The Threesome (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $703,913 | Details |
| OpusData ID: 665940100 More info... | ||
| Further financial details... | ||
Synopsis
As a young man’s perennial crush leads him into an unexpected threesome, he thinks his ultimate fantasy has come true. When the fantasy ends, all three are left with sobering real-world consequences and must step up to take responsibility for their actions.
Metrics
| Opening Weekend: | $590,632 (83.9% of total gross) |
| Legs: | 1.19 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 402 opening theaters/402 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $703,913 |
Movie Details
| Domestic Releases: | September 5th, 2025 (Limited) by Vertical Entertainment |
| International Releases: | September 11th, 2025 (Limited), released as The Threesome (Семейный призрак) (Russia (CIS))
September 11th, 2025 (Limited), released as The Threesome (Любовь втроём) (Ukraine) September 19th, 2025 (Limited) (South Africa) December 11th, 2025 (Limited), released as Beso de Tres (Mexico) December 11th, 2025 (Limited), released as Entre nós - Uma dose extra de amor (Brazil) |
| Video Release: | October 3rd, 2025 by Vertical Entertainment |
| MPA Rating: | R for sexual material, language and brief drug use. (Rating bulletin 2896 (cert #55518), 7/30/2025) |
| Running Time: | 112 minutes |
| Film festival: | South by Southwest Film Festival 2025 |
| Plot point: | Abortion, Love Triangle, Pregnant Women, Relationships Gone Wrong, Romance, Unexpected Pregnancy |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Star Thrower Entertainment, Filmopoly, Jupiter Peak Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 13 | $590,632 | 402 | $1,469 | $590,632 | 1 | |
| Sep 12, 2025 | - | $12,137 | -98% | 50 | $243 | $693,941 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 9 | $476,854 | 402 | $1,186 | $476,854 | 1 | ||
| Sep 6, 2025 | - | $63,539 | -87% | 402 | $158 | $540,393 | 2 | |
| Sep 7, 2025 | - | $50,239 | -21% | 402 | $125 | $590,632 | 3 | |
| Sep 8, 2025 | - | $22,632 | -55% | 402 | $56 | $613,264 | 4 | |
| Sep 9, 2025 | - | $32,389 | +43% | 402 | $81 | $645,653 | 5 | |
| Sep 10, 2025 | - | $26,064 | -20% | 402 | $65 | $671,717 | 6 | |
| Sep 11, 2025 | - | $10,087 | -61% | 402 | $25 | $681,804 | 7 | |
| Sep 12, 2025 | - | $3,515 | -65% | -99% | 50 | $70 | $685,319 | 8 |
| Sep 13, 2025 | - | $4,998 | +42% | -92% | 50 | $100 | $690,317 | 9 |
| Sep 14, 2025 | - | $3,624 | -27% | -93% | 50 | $72 | $693,941 | 10 |
| Sep 15, 2025 | - | $2,815 | -22% | -88% | 50 | $56 | $696,756 | 11 |
| Sep 16, 2025 | - | $3,106 | +10% | -90% | 50 | $62 | $699,862 | 12 |
| Sep 17, 2025 | - | $2,910 | -6% | -89% | 50 | $58 | $702,772 | 13 |
| Sep 18, 2025 | - | $1,141 | -61% | -89% | 50 | $23 | $703,913 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 16 | $681,804 | 402 | $1,696 | $681,804 | 1 | |
| Sep 12, 2025 | 38 | $22,109 | -97% | 50 | $442 | $703,913 | 2 |
Leading
| Jonah Hauer-King | Connor Blake | |
| Zoey Deutch | Olivia Capitano | |
| Ruby Cruz | Jenny Brooks |
Supporting
| Jaboukie Young-White | Greg Demopolis | |
| Josh Segarra | Kevin | |
| Robert Longstreet | Paul Brooks | |
| Arden Myrin | Evelyn Brooks | |
| Kristin Slaysman | Maya | |
| Allan McLeod | Roger | |
| Julia Sweeney | Suzanne |
Production and Technical Credits
| Chad Hartigan | Director | |
| Ethan Ogilby | Screenwriter | |
| Tim White | Producer | |
| Trevor White | Producer | |
| Vince Jolivette | Producer | |
| Steven Shapiro | Producer | |
| Rick Rickertsen | Co-Producer | |
| Mary Solomon | Co-Producer | |
| Laena Carroll | Co-Producer | |
| Richie Hill | Co-Producer | |
| Chad Hartigan | Executive Producer | |
| Allan Mandelbaum | Executive Producer | |
| Angie Sanfilippo | Executive Producer | |
| David Garrett | Executive Producer | |
| Liz Whitney | Executive Producer | |
| Ken Whitney | Executive Producer | |
| Zoey Deutch | Executive Producer | |
| Sing Howe Yam | Cinematographer | |
| Clarisa Garcia-Fresco | Production Designer | |
| Autumn Dea | Editor | |
| Emily Batson | Costume Designer | |
| Keegan DeWitt | Composer | |
| Rob Lowry | Music Supervisor | |
| Marisol Roncali | Casting Director | |
| Chelsea Ellis Bloch | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As a young man’s perennial crush leads him into an unexpected threesome, he thinks his ultimate fantasy has come true. When the fantasy ends, all three are left with sobering real-world consequences and must step up to take responsibility for their actions.
