Together (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $21,273,161 | Details |
| International Box Office | $13,300,000 | Details |
| Worldwide Box Office | $34,573,161 | |
| OpusData ID: 724990100 More info... | ||
| Further financial details... | ||
Synopsis
Years into their relationship, Tim and Millie find themselves at a crossroads as they move to the country, abandoning all that is familiar in their lives except each other. With tensions already flaring, a nightmarish encounter with a mysterious, unnatural force threatens to corrupt their lives, their love, and their flesh.
Metrics
| Opening Weekend: | $6,763,357 (31.8% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 61.5% (domestic box office/worldwide) |
| Theater counts: | 2,302 opening theaters/2,302 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,273,161 |
Movie Details
| Domestic Releases: | July 30th, 2025 (Wide) by Neon |
| International Releases: | July 30th, 2025 (Limited), released as Together: Juntos Hasta la Muerte (Mexico)
July 31st, 2025 (Wide), released as Together: Unzertrennlich (Austria) July 31st, 2025 (Limited) (Australia) July 31st, 2025 (Limited), released as Together (Одно целое) (Russia (CIS)) July 31st, 2025 (Limited) (New Zealand) ... Show all releases |
| Video Release: | August 26th, 2025 by Neon |
| MPA Rating: | R for violent/disturbing content, sexual content, graphic nudity, language and brief drug content. (Rating bulletin 2883 (cert #55463), 4/30/2025) |
| Running Time: | 102 minutes |
| Film festival: | Sundance Film Festival 2025 |
| Filming location (country): | Australia |
| Geographical setting: | Washington, United States |
| Plot point: | Country Mouse, City Mouse, Relationships Gone Wrong |
| Release detail: | Festival Acquisition |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Picturestart, Tango Films, 30 West, VicScreen, 1.21, Princess Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 1, 2025 | 6 | $6,763,357 | 2,302 | $2,938 | $10,819,859 | 1 | |
| Aug 8, 2025 | 9 | $2,535,365 | -63% | 2,225 | $1,139 | $17,146,027 | 2 |
| Aug 15, 2025 | - | $1,089,138 | -57% | 1,300 | $838 | $19,718,183 | 3 |
| Aug 22, 2025 | - | $414,223 | -62% | 439 | $944 | $20,715,563 | 4 |
| Aug 29, 2025 | - | $203,652 | -51% | 204 | $998 | $21,125,352 | 5 |
| Sep 5, 2025 | - | $34,357 | -83% | 55 | $625 | $21,256,063 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 29, 2025 | P | $1,300,000 | 0 | $1,300,000 | ||||
| Jul 30, 2025 | 3 | $2,668,751 | 2,100 | $1,271 | $2,668,751 | 1 | ||
| Jul 31, 2025 | 4 | $1,387,751 | -48% | 2,302 | $603 | $4,056,502 | 2 | |
| Aug 1, 2025 | 6 | $2,215,170 | +60% | 2,302 | $962 | $6,271,672 | 3 | |
| Aug 2, 2025 | 6 | $2,569,597 | +16% | 2,302 | $1,116 | $8,841,269 | 4 | |
| Aug 3, 2025 | 6 | $1,978,590 | -23% | 2,302 | $860 | $10,819,859 | 5 | |
| Aug 4, 2025 | 6 | $1,008,781 | -49% | 2,302 | $438 | $11,828,640 | 6 | |
| Aug 5, 2025 | 6 | $1,281,152 | +27% | 2,302 | $557 | $13,109,792 | 7 | |
| Aug 6, 2025 | 7 | $909,618 | -29% | -66% | 2,302 | $395 | $14,019,410 | 8 |
