Tolkien (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $4,535,154 | Details |
| International Box Office | $4,434,073 | Details |
| Worldwide Box Office | $8,969,227 | |
| OpusData ID: 370740100 More info... | ||
| Further financial details... | ||
Synopsis
An exploration of the formative years of the renowned author’s life as he finds friendship, courage and inspiration among a fellow group of writers and artists at school. Their brotherhood strengthens as they grow up and weather love and loss together, including Tolkien’s tumultuous courtship of his beloved Edith Bratt, until the outbreak of the First World War which threatens to tear their fellowship apart. All of these experiences would later inspire Tolkien to write his famous Middle-earth novels.
Metrics
| Opening Weekend: | $2,200,537 (48.5% of total gross) |
| Legs: | 2.06 (domestic box office/biggest weekend) |
| Domestic Share: | 50.6% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 1,495 opening theaters/1,501 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,921,444 |
Movie Details
| Domestic Releases: | May 10th, 2019 (Wide) by Fox Searchlight |
| International Releases: | May 3rd, 2019 (Wide) (United Kingdom)
May 17th, 2019 (Wide) (Argentina) June 6th, 2019 (Wide) (New Zealand) June 7th, 2019 (Wide) (Netherlands) June 14th, 2019 (Wide) (Australia) ... Show all releases |
| Video Release: | July 23rd, 2019 by Fox Home Entertainment |
| MPA Rating: | PG-13 for some sequences of war violence. (Rating bulletin 2547 (Cert #51771), 10/3/2018) |
| Running Time: | 111 minutes |
| Plot point: | Biography, Bullies, Coming of Age, First Love, Non-Chronological, Returning Soldiers, Romance, Writing and Writers, Young Child Dealing with the Death of a Parent |
| Social setting: | World War I |
| Subgenre: | Biographical Drama |
| Time period setting: | 1910s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Fox Searchlight Pictures, Chernin Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 9 | $2,200,537 | 1,495 | $1,472 | $2,200,537 | 1 | |
| May 17, 2019 | 14 | $731,445 | -67% | 1,501 | $487 | $3,768,184 | 2 |
| May 24, 2019 | 24 | $139,567 | -81% | 189 | $738 | $4,332,217 | 3 |
| May 31, 2019 | 36 | $43,180 | -69% | 94 | $459 | $4,476,959 | 4 |
| Jun 7, 2019 | 43 | $16,592 | -62% | 42 | $395 | $4,523,962 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 10, 2019 | 8 | $827,108 | 1,495 | $553 | $827,108 | 1 | ||
| May 11, 2019 | 11 | $720,980 | -13% | 1,495 | $482 | $1,548,088 | 2 | |
| May 12, 2019 | 9 | $652,449 | -10% | 1,495 | $436 | $2,200,537 | 3 | |
| May 13, 2019 | 8 | $201,017 | -69% | 1,495 | $134 | $2,401,554 | 4 | |
| May 14, 2019 | 8 | $298,811 | +49% | 1,495 | $200 | $2,700,365 | 5 | |
| May 15, 2019 | 8 | $188,274 | -37% | 1,495 | $126 | $2,888,639 | 6 | |
| May 16, 2019 | 8 | $148,100 | -21% | 1,495 | $99 | $3,036,739 | 7 | |
| May 17, 2019 | 13 | $212,161 | +43% | -74% | 1,501 | $141 | $3,248,900 | 8 |
| May 18, 2019 | 15 | $307,936 | +45% | -57% | 1,501 | $205 | $3,556,836 | 9 |
| May 19, 2019 | 13 | $211,348 | -31% | -68% | 1,501 | $141 | $3,768,184 | 10 |
| May 20, 2019 | 11 | $112,108 | -47% | -44% | 1,501 | $75 | $3,880,292 | 11 |
| May 21, 2019 | 12 | $129,216 | +15% | -57% | 1,501 | $86 | $4,009,508 | 12 |
| May 22, 2019 | 12 | $102,597 | -21% | -46% | 1,501 | $68 | $4,112,105 | 13 |
| May 23, 2019 | 12 | $80,545 | -21% | -46% | 1,501 | $54 | $4,192,650 | 14 |
| May 24, 2019 | - | $37,214 | -54% | -82% | 189 | $197 | $4,229,864 | 15 |
