Three Generations (2016)
| Theatrical Performance | ||
| Domestic Box Office | $155,936 | Details |
| International Box Office | $511,817 | Details |
| Worldwide Box Office | $667,753 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $43,656 | |
| Blu-ray Sales (estimated) | $18,532 | |
| Total | $62,188 | |
| OpusData ID: 234200100 More info... | ||
| Further financial details... | ||
Synopsis
The story of three generations of a family living under one roof in New York as they must deal with the life-changing transformation by one that ultimately affects them all. Ray is a teenager who has come to the realization that she isn’t meant to be a girl and has decided to transition from female to male. His single mother, Maggie, must track down Ray's biological father to get his legal consent to allow Ray’s transition. Dolly, Ray’s lesbian grandmother is having a hard time accepting that she now has a grandson. They must each confront their own identities and learn to embrace change and their strength as a family in order to ultimately find acceptance and understanding
Metrics
| Opening Weekend: | $18,131 (11.6% of total gross) |
| Legs: | 6.80 (domestic box office/biggest weekend) |
| Domestic Share: | 23.4% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/37 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $207,913 |
Movie Details
| Domestic Releases: | May 5th, 2017 (Limited) by Weinstein Co. |
| International Releases: | October 24th, 2016 (Wide), released as About Ray (South Korea)
October 27th, 2016 (Wide) (Netherlands) November 25th, 2016 (Wide), released as 3 Generations - Una famiglia quasi perfetta (Italy) December 9th, 2016 (Wide) (Germany) May 12th, 2017 (Wide) (Spain) ... Show all releases |
| Video Release: | June 13th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for mature thematic content, some sexual references and language. (Rating bulletin 2474 (Cert #50007), 5/3/2017) |
| Running Time: | 87 minutes |
| Plot point: | Coming of Age, Dysfunctional Family, LGBTQ+ |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Big Beach, Infilm |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 51 | $18,131 | 6 | $3,022 | $18,131 | 1 | |
| May 12, 2017 | 48 | $22,947 | +27% | 37 | $620 | $48,183 | 2 |
| May 19, 2017 | - | $5,491 | -76% | 13 | $422 | $65,664 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 5, 2017 | - | $5,068 | 6 | $845 | $5,068 | 1 | ||
| May 6, 2017 | - | $7,921 | +56% | 6 | $1,320 | $12,989 | 2 | |
| May 7, 2017 | - | $5,142 | -35% | 6 | $857 | $18,131 | 3 | |
| May 8, 2017 | - | $1,616 | -69% | 6 | $269 | $19,747 | 4 | |
| May 9, 2017 | - | $2,072 | +28% | 6 | $345 | $21,819 | 5 | |
| May 10, 2017 | - | $1,968 | -5% | 6 | $328 | $23,787 | 6 | |
| May 11, 2017 | - | $1,449 | -26% | 6 | $242 | $25,236 | 7 | |
| May 12, 2017 | - | $6,217 | +329% | +23% | 37 | $168 | $31,453 | 8 |
| May 13, 2017 | - | $9,198 | +48% | +16% | 37 | $249 | $40,651 | 9 |
| May 14, 2017 | - | $7,532 | -18% | +46% | 37 | $204 | $48,183 | 10 |
| May 15, 2017 | - | $2,667 | -65% | +65% | 37 | $72 | $50,850 | 11 |
| May 16, 2017 | - | $2,907 | +9% | +40% | 37 | $79 | $53,757 | 12 |
| May 17, 2017 | - | $3,583 | +23% | +82% | 37 | $97 | $57,340 | 13 |
| May 18, 2017 | - | $2,833 | -21% | +96% | 37 | $77 | $60,173 | 14 |
| May 19, 2017 | - | $1,396 | -51% | -78% | 13 | $107 | $61,569 | 15 |
| May 20, 2017 | - | $2,695 | +93% | -71% | 13 | $207 | $64,264 | 16 |