| Aug 7, 2025 | 6 | $591,252 | -35% | -57% | 2,302 | $257 | $14,610,662 | 9 |
| Aug 8, 2025 | 8 | $829,652 | +40% | -63% | 2,225 | $373 | $15,440,314 | 10 |
| Aug 9, 2025 | 10 | $974,693 | +17% | -62% | 2,225 | $438 | $16,415,007 | 11 |
| Aug 10, 2025 | 9 | $731,020 | -25% | -63% | 2,225 | $329 | $17,146,027 | 12 |
| Aug 11, 2025 | 8 | $365,200 | -50% | -64% | 2,225 | $164 | $17,511,227 | 13 |
| Aug 12, 2025 | 8 | $503,976 | +38% | -61% | 2,225 | $227 | $18,015,203 | 14 |
| Aug 13, 2025 | 8 | $352,783 | -30% | -61% | 2,225 | $159 | $18,367,986 | 15 |
| Aug 14, 2025 | - | $261,059 | -26% | -56% | 2,225 | $117 | $18,629,045 | 16 |
| Aug 15, 2025 | - | $353,318 | +35% | -57% | 1,300 | $272 | $18,982,363 | 17 |
| Aug 16, 2025 | - | $413,382 | +17% | -58% | 1,300 | $318 | $19,395,745 | 18 |
| Aug 17, 2025 | - | $322,438 | -22% | -56% | 1,300 | $248 | $19,718,183 | 19 |
| Aug 18, 2025 | - | $138,648 | -57% | -62% | 1,300 | $107 | $19,856,831 | 20 |
| Aug 19, 2025 | - | $199,654 | +44% | -60% | 1,300 | $154 | $20,056,485 | 21 |
| Aug 20, 2025 | - | $145,747 | -27% | -59% | 1,300 | $112 | $20,202,232 | 22 |
| Aug 21, 2025 | - | $99,108 | -32% | -62% | 1,300 | $76 | $20,301,340 | 23 |
| Aug 22, 2025 | - | $146,825 | +48% | -58% | 439 | $334 | $20,448,165 | 24 |
| Aug 23, 2025 | - | $170,317 | +16% | -59% | 439 | $388 | $20,618,482 | 25 |
| Aug 24, 2025 | - | $97,081 | -43% | -70% | 439 | $221 | $20,715,563 | 26 |
| Aug 25, 2025 | - | $48,540 | -50% | -65% | 439 | $111 | $20,764,103 | 27 |
| Aug 26, 2025 | - | $66,986 | +38% | -66% | 439 | $153 | $20,831,089 | 28 |
| Aug 27, 2025 | - | $54,258 | -19% | -63% | 439 | $124 | $20,885,347 | 29 |
| Aug 28, 2025 | - | $36,353 | -33% | -63% | 439 | $83 | $20,921,700 | 30 |
| Aug 29, 2025 | - | $59,069 | +62% | -60% | 204 | $290 | $20,980,769 | 31 |
| Aug 30, 2025 | - | $72,655 | +23% | -57% | 204 | $356 | $21,053,424 | 32 |
| Aug 31, 2025 | - | $71,928 | -1% | -26% | 204 | $353 | $21,125,352 | 33 |
| Sep 1, 2025 | - | $44,596 | -38% | -8% | 204 | $219 | $21,169,948 | 34 |
| Sep 2, 2025 | - | $25,865 | -42% | -61% | 204 | $127 | $21,195,813 | 35 |
| Sep 3, 2025 | - | $18,364 | -29% | -66% | 204 | $90 | $21,214,177 | 36 |
| Sep 4, 2025 | - | $7,529 | -59% | -79% | 204 | $37 | $21,221,706 | 37 |
| Sep 5, 2025 | - | $10,690 | +42% | -82% | 55 | $194 | $21,232,396 | 38 |
| Sep 6, 2025 | - | $14,004 | +31% | -81% | 55 | $255 | $21,246,400 | 39 |
| Sep 7, 2025 | - | $9,663 | -31% | -87% | 55 | $176 | $21,256,063 | 40 |
| Sep 8, 2025 | - | $3,672 | -62% | -92% | 55 | $67 | $21,259,735 | 41 |
| Sep 9, 2025 | - | $5,912 | +61% | -77% | 55 | $107 | $21,265,647 | 42 |
| Sep 10, 2025 | - | $4,848 | -18% | -74% | 55 | $88 | $21,270,495 | 43 |
| Sep 11, 2025 | - | $2,666 | -45% | -65% | 55 | $48 | $21,273,161 | 44 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 8 | $4,056,502 | 2,302 | $1,762 | $4,056,502 | 1 | |
| Aug 1, 2025 | 6 | $10,554,160 | +160% | 2,302 | $4,585 | $14,610,662 | 2 |
| Aug 8, 2025 | 9 | $4,018,383 | -62% | 2,225 | $1,806 | $18,629,045 | 3 |