| May 25, 2019 | - | $54,395 | +46% | -82% | 189 | $288 | $4,284,259 | 16 |
| May 26, 2019 | - | $47,958 | -12% | -77% | 189 | $254 | $4,332,217 | 17 |
| May 27, 2019 | - | $47,362 | -1% | -58% | 189 | $251 | $4,379,579 | 18 |
| May 28, 2019 | - | $23,372 | -51% | -82% | 189 | $124 | $4,402,951 | 19 |
| May 29, 2019 | - | $17,395 | -26% | -83% | 189 | $92 | $4,420,346 | 20 |
| May 30, 2019 | - | $13,433 | -23% | -83% | 189 | $71 | $4,433,779 | 21 |
| May 31, 2019 | - | $12,547 | -7% | -66% | 94 | $133 | $4,446,326 | 22 |
| Jun 1, 2019 | - | $18,148 | +45% | -67% | 94 | $193 | $4,464,474 | 23 |
| Jun 2, 2019 | - | $12,485 | -31% | -74% | 94 | $133 | $4,476,959 | 24 |
| Jun 3, 2019 | - | $6,197 | -50% | -87% | 94 | $66 | $4,483,156 | 25 |
| Jun 4, 2019 | - | $8,671 | +40% | -63% | 94 | $92 | $4,491,827 | 26 |
| Jun 5, 2019 | - | $8,066 | -7% | -54% | 94 | $86 | $4,499,893 | 27 |
| Jun 6, 2019 | - | $7,477 | -7% | -44% | 94 | $80 | $4,507,370 | 28 |
| Jun 7, 2019 | - | $4,670 | -38% | -63% | 42 | $111 | $4,512,040 | 29 |
| Jun 8, 2019 | - | $6,966 | +49% | -62% | 42 | $166 | $4,519,006 | 30 |
| Jun 9, 2019 | - | $4,956 | -29% | -60% | 42 | $118 | $4,523,962 | 31 |
| Jun 10, 2019 | - | $2,383 | -52% | -62% | 42 | $57 | $4,526,345 | 32 |
| Jun 11, 2019 | - | $2,911 | +22% | -66% | 42 | $69 | $4,529,256 | 33 |
| Jun 12, 2019 | - | $2,921 | n/c | -64% | 42 | $70 | $4,532,177 | 34 |
| Jun 13, 2019 | - | $2,977 | +2% | -60% | 42 | $71 | $4,535,154 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 9 | $3,036,739 | 1,495 | $2,031 | $3,036,739 | 1 | |
| May 17, 2019 | 13 | $1,155,911 | -62% | 1,501 | $770 | $4,192,650 | 2 |
| May 24, 2019 | 24 | $241,129 | -79% | 189 | $1,276 | $4,433,779 | 3 |
| May 31, 2019 | 34 | $73,591 | -69% | 94 | $783 | $4,507,370 | 4 |
| Jun 7, 2019 | - | $27,784 | -62% | 42 | $662 | $4,535,154 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/17/2019 | $16,452 | 46 | 46 | 46 | $21,205 | 6/2/2019 | |||
| Australia | 6/14/2019 | $131,598 | 140 | 140 | 346 | $436,738 | 9/10/2019 | |||
| Bulgaria | 6/21/2019 | $5,493 | 0 | 0 | 0 | $24,645 | 8/16/2019 | |||
| France | 6/21/2019 | $302,896 | 168 | 168 | 577 | $947,033 | 7/21/2019 | |||
| Italy | 9/12/2019 | $38,893 | 0 | 17 | 17 | $61,357 | 9/30/2019 | |||
| Netherlands | 6/7/2019 | $96,049 | 74 | 75 | 265 | $283,104 | 10/19/2022 | |||
| New Zealand | 6/6/2019 | $0 | 0 | 1 | 3 | $143,582 | 9/5/2019 | |||
| Spain | 6/14/2019 | $70,399 | 70 | 72 | 180 | $187,532 | 7/5/2019 | |||
| Turkey | 7/5/2019 | $24,998 | 148 | 148 | 199 | $65,149 | 10/19/2022 | |||
| United Kingdom | 5/3/2019 | $728,991 | 512 | 512 | 1,544 | $2,263,728 | 4/4/2026 | |||
| International Total | $4,434,073 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Hoult | J.R.R. Tolkien | |
| Lily Collins | Edith Bratt |
Supporting
| Colm Meaney | Father Francis | |
| Derek Jacobi | Professor Wright | |
| Al Bollands | First Soldier | |
| Kallum Tolkien | Second Soldier | |
| Craig Roberts | Private Sam Hodges | |
| Harry Gilby | Young J.R.R. Tolkien | |
| Laura Donnelly | Mabel Tolkien | |
| Guillermo Bedward | Hilary Tolkien (Young) | |
| Nia Gwynne | Bronwen | |
| Pam Ferris | Mrs. Faulkner | |
| Adrian Schiller | English Master | |
| Albie Marber | Robert Gilson (Young) | |
| Ty Tennant | Christopher Wiseman (Young) | |
| Adam Bregman | Geoffrey Smith (Young) | |
| Toby Nash | Mackintosh | |
| Michael Bryceson | Goodson-Thomas | |
| Andrew Bissell | Rugby Coach | |
| Owen Teale | Headmaster Gilson | |
