To Dust (2019)
| Theatrical Performance | ||
| Domestic Box Office | $184,495 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $12,166 | |
| Total | $12,166 | |
| OpusData ID: 378130100 More info... | ||
| Further financial details... | ||
Synopsis
Shmuel, a Hasidic cantor in Upstate New York, is distraught by the untimely death of his wife, Rivkah. As he struggles to find solace in his religion, which proffers a stringent timeline for grief, Shmuel grows increasingly haunted by visions of Rivkah’s decomposing corpse. Convinced that her soul will suffer until her body returns to dust, Shmuel decides that to stop his feverish spiral he must seek an understanding of the physical processes of her decay—despite the blasphemy inherent in any scientific inquiry. Risking discovery and expulsion, Shmuel tip-toes outside his enclave, where his search leads to Albert, a bumbling biology professor at the local community college. Soon, Albert is unwittingly seduced into an odd world of homespun forensic research and begins to guide Shmuel through outrageous experiments that aim to approximate a timeline for Rivkah’s dissolution—starting with the theft, suffocation and burial of a pig. As amateur scientists practicing imperfect science and incompetent criminals on progressively absurd outings, the two find themselves neck-deep in genres in which neither of them belongs. With their macabre moonlit misadventures growing ever more perilous, the odd couple will stop at nothing to satiate their curiosity and ultimately find Shmuel the comfort he desperately seeks.
Metrics
| Opening Weekend: | $8,496 (4.6% of total gross) |
| Legs: | 6.74 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/23 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $240,886 |
Movie Details
| Domestic Releases: | February 8th, 2019 (Limited) by Good Deed Entertainment |
| Video Release: | May 7th, 2019 by Cinedigm |
| MPA Rating: | R for language and some disturbing images. (Rating bulletin 2552 (Cert #51900), 11/7/2018) |
| Running Time: | 92 minutes |
| Plot point: | College Professor, Death of a Spouse or Fiancée / Fiancé, Forensic Science, Jewish, Orthodox Religion, Science vs. Religion |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Good Deed Entertainment, Wing and a Prayer Pictures, Storyland Pictures, King Bee, Big Jack Productions, Cool Productions, Bron Life, Salem Street Entertainment, UnLtd Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 8, 2019 | 56 | $8,496 | 1 | $8,496 | $8,496 | 1 | |
| Feb 15, 2019 | 49 | $27,368 | +222% | 14 | $1,955 | $38,259 | 2 |
| Feb 22, 2019 | 50 | $18,607 | -32% | 17 | $1,095 | $67,970 | 3 |
| Mar 1, 2019 | 53 | $22,361 | +20% | 23 | $972 | $98,770 | 4 |
| Mar 8, 2019 | 57 | $17,432 | -22% | 18 | $968 | $125,378 | 5 |
| Mar 15, 2019 | 57 | $22,066 | +27% | 21 | $1,051 | $152,934 | 6 |
| Mar 22, 2019 | 65 | $8,860 | -60% | 19 | $466 | $173,242 | 7 |
| Mar 29, 2019 | 76 | $2,481 | -72% | 7 | $354 | $179,603 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 8, 2019 | 64 | $10,891 | 1 | $10,891 | $10,891 | 1 | |
| Feb 15, 2019 | 52 | $38,472 | +253% | 14 | $2,748 | $49,363 | 2 |
| Feb 22, 2019 | 50 | $26,982 | -30% | 17 | $1,587 | $76,345 | 3 |
| Mar 1, 2019 | 54 | $31,537 | +17% | 23 | $1,371 | $107,946 | 4 |
| Mar 8, 2019 | 59 | $22,922 | -27% | 17 | $1,348 | $130,868 | 5 |
| Mar 15, 2019 | 59 | $33,514 | +46% | 21 | $1,596 | $164,382 | 6 |
| Mar 22, 2019 | 67 | $12,740 | -62% | 18 | $708 | $177,122 | 7 |
| Mar 29, 2019 | 78 | $3,545 | -72% | 7 | $506 | $180,667 | 8 |
| Apr 5, 2019 | 83 | $1,274 | -64% | 6 | $212 | $181,941 | 9 |
| Apr 12, 2019 | 92 | $2,128 | +67% | 5 | $426 | $184,069 | 10 |
| Apr 19, 2019 | 101 | $426 | -80% | 2 | $213 | $184,495 | 11 |
Leading
| Geza Rohrig | Shmuel | |
| Matthew Broderick | Albert |
Supporting
| Leo Heller | Noam | |
| Samuel Mori Voit | Naftali | |
| Janet Sarno | Faigy | |
| Stephanie Kurztuba | Receptionist | |
| Ben Hammer | Rebbe | |
| Larry Owens | Stanley | |
| Bern Cohen | Reb Goshen | |
| Aaron Raksin | Sender |
Production and Technical Credits
| Shawn Snyder | Director | |
| Shawn Snyder | Screenwriter | |
| Jason Begue | Screenwriter | |
| Emily Mortimer | Producer | |
| Alessandro Nivola | Producer | |
| Josh Crook | Producer | |
| Ron Perlman | Producer | |
| Scott Lochmus | Producer | |
| Jonathan Gray | Executive Producer | |
| Todd Remis | Executive Producer | |
| David Moscow | Executive Producer | |
| Jason Dreyer | Executive Producer | |
| Jed Webber | Executive Producer | |
| Joseph Siprut | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Anjay Nagpal | Executive Producer | |
| David Boies | Executive Producer | |
| David Stone | Executive Producer | |
| Xavi Gimenez | Director of Photography | |
| Evren Caitlin | Costume Designer | |
| Alexandra Kaucher | Production Designer | |
| Allyson C. Johnson | Editor | |
| Ariel Marx | Composer | |
| Laura Rosenthal | Casting Director | |
| Jodi Angstreich | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Shmuel, a Hasidic cantor in Upstate New York, is distraught by the untimely death of his wife, Rivkah. As he struggles to find solace in his religion, which proffers a stringent timeline for grief, Shmuel grows increasingly haunted by visions of Rivkah’s decomposing corpse. Convinced that her soul will suffer until her body returns to dust, Shmuel decides that to stop his feverish spiral he must seek an understanding of the physical processes of her decay—despite the blasphemy inherent in any scientific inquiry. Risking discovery and expulsion, Shmuel tip-toes outside his enclave, where his search leads to Albert, a bumbling biology professor at the local community college. Soon, Albert is unwittingly seduced into an odd world of homespun forensic research and begins to guide Shmuel through outrageous experiments that aim to approximate a timeline for Rivkah’s dissolution—starting with the theft, suffocation and burial of a pig. As amateur scientists practicing imperfect science and incompetent criminals on progressively absurd outings, the two find themselves neck-deep in genres in which neither of them belongs. With their macabre moonlit misadventures growing ever more perilous, the odd couple will stop at nothing to satiate their curiosity and ultimately find Shmuel the comfort he desperately seeks.