| Aug 15, 2025 | 12 | $1,672,295 | -58% | 1,300 | $1,286 | $20,301,340 | 4 |
| Aug 22, 2025 | 16 | $620,360 | -63% | 439 | $1,413 | $20,921,700 | 5 |
| Aug 29, 2025 | 17 | $300,006 | -52% | 204 | $1,471 | $21,221,706 | 6 |
| Sep 5, 2025 | 28 | $51,455 | -83% | 55 | $936 | $21,273,161 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/31/2025 | $312,343 | 198 | 198 | 0 | $784,491 | 4/6/2026 | |||
| Croatia | 8/14/2025 | $15,043 | 32 | 32 | 72 | $69,937 | 4/4/2026 | |||
| Finland | 8/29/2025 | $21,697 | 55 | 55 | 97 | $46,357 | 4/21/2026 | |||
| Italy | 10/1/2025 | $312,156 | 0 | 0 | 0 | $733,922 | 4/4/2026 | |||
| Netherlands | 10/2/2025 | $65,095 | 74 | 74 | 143 | $136,241 | 4/6/2026 | |||
| New Zealand | 7/31/2025 | $20,486 | 51 | 51 | 0 | $52,300 | 4/4/2026 | |||
| Portugal | 8/14/2025 | $33,968 | 28 | 28 | 59 | $83,027 | 4/4/2026 | |||
| Russia (CIS) | 7/31/2025 | $500,813 | 1,232 | 1,232 | 3,480 | $1,974,795 | 4/4/2026 | |||
| Serbia and Montenegro | 8/14/2025 | $0 | 0 | 19 | 0 | $17,563 | 4/6/2026 | |||
| South Korea | 9/3/2025 | $92,436 | 228 | 228 | 0 | $294,814 | 4/6/2026 | |||
| Spain | 10/31/2025 | $172,111 | 234 | 234 | 415 | $384,118 | 4/4/2026 | |||
| Turkey | 8/1/2025 | $44,070 | 125 | 125 | 220 | $127,942 | 4/4/2026 | |||
| Rest of World | $8,594,493 | |||||||||
| International Total | $13,300,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alison Brie | Millie | |
| Dave Franco | Tim |
Supporting
| Damon Herriman | Jamie | |
| Mia Morrissey | Cath | |
| Karl Richmond | Jordy | |
| Jack Kenny | Luke | |
| Francesca Waters | Carol | |
| Aljin Abella | Doctor Mendoza | |
| Sarah Lang | Keri | |
| Rob Brown | Chaplain |
Production and Technical Credits
| Michael Shanks | Director | |
| Michael Shanks | Screenwriter | |
| Alison Brie | Producer | |
| Dave Franco | Producer | |
| Andrew Mittman | Producer | |
| Erik Feig | Producer | |
| Max Silva | Producer | |
| Mike Cowap | Producer | |
| Julia Hammer | Producer | |
| Tim Headington | Producer | |
| Emma Fitzsimons | Executive Producer | |
| Laura Waters | Executive Producer | |
| Kai Dolbashian | Executive Producer | |
| Micah Green | Executive Producer | |
| Dan Steinman | Executive Producer | |
| Sarah Hong | Executive Producer | |
| Samie Kim Falvey | Executive Producer | |
| Sian McArthur | Executive Producer | |
| Lia Buman | Executive Producer | |
| Neil Shah | Executive Producer | |
| Megan Wynn | Line Producer | |
| Germain McMicking | Director of Photography | |
| Nicholas Dare | Production Designer | |
| Sean Lahiff | Editor | |
| Maria Pattison | Costume Designer | |
| Cornel Wilczek | Composer | |
| Alison Telford | Casting Director | |
| Kate Leonard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Years into their relationship, Tim and Millie find themselves at a crossroads as they move to the country, abandoning all that is familiar in their lives except each other. With tensions already flaring, a nightmarish encounter with a mysterious, unnatural force threatens to corrupt their lives, their love, and their flesh.