| Mimi Keene | Edith Bratt (Young) | |
| Sian Crisp | Waitress | |
| Patrick Gibson | Robert Gibson | |
| Anthony Boyle | Geoffrey Smith | |
| Tom Glynn-Carney* | Christopher Wiseman | |
| Antony Raymond Barlow | Maître d’ | |
| James MacCallum | Hilary Tolkien | |
| David Puckridge | Box Office Man | |
| David Bromley | Schoolmaster | |
| Lara Maguire | Rose | |
| Holly Dempster | Beryl | |
| Jane Dixon-Rowland | Mary | |
| Genevieve O'Reilly | Mrs. Smith | |
| David Birkbeck | Porter | |
| Colin MacDonald | Professor #1 | |
| Andy Orchard | Professor #2 | |
| Frank Kerr | Drunken Student | |
| Rob Rhys Bond | Photographer | |
| Joel Phillimore | Lieutenant | |
| John Bradfield | Student | |
| Mia Woods | Priscilla Tolkien (Child) | |
| Sienna Woods | Priscilla Tolkien (Child) | |
| Paul Gurcel Escudero | Michael Tolkien (Child) | |
| Harry Webster | John Tolkien Jr. (Child) | |
| Jack Riley | Christopher Tolkien (Child) |
Production and Technical Credits
| Dome Karukoski | Director | |
| David Gleeson | Screenwriter | |
| Stephen Beresford | Screenwriter | |
| Peter Chernin | Producer | |
| Jenno Topping | Producer | |
| David Ready | Producer | |
| Kris Thykier | Producer | |
| Dan Finlay | Co-Producer | |
| Sarada McDermott | Co-Producer | |
| Lasse Frank | Director of Photography | |
| Grant Montgomery | Production Designer | |
| Harri Ylonen | Editor | |
| Colleen Kelsall | Costume Designer | |
| Thomas Newman | Composer | |
| Kate Ringsell | Casting Director | |
| Sarah Bridge | Music Supervisor | |
| Sarah Franzl | Stunt Coordinator | |
| Nancy Bray | Unit Production Manager | |
| Antti Lahtinen | First Assistant Director | |
| Stuart Renfrew | First Assistant Director | |
| Gemma Nunn | Second Assistant Director | |
| Pilar Foy | Supervising Art Director | |
| San Davey | Script Supervisor | |
| Rupert Davies | Visual Effects Supervisor | |
| Danny Sheehan | Supervising Sound Editor | |
| Matthew Collinge | Supervising Sound Editor | |
| Paul Cotterell | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Louise Seymour | Post-Production Supervisor | |
| Chris Gill | Additional Editor | |
| Paul Cowell | Art Director | |
| Martin Beresford | Sound Mixer | |
| Chris Crookall | First Assistant Editor | |
| Anna Morena | Make-up and Hair Designer | |
| Mandy Sharpe | Location Manager | |
| Danny Hargreaves | Special Effects Supervisor | |
| Rachael Penfold | Visual Effects Executive Producer | |
| Standish Millennas | Visual Effects Producer | |
| Rob Prynne | Sound Designer | |
| Martin Cantwell | Sound Designer | |
| Paul Carter | Sound Designer | |
| Rob Prynne | Sound Effects Editor | |
| Martin Cantwell | Sound Effects Editor | |
| Paul Carter | Sound Effects Editor | |
| Matt Davies | Dialogue Editor | |
| Oskar Von Unge | Foley Editor | |
| Adam Bourne | Foley Editor | |
| Keith Partridge | Foley Mixer | |
| Glen Gathard | Foley Mixer | |
| Maria Reinup | Second Unit Director | |
| Bill Bernstein | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An exploration of the formative years of the renowned author’s life as he finds friendship, courage and inspiration among a fellow group of writers and artists at school. Their brotherhood strengthens as they grow up and weather love and loss together, including Tolkien’s tumultuous courtship of his beloved Edith Bratt, until the outbreak of the First World War which threatens to tear their fellowship apart. All of these experiences would later inspire Tolkien to write his famous Middle-earth novels.
