Tom and Jerry (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $46,536,687 | Details |
| International Box Office | $90,000,000 | Details |
| Worldwide Box Office | $136,536,687 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,921,154 | |
| Blu-ray Sales (estimated) | $4,392,531 | |
| Total | $10,313,685 | |
| OpusData ID: 400710100 More info... | ||
| Further financial details... | ||
Synopsis
One of the most beloved rivalries in history is reignited when Jerry moves into New York City’s finest hotel on the eve of “the wedding of the century,” forcing the event’s desperate planner to hire Tom to get rid of him. The ensuing cat and mouse battle threatens to destroy her career, the wedding and possibly the hotel itself. But soon, an even bigger problem arises: a diabolically ambitious staffer conspiring against all three of them.
Metrics
| Opening Weekend: | $14,112,629 (30.3% of total gross) |
| Legs: | 3.30 (domestic box office/biggest weekend) |
| Domestic Share: | 34.1% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 2.7 times production budget) |
| Theater counts: | 2,475 opening theaters/2,563 max. theaters, 11.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $54,727,513 |
Movie Details
| Domestic Releases: | February 26th, 2021 (Wide) by Warner Bros. |
| International Releases: | February 12th, 2021 (Wide) (Singapore)
February 12th, 2021 (Wide) (Taiwan) February 12th, 2021 (Wide) (United Arab Emirates) February 18th, 2021 (Wide), released as Tom y Jerry (Mexico) February 19th, 2021 (Wide) (Bulgaria) ... Show all releases |
| Video Release: | February 26th, 2021 by Max |
| MPA Rating: | PG for cartoon violence, rude humor and brief language. (Rating bulletin 2652 (cert #52941), 10/21/2020) |
| Running Time: | 100 minutes |
| Franchise: | Tom and Jerry |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Manhattan, New York, New York City |
| Subgenre: | Family Adventure |
| Target audience: | Family Movie |
| Source: | Based on Short Film |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Warner Bros. |
| Production Countries: | United States, United Kingdom, France, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 1 | $14,112,629 | 2,475 | $5,702 | $14,112,629 | 1 | |
| Mar 5, 2021 | 2 | $6,505,636 | -54% | 2,563 | $2,538 | $22,847,237 | 2 |
| Mar 12, 2021 | 2 | $4,137,208 | -36% | 2,454 | $1,686 | $28,211,724 | 3 |
| Mar 19, 2021 | 2 | $3,800,382 | -8% | 2,508 | $1,515 | $33,652,639 | 4 |
| Mar 26, 2021 | 3 | $2,701,855 | -29% | 2,464 | $1,097 | $37,258,426 | 5 |
| Apr 2, 2021 | 5 | $1,344,154 | -50% | 2,273 | $591 | $39,470,476 | 6 |
| Apr 9, 2021 | 6 | $1,209,355 | -10% | 2,080 | $581 | $41,221,831 | 7 |
| Apr 16, 2021 | 5 | $1,112,723 | -8% | 2,028 | $549 | $42,600,064 | 8 |
| Apr 23, 2021 | 7 | $720,522 | -35% | 1,930 | $373 | $43,542,625 | 9 |
| Apr 30, 2021 | 9 | $532,568 | -26% | 1,801 | $296 | $44,326,023 | 10 |
| May 7, 2021 | 10 | $440,317 | -17% | 1,831 | $240 | $44,766,340 | 11 |
| May 14, 2021 | 13 | $345,656 | -21% | 1,657 | $209 | $45,212,158 | 12 |
| May 21, 2021 | 12 | $346,883 | n/c | 1,623 | $214 | $45,638,157 | 13 |
| May 28, 2021 | 14 | $125,473 | -64% | 1,121 | $112 | $45,763,630 | 14 |
