Touched With Fire (2016)
| Theatrical Performance | ||
| Domestic Box Office | $146,487 | Details |
| International Box Office | $8,382 | Details |
| Worldwide Box Office | $154,869 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $80,118 | |
| Blu-ray Sales (estimated) | $34,685 | |
| Total | $114,803 | |
| OpusData ID: 232300100 More info... | ||
| Further financial details... | ||
Synopsis
The art of two poets with bipolar disorder is fueled by their emotional extremes. When they meet in a treatment facility, their chemistry is instant and intense driving each other’s mania to new heights. They pursue their passion which breaks outside the bounds of sanity, swinging them from fantastical highs to tormented lows until they ultimately must choose between sanity and love.
Metrics
| Opening Weekend: | $16,816 (11.5% of total gross) |
| Legs: | 2.12 (domestic box office/biggest weekend) |
| Domestic Share: | 94.6% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/67 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $202,543 |
Movie Details
| Domestic Releases: | February 12th, 2016 (Limited) by Roadside Attractions |
| International Releases: | September 3rd, 2016 (Wide), released as Touched with Fire (South Korea) |
| Video Release: | June 7th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for language, a disturbing image, brief sexuality and drug use. (Rating bulletin 2399 (Cert #50135), 11/11/2015) |
| Running Time: | 104 minutes |
| Plot point: | Mental Illness, Poet, Romance |
| Social setting: | Mental Hospital |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Moonstruck Productions, 40 Acres and a Mule Filmworks |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 57 | $16,816 | 6 | $2,803 | $16,816 | 1 | |
| Feb 19, 2016 | 46 | $69,132 | +311% | 67 | $1,032 | $95,232 | 2 |
| Mar 4, 2016 | 90 | $1,065 | 3 | $355 | $146,070 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | - | $4,491 | 6 | $749 | $4,491 | 1 | ||
| Feb 13, 2016 | - | $6,560 | +46% | 6 | $1,093 | $11,051 | 2 | |
| Feb 14, 2016 | - | $5,765 | -12% | 6 | $961 | $16,816 | 3 | |
| Feb 15, 2016 | - | $3,521 | -39% | 6 | $587 | $20,337 | 4 | |
| Feb 16, 2016 | - | $1,664 | -53% | 6 | $277 | $22,001 | 5 | |
| Feb 17, 2016 | - | $2,043 | +23% | 6 | $341 | $24,044 | 6 | |
| Feb 18, 2016 | - | $2,056 | +1% | 6 | $343 | $26,100 | 7 | |
| Feb 19, 2016 | - | $18,678 | +808% | +316% | 67 | $279 | $44,778 | 8 |
| Feb 20, 2016 | - | $28,513 | +53% | +335% | 67 | $426 | $73,291 | 9 |
| Feb 21, 2016 | - | $21,941 | -23% | +281% | 67 | $327 | $95,232 | 10 |
| Feb 22, 2016 | - | $7,565 | -66% | +115% | 67 | $113 | $102,797 | 11 |
| Feb 23, 2016 | - | $8,957 | +18% | +438% | 67 | $134 | $111,754 | 12 |
| Feb 24, 2016 | - | $7,680 | -14% | +276% | 67 | $115 | $119,434 | 13 |
| Feb 25, 2016 | - | $7,237 | -6% | +252% | 67 | $108 | $126,671 | 14 |
| Feb 26, 2016 | - | $3,366 | -53% | -82% | 20 | $168 | $130,037 | 15 |
| Feb 27, 2016 | - | $5,961 | +77% | -79% | 20 | $298 | $135,998 | 16 |
| Feb 28, 2016 | - | $2,707 | -55% | -88% | 20 | $135 | $138,705 | 17 |
| Feb 29, 2016 | - | $1,552 | -43% | -79% | 20 | $78 | $140,257 | 18 |
| Mar 1, 2016 | - | $1,841 | +19% | -79% | 20 | $92 | $142,098 | 19 |
| Mar 2, 2016 | - | $1,723 | -6% | -78% | 20 | $86 | $143,821 | 20 |