| May 21, 2017 | - | $1,400 | -48% | -81% | 13 | $108 | $65,664 | 17 |
| May 22, 2017 | - | $1,082 | -23% | -59% | 13 | $83 | $66,746 | 18 |
| May 23, 2017 | - | $945 | -13% | -67% | 13 | $73 | $67,691 | 19 |
| May 24, 2017 | - | $1,161 | +23% | -68% | 13 | $89 | $68,852 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 50 | $25,236 | 6 | $4,206 | $25,236 | 1 | |
| May 12, 2017 | 48 | $34,937 | +38% | 37 | $944 | $60,173 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/28/2017 | $12,829 | 0 | 0 | 0 | $9,567 | 4/4/2026 | |||
| Germany | 12/9/2016 | $38,979 | 0 | 0 | 0 | $49,630 | 8/19/2018 | |||
| Italy | 11/25/2016 | $124,699 | 98 | 98 | 98 | $210,917 | 11/13/2018 | |||
| Netherlands | 10/27/2016 | $19,962 | 22 | 22 | 44 | $87,931 | 11/19/2018 | |||
| Portugal | 7/14/2017 | $1,662 | 1 | 1 | 2 | $3,907 | 7/27/2017 | |||
| South Korea | 10/24/2016 | $0 | 0 | 73 | 101 | $65,457 | 4/4/2026 | |||
| Spain | 5/12/2017 | $14,403 | 21 | 21 | 60 | $52,409 | 10/30/2018 | |||
| Turkey | 7/7/2017 | $8,830 | 27 | 27 | 43 | $22,226 | 2/26/2019 | |||
| Rest of World | $9,773 | |||||||||
| International Total | $511,817 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Naomi Watts | Maggie | |
| Elle Fanning | Ray | |
| Susan Sarandon | Dolly |
Supporting
| Tate Donovan | Craig | |
| Linda Emond | Frances | |
| Sam Trammell | Matthew | |
| Maria Dizzia | Sinda | |
| Andrew Polk | Dr. Brillstein | |
| Marcos A. Gonzalez | John the Doorman | |
| Ira Jackson | Mr. B | |
| Antonio Ortiz | Taylor | |
| Marquis Rodriguez | Jesse | |
| Tessa Albertson | Spoon | |
| Jordan Carlos | Jake | |
| Gameela Wright | DSS Worker | |
| Lucca De Oliveira | Boy in Alley | |
| Francesca Keller | Girl in Alley | |
| Jinn S. Kim | Man on Fire Escape | |
| Elle Winter | Jenni Schwartz | |
| Susan Blackwell | Real Estate Agent | |
| Max Simkins* | Cole | |
| Mattea Marie Conforti | Mia | |
| Eva Kaminsky | School Administrator |
Production and Technical Credits
| Gaby Dellal | Director | |
| Nikole Beckwith | Screenwriter | |
| Gaby Dellal | Screenwriter | |
| Dorothy Berwin | Producer | |
| Gaby Dellal | Producer | |
| Marc Turtletaub | Producer | |
| Peter Saraf | Producer | |
| Peter Pastorelli | Executive Producer | |
| Naomi Watts | Executive Producer | |
| Leah Holzer | Executive Producer | |
| Daniele Melia | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| David Johnson | Director of Photography | |
| Stephanie Carroll | Production Designer | |
| Joseph Landauer* | Editor | |
| Arjun Bhasin | Costume Designer | |
| Michael Brook | Composer | |
| Joe Rudge | Music Supervisor | |
| Douglas Aibel | Casting Director | |
| Stephanie Holbrook | Casting Director | |
| Marshall Johnson | Line Producer | |
| Kurt Enger | Production Supervisor | |
| Inna Braude | First Assistant Director | |
| Anne Marie Dentici | Second Assistant Director | |
| Caroline Orr | Co-Producer | |
| Simon White | Co-Producer | |
| Meredith Lippincott | Art Director | |
| Philippa Culpepper | Set Decorator | |
| Jerry Stein | Sound Mixer | |
| Leslie Zak | Script Supervisor | |
| Tamara Cepeda | Costume Supervisor-Wardrobe Supervisor | |
| Maya Hardinge | Make up | |
| Kathleen Brown | Make up | |
| Michelle Johnson | Hairstylist | |
| Max Leary | Hairstylist | |
| Conor Guy | Associate Editor | |
| Andy Keir | Additional Editor | |
| Karen Thorson | Post-Production Supervisor | |