| Jun 4, 2021 | 13 | $90,247 | -28% | 1,121 | $81 | $46,000,271 | 15 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 1 | $4,000,000 | 2,475 | $1,616 | $4,000,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 1 | $16,341,601 | 2,475 | $6,603 | $16,341,601 | 1 | |
| Mar 5, 2021 | 2 | $7,732,915 | -53% | 2,563 | $3,017 | $24,074,516 | 2 |
| Mar 12, 2021 | 2 | $5,777,741 | -25% | 2,454 | $2,354 | $29,852,257 | 3 |
| Mar 19, 2021 | 2 | $4,704,314 | -19% | 2,508 | $1,876 | $34,556,571 | 4 |
| Mar 26, 2021 | 4 | $3,569,751 | -24% | 2,464 | $1,449 | $38,126,322 | 5 |
| Apr 2, 2021 | - | $1,886,154 | -47% | 2,273 | $830 | $40,012,476 | 6 |
| Apr 9, 2021 | - | $1,474,865 | -22% | 2,080 | $709 | $41,487,341 | 7 |
| Apr 16, 2021 | - | $1,334,762 | -9% | 2,080 | $642 | $42,822,103 | 8 |
| Apr 23, 2021 | 7 | $866,140 | -35% | 1,930 | $449 | $43,688,243 | 9 |
| Apr 30, 2021 | 9 | $637,780 | -26% | 1,209 | $528 | $44,326,023 | 10 |
| May 7, 2021 | 10 | $540,479 | -15% | 1,831 | $295 | $44,866,502 | 11 |
| May 14, 2021 | 14 | $424,772 | -21% | 1,657 | $256 | $45,291,274 | 12 |
| May 28, 2021 | 12 | $199,239 | 1,121 | $178 | $45,910,024 | 14 | |
| Jun 4, 2021 | 13 | $131,099 | -34% | 1,121 | $117 | $46,041,123 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/1/2021 | $830,786 | 353 | 367 | 2,714 | $7,697,833 | 10/20/2022 | |||
| Brazil | 2/19/2021 | $699,000 | 1,054 | 1,054 | 1,054 | $1,300,000 | 10/20/2022 | |||
| Bulgaria | 2/19/2021 | $0 | 0 | 0 | 0 | $52,000 | 10/19/2022 | |||
| China | 2/26/2021 | $12,340,000 | 93,360 | 93,360 | 115,787 | $16,200,000 | 10/20/2022 | |||
| Colombia | 2/19/2021 | $0 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 | |||
| Czech Republic | 6/11/2021 | $21,346 | 45 | 96 | 242 | $62,300 | 10/20/2022 | |||
| Egypt | 2/19/2021 | $0 | 0 | 0 | 0 | $53,000 | 10/19/2022 | |||
| France | 5/19/2021 | $1,422,239 | 502 | 621 | 3,655 | $4,800,000 | 10/20/2022 | |||
| Germany | 8/12/2021 | $816,000 | 485 | 485 | 485 | $4,461,827 | 9/24/2021 | |||
| Hong Kong | 3/12/2021 | $165,000 | 102 | 102 | 102 | $381,690 | 4/12/2021 | |||
| Iceland | 2/19/2021 | $0 | 0 | 0 | 0 | $76,000 | 10/19/2022 | |||
| India | 2/19/2021 | $324,000 | 999 | 999 | 999 | $1,100,000 | 10/19/2022 | |||
| Italy | 5/13/2021 | $21,031 | 0 | 5 | 5 | $41,235 | 10/20/2022 | |||
| Japan | 3/19/2021 | $1,800,000 | 354 | 354 | 1,399 | $7,200,000 | 10/20/2022 | |||
| Lithuania | 5/7/2021 | $21,349 | 14 | 14 | 68 | $60,690 | 12/22/2021 | |||
| Mexico | 2/18/2021 | $372,549 | 0 | 0 | 0 | $2,900,000 | 10/20/2022 | |||
| Netherlands | 6/11/2021 | $130,401 | 130 | 472 | 1,439 | $1,500,000 | 10/20/2022 | |||
| New Zealand | 4/15/2021 | $87,024 | 109 | 109 | 801 | $1,148,538 | 10/20/2022 | |||
| Portugal | 5/6/2021 | $63,092 | 85 | 88 | 453 | $277,674 | 10/19/2022 | |||
| Romania | 6/4/2021 | $168,651 | 80 | 81 | 320 | $321,112 | 10/20/2022 | |||
| Russia (CIS) | 2/26/2021 | $3,415,965 | 1,765 | 1,765 | 7,238 | $8,100,000 | 10/20/2022 | |||
| Saudi Arabia | 3/19/2021 | $738,000 | 35 | 35 | 66 | $2,800,000 | 10/20/2022 | |||
| Serbia and Montenegro | 2/19/2021 | $0 | 0 | 0 | 0 | $77,000 | 10/19/2022 | |||
| Singapore | 2/12/2021 | $487,000 | 49 | 49 | 49 | $1,200,000 | 10/20/2022 | |||
| Slovakia | 5/28/2021 | $0 | 0 | 47 | 148 | $91,236 | 7/13/2021 | |||