Metrics
| Opening Weekend: | $590,632 (83.9% of total gross) |
| Legs: | 1.19 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 402 opening theaters/402 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $703,913 |
Movie Details
| Domestic Releases: | September 5th, 2025 (Limited) by Vertical Entertainment |
| International Releases: | September 11th, 2025 (Limited), released as The Threesome (Семейный призрак) (Russia (CIS))
September 11th, 2025 (Limited), released as The Threesome (Любовь втроём) (Ukraine) September 19th, 2025 (Limited) (South Africa) December 11th, 2025 (Limited), released as Beso de Tres (Mexico) December 11th, 2025 (Limited), released as Entre nós - Uma dose extra de amor (Brazil) |
| Video Release: | October 3rd, 2025 by Vertical Entertainment |
| MPA Rating: | R for sexual material, language and brief drug use. (Rating bulletin 2896 (cert #55518), 7/30/2025) |
| Running Time: | 112 minutes |
| Film festival: | South by Southwest Film Festival 2025 |
| Plot point: | Abortion, Love Triangle, Pregnant Women, Relationships Gone Wrong, Romance, Unexpected Pregnancy |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Star Thrower Entertainment, Filmopoly, Jupiter Peak Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 13 | $590,632 | 402 | $1,469 | $590,632 | 1 | |
| Sep 12, 2025 | - | $12,137 | -98% | 50 | $243 | $693,941 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 9 | $476,854 | 402 | $1,186 | $476,854 | 1 | ||
| Sep 6, 2025 | - | $63,539 | -87% | 402 | $158 | $540,393 | 2 | |
| Sep 7, 2025 | - | $50,239 | -21% | 402 | $125 | $590,632 | 3 | |
| Sep 8, 2025 | - | $22,632 | -55% | 402 | $56 | $613,264 | 4 | |
| Sep 9, 2025 | - | $32,389 | +43% | 402 | $81 | $645,653 | 5 | |
| Sep 10, 2025 | - | $26,064 | -20% | 402 | $65 | $671,717 | 6 | |
| Sep 11, 2025 | - | $10,087 | -61% | 402 | $25 | $681,804 | 7 | |
| Sep 12, 2025 | - | $3,515 | -65% | -99% | 50 | $70 | $685,319 | 8 |
| Sep 13, 2025 | - | $4,998 | +42% | -92% | 50 | $100 | $690,317 | 9 |
| Sep 14, 2025 | - | $3,624 | -27% | -93% | 50 | $72 | $693,941 | 10 |
| Sep 15, 2025 | - | $2,815 | -22% | -88% | 50 | $56 | $696,756 | 11 |
| Sep 16, 2025 | - | $3,106 | +10% | -90% | 50 | $62 | $699,862 | 12 |
| Sep 17, 2025 | - | $2,910 | -6% | -89% | 50 | $58 | $702,772 | 13 |
| Sep 18, 2025 | - | $1,141 | -61% | -89% | 50 | $23 | $703,913 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 16 | $681,804 | 402 | $1,696 | $681,804 | 1 | |
| Sep 12, 2025 | 38 | $22,109 | -97% | 50 | $442 | $703,913 | 2 |
Leading
| Jonah Hauer-King | Connor Blake | |
| Zoey Deutch | Olivia Capitano | |
| Ruby Cruz | Jenny Brooks |
Supporting
| Jaboukie Young-White | Greg Demopolis | |
| Josh Segarra | Kevin | |
| Robert Longstreet | Paul Brooks | |
| Arden Myrin | Evelyn Brooks | |
| Kristin Slaysman | Maya | |
| Allan McLeod | Roger | |
| Julia Sweeney | Suzanne |
Production and Technical Credits
| Chad Hartigan | Director | |
| Ethan Ogilby | Screenwriter | |
| Tim White | Producer | |
| Trevor White | Producer | |
| Vince Jolivette | Producer | |
| Steven Shapiro | Producer | |
| Rick Rickertsen | Co-Producer | |
| Mary Solomon | Co-Producer | |
| Laena Carroll | Co-Producer | |
| Richie Hill | Co-Producer | |
| Chad Hartigan | Executive Producer | |
| Allan Mandelbaum | Executive Producer | |
| Angie Sanfilippo | Executive Producer | |
| David Garrett | Executive Producer | |
| Liz Whitney | Executive Producer | |
| Ken Whitney | Executive Producer | |
| Zoey Deutch | Executive Producer | |
| Sing Howe Yam | Cinematographer | |
| Clarisa Garcia-Fresco | Production Designer | |
| Autumn Dea | Editor | |
| Emily Batson | Costume Designer | |
| Keegan DeWitt | Composer | |
| Rob Lowry | Music Supervisor | |
| Marisol Roncali | Casting Director | |
| Chelsea Ellis Bloch | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.