The Ticket (2017)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $33,288 | |
| Blu-ray Sales (estimated) | $27,468 | |
| Total | $60,756 | |
| OpusData ID: 223170100 More info... | ||
| Further financial details... | ||
Synopsis
After James, a blind man, inexplicably regains his vision, he becomes possessed by a drive to make a better life for himself. However, his new improvements—a nicer home, a higher paying job, tailored suits, luxury car—leave little room for the people who were part of his old, simpler life: his plain wife and close friend Bob. As his relationships buckle under the strain of his snowballing ambition, it becomes uncertain if James can ever return from darkness.
Metrics
Movie Details
| Domestic Releases: | April 7th, 2017 (Limited) by Shout! Factory |
| Video Release: | June 6th, 2017 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Plot point: | Blindness, Medical and Hospitals, Relationships Gone Wrong |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rush River Entertainment, Cave Pictures, Initiate Productions, Katydid Films, BCOF Pictures, The Solution Entertainment Group, Blackbird |
| Production Countries: | United States |
| Languages: | English |
Leading
| Dan Stevens | James |
Supporting
| Malin Akerman | Sam | |
| Kerry Bishe | Jessica | |
| Oliver Platt | Bob | |
| Skylar Gaertner | Jonah | |
| Peter Mark Kendall | Arnold Dixon | |
| Liza J. Bennett | Grace | |
| Ekaterina Samsonov | Carla | |
| Bettina Skye | School Secretary | |
| Sal Rendino | Millennium Realty Representative |
Production and Technical Credits
| Ido Fluk | Director | |
| Ido Fluk | Screenwriter | |
| Sharon Mashihi | Screenwriter | |
| Lawrence Inglee | Producer | |
| Oren Moverman | Producer | |
| William L. Walton* | Producer | |
| Matthew Malek | Producer | |
| Claude Dal Farra | Producer | |
| Dale A. Brown | Executive Producer | |
| Mark D. Rodgers* | Executive Producer | |
| Tyler Zacharia | Executive Producer | |
| Nick Byassee | Executive Producer | |
| Katie Heidy | Executive Producer | |
| Lisa Wilson | Executive Producer | |
| Myles Nestel | Executive Producer | |
| Frederick Taouil | Executive Producer | |
| Ken Johnson | Co-Producer | |
| Massoumeh Emami | Co-Producer | |
| J. Mitchell White | Co-Producer | |
| Zachary Galler | Director of Photography | |
| Gino Fortebuono | Production Designer | |
| Phillip Kimsey | Editor | |
| Carisa Kelly | Costume Designer | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer | |
| Joe Rudge | Music Supervisor | |
| Jodi Angstreich | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After James, a blind man, inexplicably regains his vision, he becomes possessed by a drive to make a better life for himself. However, his new improvements—a nicer home, a higher paying job, tailored suits, luxury car—leave little room for the people who were part of his old, simpler life: his plain wife and close friend Bob. As his relationships buckle under the strain of his snowballing ambition, it becomes uncertain if James can ever return from darkness.
Metrics
Movie Details
| Domestic Releases: | April 7th, 2017 (Limited) by Shout! Factory |
| Video Release: | June 6th, 2017 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Plot point: | Blindness, Medical and Hospitals, Relationships Gone Wrong |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rush River Entertainment, Cave Pictures, Initiate Productions, Katydid Films, BCOF Pictures, The Solution Entertainment Group, Blackbird |
| Production Countries: | United States |
| Languages: | English |
Leading
| Dan Stevens | James |
Supporting
| Malin Akerman | Sam | |
| Kerry Bishe | Jessica | |
| Oliver Platt | Bob | |
| Skylar Gaertner | Jonah | |
| Peter Mark Kendall | Arnold Dixon | |
| Liza J. Bennett | Grace | |
| Ekaterina Samsonov | Carla | |
| Bettina Skye | School Secretary | |
| Sal Rendino | Millennium Realty Representative |
Production and Technical Credits
| Ido Fluk | Director | |
| Ido Fluk | Screenwriter | |
| Sharon Mashihi | Screenwriter | |
| Lawrence Inglee | Producer | |
| Oren Moverman | Producer | |
| William L. Walton* | Producer | |
| Matthew Malek | Producer | |
| Claude Dal Farra | Producer | |
| Dale A. Brown | Executive Producer | |
| Mark D. Rodgers* | Executive Producer | |
| Tyler Zacharia | Executive Producer | |
| Nick Byassee | Executive Producer | |
| Katie Heidy | Executive Producer | |
| Lisa Wilson | Executive Producer | |
| Myles Nestel | Executive Producer | |
| Frederick Taouil | Executive Producer | |
| Ken Johnson | Co-Producer | |
| Massoumeh Emami | Co-Producer | |
| J. Mitchell White | Co-Producer | |
| Zachary Galler | Director of Photography | |
| Gino Fortebuono | Production Designer | |
| Phillip Kimsey | Editor | |
| Carisa Kelly | Costume Designer | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer | |
| Joe Rudge | Music Supervisor | |
| Jodi Angstreich | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.