| South Korea | 2/26/2021 | $467,743 | 918 | 918 | 1,459 | $1,040,866 | 5/26/2021 | |||
| Spain | 3/26/2021 | $508,893 | 309 | 449 | 1,928 | $3,200,000 | 10/20/2022 | |||
| Taiwan | 2/12/2021 | $438,000 | 95 | 95 | 95 | $1,000,000 | 10/19/2022 | |||
| Ukraine | 2/26/2021 | $443,000 | 343 | 343 | 549 | $1,200,000 | 10/20/2022 | |||
| United Arab Emirates | 2/12/2021 | $421,000 | 96 | 96 | 241 | $2,400,000 | 5/3/2021 | |||
| United Kingdom | 5/21/2021 | $333,860 | 371 | 372 | 3,493 | $1,761,472 | 2/16/2022 | |||
| Vietnam | 2/19/2021 | $0 | 0 | 0 | 0 | $591,000 | 3/15/2021 | |||
| Rest of World | $15,504,527 | |||||||||
| International Total | $90,000,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Chloë Grace Moretz | Kayla | |
| Michael Peña | Terrance | |
| Colin Jost | Ben | |
| Rob Delaney | Mr. DuBros | |
| Ken Jeong | Jackie |
Supporting
| Jordan Bolger | Cameron | |
| Patsy Ferran | Dorothy | |
| Pallavi Sharda | Preeta | |
| Somi De Souza | Mrs. Mehta | |
| Ajay Chhabra | Mr. Mehta | |
| Patrick Poletti | Mr. Jacobson Sr. | |
| Janis Ahern | Mrs. Jacobson | |
| Camilla Arfwedson | Linda Perrybottom | |
| Joe Bone | Animal Control Officer | |
| Edward Judge | Leo the Sous Chef | |
| Brian Bovell | Annoyed Vendor | |
| David Nolan | Passing Father | |
| Jude Coward Nicoll | Passing Child | |
| Christina Chong | Lola | |
| Daniel Adegboyega | Gavin the Doorman | |
| Craig Stein | Job Hopper Supervisor | |
| Edward Dogliani | Elephant Trainer | |
| Josselyn Ospina Escobar | Carriage Riding Kid | |
| Ozuna | Assistant Hotel Staff | |
| Paolo Bonolis | Wedding Guest | |
| Haley Bishop | Person in Park | |
| Norma Butikofer | Commuter | |
| Marc Wesley Dehaney | Commuter | |
| Kerri McLean | News Reporter | |
| Sophie Holland | TV Announcer | |
| Joseph Begley | Workman | |
| Scott Coker | Limo Driver |
Cameo
| Joe Buck | Himself |
Supporting
| Bobby Cannavale | Spike | |
| Nicky Jam | Butch | |
| Joey Wells | Lightning | |
| Harry Ratchford | Topsy | |
| Spank Horton | Ash | |
| Na’im Lynn | Meathead | |
| Lil Rel Howery | Angel / Devil Tom | |
| Utkarsh Ambudkar | Real Estate Rat | |
| Tim Story | Pigeon Announcer | |
| Kaiji Tang | Additional Voice | |
| Andre Sogliuzzo | Additional Voice |
Production and Technical Credits
| Tim Story | Director | |
| Chris de Faria | Producer | |
| Kevin Costello | Screenwriter | |
| Tim Story | Executive Producer | |
| Adam Goodman | Executive Producer | |
| Steven Harding | Executive Producer | |
| Sam Register | Executive Producer | |
| Jesse Ehrman | Executive Producer | |
| Allison Abbate | Executive Producer | |
| Alan Stewart | Director of Photography | |
| Peter S. Elliot | Editor | |
| William Hanna | Character Creator | |
| Joseph Barbera | Character Creator | |
| Christopher Lennertz | Composer | |
| Kier Lehman | Music Supervisor | |
| James Hambridge | Production Designer | |
| Frazer Churchill | Visual Effects Supervisor | |
| Michael Eames | Animation Supervisor | |
| Alison McCosh | Costume Designer | |
| Lucinda Syson | Casting Director | |
| Steven Harding | Unit Production Manager | |
| Will Dodds | First Assistant Director | |
| Gayle Dickie | Key Second Assistant Director | |
| Rich Yeomans | Visual Effects Producer | |
| Phil Sims | Supervising Art Director | |
| Les Tomkins | Art Director | |
