Time Out of Mind (2015)
| Theatrical Performance | ||
| Domestic Box Office | $164,849 | Details |
| International Box Office | $146,998 | Details |
| Worldwide Box Office | $311,847 | |
| OpusData ID: 214620100 More info... | ||
| Further financial details... | ||
Synopsis
George is an increasingly desperate man. Life seems to have passed him by. With nowhere to turn, he finds himself adrift on the unforgiving streets of New York City. After exhausting all possible housing options, he seeks refuge at Bellevue Hospital, Manhattan's largest intake center for homeless men. It proves a harsh and bewildering environment, teeming with marginalized souls. But when George befriends a seasoned shelter-dweller, he begins to find hope of repairing his relationship with his estranged daughter.
Metrics
| Opening Weekend: | $18,934 (11.5% of total gross) |
| Legs: | 7.12 (domestic box office/biggest weekend) |
| Domestic Share: | 52.9% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/18 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $233,878 |
Movie Details
| Domestic Releases: | September 9th, 2015 (Limited) by IFC Films |
| International Releases: | December 18th, 2015 (Wide) (Spain)
March 4th, 2016 (Wide), released as Time Out Of Mind (United Kingdom) May 5th, 2016 (Wide), released as Viver à Margem (Portugal) |
| Video Release: | September 18th, 2015 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 121 minutes |
| Geographical setting: | Manhattan, New York City |
| Plot point: | Addiction, Dysfunctional Family, Homeless, Social Worker |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gere Productions, Blackbird, River Road Entertainment, Cold Iron Pictures, QED International |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 2015 | 65 | $18,934 | 4 | $4,734 | $22,819 | 1 | |
| Sep 18, 2015 | 65 | $23,157 | +22% | 10 | $2,316 | $55,378 | 2 |
| Sep 25, 2015 | 67 | $15,093 | -35% | 14 | $1,078 | $80,891 | 3 |
| Oct 2, 2015 | 69 | $16,427 | +9% | 17 | $966 | $105,313 | 4 |
| Oct 9, 2015 | 69 | $9,969 | -39% | 16 | $623 | $122,018 | 5 |
| Oct 16, 2015 | 69 | $8,969 | -10% | 17 | $528 | $136,015 | 6 |
| Oct 23, 2015 | 64 | $7,466 | -17% | 15 | $498 | $152,121 | 7 |
| Oct 30, 2015 | 75 | $3,151 | -58% | 6 | $525 | $158,997 | 8 |
| Nov 6, 2015 | 89 | $1,743 | -45% | 7 | $249 | $162,270 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 4, 2015 | 92 | $3,885 | 2 | $1,943 | $3,885 | 1 | |
| Sep 11, 2015 | 66 | $28,336 | +629% | 4 | $7,084 | $55,378 | 2 |
| Sep 18, 2015 | 64 | $33,577 | +18% | 11 | $3,052 | $65,798 | 3 |
| Sep 25, 2015 | 69 | $23,088 | -31% | 13 | $1,776 | $88,886 | 4 |
| Oct 2, 2015 | 69 | $23,163 | n/c | 17 | $1,363 | $112,049 | 5 |
| Oct 9, 2015 | 68 | $14,997 | -35% | 16 | $937 | $127,046 | 6 |
| Oct 16, 2015 | 68 | $17,609 | +17% | 18 | $978 | $144,655 | 7 |
| Oct 23, 2015 | 67 | $11,191 | -36% | 15 | $746 | $155,846 | 8 |
| Oct 30, 2015 | 84 | $4,681 | -58% | 6 | $780 | $160,527 | 9 |
| Nov 6, 2015 | 86 | $4,322 | -8% | 7 | $617 | $164,849 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 5/5/2016 | $14,471 | 9 | 9 | 27 | $35,387 | 6/9/2016 | |||
| Spain | 12/18/2015 | $31,405 | 54 | 54 | 113 | $78,075 | 6/9/2016 | |||
| United Kingdom | 3/4/2016 | $31,928 | 37 | 37 | 42 | $24,573 | 4/4/2026 | |||
| Rest of World | $8,963 | |||||||||
| International Total | $146,998 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Richard Gere | George |
Supporting
| Ben Vereen | Dixon | |
| Jena Malone | Maggie | |
| Kyra Sedgwick | TK | |
| Steve Buscemi | Building Manager | |
| Jeremy Strong | Jack | |
| Yul Vazquez | Raoul | |
| Tonye Patano | Ms. Jackson | |
| Colman Domingo | Mr. Oyello | |
| Geraldine Hughes | Maire |
Production and Technical Credits
| Oren Moverman | Director | |
| Oren Moverman | Screenwriter | |
| Jeffrey Caine | Story Creator | |
| Oren Moverman | Story Creator | |
| Miranda Bailey | Producer | |
| Bill Pohlad | Producer | |
| Richard Gere | Producer | |
| Lawrence Inglee | Producer | |
| Caroline Kaplan | Producer | |
| Edward Walson | Producer | |
| Mohammed Al Turki | Executive Producer | |
| Zak Tucker | Executive Producer | |
| Amanda Marshall | Executive Producer | |
| Eva Maria Daniels | Executive Producer | |
| Bobby Bukowski | Director of Photography | |
| Kelly McGehee | Production Designer | |
| Alex Hall | Editor | |
| Catherine George | Costume Designer | |
| Stephanie Diaz-Matos | Music Supervisor | |
| Carrie Fix | Co-Producer | |
| Luca Borghese | Co-Producer | |
| Laura Rosenthal | Casting Director | |
| Jodi Angstreich | Casting Director | |
| Will Dodds | First Assistant Director-Additional Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
George is an increasingly desperate man. Life seems to have passed him by. With nowhere to turn, he finds himself adrift on the unforgiving streets of New York City. After exhausting all possible housing options, he seeks refuge at Bellevue Hospital, Manhattan's largest intake center for homeless men. It proves a harsh and bewildering environment, teeming with marginalized souls. But when George befriends a seasoned shelter-dweller, he begins to find hope of repairing his relationship with his estranged daughter.
