The Tiger Rising (2022)
| Theatrical Performance | ||
| Domestic Box Office | $835,162 | Details |
| International Box Office | $97,997 | Details |
| Worldwide Box Office | $933,159 | |
| OpusData ID: 426970100 More info... | ||
| Further financial details... | ||
Synopsis
When 12-year-old Rob Horton discovers a caged tiger in the woods near his home, his imagination runs wild and life begins to change in the most unexpected ways. With the help of a wise and mysterious maid, Willie May and the stubborn new girl in school, he navigates through childhood memories, heartache, and wondrous adventures in this heartwarming adaptation.
Metrics
| Opening Weekend: | $364,216 (43.6% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 89.5% (domestic box office/worldwide) |
| Theater counts: | 872 opening theaters/872 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $948,583 |
Movie Details
| Domestic Releases: | January 21st, 2022 (Wide) by The Avenue Entertainment |
| International Releases: | March 17th, 2022 (Wide), released as Парящий тигр (Russia (CIS)) |
| Video Release: | February 8th, 2022 by The Avenue |
| MPA Rating: | PG for thematic elements, language and brief violence. (Rating bulletin 2697 (cert #52781), 9/8/2021) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Bullies, New Guy/Girl in School, Young Child Dealing with the Death of a Parent |
| Subgenre: | Family Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | GG Filmz, Thomasville Pictures, Highland Film Group, The Avenue, Bay Point Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 15 | $364,216 | 872 | $418 | $364,216 | 1 | |
| Jan 28, 2022 | - | $214,980 | -41% | 732 | $294 | $717,900 | 2 |
| Feb 4, 2022 | - | $41,493 | -81% | 121 | $343 | $835,162 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 15 | $502,920 | 872 | $577 | $502,920 | 1 | |
| Jan 28, 2022 | - | $290,749 | -42% | 732 | $397 | $793,669 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 3/17/2022 | $58,721 | 741 | 741 | 741 | $58,721 | 4/4/2026 | |||
| Rest of World | $39,276 | |||||||||
| International Total | $97,997 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Christian Convery | Rob Horton | |
| Madalen Mills | Sistine Bailey | |
| Dennis Quaid | ||
| Queen Latifah |
Supporting
| Sam Trammell | Robert Horton Sr. | |
| Katharine McPhee | Caroline Horton | |
| Luke Roessler |
Production and Technical Credits
| Ray Giarratana | Director | |
| Ray Giarratana | Screenwriter | |
| Kate DiCamillo | Story Based on the Children’s Book by | |
| Deborah Giarratana | Producer | |
| Ryan Smith | Producer | |
| Ray Giarratana | Producer | |
| Allen Cheney | Co-Producer | |
| Rob Moran | Co-Producer | |
| Michael Flaherty | Co-Executive Producer | |
| Queen Latifah | Executive Producer | |
| Charles Andros | Executive Producer | |
| Emily Salveson | Executive Producer | |
| Christophe Suchet | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Jordan Wagner | Executive Producer | |
| Allen Cheney | Executive Producer | |
| Ryan Winterstern | Executive Producer | |
| Roger Goff | Executive Producer | |
| Chandler Rierson | Executive Producer | |
| Walter Josten | Executive Producer | |
| Kaylene Carlson | Line Producer | |
| Shane F. Kelly | Director of Photography | |
| Michael Shaw | Production Designer | |
| Christopher Gay | Editor | |
| Fred Raimondi | Visual Effects Supervisor | |
| Lindsay Kouri | Costume Designer | |
| Tommy Emmanuel | Composer | |
| Don Harper | Composer | |
| Kerry Barden | Casting Director | |
| Paul Schnee | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When 12-year-old Rob Horton discovers a caged tiger in the woods near his home, his imagination runs wild and life begins to change in the most unexpected ways. With the help of a wise and mysterious maid, Willie May and the stubborn new girl in school, he navigates through childhood memories, heartache, and wondrous adventures in this heartwarming adaptation.
Metrics
| Opening Weekend: | $364,216 (43.6% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 89.5% (domestic box office/worldwide) |
| Theater counts: | 872 opening theaters/872 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $948,583 |
Movie Details
| Domestic Releases: | January 21st, 2022 (Wide) by The Avenue Entertainment |
| International Releases: | March 17th, 2022 (Wide), released as Парящий тигр (Russia (CIS)) |
| Video Release: | February 8th, 2022 by The Avenue |
| MPA Rating: | PG for thematic elements, language and brief violence. (Rating bulletin 2697 (cert #52781), 9/8/2021) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Bullies, New Guy/Girl in School, Young Child Dealing with the Death of a Parent |
| Subgenre: | Family Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | GG Filmz, Thomasville Pictures, Highland Film Group, The Avenue, Bay Point Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 15 | $364,216 | 872 | $418 | $364,216 | 1 | |
| Jan 28, 2022 | - | $214,980 | -41% | 732 | $294 | $717,900 | 2 |
| Feb 4, 2022 | - | $41,493 | -81% | 121 | $343 | $835,162 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 15 | $502,920 | 872 | $577 | $502,920 | 1 | |
| Jan 28, 2022 | - | $290,749 | -42% | 732 | $397 | $793,669 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 3/17/2022 | $58,721 | 741 | 741 | 741 | $58,721 | 4/4/2026 | |||
| Rest of World | $39,276 | |||||||||
| International Total | $97,997 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Christian Convery | Rob Horton | |
| Madalen Mills | Sistine Bailey | |
| Dennis Quaid | ||
| Queen Latifah |
Supporting
| Sam Trammell | Robert Horton Sr. | |
| Katharine McPhee | Caroline Horton | |
| Luke Roessler |
Production and Technical Credits
| Ray Giarratana | Director | |
| Ray Giarratana | Screenwriter | |
| Kate DiCamillo | Story Based on the Children’s Book by | |
| Deborah Giarratana | Producer | |
| Ryan Smith | Producer | |
| Ray Giarratana | Producer | |
| Allen Cheney | Co-Producer | |
| Rob Moran | Co-Producer | |
| Michael Flaherty | Co-Executive Producer | |
| Queen Latifah | Executive Producer | |
| Charles Andros | Executive Producer | |
| Emily Salveson | Executive Producer | |
| Christophe Suchet | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Jordan Wagner | Executive Producer | |
| Allen Cheney | Executive Producer | |
| Ryan Winterstern | Executive Producer | |
| Roger Goff | Executive Producer | |
| Chandler Rierson | Executive Producer | |
| Walter Josten | Executive Producer | |
| Kaylene Carlson | Line Producer | |
| Shane F. Kelly | Director of Photography | |
| Michael Shaw | Production Designer | |
| Christopher Gay | Editor | |
| Fred Raimondi | Visual Effects Supervisor | |
| Lindsay Kouri | Costume Designer | |
| Tommy Emmanuel | Composer | |
| Don Harper | Composer | |
| Kerry Barden | Casting Director | |
| Paul Schnee | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.