Touch Me Not (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $13,782 | Details |
| International Box Office | $26,796 | Details |
| Worldwide Box Office | $40,578 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $10,130 | |
| Blu-ray Sales (estimated) | $22,401 | |
| Total | $32,531 | |
| OpusData ID: 371250100 More info... | ||
| Further financial details... | ||
Synopsis
Touch Me Not centers on a filmmaker and characters she documents who together venture into a deep, personal soul-searching into how to achieve real human intimacy. On the fluid border between reality and fiction, the film follows the emotional and sexual journeys of various, diverse subjects offering deeply empathic insights into their personal lives. Craving intimacy—yet also deeply afraid of it—they each work to overcome old patterns, defense mechanisms and taboos…to cut the cords of inhibition and finally be set free.
Metrics
| Opening Weekend: | $7,903 (57.3% of total gross) |
| Legs: | 1.74 (domestic box office/biggest weekend) |
| Domestic Share: | 34.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,000 |
Movie Details
| Domestic Releases: | January 11th, 2019 (Limited) by Kino Lorber |
| International Releases: | September 28th, 2018 (Wide), released as Dokunma Bana (Turkey)
October 19th, 2018 (Limited) (United Kingdom) February 1st, 2019 (Wide), released as Не ме докосвай (Bulgaria) February 15th, 2019 (Wide) (Italy) April 5th, 2019 (Wide), released as Neliesk manęs (Lithuania) ... Show all releases |
| Video Release: | April 9th, 2019 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Plot point: | Artists, Avant Garde, Sex Therapists, Voyeurism |
| Social setting: | Surrealism / Absurdism |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Manekino Film, Agitprop, Les Films de l’Etranger, Pink Productions , Rohfilm, Creative Europe, Torino Film Lab, Atelier De La Cinefondation, The Cinemart, Cinelink, S.E.E. Cinema Network, Binger Filmlab, Nipkow Programm, Romanian Film Center, Eurimages, Mitteldeutsche Medienfoerderung, Czech Film Fund, Bulgaria National Film Center, Eurometropole de Strasbourg, HBO Romania, Sensiblu Christian Tour, The Post Republic, Studio Bystrouska |
| Production Countries: | Romania, Germany, Czech Republic, Bulgaria, France |
| Languages: | English, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 53 | $7,903 | 1 | $7,903 | $7,903 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 10, 2019 | P | $2,287 | 1 | $2,287 | $2,287 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 53 | $13,039 | 1 | $13,039 | $13,039 | 1 | |
| Mar 1, 2019 | 88 | $743 | 1 | $743 | $13,782 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 2/1/2019 | $2,724 | 0 | 0 | 0 | $5,679 | 2/12/2019 | |||
| Italy | 2/15/2019 | $7,672 | 19 | 19 | 19 | $11,051 | 2/22/2019 | |||
| Lithuania | 4/5/2019 | $183 | 1 | 2 | 3 | $1,084 | 4/16/2019 | |||
| Portugal | 4/19/2019 | $676 | 1 | 1 | 1 | $983 | 4/23/2019 | |||
| Turkey | 9/28/2018 | $80 | 1 | 10 | 21 | $7,527 | 2/26/2019 | |||
| United Kingdom | 10/19/2018 | $472 | 2 | 2 | 2 | $472 | 4/4/2026 | |||
| International Total | $26,796 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Laura Benson | Laura Benson | |
| Tomas Lemarquis | Tomas Lemarquis | |
| Christian Bayerlein | Christian Bayerlein | |
| Grit Uhlemann | Grit Uhlemann | |
| Adina Pintilie | Adina Pintilie | |
| Hanna Hofmann | Hanna Hofmann | |
| Seani Love | Seani Love | |
| Irmena Chichikova | Irmena Chichikova | |
| Rainer Steffen | Rainer Steffen | |
| Georgi Naldzhiev | Georgi Naldzhiev |
Production and Technical Credits
| Adina Pintilie | Director | |
| Adina Pintilie | Screenwriter | |
| Adina Pintilie | Editor | |
| Bianca Oana | Producer | |
| Philippe Avril | Producer | |
| Adina Pintilie | Producer | |
| Benny Drechsel | Co-Producer | |
| Radovan Sibrt | Co-Producer | |
| George Chiper-Lillemark | Director of Photography | |
| Ivo Paunov | Composer | |
| Dominik Dolejsi | Sound Designer | |
| Laurentiu Raducanu | 2nd Camera Cinematographer | |
| Dragos Hanciu | Additional Photography | |
| Marek Poledna | Sound Mixer | |
| Dominik Dolejsi | Sound Mixer | |
| Bernhard Maisch | Sound Mixer | |
| Veselin Zografov | Sound Recordist | |
| Florentina Bratfanof | Casting Director | |
| Tanja Schuh | Casting Director | |
| Maya Serrulla | Casting Director | |
| Magdelena Ilieva | Casting Director | |
| Ivan Kotsev | Casting Director | |
| Adrian Cristea | Production Designer | |
| Maria Pitea | Costume Designer | |
| Bianca Oana | Line Producer | |
| Catalin Neagoe | Production Manager | |
| Nicole Zscherny | Production Manager | |
| Petra Dobesova | Production Manager | |
| Jakub Pinkava | Production Manager | |
| Karsten Frank | Associate Producer | |
| Neda Milanova | Associate Producer | |
| Anne Grange | Associate Producer | |
| Anamaria Antoci | Associate Producer | |
| Laura Georgescu-Baron | Associate Producer | |
| Anca Vlasceanu | Associate Producer | |
| Ana Alexieva | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Touch Me Not centers on a filmmaker and characters she documents who together venture into a deep, personal soul-searching into how to achieve real human intimacy. On the fluid border between reality and fiction, the film follows the emotional and sexual journeys of various, diverse subjects offering deeply empathic insights into their personal lives. Craving intimacy—yet also deeply afraid of it—they each work to overcome old patterns, defense mechanisms and taboos…to cut the cords of inhibition and finally be set free.