Metrics
| Opening Weekend: | $6,763,357 (31.8% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 61.5% (domestic box office/worldwide) |
| Theater counts: | 2,302 opening theaters/2,302 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,273,161 |
Movie Details
| Domestic Releases: | July 30th, 2025 (Wide) by Neon |
| International Releases: | July 30th, 2025 (Limited), released as Together: Juntos Hasta la Muerte (Mexico)
July 31st, 2025 (Wide), released as Together: Unzertrennlich (Austria) July 31st, 2025 (Limited) (Australia) July 31st, 2025 (Limited), released as Together (Одно целое) (Russia (CIS)) July 31st, 2025 (Limited) (New Zealand) ... Show all releases |
| Video Release: | August 26th, 2025 by Neon |
| MPA Rating: | R for violent/disturbing content, sexual content, graphic nudity, language and brief drug content. (Rating bulletin 2883 (cert #55463), 4/30/2025) |
| Running Time: | 102 minutes |
| Film festival: | Sundance Film Festival 2025 |
| Filming location (country): | Australia |
| Geographical setting: | Washington, United States |
| Plot point: | Country Mouse, City Mouse, Relationships Gone Wrong |
| Release detail: | Festival Acquisition |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Picturestart, Tango Films, 30 West, VicScreen, 1.21, Princess Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 1, 2025 | 6 | $6,763,357 | 2,302 | $2,938 | $10,819,859 | 1 | |
| Aug 8, 2025 | 9 | $2,535,365 | -63% | 2,225 | $1,139 | $17,146,027 | 2 |
| Aug 15, 2025 | - | $1,089,138 | -57% | 1,300 | $838 | $19,718,183 | 3 |
| Aug 22, 2025 | - | $414,223 | -62% | 439 | $944 | $20,715,563 | 4 |
| Aug 29, 2025 | - | $203,652 | -51% | 204 | $998 | $21,125,352 | 5 |
| Sep 5, 2025 | - | $34,357 | -83% | 55 | $625 | $21,256,063 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 29, 2025 | P | $1,300,000 | 0 | $1,300,000 | ||||
| Jul 30, 2025 | 3 | $2,668,751 | 2,100 | $1,271 | $2,668,751 | 1 | ||
| Jul 31, 2025 | 4 | $1,387,751 | -48% | 2,302 | $603 | $4,056,502 | 2 | |
| Aug 1, 2025 | 6 | $2,215,170 | +60% | 2,302 | $962 | $6,271,672 | 3 | |
| Aug 2, 2025 | 6 | $2,569,597 | +16% | 2,302 | $1,116 | $8,841,269 | 4 | |
| Aug 3, 2025 | 6 | $1,978,590 | -23% | 2,302 | $860 | $10,819,859 | 5 | |
| Aug 4, 2025 | 6 | $1,008,781 | -49% | 2,302 | $438 | $11,828,640 | 6 | |
| Aug 5, 2025 | 6 | $1,281,152 | +27% | 2,302 | $557 | $13,109,792 | 7 | |
| Aug 6, 2025 | 7 | $909,618 | -29% | -66% | 2,302 | $395 | $14,019,410 | 8 |
| Aug 7, 2025 | 6 | $591,252 | -35% | -57% | 2,302 | $257 | $14,610,662 | 9 |
| Aug 8, 2025 | 8 | $829,652 | +40% | -63% | 2,225 | $373 | $15,440,314 | 10 |
| Aug 9, 2025 | 10 | $974,693 | +17% | -62% | 2,225 | $438 | $16,415,007 | 11 |
| Aug 10, 2025 | 9 | $731,020 | -25% | -63% | 2,225 | $329 | $17,146,027 | 12 |