Metrics
| Opening Weekend: | $8,496 (4.6% of total gross) |
| Legs: | 6.74 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/23 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $240,886 |
Movie Details
| Domestic Releases: | February 8th, 2019 (Limited) by Good Deed Entertainment |
| Video Release: | May 7th, 2019 by Cinedigm |
| MPA Rating: | R for language and some disturbing images. (Rating bulletin 2552 (Cert #51900), 11/7/2018) |
| Running Time: | 92 minutes |
| Plot point: | College Professor, Death of a Spouse or Fiancée / Fiancé, Forensic Science, Jewish, Orthodox Religion, Science vs. Religion |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Good Deed Entertainment, Wing and a Prayer Pictures, Storyland Pictures, King Bee, Big Jack Productions, Cool Productions, Bron Life, Salem Street Entertainment, UnLtd Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 8, 2019 | 56 | $8,496 | 1 | $8,496 | $8,496 | 1 | |
| Feb 15, 2019 | 49 | $27,368 | +222% | 14 | $1,955 | $38,259 | 2 |
| Feb 22, 2019 | 50 | $18,607 | -32% | 17 | $1,095 | $67,970 | 3 |
| Mar 1, 2019 | 53 | $22,361 | +20% | 23 | $972 | $98,770 | 4 |
| Mar 8, 2019 | 57 | $17,432 | -22% | 18 | $968 | $125,378 | 5 |
| Mar 15, 2019 | 57 | $22,066 | +27% | 21 | $1,051 | $152,934 | 6 |
| Mar 22, 2019 | 65 | $8,860 | -60% | 19 | $466 | $173,242 | 7 |
| Mar 29, 2019 | 76 | $2,481 | -72% | 7 | $354 | $179,603 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 8, 2019 | 64 | $10,891 | 1 | $10,891 | $10,891 | 1 | |
| Feb 15, 2019 | 52 | $38,472 | +253% | 14 | $2,748 | $49,363 | 2 |
| Feb 22, 2019 | 50 | $26,982 | -30% | 17 | $1,587 | $76,345 | 3 |
| Mar 1, 2019 | 54 | $31,537 | +17% | 23 | $1,371 | $107,946 | 4 |
| Mar 8, 2019 | 59 | $22,922 | -27% | 17 | $1,348 | $130,868 | 5 |
| Mar 15, 2019 | 59 | $33,514 | +46% | 21 | $1,596 | $164,382 | 6 |
| Mar 22, 2019 | 67 | $12,740 | -62% | 18 | $708 | $177,122 | 7 |
| Mar 29, 2019 | 78 | $3,545 | -72% | 7 | $506 | $180,667 | 8 |
| Apr 5, 2019 | 83 | $1,274 | -64% | 6 | $212 | $181,941 | 9 |
| Apr 12, 2019 | 92 | $2,128 | +67% | 5 | $426 | $184,069 | 10 |
| Apr 19, 2019 | 101 | $426 | -80% | 2 | $213 | $184,495 | 11 |
Leading
| Geza Rohrig | Shmuel | |
| Matthew Broderick | Albert |
Supporting
| Leo Heller | Noam | |
| Samuel Mori Voit | Naftali | |
| Janet Sarno | Faigy | |
| Stephanie Kurztuba | Receptionist | |
| Ben Hammer | Rebbe | |
| Larry Owens | Stanley | |
| Bern Cohen | Reb Goshen | |
| Aaron Raksin | Sender |
Production and Technical Credits
| Shawn Snyder | Director | |
| Shawn Snyder | Screenwriter | |
| Jason Begue | Screenwriter | |
| Emily Mortimer | Producer | |
| Alessandro Nivola | Producer | |
| Josh Crook | Producer | |
| Ron Perlman | Producer | |
| Scott Lochmus | Producer | |
| Jonathan Gray | Executive Producer | |
| Todd Remis | Executive Producer | |
| David Moscow | Executive Producer | |
| Jason Dreyer | Executive Producer | |
| Jed Webber | Executive Producer | |
| Joseph Siprut | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Anjay Nagpal | Executive Producer | |
| David Boies | Executive Producer | |
| David Stone | Executive Producer | |
| Xavi Gimenez | Director of Photography | |
| Evren Caitlin | Costume Designer | |
| Alexandra Kaucher | Production Designer | |
| Allyson C. Johnson | Editor | |
| Ariel Marx | Composer | |
| Laura Rosenthal | Casting Director | |
| Jodi Angstreich | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.