Metrics
| Opening Weekend: | $2,200,537 (48.5% of total gross) |
| Legs: | 2.06 (domestic box office/biggest weekend) |
| Domestic Share: | 50.6% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 1,495 opening theaters/1,501 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,921,444 |
Movie Details
| Domestic Releases: | May 10th, 2019 (Wide) by Fox Searchlight |
| International Releases: | May 3rd, 2019 (Wide) (United Kingdom)
May 17th, 2019 (Wide) (Argentina) June 6th, 2019 (Wide) (New Zealand) June 7th, 2019 (Wide) (Netherlands) June 14th, 2019 (Wide) (Australia) ... Show all releases |
| Video Release: | July 23rd, 2019 by Fox Home Entertainment |
| MPA Rating: | PG-13 for some sequences of war violence. (Rating bulletin 2547 (Cert #51771), 10/3/2018) |
| Running Time: | 111 minutes |
| Plot point: | Biography, Bullies, Coming of Age, First Love, Non-Chronological, Returning Soldiers, Romance, Writing and Writers, Young Child Dealing with the Death of a Parent |
| Social setting: | World War I |
| Subgenre: | Biographical Drama |
| Time period setting: | 1910s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Fox Searchlight Pictures, Chernin Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 9 | $2,200,537 | 1,495 | $1,472 | $2,200,537 | 1 | |
| May 17, 2019 | 14 | $731,445 | -67% | 1,501 | $487 | $3,768,184 | 2 |
| May 24, 2019 | 24 | $139,567 | -81% | 189 | $738 | $4,332,217 | 3 |
| May 31, 2019 | 36 | $43,180 | -69% | 94 | $459 | $4,476,959 | 4 |
| Jun 7, 2019 | 43 | $16,592 | -62% | 42 | $395 | $4,523,962 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 10, 2019 | 8 | $827,108 | 1,495 | $553 | $827,108 | 1 | ||
| May 11, 2019 | 11 | $720,980 | -13% | 1,495 | $482 | $1,548,088 | 2 | |
| May 12, 2019 | 9 | $652,449 | -10% | 1,495 | $436 | $2,200,537 | 3 | |
| May 13, 2019 | 8 | $201,017 | -69% | 1,495 | $134 | $2,401,554 | 4 | |
| May 14, 2019 | 8 | $298,811 | +49% | 1,495 | $200 | $2,700,365 | 5 | |
| May 15, 2019 | 8 | $188,274 | -37% | 1,495 | $126 | $2,888,639 | 6 | |
| May 16, 2019 | 8 | $148,100 | -21% | 1,495 | $99 | $3,036,739 | 7 | |
| May 17, 2019 | 13 | $212,161 | +43% | -74% | 1,501 | $141 | $3,248,900 | 8 |
| May 18, 2019 | 15 | $307,936 | +45% | -57% | 1,501 | $205 | $3,556,836 | 9 |
| May 19, 2019 | 13 | $211,348 | -31% | -68% | 1,501 | $141 | $3,768,184 | 10 |
| May 20, 2019 | 11 | $112,108 | -47% | -44% | 1,501 | $75 | $3,880,292 | 11 |
| May 21, 2019 | 12 | $129,216 | +15% | -57% | 1,501 | $86 | $4,009,508 | 12 |
| May 22, 2019 | 12 | $102,597 | -21% | -46% | 1,501 | $68 | $4,112,105 | 13 |
| May 23, 2019 | 12 | $80,545 | -21% | -46% | 1,501 | $54 | $4,192,650 | 14 |
| May 24, 2019 | - | $37,214 | -54% | -82% | 189 | $197 | $4,229,864 | 15 |
| May 25, 2019 | - | $54,395 | +46% | -82% | 189 | $288 | $4,284,259 | 16 |
| May 26, 2019 | - | $47,958 | -12% | -77% | 189 | $254 | $4,332,217 | 17 |
| May 27, 2019 | - | $47,362 | -1% | -58% | 189 | $251 | $4,379,579 | 18 |
| May 28, 2019 | - | $23,372 | -51% | -82% | 189 | $124 | $4,402,951 | 19 |
| May 29, 2019 | - | $17,395 | -26% | -83% | 189 | $92 | $4,420,346 | 20 |