| Mar 3, 2016 | - | $1,184 | -31% | -84% | 20 | $59 | $145,005 | 21 |
| Mar 4, 2016 | - | $268 | -77% | -92% | 3 | $89 | $145,273 | 22 |
| Mar 5, 2016 | - | $448 | +67% | -92% | 3 | $149 | $145,721 | 23 |
| Mar 6, 2016 | - | $349 | -22% | -87% | 3 | $116 | $146,070 | 24 |
| Mar 7, 2016 | - | $131 | -62% | -92% | 3 | $44 | $146,201 | 25 |
| Mar 8, 2016 | - | $70 | -47% | -96% | 3 | $23 | $146,271 | 26 |
| Mar 9, 2016 | - | $94 | +34% | -95% | 3 | $31 | $146,365 | 27 |
| Mar 10, 2016 | - | $122 | +30% | -90% | 3 | $41 | $146,487 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 57 | $26,100 | 6 | $4,350 | $26,100 | 1 | |
| Feb 19, 2016 | 47 | $100,571 | +285% | 67 | $1,501 | $126,671 | 2 |
| Feb 26, 2016 | 66 | $18,334 | -82% | 20 | $917 | $145,005 | 3 |
| Mar 4, 2016 | 95 | $1,482 | -92% | 3 | $494 | $146,487 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 9/3/2016 | $2,186 | 21 | 22 | 21 | $8,382 | 4/4/2026 | |||
| International Total | $8,382 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Katie Holmes | Carla | |
| Luke Kirby | Marco |
Supporting
| Griffin Dunne | George | |
| Bruce Altman | Donald | |
| Christine Lahti | Sara | |
| Annie Golden | Motherly Patient | |
| Chaske Spencer | Marco's Construction Boss | |
| Maryann Urbano | Dr. Strinsky | |
| Patrick Byas | Demonix | |
| Eugene Jones | Ravenous |
Production and Technical Credits
| Paul Dalio | Director | |
| Paul Dalio | Screenwriter | |
| Jeremy Alter | Producer | |
| Kristina Nikolova | Producer | |
| Jason Sokoloff | Producer | |
| Spike Lee | Executive Producer | |
| Avy Kaufman | Co-Producer | |
| Katie Holmes | Co-Producer | |
| Alexander Stanishev | Cinematographer | |
| Kristina Nikolova | Cinematographer | |
| Lee Percy | Editor | |
| Paul Dalio | Editor | |
| Paul Dalio | Composer | |
| Kay Lee | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The art of two poets with bipolar disorder is fueled by their emotional extremes. When they meet in a treatment facility, their chemistry is instant and intense driving each other’s mania to new heights. They pursue their passion which breaks outside the bounds of sanity, swinging them from fantastical highs to tormented lows until they ultimately must choose between sanity and love.
Metrics
| Opening Weekend: | $16,816 (11.5% of total gross) |
| Legs: | 2.12 (domestic box office/biggest weekend) |
| Domestic Share: | 94.6% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/67 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $202,543 |
Movie Details
| Domestic Releases: | February 12th, 2016 (Limited) by Roadside Attractions |
| International Releases: | September 3rd, 2016 (Wide), released as Touched with Fire (South Korea) |
| Video Release: | June 7th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for language, a disturbing image, brief sexuality and drug use. (Rating bulletin 2399 (Cert #50135), 11/11/2015) |
| Running Time: | 104 minutes |
| Plot point: | Mental Illness, Poet, Romance |
| Social setting: | Mental Hospital |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Moonstruck Productions, 40 Acres and a Mule Filmworks |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 57 | $16,816 | 6 | $2,803 | $16,816 | 1 | |
| Feb 19, 2016 | 46 | $69,132 | +311% | 67 | $1,032 | $95,232 | 2 |