Metrics
| Opening Weekend: | $7,903 (57.3% of total gross) |
| Legs: | 1.74 (domestic box office/biggest weekend) |
| Domestic Share: | 34.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,000 |
Movie Details
| Domestic Releases: | January 11th, 2019 (Limited) by Kino Lorber |
| International Releases: | September 28th, 2018 (Wide), released as Dokunma Bana (Turkey)
October 19th, 2018 (Limited) (United Kingdom) February 1st, 2019 (Wide), released as Не ме докосвай (Bulgaria) February 15th, 2019 (Wide) (Italy) April 5th, 2019 (Wide), released as Neliesk manęs (Lithuania) ... Show all releases |
| Video Release: | April 9th, 2019 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Plot point: | Artists, Avant Garde, Sex Therapists, Voyeurism |
| Social setting: | Surrealism / Absurdism |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Manekino Film, Agitprop, Les Films de l’Etranger, Pink Productions , Rohfilm, Creative Europe, Torino Film Lab, Atelier De La Cinefondation, The Cinemart, Cinelink, S.E.E. Cinema Network, Binger Filmlab, Nipkow Programm, Romanian Film Center, Eurimages, Mitteldeutsche Medienfoerderung, Czech Film Fund, Bulgaria National Film Center, Eurometropole de Strasbourg, HBO Romania, Sensiblu Christian Tour, The Post Republic, Studio Bystrouska |
| Production Countries: | Romania, Germany, Czech Republic, Bulgaria, France |
| Languages: | English, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 53 | $7,903 | 1 | $7,903 | $7,903 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 10, 2019 | P | $2,287 | 1 | $2,287 | $2,287 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 53 | $13,039 | 1 | $13,039 | $13,039 | 1 | |
| Mar 1, 2019 | 88 | $743 | 1 | $743 | $13,782 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 2/1/2019 | $2,724 | 0 | 0 | 0 | $5,679 | 2/12/2019 | |||
| Italy | 2/15/2019 | $7,672 | 19 | 19 | 19 | $11,051 | 2/22/2019 | |||
| Lithuania | 4/5/2019 | $183 | 1 | 2 | 3 | $1,084 | 4/16/2019 | |||
| Portugal | 4/19/2019 | $676 | 1 | 1 | 1 | $983 | 4/23/2019 | |||
| Turkey | 9/28/2018 | $80 | 1 | 10 | 21 | $7,527 | 2/26/2019 | |||
| United Kingdom | 10/19/2018 | $472 | 2 | 2 | 2 | $472 | 4/4/2026 | |||
| International Total | $26,796 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Laura Benson | Laura Benson | |
| Tomas Lemarquis | Tomas Lemarquis | |
| Christian Bayerlein | Christian Bayerlein | |
| Grit Uhlemann | Grit Uhlemann | |
| Adina Pintilie | Adina Pintilie | |
| Hanna Hofmann | Hanna Hofmann | |
| Seani Love | Seani Love | |
| Irmena Chichikova | Irmena Chichikova | |
| Rainer Steffen | Rainer Steffen | |
| Georgi Naldzhiev | Georgi Naldzhiev |
Production and Technical Credits
| Adina Pintilie | Director | |
| Adina Pintilie | Screenwriter | |
| Adina Pintilie | Editor | |
| Bianca Oana | Producer | |
| Philippe Avril | Producer | |
| Adina Pintilie | Producer | |
| Benny Drechsel | Co-Producer | |
| Radovan Sibrt | Co-Producer | |
| George Chiper-Lillemark | Director of Photography | |
| Ivo Paunov | Composer | |
| Dominik Dolejsi | Sound Designer | |
| Laurentiu Raducanu | 2nd Camera Cinematographer | |
| Dragos Hanciu | Additional Photography | |
| Marek Poledna | Sound Mixer | |
| Dominik Dolejsi | Sound Mixer | |
| Bernhard Maisch | Sound Mixer | |
| Veselin Zografov | Sound Recordist | |
| Florentina Bratfanof | Casting Director | |
| Tanja Schuh | Casting Director | |
| Maya Serrulla | Casting Director | |
| Magdelena Ilieva | Casting Director | |
| Ivan Kotsev | Casting Director | |
| Adrian Cristea | Production Designer | |
| Maria Pitea | Costume Designer | |
| Bianca Oana | Line Producer | |
| Catalin Neagoe | Production Manager | |
| Nicole Zscherny | Production Manager | |
| Petra Dobesova | Production Manager | |
| Jakub Pinkava | Production Manager | |
| Karsten Frank | Associate Producer | |
| Neda Milanova | Associate Producer | |
| Anne Grange | Associate Producer | |
| Anamaria Antoci | Associate Producer | |
| Laura Georgescu-Baron | Associate Producer | |
| Anca Vlasceanu | Associate Producer | |
| Ana Alexieva | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.