% 1,620 $515   $16,284,957 29
2017/12/09 11 $1,250,489 +50% 1,620 $772   $17,535,446 30
2017/12/10 11 $776,947 -38% 1,620 $480   $18,312,393 31
2017/12/11 9 $322,323 -59% 1,620 $199   $18,634,716 32
2017/12/12 10 $462,385 +43% 1,620 $285   $19,097,101 33
2017/12/13 9 $362,397 -22% 1,620 $224   $19,459,498 34
2017/12/14 9 $289,480 -20% 1,620 $179   $19,748,978 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/10 26 $434,225   4 $108,556   $434,225 1
2017/11/17 10 $2,777,304 +540% 590 $4,707   $3,211,529 2
2017/11/24 9 $5,928,991 +113% 614 $9,656   $9,140,520 3
2017/12/01 7 $6,309,764 +6% 1,430 $4,412   $15,450,284 4
2017/12/08 11 $4,298,694 -32% 1,620 $2,654   $19,748,978 5

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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