| May 30, 2019 | - | $13,433 | -23% | -83% | 189 | $71 | $4,433,779 | 21 |
| May 31, 2019 | - | $12,547 | -7% | -66% | 94 | $133 | $4,446,326 | 22 |
| Jun 1, 2019 | - | $18,148 | +45% | -67% | 94 | $193 | $4,464,474 | 23 |
| Jun 2, 2019 | - | $12,485 | -31% | -74% | 94 | $133 | $4,476,959 | 24 |
| Jun 3, 2019 | - | $6,197 | -50% | -87% | 94 | $66 | $4,483,156 | 25 |
| Jun 4, 2019 | - | $8,671 | +40% | -63% | 94 | $92 | $4,491,827 | 26 |
| Jun 5, 2019 | - | $8,066 | -7% | -54% | 94 | $86 | $4,499,893 | 27 |
| Jun 6, 2019 | - | $7,477 | -7% | -44% | 94 | $80 | $4,507,370 | 28 |
| Jun 7, 2019 | - | $4,670 | -38% | -63% | 42 | $111 | $4,512,040 | 29 |
| Jun 8, 2019 | - | $6,966 | +49% | -62% | 42 | $166 | $4,519,006 | 30 |
| Jun 9, 2019 | - | $4,956 | -29% | -60% | 42 | $118 | $4,523,962 | 31 |
| Jun 10, 2019 | - | $2,383 | -52% | -62% | 42 | $57 | $4,526,345 | 32 |
| Jun 11, 2019 | - | $2,911 | +22% | -66% | 42 | $69 | $4,529,256 | 33 |
| Jun 12, 2019 | - | $2,921 | n/c | -64% | 42 | $70 | $4,532,177 | 34 |
| Jun 13, 2019 | - | $2,977 | +2% | -60% | 42 | $71 | $4,535,154 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 9 | $3,036,739 | 1,495 | $2,031 | $3,036,739 | 1 | |
| May 17, 2019 | 13 | $1,155,911 | -62% | 1,501 | $770 | $4,192,650 | 2 |
| May 24, 2019 | 24 | $241,129 | -79% | 189 | $1,276 | $4,433,779 | 3 |
| May 31, 2019 | 34 | $73,591 | -69% | 94 | $783 | $4,507,370 | 4 |
| Jun 7, 2019 | - | $27,784 | -62% | 42 | $662 | $4,535,154 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/17/2019 | $16,452 | 46 | 46 | 46 | $21,205 | 6/2/2019 | |||
| Australia | 6/14/2019 | $131,598 | 140 | 140 | 346 | $436,738 | 9/10/2019 | |||
| Bulgaria | 6/21/2019 | $5,493 | 0 | 0 | 0 | $24,645 | 8/16/2019 | |||
| France | 6/21/2019 | $302,896 | 168 | 168 | 577 | $947,033 | 7/21/2019 | |||
| Italy | 9/12/2019 | $38,893 | 0 | 17 | 17 | $61,357 | 9/30/2019 | |||
| Netherlands | 6/7/2019 | $96,049 | 74 | 75 | 265 | $283,104 | 10/19/2022 | |||
| New Zealand | 6/6/2019 | $0 | 0 | 1 | 3 | $143,582 | 9/5/2019 | |||
| Spain | 6/14/2019 | $70,399 | 70 | 72 | 180 | $187,532 | 7/5/2019 | |||
| Turkey | 7/5/2019 | $24,998 | 148 | 148 | 199 | $65,149 | 10/19/2022 | |||
| United Kingdom | 5/3/2019 | $728,991 | 512 | 512 | 1,544 | $2,263,728 | 4/4/2026 | |||
| International Total | $4,434,073 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Hoult | J.R.R. Tolkien | |
| Lily Collins | Edith Bratt |
Supporting
| Colm Meaney | Father Francis | |
| Derek Jacobi | Professor Wright | |
| Al Bollands | First Soldier | |
| Kallum Tolkien | Second Soldier | |
| Craig Roberts | Private Sam Hodges | |
| Harry Gilby | Young J.R.R. Tolkien | |
| Laura Donnelly | Mabel Tolkien | |
| Guillermo Bedward | Hilary Tolkien (Young) | |
| Nia Gwynne | Bronwen | |
| Pam Ferris | Mrs. Faulkner | |
| Adrian Schiller | English Master | |
| Albie Marber | Robert Gilson (Young) | |
| Ty Tennant | Christopher Wiseman (Young) | |
| Adam Bregman | Geoffrey Smith (Young) | |
| Toby Nash | Mackintosh | |
| Michael Bryceson | Goodson-Thomas | |
