Till Human Voices Wake Us (2003)
| Theatrical Performance | ||
| Domestic Box Office | $120,601 | Details |
| OpusData ID: 79260100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $7,968 (6.6% of total gross) |
| Legs: | 7.59 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/17 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $239,200 |
Movie Details
| Domestic Releases: | February 21st, 2003 (Limited) |
| MPA Rating: | R for a scene of sexuality. |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Instinct Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2003 | 83 | $7,968 | 5 | $1,594 | $7,968 | 1 | |
| Feb 28, 2003 | 74 | $15,892 | +99% | 10 | $1,589 | $28,145 | 2 |
| Mar 7, 2003 | 68 | $13,580 | -15% | 8 | $1,698 | $47,557 | 3 |
| Mar 14, 2003 | 78 | $13,788 | +2% | 11 | $1,253 | $66,538 | 4 |
| Mar 21, 2003 | 83 | $7,588 | -45% | 9 | $843 | $78,797 | 5 |
| Mar 28, 2003 | 90 | $8,416 | +11% | 17 | $495 | $90,452 | 6 |
| Apr 4, 2003 | 101 | $6,148 | -27% | 9 | $683 | $100,609 | 7 |
| Apr 11, 2003 | 107 | $5,640 | -8% | 14 | $403 | $108,782 | 8 |
| Apr 18, 2003 | 108 | $3,826 | -32% | 7 | $547 | $115,370 | 9 |
| Apr 25, 2003 | 154 | $399 | -90% | 1 | $399 | $117,917 | 10 |
| May 2, 2003 | 153 | $717 | +80% | 1 | $717 | $118,854 | 11 |
| May 9, 2003 | 136 | $884 | +23% | 3 | $295 | $120,079 | 12 |
| May 16, 2003 | 149 | $312 | -65% | 1 | $312 | $120,601 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2003 | 80 | $12,253 | 5 | $2,451 | $12,253 | 1 | |
| Feb 28, 2003 | 66 | $21,724 | +77% | 10 | $2,172 | $33,977 | 2 |
| Mar 7, 2003 | 71 | $18,773 | -14% | 8 | $2,347 | $52,750 | 3 |
| Mar 14, 2003 | 77 | $18,459 | -2% | 11 | $1,678 | $71,209 | 4 |
| Mar 21, 2003 | 86 | $10,827 | -41% | 9 | $1,203 | $82,036 | 5 |
| Mar 28, 2003 | 90 | $12,425 | +15% | 17 | $731 | $94,461 | 6 |
| Apr 4, 2003 | 103 | $8,681 | -30% | 9 | $965 | $103,142 | 7 |
| Apr 11, 2003 | 103 | $8,402 | -3% | 14 | $600 | $111,544 | 8 |
| Apr 18, 2003 | 106 | $5,974 | -29% | 7 | $853 | $117,518 | 9 |
| Apr 25, 2003 | 151 | $619 | -90% | 1 | $619 | $118,137 | 10 |
| May 2, 2003 | 142 | $1,058 | +71% | 1 | $1,058 | $119,195 | 11 |
| May 9, 2003 | 128 | $1,094 | +3% | 3 | $365 | $120,289 | 12 |
| May 16, 2003 | 139 | $312 | -71% | 1 | $312 | $120,601 | 13 |
Leading
| Guy Pearce | Sam Franks | |
| Helena Bonham Carter | Ruby |
Supporting
| Frank Gallacher | Maurie Lewis | |
| Lindley Joyner | Young Sam Franks | |
| Brooke Harman | Silvy Lewis | |
| Peter Curtin | Dr. David Franks | |
| Margot Knight | Dorothy Lewis | |
| Anthony Martin | Russ | |
| Dawn Klingberg | Mrs. Sarks | |
| David Ravenswood | Lawyer | |
| Stewart Faichney | Reverend Mortenbury | |
| Diana Greentree | Mrs. Pickford | |
| Ian Swan | Police Sergeant | |
| Mark Perren Jones | Police Constable | |
| Sally Plant | Student | |
| Andrea Swifte | Patient | |
| Fred Barker | Train Conductor | |
| Reville Smith | Undertaker | |