| David Allday | Art Director | |
| Peter Dorme | Art Director | |
| Gregory Fangeaux | Art Director | |
| Hazel Keane | Art Director | |
| John Hayes | Sound Mixer | |
| Rowena Ladbury | Script Supervisor | |
| Ann Lynch | Post-Production Supervisor | |
| Siobhan Boyes | Post-Production Supervisor | |
| Tom Davis | First Assistant Editor | |
| Rob Stevenhagen | Head of Story | |
| Dean Roberts | Story Artist | |
| Carlos Lutterbach | Story Artist | |
| Neil Boyle | Story Artist | |
| Sean McCormack | Supervising Sound Editor | |
| Julian Slater | Supervising Sound Editor | |
| Julian Slater | Re-recording Mixer | |
| Chris Burdon | Re-recording Mixer | |
| Dan Morgan | Supervising Dialogue/ADR Editor | |
| Jeremy Price | Sound Designer | |
| Rowan Watson | Sound Designer | |
| Paul Pirola | Sound Effects Editor | |
| Hayden Collow | Sound Effects Editor | |
| Alex Sawyer | Dialogue/ADR Editor | |
| Anna Lau | Costume Supervisor | |
| Rose Crocker | Make up | |
| Francesco Alberico | Hairstylist | |
| Freya Harkon-MacGregor | Set Decorator | |
| Jessica MacNaughton | Set Decorator | |
| Paul Howard | Supervising Location Manager | |
| Lex Wade | Location Manager | |
| Richard Van Den Bergh | Special Effects Supervisor | |
| Flora Warrington | Special Effects Coordinator | |
| Glen Gathard | Foley Mixer | |
| Jemma Riley-Tolch | Foley Mixer | |
| Adam Oakley | Foley Editor | |
| Dan DiPrima | Music Editor | |
| Peter Clarke | Music Editor | |
| Michael Connell | Music Editor | |
| Dara Taylor | Score Producer | |
| Dara Taylor | Additional Music | |
| Dan DiPrima | Additional Music | |
| DJ Nu-Mark | Additional Music | |
| Steve McLaughlin | Score Recordist | |
| John Barrett | Score Recordist | |
| Casey Stone | Score Recordist | |
| Casey Stone | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
One of the most beloved rivalries in history is reignited when Jerry moves into New York City’s finest hotel on the eve of “the wedding of the century,” forcing the event’s desperate planner to hire Tom to get rid of him. The ensuing cat and mouse battle threatens to destroy her career, the wedding and possibly the hotel itself. But soon, an even bigger problem arises: a diabolically ambitious staffer conspiring against all three of them.
Metrics
| Opening Weekend: | $14,112,629 (30.3% of total gross) |
| Legs: | 3.30 (domestic box office/biggest weekend) |
| Domestic Share: | 34.1% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 2.7 times production budget) |
| Theater counts: | 2,475 opening theaters/2,563 max. theaters, 11.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $54,727,513 |
Movie Details
| Domestic Releases: | February 26th, 2021 (Wide) by Warner Bros. |
| International Releases: | February 12th, 2021 (Wide) (Singapore)
February 12th, 2021 (Wide) (Taiwan) February 12th, 2021 (Wide) (United Arab Emirates) February 18th, 2021 (Wide), released as Tom y Jerry (Mexico) February 19th, 2021 (Wide) (Bulgaria) ... Show all releases |
| Video Release: | February 26th, 2021 by Max |
| MPA Rating: | PG for cartoon violence, rude humor and brief language. (Rating bulletin 2652 (cert #52941), 10/21/2020) |
| Running Time: | 100 minutes |
| Franchise: | Tom and Jerry |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Manhattan, New York, New York City |
