Tough Enough (1983)
| Theatrical Performance | ||
| Domestic Box Office | $2,433,722 | Details |
| OpusData ID: 54020100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 3.36 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $8,738,219 |
Movie Details
| Domestic Releases: | 1983 (Wide) by 20th Century Fox |
| Plot point: | Boxing |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 1983 | 11 | $725,117 | 538 | $1,348 | $725,117 | 13 | |
| Apr 1, 1983 | 14 | $554,317 | -24% | 479 | $1,157 | $1,588,022 | 14 |
| Apr 8, 1983 | 26 | $164,447 | -70% | 138 | $1,192 | $1,980,788 | 15 |
| Apr 15, 1983 | 26 | $51,330 | -69% | 54 | $951 | $2,087,004 | 16 |
| Apr 22, 1983 | 26 | $32,266 | -37% | 47 | $687 | $2,136,284 | 17 |
| Apr 29, 1983 | 20 | $187,221 | +480% | 197 | $950 | $2,335,634 | 18 |
| May 6, 1983 | 26 | $36,606 | -80% | 48 | $763 | $2,433,722 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 1983 | 11 | $1,033,705 | 538 | $1,921 | $1,033,705 | 13 | |
| Apr 1, 1983 | 14 | $782,636 | -24% | 479 | $1,634 | $1,816,341 | 14 |
| Apr 8, 1983 | 24 | $219,333 | -72% | 138 | $1,589 | $2,035,674 | 15 |
| Apr 15, 1983 | 22 | $68,344 | -69% | 54 | $1,266 | $2,104,018 | 16 |
| Apr 22, 1983 | 23 | $44,395 | -35% | 47 | $945 | $2,148,413 | 17 |
| Apr 29, 1983 | 21 | $248,703 | +460% | 197 | $1,262 | $2,397,116 | 18 |
| Pam Grier | Myra | |
| Wilford Brimley | Bill Long | |
| Warren Oates | James Neese | |
| Bruce McGill | Tony Fallon | |
| Carlene Watkins | Caroline Long |
Leading
| Dennis Quaid | Art Long |
Production and Technical Credits
| Richard Fleischer | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 3.36 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $8,738,219 |
Movie Details
| Domestic Releases: | 1983 (Wide) by 20th Century Fox |
| Plot point: | Boxing |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 1983 | 11 | $725,117 | 538 | $1,348 | $725,117 | 13 | |
| Apr 1, 1983 | 14 | $554,317 | -24% | 479 | $1,157 | $1,588,022 | 14 |
| Apr 8, 1983 | 26 | $164,447 | -70% | 138 | $1,192 | $1,980,788 | 15 |
| Apr 15, 1983 | 26 | $51,330 | -69% | 54 | $951 | $2,087,004 | 16 |
| Apr 22, 1983 | 26 | $32,266 | -37% | 47 | $687 | $2,136,284 | 17 |
| Apr 29, 1983 | 20 | $187,221 | +480% | 197 | $950 | $2,335,634 | 18 |
| May 6, 1983 | 26 | $36,606 | -80% | 48 | $763 | $2,433,722 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 1983 | 11 | $1,033,705 | 538 | $1,921 | $1,033,705 | 13 | |
| Apr 1, 1983 | 14 | $782,636 | -24% | 479 | $1,634 | $1,816,341 | 14 |
| Apr 8, 1983 | 24 | $219,333 | -72% | 138 | $1,589 | $2,035,674 | 15 |
| Apr 15, 1983 | 22 | $68,344 | -69% | 54 | $1,266 | $2,104,018 | 16 |
| Apr 22, 1983 | 23 | $44,395 | -35% | 47 | $945 | $2,148,413 | 17 |
| Apr 29, 1983 | 21 | $248,703 | +460% | 197 | $1,262 | $2,397,116 | 18 |
| Pam Grier | Myra | |
| Wilford Brimley | Bill Long | |
| Warren Oates | James Neese | |
| Bruce McGill | Tony Fallon | |
| Carlene Watkins | Caroline Long |
Leading
| Dennis Quaid | Art Long |
Production and Technical Credits
| Richard Fleischer | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.