Metrics
| Opening Weekend: | $18,934 (11.5% of total gross) |
| Legs: | 7.12 (domestic box office/biggest weekend) |
| Domestic Share: | 52.9% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/18 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $233,878 |
Movie Details
| Domestic Releases: | September 9th, 2015 (Limited) by IFC Films |
| International Releases: | December 18th, 2015 (Wide) (Spain)
March 4th, 2016 (Wide), released as Time Out Of Mind (United Kingdom) May 5th, 2016 (Wide), released as Viver à Margem (Portugal) |
| Video Release: | September 18th, 2015 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 121 minutes |
| Geographical setting: | Manhattan, New York City |
| Plot point: | Addiction, Dysfunctional Family, Homeless, Social Worker |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gere Productions, Blackbird, River Road Entertainment, Cold Iron Pictures, QED International |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 2015 | 65 | $18,934 | 4 | $4,734 | $22,819 | 1 | |
| Sep 18, 2015 | 65 | $23,157 | +22% | 10 | $2,316 | $55,378 | 2 |
| Sep 25, 2015 | 67 | $15,093 | -35% | 14 | $1,078 | $80,891 | 3 |
| Oct 2, 2015 | 69 | $16,427 | +9% | 17 | $966 | $105,313 | 4 |
| Oct 9, 2015 | 69 | $9,969 | -39% | 16 | $623 | $122,018 | 5 |
| Oct 16, 2015 | 69 | $8,969 | -10% | 17 | $528 | $136,015 | 6 |
| Oct 23, 2015 | 64 | $7,466 | -17% | 15 | $498 | $152,121 | 7 |
| Oct 30, 2015 | 75 | $3,151 | -58% | 6 | $525 | $158,997 | 8 |
| Nov 6, 2015 | 89 | $1,743 | -45% | 7 | $249 | $162,270 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 4, 2015 | 92 | $3,885 | 2 | $1,943 | $3,885 | 1 | |
| Sep 11, 2015 | 66 | $28,336 | +629% | 4 | $7,084 | $55,378 | 2 |
| Sep 18, 2015 | 64 | $33,577 | +18% | 11 | $3,052 | $65,798 | 3 |
| Sep 25, 2015 | 69 | $23,088 | -31% | 13 | $1,776 | $88,886 | 4 |
| Oct 2, 2015 | 69 | $23,163 | n/c | 17 | $1,363 | $112,049 | 5 |
| Oct 9, 2015 | 68 | $14,997 | -35% | 16 | $937 | $127,046 | 6 |
| Oct 16, 2015 | 68 | $17,609 | +17% | 18 | $978 | $144,655 | 7 |
| Oct 23, 2015 | 67 | $11,191 | -36% | 15 | $746 | $155,846 | 8 |
| Oct 30, 2015 | 84 | $4,681 | -58% | 6 | $780 | $160,527 | 9 |
| Nov 6, 2015 | 86 | $4,322 | -8% | 7 | $617 | $164,849 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 5/5/2016 | $14,471 | 9 | 9 | 27 | $35,387 | 6/9/2016 | |||
| Spain | 12/18/2015 | $31,405 | 54 | 54 | 113 | $78,075 | 6/9/2016 | |||
| United Kingdom | 3/4/2016 | $31,928 | 37 | 37 | 42 | $24,573 | 4/4/2026 | |||
| Rest of World | $8,963 | |||||||||
| International Total | $146,998 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Richard Gere | George |
Supporting
| Ben Vereen | Dixon | |
| Jena Malone | Maggie | |
| Kyra Sedgwick | TK | |
| Steve Buscemi | Building Manager | |
| Jeremy Strong | Jack | |
| Yul Vazquez | Raoul | |
| Tonye Patano | Ms. Jackson | |
| Colman Domingo | Mr. Oyello | |
| Geraldine Hughes | Maire |
Production and Technical Credits
| Oren Moverman | Director | |
| Oren Moverman | Screenwriter | |
| Jeffrey Caine | Story Creator | |
| Oren Moverman | Story Creator | |
| Miranda Bailey | Producer | |
| Bill Pohlad | Producer | |
| Richard Gere | Producer | |
| Lawrence Inglee | Producer | |
| Caroline Kaplan | Producer | |
| Edward Walson | Producer | |
| Mohammed Al Turki | Executive Producer | |
| Zak Tucker | Executive Producer | |
| Amanda Marshall | Executive Producer | |
| Eva Maria Daniels | Executive Producer | |
| Bobby Bukowski | Director of Photography | |
| Kelly McGehee | Production Designer | |
| Alex Hall | Editor | |
| Catherine George | Costume Designer | |
| Stephanie Diaz-Matos | Music Supervisor | |
| Carrie Fix | Co-Producer | |
| Luca Borghese | Co-Producer | |
| Laura Rosenthal | Casting Director | |
| Jodi Angstreich | Casting Director | |
| Will Dodds | First Assistant Director-Additional Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.