| Subgenre: | Family Adventure |
| Target audience: | Family Movie |
| Source: | Based on Short Film |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Warner Bros. |
| Production Countries: | United States, United Kingdom, France, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 1 | $14,112,629 | 2,475 | $5,702 | $14,112,629 | 1 | |
| Mar 5, 2021 | 2 | $6,505,636 | -54% | 2,563 | $2,538 | $22,847,237 | 2 |
| Mar 12, 2021 | 2 | $4,137,208 | -36% | 2,454 | $1,686 | $28,211,724 | 3 |
| Mar 19, 2021 | 2 | $3,800,382 | -8% | 2,508 | $1,515 | $33,652,639 | 4 |
| Mar 26, 2021 | 3 | $2,701,855 | -29% | 2,464 | $1,097 | $37,258,426 | 5 |
| Apr 2, 2021 | 5 | $1,344,154 | -50% | 2,273 | $591 | $39,470,476 | 6 |
| Apr 9, 2021 | 6 | $1,209,355 | -10% | 2,080 | $581 | $41,221,831 | 7 |
| Apr 16, 2021 | 5 | $1,112,723 | -8% | 2,028 | $549 | $42,600,064 | 8 |
| Apr 23, 2021 | 7 | $720,522 | -35% | 1,930 | $373 | $43,542,625 | 9 |
| Apr 30, 2021 | 9 | $532,568 | -26% | 1,801 | $296 | $44,326,023 | 10 |
| May 7, 2021 | 10 | $440,317 | -17% | 1,831 | $240 | $44,766,340 | 11 |
| May 14, 2021 | 13 | $345,656 | -21% | 1,657 | $209 | $45,212,158 | 12 |
| May 21, 2021 | 12 | $346,883 | n/c | 1,623 | $214 | $45,638,157 | 13 |
| May 28, 2021 | 14 | $125,473 | -64% | 1,121 | $112 | $45,763,630 | 14 |
| Jun 4, 2021 | 13 | $90,247 | -28% | 1,121 | $81 | $46,000,271 | 15 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 1 | $4,000,000 | 2,475 | $1,616 | $4,000,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 1 | $16,341,601 | 2,475 | $6,603 | $16,341,601 | 1 | |
| Mar 5, 2021 | 2 | $7,732,915 | -53% | 2,563 | $3,017 | $24,074,516 | 2 |
| Mar 12, 2021 | 2 | $5,777,741 | -25% | 2,454 | $2,354 | $29,852,257 | 3 |
| Mar 19, 2021 | 2 | $4,704,314 | -19% | 2,508 | $1,876 | $34,556,571 | 4 |
| Mar 26, 2021 | 4 | $3,569,751 | -24% | 2,464 | $1,449 | $38,126,322 | 5 |
| Apr 2, 2021 | - | $1,886,154 | -47% | 2,273 | $830 | $40,012,476 | 6 |
| Apr 9, 2021 | - | $1,474,865 | -22% | 2,080 | $709 | $41,487,341 | 7 |
| Apr 16, 2021 | - | $1,334,762 | -9% | 2,080 | $642 | $42,822,103 | 8 |
| Apr 23, 2021 | 7 | $866,140 | -35% | 1,930 | $449 | $43,688,243 | 9 |
| Apr 30, 2021 | 9 | $637,780 | -26% | 1,209 | $528 | $44,326,023 | 10 |
| May 7, 2021 | 10 | $540,479 | -15% | 1,831 | $295 | $44,866,502 | 11 |
| May 14, 2021 | 14 | $424,772 | -21% | 1,657 | $256 | $45,291,274 | 12 |
| May 28, 2021 | 12 | $199,239 | 1,121 | $178 | $45,910,024 | 14 | |
| Jun 4, 2021 | 13 | $131,099 | -34% | 1,121 | $117 | $46,041,123 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/1/2021 | $830,786 | 353 | 367 | 2,714 | $7,697,833 | 10/20/2022 | |||
| Brazil | 2/19/2021 | $699,000 | 1,054 | 1,054 | 1,054 | $1,300,000 | 10/20/2022 | |||
| Bulgaria | 2/19/2021 | $0 | 0 | 0 | 0 | $52,000 | 10/19/2022 | |||
| China | 2/26/2021 | $12,340,000 | 93,360 | 93,360 | 115,787 | $16,200,000 | 10/20/2022 | |||
| Colombia | 2/19/2021 | $0 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 | |||
| Czech Republic | 6/11/2021 | $21,346 | 45 | 96 | 242 | $62,300 | 10/20/2022 | |||
| Egypt | 2/19/2021 | $0 | 0 | 0 | 0 | $53,000 | 10/19/2022 | |||
| France | 5/19/2021 | $1,422,239 | 502 | 621 | 3,655 | $4,800,000 | 10/20/2022 | |||