| Andrew Bissell | Rugby Coach | |
| Owen Teale | Headmaster Gilson | |
| Mimi Keene | Edith Bratt (Young) | |
| Sian Crisp | Waitress | |
| Patrick Gibson | Robert Gibson | |
| Anthony Boyle | Geoffrey Smith | |
| Tom Glynn-Carney* | Christopher Wiseman | |
| Antony Raymond Barlow | Maître d’ | |
| James MacCallum | Hilary Tolkien | |
| David Puckridge | Box Office Man | |
| David Bromley | Schoolmaster | |
| Lara Maguire | Rose | |
| Holly Dempster | Beryl | |
| Jane Dixon-Rowland | Mary | |
| Genevieve O'Reilly | Mrs. Smith | |
| David Birkbeck | Porter | |
| Colin MacDonald | Professor #1 | |
| Andy Orchard | Professor #2 | |
| Frank Kerr | Drunken Student | |
| Rob Rhys Bond | Photographer | |
| Joel Phillimore | Lieutenant | |
| John Bradfield | Student | |
| Mia Woods | Priscilla Tolkien (Child) | |
| Sienna Woods | Priscilla Tolkien (Child) | |
| Paul Gurcel Escudero | Michael Tolkien (Child) | |
| Harry Webster | John Tolkien Jr. (Child) | |
| Jack Riley | Christopher Tolkien (Child) |
Production and Technical Credits
| Dome Karukoski | Director | |
| David Gleeson | Screenwriter | |
| Stephen Beresford | Screenwriter | |
| Peter Chernin | Producer | |
| Jenno Topping | Producer | |
| David Ready | Producer | |
| Kris Thykier | Producer | |
| Dan Finlay | Co-Producer | |
| Sarada McDermott | Co-Producer | |
| Lasse Frank | Director of Photography | |
| Grant Montgomery | Production Designer | |
| Harri Ylonen | Editor | |
| Colleen Kelsall | Costume Designer | |
| Thomas Newman | Composer | |
| Kate Ringsell | Casting Director | |
| Sarah Bridge | Music Supervisor | |
| Sarah Franzl | Stunt Coordinator | |
| Nancy Bray | Unit Production Manager | |
| Antti Lahtinen | First Assistant Director | |
| Stuart Renfrew | First Assistant Director | |
| Gemma Nunn | Second Assistant Director | |
| Pilar Foy | Supervising Art Director | |
| San Davey | Script Supervisor | |
| Rupert Davies | Visual Effects Supervisor | |
| Danny Sheehan | Supervising Sound Editor | |
| Matthew Collinge | Supervising Sound Editor | |
| Paul Cotterell | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Louise Seymour | Post-Production Supervisor | |
| Chris Gill | Additional Editor | |
| Paul Cowell | Art Director | |
| Martin Beresford | Sound Mixer | |
| Chris Crookall | First Assistant Editor | |
| Anna Morena | Make-up and Hair Designer | |
| Mandy Sharpe | Location Manager | |
| Danny Hargreaves | Special Effects Supervisor | |
| Rachael Penfold | Visual Effects Executive Producer | |
| Standish Millennas | Visual Effects Producer | |
| Rob Prynne | Sound Designer | |
| Martin Cantwell | Sound Designer | |
| Paul Carter | Sound Designer | |
| Rob Prynne | Sound Effects Editor | |
| Martin Cantwell | Sound Effects Editor | |
| Paul Carter | Sound Effects Editor | |
| Matt Davies | Dialogue Editor | |
| Oskar Von Unge | Foley Editor | |
| Adam Bourne | Foley Editor | |
| Keith Partridge | Foley Mixer | |
| Glen Gathard | Foley Mixer | |
| Maria Reinup | Second Unit Director | |
| Bill Bernstein | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.