| Aug 11, 2025 | 8 | $365,200 | -50% | -64% | 2,225 | $164 | $17,511,227 | 13 |
| Aug 12, 2025 | 8 | $503,976 | +38% | -61% | 2,225 | $227 | $18,015,203 | 14 |
| Aug 13, 2025 | 8 | $352,783 | -30% | -61% | 2,225 | $159 | $18,367,986 | 15 |
| Aug 14, 2025 | - | $261,059 | -26% | -56% | 2,225 | $117 | $18,629,045 | 16 |
| Aug 15, 2025 | - | $353,318 | +35% | -57% | 1,300 | $272 | $18,982,363 | 17 |
| Aug 16, 2025 | - | $413,382 | +17% | -58% | 1,300 | $318 | $19,395,745 | 18 |
| Aug 17, 2025 | - | $322,438 | -22% | -56% | 1,300 | $248 | $19,718,183 | 19 |
| Aug 18, 2025 | - | $138,648 | -57% | -62% | 1,300 | $107 | $19,856,831 | 20 |
| Aug 19, 2025 | - | $199,654 | +44% | -60% | 1,300 | $154 | $20,056,485 | 21 |
| Aug 20, 2025 | - | $145,747 | -27% | -59% | 1,300 | $112 | $20,202,232 | 22 |
| Aug 21, 2025 | - | $99,108 | -32% | -62% | 1,300 | $76 | $20,301,340 | 23 |
| Aug 22, 2025 | - | $146,825 | +48% | -58% | 439 | $334 | $20,448,165 | 24 |
| Aug 23, 2025 | - | $170,317 | +16% | -59% | 439 | $388 | $20,618,482 | 25 |
| Aug 24, 2025 | - | $97,081 | -43% | -70% | 439 | $221 | $20,715,563 | 26 |
| Aug 25, 2025 | - | $48,540 | -50% | -65% | 439 | $111 | $20,764,103 | 27 |
| Aug 26, 2025 | - | $66,986 | +38% | -66% | 439 | $153 | $20,831,089 | 28 |
| Aug 27, 2025 | - | $54,258 | -19% | -63% | 439 | $124 | $20,885,347 | 29 |
| Aug 28, 2025 | - | $36,353 | -33% | -63% | 439 | $83 | $20,921,700 | 30 |
| Aug 29, 2025 | - | $59,069 | +62% | -60% | 204 | $290 | $20,980,769 | 31 |
| Aug 30, 2025 | - | $72,655 | +23% | -57% | 204 | $356 | $21,053,424 | 32 |
| Aug 31, 2025 | - | $71,928 | -1% | -26% | 204 | $353 | $21,125,352 | 33 |
| Sep 1, 2025 | - | $44,596 | -38% | -8% | 204 | $219 | $21,169,948 | 34 |
| Sep 2, 2025 | - | $25,865 | -42% | -61% | 204 | $127 | $21,195,813 | 35 |
| Sep 3, 2025 | - | $18,364 | -29% | -66% | 204 | $90 | $21,214,177 | 36 |
| Sep 4, 2025 | - | $7,529 | -59% | -79% | 204 | $37 | $21,221,706 | 37 |
| Sep 5, 2025 | - | $10,690 | +42% | -82% | 55 | $194 | $21,232,396 | 38 |
| Sep 6, 2025 | - | $14,004 | +31% | -81% | 55 | $255 | $21,246,400 | 39 |
| Sep 7, 2025 | - | $9,663 | -31% | -87% | 55 | $176 | $21,256,063 | 40 |
| Sep 8, 2025 | - | $3,672 | -62% | -92% | 55 | $67 | $21,259,735 | 41 |
| Sep 9, 2025 | - | $5,912 | +61% | -77% | 55 | $107 | $21,265,647 | 42 |
| Sep 10, 2025 | - | $4,848 | -18% | -74% | 55 | $88 | $21,270,495 | 43 |
| Sep 11, 2025 | - | $2,666 | -45% | -65% | 55 | $48 | $21,273,161 | 44 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 8 | $4,056,502 | 2,302 | $1,762 | $4,056,502 | 1 | |
| Aug 1, 2025 | 6 | $10,554,160 | +160% | 2,302 | $4,585 | $14,610,662 | 2 |
| Aug 8, 2025 | 9 | $4,018,383 | -62% | 2,225 | $1,806 | $18,629,045 | 3 |