| Joanie Thomas | Lady on Train | |
| Roger O'Conner | Man on Train | |
| Amanda Douge | Katherine | |
| Kathy Bedford | Nurse | |
| Josephine Keen | Patient |
Production and Technical Credits
| Michael Petroni | Director | |
| Michael Petroni | Screenwriter | |
| Thomas Augsberger | Producer | |
| Matthias Emcke | Producer | |
| Shana Levine | Producer | |
| Dean Murphy | Producer | |
| Nigel Odell | Producer | |
| Beau Flynn | Executive Producer | |
| Yoram Pelman | Executive Producer | |
| Stefan Simchowitz | Executive Producer | |
| Ralph Moser | Production Designer | |
| Bill Murphy | Editor | |
| Amotz Plessner | Composer | |
| Roger Lanser | Director of Photography | |
| Andrew Deane | Co-Executive Producer | |
| Gareth Wiley | Co-Executive Producer | |
| Justin Pearce | Associate Producer | |
| Jonathan Gill | Associate Producer | |
| Karan Monkhouse | Assistant Director | |
| Lucy Maclaren | Production Manager | |
| Adele Flere | Art Director | |
| Brett Anderson | Additional Photography (Underwater Photography) | |
| Jeanie Cameron | Costume Designer | |
| Leianne Clarke | Costume Supervisor | |
| John Wilkinson | Recordist | |
| Michael Slater | Dubbing Mixer | |
| Scott Findlay | Dubbing Mixer | |
| Scott Findlay | Sound Effects Editor | |
| Michael Slater | Sound Designer | |
| Scott Findlay | Sound Designer | |
| David Harrison | Dialogue Editor | |
| Christine Miller | Make up | |
| Stewart Faichney | Casting Director | |
| Zev Eleftheriou | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $7,968 (6.6% of total gross) |
| Legs: | 7.59 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/17 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $239,200 |
Movie Details
| Domestic Releases: | February 21st, 2003 (Limited) |
| MPA Rating: | R for a scene of sexuality. |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Instinct Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2003 | 83 | $7,968 | 5 | $1,594 | $7,968 | 1 | |
| Feb 28, 2003 | 74 | $15,892 | +99% | 10 | $1,589 | $28,145 | 2 |
| Mar 7, 2003 | 68 | $13,580 | -15% | 8 | $1,698 | $47,557 | 3 |
| Mar 14, 2003 | 78 | $13,788 | +2% | 11 | $1,253 | $66,538 | 4 |
| Mar 21, 2003 | 83 | $7,588 | -45% | 9 | $843 | $78,797 | 5 |
| Mar 28, 2003 | 90 | $8,416 | +11% | 17 | $495 | $90,452 | 6 |
| Apr 4, 2003 | 101 | $6,148 | -27% | 9 | $683 | $100,609 | 7 |
| Apr 11, 2003 | 107 | $5,640 | -8% | 14 | $403 | $108,782 | 8 |
| Apr 18, 2003 | 108 | $3,826 | -32% | 7 | $547 | $115,370 | 9 |
| Apr 25, 2003 | 154 | $399 | -90% | 1 | $399 | $117,917 | 10 |
| May 2, 2003 | 153 | $717 | +80% | 1 | $717 | $118,854 | 11 |
| May 9, 2003 | 136 | $884 | +23% | 3 | $295 | $120,079 | 12 |
| May 16, 2003 | 149 | $312 | -65% | 1 | $312 | $120,601 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2003 | 80 | $12,253 | 5 | $2,451 | $12,253 | 1 | |
| Feb 28, 2003 | 66 | $21,724 | +77% | 10 | $2,172 | $33,977 | 2 |
