Tombstone (1993)
| Theatrical Performance | ||
| Domestic Box Office | $56,505,065 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $29,239,207 | |
| Blu-ray Sales (estimated) | $8,790,216 | |
| Total | $38,029,423 | |
| OpusData ID: 9450100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 6.48 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 2.3 times production budget) |
| Infl. Adj. Dom. BO | $155,337,059 |
Movie Details
| Domestic Releases: | December 25th, 1993 (Wide) by Walt Disney |
| Video Release: | November 11th, 1994 by Walt Disney Home Entertainment |
| MPA Rating: | R for violence. (director's cut) |
| Running Time: | 130 minutes |
| Cast, crew, or production detail: | Non-Drama Biographies |
| Geographical setting: | Arizona |
| Plot point: | Biography, Outlaws |
| Subgenre: | Revisionist Western |
| Time period setting: | 1880s |
| Source: | Based on Real Life Events |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 31, 1993 | 3 | $8,720,255 | 1,955 | $4,460 | $23,155,418 | 2 | |
| Jan 7, 1994 | 4 | $6,361,187 | -27% | 1,955 | $3,254 | $32,719,116 | 3 |
| Jan 14, 1994 | 7 | $4,629,621 | -27% | 1,849 | $2,504 | $39,541,834 | 4 |
| Jan 21, 1994 | 8 | $3,330,647 | -28% | 1,817 | $1,833 | $43,858,928 | 5 |
| Jan 28, 1994 | 10 | $2,381,638 | -28% | 1,709 | $1,394 | $47,344,279 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 31, 1993 | 3 | $11,922,766 | 1,955 | $6,099 | $26,357,929 | 2 | |
| Jan 7, 1994 | 3 | $8,554,284 | -28% | 1,955 | $4,376 | $34,912,213 | 3 |
| Jan 14, 1994 | 7 | $5,616,068 | -34% | 1,849 | $3,037 | $40,528,281 | 4 |
| Jan 21, 1994 | 8 | $4,434,360 | -21% | 1,817 | $2,440 | $44,962,641 | 5 |
Supporting
| Val Kilmer | Doc Holliday | |
| Bill Paxton | Morgan Earp |
Cameo
| Jason Priestley | Billy Breckinridge | |
| Michael Rooker | Sherman McMasters |
Supporting
| Michael Biehn | Johnny Ringo |
Cameo
| Billy Zane | Mr. Fabian |
Supporting
| Sam Elliott | Virgil Earp |
Cameo
| Billy Bob Thornton | Johnny Tyler, Faro Dealer |
Leading
| Kurt Russell | Wyatt Earp |
Cameo
| Charlton Heston | Henry Hooker | |
| Thomas Haden Church | Billy Clanton |
| Robert Mitchum | Narrator |
Cameo
| Harry Carey, Jr. | Tombstone Marshal Fred White | |
| John Corbett | Barnes |
Supporting
| Powers Boothe | Curly Bill Brocious |
Cameo
| Stephen Lang | Ike Clanton | |
| Dana Delany | Josephine Marcus | |
| Joanna Pacula | Kate | |
| Frank Stallone | Ed Bailey |
| Terry O'Quinn | Mayor John Clum |
Production and Technical Credits
| George P. Cosmatos | Director | |
| Bruce Broughton | Composer | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 6.48 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 2.3 times production budget) |
| Infl. Adj. Dom. BO | $155,337,059 |
Movie Details
| Domestic Releases: | December 25th, 1993 (Wide) by Walt Disney |
| Video Release: | November 11th, 1994 by Walt Disney Home Entertainment |
| MPA Rating: | R for violence. (director's cut) |
| Running Time: | 130 minutes |
| Cast, crew, or production detail: | Non-Drama Biographies |
| Geographical setting: | Arizona |
| Plot point: | Biography, Outlaws |
| Subgenre: | Revisionist Western |
| Time period setting: | 1880s |
| Source: | Based on Real Life Events |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 31, 1993 | 3 | $8,720,255 | 1,955 | $4,460 | $23,155,418 | 2 | |
| Jan 7, 1994 | 4 | $6,361,187 | -27% | 1,955 | $3,254 | $32,719,116 | 3 |
| Jan 14, 1994 | 7 | $4,629,621 | -27% | 1,849 | $2,504 | $39,541,834 | 4 |
| Jan 21, 1994 | 8 | $3,330,647 | -28% | 1,817 | $1,833 | $43,858,928 | 5 |
| Jan 28, 1994 | 10 | $2,381,638 | -28% | 1,709 | $1,394 | $47,344,279 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 31, 1993 | 3 | $11,922,766 | 1,955 | $6,099 | $26,357,929 | 2 | |
| Jan 7, 1994 | 3 | $8,554,284 | -28% | 1,955 | $4,376 | $34,912,213 | 3 |
| Jan 14, 1994 | 7 | $5,616,068 | -34% | 1,849 | $3,037 | $40,528,281 | 4 |
| Jan 21, 1994 | 8 | $4,434,360 | -21% | 1,817 | $2,440 | $44,962,641 | 5 |
Supporting
| Val Kilmer | Doc Holliday | |
| Bill Paxton | Morgan Earp |
Cameo
| Jason Priestley | Billy Breckinridge | |
| Michael Rooker | Sherman McMasters |
Supporting
| Michael Biehn | Johnny Ringo |
Cameo
| Billy Zane | Mr. Fabian |
Supporting
| Sam Elliott | Virgil Earp |
Cameo
| Billy Bob Thornton | Johnny Tyler, Faro Dealer |
Leading
| Kurt Russell | Wyatt Earp |
Cameo
| Charlton Heston | Henry Hooker | |
| Thomas Haden Church | Billy Clanton |
| Robert Mitchum | Narrator |
Cameo
| Harry Carey, Jr. | Tombstone Marshal Fred White | |
| John Corbett | Barnes |
Supporting
| Powers Boothe | Curly Bill Brocious |
Cameo
| Stephen Lang | Ike Clanton | |
| Dana Delany | Josephine Marcus | |
| Joanna Pacula | Kate | |
| Frank Stallone | Ed Bailey |
| Terry O'Quinn | Mayor John Clum |
Production and Technical Credits
| George P. Cosmatos | Director | |
| Bruce Broughton | Composer | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.