| Lewis Goldstein | Supervising Sound Editor | |
| Max Greene | Dialogue Editor | |
| Alex Soto | Sound Effects Editor | |
| Nancy Allen | Music Editor | |
| Manny Siverio | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of three generations of a family living under one roof in New York as they must deal with the life-changing transformation by one that ultimately affects them all. Ray is a teenager who has come to the realization that she isn’t meant to be a girl and has decided to transition from female to male. His single mother, Maggie, must track down Ray's biological father to get his legal consent to allow Ray’s transition. Dolly, Ray’s lesbian grandmother is having a hard time accepting that she now has a grandson. They must each confront their own identities and learn to embrace change and their strength as a family in order to ultimately find acceptance and understanding
Metrics
| Opening Weekend: | $18,131 (11.6% of total gross) |
| Legs: | 6.80 (domestic box office/biggest weekend) |
| Domestic Share: | 23.4% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/37 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $207,913 |
Movie Details
| Domestic Releases: | May 5th, 2017 (Limited) by Weinstein Co. |
| International Releases: | October 24th, 2016 (Wide), released as About Ray (South Korea)
October 27th, 2016 (Wide) (Netherlands) November 25th, 2016 (Wide), released as 3 Generations - Una famiglia quasi perfetta (Italy) December 9th, 2016 (Wide) (Germany) May 12th, 2017 (Wide) (Spain) ... Show all releases |
| Video Release: | June 13th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for mature thematic content, some sexual references and language. (Rating bulletin 2474 (Cert #50007), 5/3/2017) |
| Running Time: | 87 minutes |
| Plot point: | Coming of Age, Dysfunctional Family, LGBTQ+ |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Big Beach, Infilm |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 51 | $18,131 | 6 | $3,022 | $18,131 | 1 | |
| May 12, 2017 | 48 | $22,947 | +27% | 37 | $620 | $48,183 | 2 |
| May 19, 2017 | - | $5,491 | -76% | 13 | $422 | $65,664 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 5, 2017 | - | $5,068 | 6 | $845 | $5,068 | 1 | ||
| May 6, 2017 | - | $7,921 | +56% | 6 | $1,320 | $12,989 | 2 | |
| May 7, 2017 | - | $5,142 | -35% | 6 | $857 | $18,131 | 3 | |
| May 8, 2017 | - | $1,616 | -69% | 6 | $269 | $19,747 | 4 | |
| May 9, 2017 | - | $2,072 | +28% | 6 | $345 | $21,819 | 5 | |
| May 10, 2017 | - | $1,968 | -5% | 6 | $328 | $23,787 | 6 | |
| May 11, 2017 | - | $1,449 | -26% | 6 | $242 | $25,236 | 7 | |
| May 12, 2017 | - | $6,217 | +329% | +23% | 37 | $168 | $31,453 | 8 |
| May 13, 2017 | - | $9,198 | +48% | +16% | 37 | $249 | $40,651 | 9 |
| May 14, 2017 | - | $7,532 | -18% | +46% | 37 | $204 | $48,183 | 10 |
| May 15, 2017 | - | $2,667 | -65% | +65% | 37 | $72 | $50,850 | 11 |
| May 16, 2017 | - | $2,907 | +9% | +40% | 37 | $79 | $53,757 | 12 |
| May 17, 2017 | - | $3,583 | +23% | +82% | 37 | $97 | $57,340 | 13 |
| May 18, 2017 | - | $2,833 | -21% | +96% | 37 | $77 | $60,173 | 14 |
| May 19, 2017 | - | $1,396 | -51% | -78% | 13 | $107 | $61,569 | 15 |
| May 20, 2017 | - | $2,695 | +93% | -71% | 13 | $207 | $64,264 | 16 |
| May 21, 2017 | - | $1,400 | -48% | -81% | 13 | $108 | $65,664 | 17 |
| May 22, 2017 | - | $1,082 | -23% | -59% | 13 | $83 | $66,746 | 18 |
| May 23, 2017 | - | $945 | -13% | -67% | 13 | $73 | $67,691 | 19 |