| Mar 7, 2003 | 71 | $18,773 | -14% | 8 | $2,347 | $52,750 | 3 |
| Mar 14, 2003 | 77 | $18,459 | -2% | 11 | $1,678 | $71,209 | 4 |
| Mar 21, 2003 | 86 | $10,827 | -41% | 9 | $1,203 | $82,036 | 5 |
| Mar 28, 2003 | 90 | $12,425 | +15% | 17 | $731 | $94,461 | 6 |
| Apr 4, 2003 | 103 | $8,681 | -30% | 9 | $965 | $103,142 | 7 |
| Apr 11, 2003 | 103 | $8,402 | -3% | 14 | $600 | $111,544 | 8 |
| Apr 18, 2003 | 106 | $5,974 | -29% | 7 | $853 | $117,518 | 9 |
| Apr 25, 2003 | 151 | $619 | -90% | 1 | $619 | $118,137 | 10 |
| May 2, 2003 | 142 | $1,058 | +71% | 1 | $1,058 | $119,195 | 11 |
| May 9, 2003 | 128 | $1,094 | +3% | 3 | $365 | $120,289 | 12 |
| May 16, 2003 | 139 | $312 | -71% | 1 | $312 | $120,601 | 13 |
Leading
| Guy Pearce | Sam Franks | |
| Helena Bonham Carter | Ruby |
Supporting
| Frank Gallacher | Maurie Lewis | |
| Lindley Joyner | Young Sam Franks | |
| Brooke Harman | Silvy Lewis | |
| Peter Curtin | Dr. David Franks | |
| Margot Knight | Dorothy Lewis | |
| Anthony Martin | Russ | |
| Dawn Klingberg | Mrs. Sarks | |
| David Ravenswood | Lawyer | |
| Stewart Faichney | Reverend Mortenbury | |
| Diana Greentree | Mrs. Pickford | |
| Ian Swan | Police Sergeant | |
| Mark Perren Jones | Police Constable | |
| Sally Plant | Student | |
| Andrea Swifte | Patient | |
| Fred Barker | Train Conductor | |
| Reville Smith | Undertaker | |
| Joanie Thomas | Lady on Train | |
| Roger O'Conner | Man on Train | |
| Amanda Douge | Katherine | |
| Kathy Bedford | Nurse | |
| Josephine Keen | Patient |
Production and Technical Credits
| Michael Petroni | Director | |
| Michael Petroni | Screenwriter | |
| Thomas Augsberger | Producer | |
| Matthias Emcke | Producer | |
| Shana Levine | Producer | |
| Dean Murphy | Producer | |
| Nigel Odell | Producer | |
| Beau Flynn | Executive Producer | |
| Yoram Pelman | Executive Producer | |
| Stefan Simchowitz | Executive Producer | |
| Ralph Moser | Production Designer | |
| Bill Murphy | Editor | |
| Amotz Plessner | Composer | |
| Roger Lanser | Director of Photography | |
| Andrew Deane | Co-Executive Producer | |
| Gareth Wiley | Co-Executive Producer | |
| Justin Pearce | Associate Producer | |
| Jonathan Gill | Associate Producer | |
| Karan Monkhouse | Assistant Director | |
| Lucy Maclaren | Production Manager | |
| Adele Flere | Art Director | |
| Brett Anderson | Additional Photography (Underwater Photography) | |
| Jeanie Cameron | Costume Designer | |
| Leianne Clarke | Costume Supervisor | |
| John Wilkinson | Recordist | |
| Michael Slater | Dubbing Mixer | |
| Scott Findlay | Dubbing Mixer | |
| Scott Findlay | Sound Effects Editor | |
| Michael Slater | Sound Designer | |
| Scott Findlay | Sound Designer | |
| David Harrison | Dialogue Editor | |
| Christine Miller | Make up | |
| Stewart Faichney | Casting Director | |
| Zev Eleftheriou | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.