| Germany | 8/12/2021 | $816,000 | 485 | 485 | 485 | $4,461,827 | 9/24/2021 | |||
| Hong Kong | 3/12/2021 | $165,000 | 102 | 102 | 102 | $381,690 | 4/12/2021 | |||
| Iceland | 2/19/2021 | $0 | 0 | 0 | 0 | $76,000 | 10/19/2022 | |||
| India | 2/19/2021 | $324,000 | 999 | 999 | 999 | $1,100,000 | 10/19/2022 | |||
| Italy | 5/13/2021 | $21,031 | 0 | 5 | 5 | $41,235 | 10/20/2022 | |||
| Japan | 3/19/2021 | $1,800,000 | 354 | 354 | 1,399 | $7,200,000 | 10/20/2022 | |||
| Lithuania | 5/7/2021 | $21,349 | 14 | 14 | 68 | $60,690 | 12/22/2021 | |||
| Mexico | 2/18/2021 | $372,549 | 0 | 0 | 0 | $2,900,000 | 10/20/2022 | |||
| Netherlands | 6/11/2021 | $130,401 | 130 | 472 | 1,439 | $1,500,000 | 10/20/2022 | |||
| New Zealand | 4/15/2021 | $87,024 | 109 | 109 | 801 | $1,148,538 | 10/20/2022 | |||
| Portugal | 5/6/2021 | $63,092 | 85 | 88 | 453 | $277,674 | 10/19/2022 | |||
| Romania | 6/4/2021 | $168,651 | 80 | 81 | 320 | $321,112 | 10/20/2022 | |||
| Russia (CIS) | 2/26/2021 | $3,415,965 | 1,765 | 1,765 | 7,238 | $8,100,000 | 10/20/2022 | |||
| Saudi Arabia | 3/19/2021 | $738,000 | 35 | 35 | 66 | $2,800,000 | 10/20/2022 | |||
| Serbia and Montenegro | 2/19/2021 | $0 | 0 | 0 | 0 | $77,000 | 10/19/2022 | |||
| Singapore | 2/12/2021 | $487,000 | 49 | 49 | 49 | $1,200,000 | 10/20/2022 | |||
| Slovakia | 5/28/2021 | $0 | 0 | 47 | 148 | $91,236 | 7/13/2021 | |||
| South Korea | 2/26/2021 | $467,743 | 918 | 918 | 1,459 | $1,040,866 | 5/26/2021 | |||
| Spain | 3/26/2021 | $508,893 | 309 | 449 | 1,928 | $3,200,000 | 10/20/2022 | |||
| Taiwan | 2/12/2021 | $438,000 | 95 | 95 | 95 | $1,000,000 | 10/19/2022 | |||
| Ukraine | 2/26/2021 | $443,000 | 343 | 343 | 549 | $1,200,000 | 10/20/2022 | |||
| United Arab Emirates | 2/12/2021 | $421,000 | 96 | 96 | 241 | $2,400,000 | 5/3/2021 | |||
| United Kingdom | 5/21/2021 | $333,860 | 371 | 372 | 3,493 | $1,761,472 | 2/16/2022 | |||
| Vietnam | 2/19/2021 | $0 | 0 | 0 | 0 | $591,000 | 3/15/2021 | |||
| Rest of World | $15,504,527 | |||||||||
| International Total | $90,000,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Chloë Grace Moretz | Kayla | |
| Michael Peña | Terrance | |
| Colin Jost | Ben | |
| Rob Delaney | Mr. DuBros | |
| Ken Jeong | Jackie |
Supporting
| Jordan Bolger | Cameron | |
| Patsy Ferran | Dorothy | |
| Pallavi Sharda | Preeta | |
| Somi De Souza | Mrs. Mehta | |
| Ajay Chhabra | Mr. Mehta | |
| Patrick Poletti | Mr. Jacobson Sr. | |
| Janis Ahern | Mrs. Jacobson | |
| Camilla Arfwedson | Linda Perrybottom | |
| Joe Bone | Animal Control Officer | |
| Edward Judge | Leo the Sous Chef | |
| Brian Bovell | Annoyed Vendor | |
| David Nolan | Passing Father | |
| Jude Coward Nicoll | Passing Child | |
| Christina Chong | Lola | |
| Daniel Adegboyega | Gavin the Doorman | |
| Craig Stein | Job Hopper Supervisor | |
| Edward Dogliani | Elephant Trainer | |
| Josselyn Ospina Escobar | Carriage Riding Kid | |
| Ozuna | Assistant Hotel Staff | |
| Paolo Bonolis | Wedding Guest | |
| Haley Bishop | Person in Park | |
| Norma Butikofer | Commuter | |
| Marc Wesley Dehaney | Commuter | |
| Kerri McLean | News Reporter | |
| Sophie Holland | TV Announcer | |
| Joseph Begley | Workman | |
| Scott Coker | Limo Driver |
Cameo
| Joe Buck | Himself |
Supporting