| Aug 15, 2025 | 12 | $1,672,295 | -58% | 1,300 | $1,286 | $20,301,340 | 4 |
| Aug 22, 2025 | 16 | $620,360 | -63% | 439 | $1,413 | $20,921,700 | 5 |
| Aug 29, 2025 | 17 | $300,006 | -52% | 204 | $1,471 | $21,221,706 | 6 |
| Sep 5, 2025 | 28 | $51,455 | -83% | 55 | $936 | $21,273,161 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/31/2025 | $312,343 | 198 | 198 | 0 | $784,491 | 4/6/2026 | |||
| Croatia | 8/14/2025 | $15,043 | 32 | 32 | 72 | $69,937 | 4/4/2026 | |||
| Finland | 8/29/2025 | $21,697 | 55 | 55 | 97 | $46,357 | 4/21/2026 | |||
| Italy | 10/1/2025 | $312,156 | 0 | 0 | 0 | $733,922 | 4/4/2026 | |||
| Netherlands | 10/2/2025 | $65,095 | 74 | 74 | 143 | $136,241 | 4/6/2026 | |||
| New Zealand | 7/31/2025 | $20,486 | 51 | 51 | 0 | $52,300 | 4/4/2026 | |||
| Portugal | 8/14/2025 | $33,968 | 28 | 28 | 59 | $83,027 | 4/4/2026 | |||
| Russia (CIS) | 7/31/2025 | $500,813 | 1,232 | 1,232 | 3,480 | $1,974,795 | 4/4/2026 | |||
| Serbia and Montenegro | 8/14/2025 | $0 | 0 | 19 | 0 | $17,563 | 4/6/2026 | |||
| South Korea | 9/3/2025 | $92,436 | 228 | 228 | 0 | $294,814 | 4/6/2026 | |||
| Spain | 10/31/2025 | $172,111 | 234 | 234 | 415 | $384,118 | 4/4/2026 | |||
| Turkey | 8/1/2025 | $44,070 | 125 | 125 | 220 | $127,942 | 4/4/2026 | |||
| Rest of World | $8,594,493 | |||||||||
| International Total | $13,300,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alison Brie | Millie | |
| Dave Franco | Tim |
Supporting
| Damon Herriman | Jamie | |
| Mia Morrissey | Cath | |
| Karl Richmond | Jordy | |
| Jack Kenny | Luke | |
| Francesca Waters | Carol | |
| Aljin Abella | Doctor Mendoza | |
| Sarah Lang | Keri | |
| Rob Brown | Chaplain |
Production and Technical Credits
| Michael Shanks | Director | |
| Michael Shanks | Screenwriter | |
| Alison Brie | Producer | |
| Dave Franco | Producer | |
| Andrew Mittman | Producer | |
| Erik Feig | Producer | |
| Max Silva | Producer | |
| Mike Cowap | Producer | |
| Julia Hammer | Producer | |
| Tim Headington | Producer | |
| Emma Fitzsimons | Executive Producer | |
| Laura Waters | Executive Producer | |
| Kai Dolbashian | Executive Producer | |
| Micah Green | Executive Producer | |
| Dan Steinman | Executive Producer | |
| Sarah Hong | Executive Producer | |
| Samie Kim Falvey | Executive Producer | |
| Sian McArthur | Executive Producer | |
| Lia Buman | Executive Producer | |
| Neil Shah | Executive Producer | |
| Megan Wynn | Line Producer | |
| Germain McMicking | Director of Photography | |
| Nicholas Dare | Production Designer | |
| Sean Lahiff | Editor | |
| Maria Pattison | Costume Designer | |
| Cornel Wilczek | Composer | |
| Alison Telford | Casting Director | |
| Kate Leonard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.