| May 24, 2017 | - | $1,161 | +23% | -68% | 13 | $89 | $68,852 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 50 | $25,236 | 6 | $4,206 | $25,236 | 1 | |
| May 12, 2017 | 48 | $34,937 | +38% | 37 | $944 | $60,173 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/28/2017 | $12,829 | 0 | 0 | 0 | $9,567 | 4/4/2026 | |||
| Germany | 12/9/2016 | $38,979 | 0 | 0 | 0 | $49,630 | 8/19/2018 | |||
| Italy | 11/25/2016 | $124,699 | 98 | 98 | 98 | $210,917 | 11/13/2018 | |||
| Netherlands | 10/27/2016 | $19,962 | 22 | 22 | 44 | $87,931 | 11/19/2018 | |||
| Portugal | 7/14/2017 | $1,662 | 1 | 1 | 2 | $3,907 | 7/27/2017 | |||
| South Korea | 10/24/2016 | $0 | 0 | 73 | 101 | $65,457 | 4/4/2026 | |||
| Spain | 5/12/2017 | $14,403 | 21 | 21 | 60 | $52,409 | 10/30/2018 | |||
| Turkey | 7/7/2017 | $8,830 | 27 | 27 | 43 | $22,226 | 2/26/2019 | |||
| Rest of World | $9,773 | |||||||||
| International Total | $511,817 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Naomi Watts | Maggie | |
| Elle Fanning | Ray | |
| Susan Sarandon | Dolly |
Supporting
| Tate Donovan | Craig | |
| Linda Emond | Frances | |
| Sam Trammell | Matthew | |
| Maria Dizzia | Sinda | |
| Andrew Polk | Dr. Brillstein | |
| Marcos A. Gonzalez | John the Doorman | |
| Ira Jackson | Mr. B | |
| Antonio Ortiz | Taylor | |
| Marquis Rodriguez | Jesse | |
| Tessa Albertson | Spoon | |
| Jordan Carlos | Jake | |
| Gameela Wright | DSS Worker | |
| Lucca De Oliveira | Boy in Alley | |
| Francesca Keller | Girl in Alley | |
| Jinn S. Kim | Man on Fire Escape | |
| Elle Winter | Jenni Schwartz | |
| Susan Blackwell | Real Estate Agent | |
| Max Simkins* | Cole | |
| Mattea Marie Conforti | Mia | |
| Eva Kaminsky | School Administrator |
Production and Technical Credits
| Gaby Dellal | Director | |
| Nikole Beckwith | Screenwriter | |
| Gaby Dellal | Screenwriter | |
| Dorothy Berwin | Producer | |
| Gaby Dellal | Producer | |
| Marc Turtletaub | Producer | |
| Peter Saraf | Producer | |
| Peter Pastorelli | Executive Producer | |
| Naomi Watts | Executive Producer | |
| Leah Holzer | Executive Producer | |
| Daniele Melia | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| David Johnson | Director of Photography | |
| Stephanie Carroll | Production Designer | |
| Joseph Landauer* | Editor | |
| Arjun Bhasin | Costume Designer | |
| Michael Brook | Composer | |
| Joe Rudge | Music Supervisor | |
| Douglas Aibel | Casting Director | |
| Stephanie Holbrook | Casting Director | |
| Marshall Johnson | Line Producer | |
| Kurt Enger | Production Supervisor | |
| Inna Braude | First Assistant Director | |
| Anne Marie Dentici | Second Assistant Director | |
| Caroline Orr | Co-Producer | |
| Simon White | Co-Producer | |
| Meredith Lippincott | Art Director | |
| Philippa Culpepper | Set Decorator | |
| Jerry Stein | Sound Mixer | |
| Leslie Zak | Script Supervisor | |
| Tamara Cepeda | Costume Supervisor-Wardrobe Supervisor | |
| Maya Hardinge | Make up | |
| Kathleen Brown | Make up | |
| Michelle Johnson | Hairstylist | |
| Max Leary | Hairstylist | |
| Conor Guy | Associate Editor | |
| Andy Keir | Additional Editor | |
| Karen Thorson | Post-Production Supervisor | |
| Lewis Goldstein | Supervising Sound Editor | |
| Max Greene | Dialogue Editor | |
| Alex Soto | Sound Effects Editor | |
| Nancy Allen | Music Editor | |
| Manny Siverio | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.