| Bobby Cannavale | Spike | |
| Nicky Jam | Butch | |
| Joey Wells | Lightning | |
| Harry Ratchford | Topsy | |
| Spank Horton | Ash | |
| Na’im Lynn | Meathead | |
| Lil Rel Howery | Angel / Devil Tom | |
| Utkarsh Ambudkar | Real Estate Rat | |
| Tim Story | Pigeon Announcer | |
| Kaiji Tang | Additional Voice | |
| Andre Sogliuzzo | Additional Voice |
Production and Technical Credits
| Tim Story | Director | |
| Chris de Faria | Producer | |
| Kevin Costello | Screenwriter | |
| Tim Story | Executive Producer | |
| Adam Goodman | Executive Producer | |
| Steven Harding | Executive Producer | |
| Sam Register | Executive Producer | |
| Jesse Ehrman | Executive Producer | |
| Allison Abbate | Executive Producer | |
| Alan Stewart | Director of Photography | |
| Peter S. Elliot | Editor | |
| William Hanna | Character Creator | |
| Joseph Barbera | Character Creator | |
| Christopher Lennertz | Composer | |
| Kier Lehman | Music Supervisor | |
| James Hambridge | Production Designer | |
| Frazer Churchill | Visual Effects Supervisor | |
| Michael Eames | Animation Supervisor | |
| Alison McCosh | Costume Designer | |
| Lucinda Syson | Casting Director | |
| Steven Harding | Unit Production Manager | |
| Will Dodds | First Assistant Director | |
| Gayle Dickie | Key Second Assistant Director | |
| Rich Yeomans | Visual Effects Producer | |
| Phil Sims | Supervising Art Director | |
| Les Tomkins | Art Director | |
| David Allday | Art Director | |
| Peter Dorme | Art Director | |
| Gregory Fangeaux | Art Director | |
| Hazel Keane | Art Director | |
| John Hayes | Sound Mixer | |
| Rowena Ladbury | Script Supervisor | |
| Ann Lynch | Post-Production Supervisor | |
| Siobhan Boyes | Post-Production Supervisor | |
| Tom Davis | First Assistant Editor | |
| Rob Stevenhagen | Head of Story | |
| Dean Roberts | Story Artist | |
| Carlos Lutterbach | Story Artist | |
| Neil Boyle | Story Artist | |
| Sean McCormack | Supervising Sound Editor | |
| Julian Slater | Supervising Sound Editor | |
| Julian Slater | Re-recording Mixer | |
| Chris Burdon | Re-recording Mixer | |
| Dan Morgan | Supervising Dialogue/ADR Editor | |
| Jeremy Price | Sound Designer | |
| Rowan Watson | Sound Designer | |
| Paul Pirola | Sound Effects Editor | |
| Hayden Collow | Sound Effects Editor | |
| Alex Sawyer | Dialogue/ADR Editor | |
| Anna Lau | Costume Supervisor | |
| Rose Crocker | Make up | |
| Francesco Alberico | Hairstylist | |
| Freya Harkon-MacGregor | Set Decorator | |
| Jessica MacNaughton | Set Decorator | |
| Paul Howard | Supervising Location Manager | |
| Lex Wade | Location Manager | |
| Richard Van Den Bergh | Special Effects Supervisor | |
| Flora Warrington | Special Effects Coordinator | |
| Glen Gathard | Foley Mixer | |
| Jemma Riley-Tolch | Foley Mixer | |
| Adam Oakley | Foley Editor | |
| Dan DiPrima | Music Editor | |
| Peter Clarke | Music Editor | |
| Michael Connell | Music Editor | |
| Dara Taylor | Score Producer | |
| Dara Taylor | Additional Music | |
| Dan DiPrima | Additional Music | |
| DJ Nu-Mark | Additional Music | |
| Steve McLaughlin | Score Recordist | |
| John Barrett | Score Recordist | |
| Casey Stone | Score Recordist | |
| Casey Stone | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.