| Mar 4, 2016 | 90 | $1,065 | 3 | $355 | $146,070 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | - | $4,491 | 6 | $749 | $4,491 | 1 | ||
| Feb 13, 2016 | - | $6,560 | +46% | 6 | $1,093 | $11,051 | 2 | |
| Feb 14, 2016 | - | $5,765 | -12% | 6 | $961 | $16,816 | 3 | |
| Feb 15, 2016 | - | $3,521 | -39% | 6 | $587 | $20,337 | 4 | |
| Feb 16, 2016 | - | $1,664 | -53% | 6 | $277 | $22,001 | 5 | |
| Feb 17, 2016 | - | $2,043 | +23% | 6 | $341 | $24,044 | 6 | |
| Feb 18, 2016 | - | $2,056 | +1% | 6 | $343 | $26,100 | 7 | |
| Feb 19, 2016 | - | $18,678 | +808% | +316% | 67 | $279 | $44,778 | 8 |
| Feb 20, 2016 | - | $28,513 | +53% | +335% | 67 | $426 | $73,291 | 9 |
| Feb 21, 2016 | - | $21,941 | -23% | +281% | 67 | $327 | $95,232 | 10 |
| Feb 22, 2016 | - | $7,565 | -66% | +115% | 67 | $113 | $102,797 | 11 |
| Feb 23, 2016 | - | $8,957 | +18% | +438% | 67 | $134 | $111,754 | 12 |
| Feb 24, 2016 | - | $7,680 | -14% | +276% | 67 | $115 | $119,434 | 13 |
| Feb 25, 2016 | - | $7,237 | -6% | +252% | 67 | $108 | $126,671 | 14 |
| Feb 26, 2016 | - | $3,366 | -53% | -82% | 20 | $168 | $130,037 | 15 |
| Feb 27, 2016 | - | $5,961 | +77% | -79% | 20 | $298 | $135,998 | 16 |
| Feb 28, 2016 | - | $2,707 | -55% | -88% | 20 | $135 | $138,705 | 17 |
| Feb 29, 2016 | - | $1,552 | -43% | -79% | 20 | $78 | $140,257 | 18 |
| Mar 1, 2016 | - | $1,841 | +19% | -79% | 20 | $92 | $142,098 | 19 |
| Mar 2, 2016 | - | $1,723 | -6% | -78% | 20 | $86 | $143,821 | 20 |
| Mar 3, 2016 | - | $1,184 | -31% | -84% | 20 | $59 | $145,005 | 21 |
| Mar 4, 2016 | - | $268 | -77% | -92% | 3 | $89 | $145,273 | 22 |
| Mar 5, 2016 | - | $448 | +67% | -92% | 3 | $149 | $145,721 | 23 |
| Mar 6, 2016 | - | $349 | -22% | -87% | 3 | $116 | $146,070 | 24 |
| Mar 7, 2016 | - | $131 | -62% | -92% | 3 | $44 | $146,201 | 25 |
| Mar 8, 2016 | - | $70 | -47% | -96% | 3 | $23 | $146,271 | 26 |
| Mar 9, 2016 | - | $94 | +34% | -95% | 3 | $31 | $146,365 | 27 |
| Mar 10, 2016 | - | $122 | +30% | -90% | 3 | $41 | $146,487 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 57 | $26,100 | 6 | $4,350 | $26,100 | 1 | |
| Feb 19, 2016 | 47 | $100,571 | +285% | 67 | $1,501 | $126,671 | 2 |
| Feb 26, 2016 | 66 | $18,334 | -82% | 20 | $917 | $145,005 | 3 |
| Mar 4, 2016 | 95 | $1,482 | -92% | 3 | $494 | $146,487 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 9/3/2016 | $2,186 | 21 | 22 | 21 | $8,382 | 4/4/2026 | |||
| International Total | $8,382 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Katie Holmes | Carla | |
| Luke Kirby | Marco |
Supporting
| Griffin Dunne | George | |
| Bruce Altman | Donald | |
| Christine Lahti | Sara | |
| Annie Golden | Motherly Patient | |
| Chaske Spencer | Marco's Construction Boss | |
| Maryann Urbano | Dr. Strinsky | |
| Patrick Byas | Demonix | |
| Eugene Jones | Ravenous |
Production and Technical Credits
| Paul Dalio | Director | |
| Paul Dalio | Screenwriter | |
| Jeremy Alter | Producer | |
| Kristina Nikolova | Producer | |
| Jason Sokoloff | Producer | |
| Spike Lee | Executive Producer | |
| Avy Kaufman | Co-Producer | |
| Katie Holmes | Co-Producer | |
| Alexander Stanishev | Cinematographer | |
| Kristina Nikolova | Cinematographer | |
| Lee Percy | Editor | |
| Paul Dalio | Editor | |
| Paul Dalio | Composer | |
| Kay Lee | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.