Il Traditore (2019)
| Theatrical Performance | ||
| Domestic Box Office | $296,027 | Details |
| International Box Office | $8,946,792 | Details |
| Worldwide Box Office | $9,242,819 | |
| OpusData ID: 412380100 More info... | ||
| Further financial details... | ||
Synopsis
THE TRAITOR tells the true story of Tommaso Buscetta, the man who brought down the Cosa Nostra. In the early 1980’s, an all out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: He decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra.
Metrics
| Opening Weekend: | $23,240 (7.9% of total gross) |
| Legs: | 5.87 (domestic box office/biggest weekend) |
| Domestic Share: | 3.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/45 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $385,674 |
Movie Details
| Domestic Releases: | January 31st, 2020 (Limited) by Sony Pictures Classics, released as The Traitor |
| International Releases: | May 23rd, 2019 (Wide) (Italy)
October 25th, 2019 (Wide), released as O Traidor (Portugal) November 1st, 2019 (Wide) (France) November 22nd, 2019 (Wide), released as První zrádce (Czech Republic) November 29th, 2019 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | May 12th, 2020 by Sony Pictures Home Entertainment, released as The Traitor |
| MPA Rating: | R for violence, sexual content, language and brief graphic nudity. (Rating bulletin 2598 (Cert #52415), 10/2/2019) |
| Running Time: | 150 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | IBC Spotlight, Kavac Film, RAI Cinema, Ad Vitam, The Match Factory, Gullane, Telecine, Canal Brasil, ARTE France, ZDF, Arte, Canal Plus, Cine Plus, L'Aide aux Cinema du Monde |
| Production Countries: | Italy, France, Brazil, Germany |
| Languages: | Italian, Sicilian, Portuguese, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 40 | $23,240 | 3 | $7,747 | $23,240 | 1 | |
| Feb 7, 2020 | 40 | $40,309 | +73% | 17 | $2,371 | $74,830 | 2 |
| Feb 14, 2020 | 36 | $50,410 | +25% | 29 | $1,738 | $144,605 | 3 |
| Feb 21, 2020 | 35 | $50,054 | -1% | 45 | $1,112 | $221,278 | 4 |
| Feb 28, 2020 | 50 | $18,776 | -62% | 31 | $606 | $262,017 | 5 |
| Mar 6, 2020 | 62 | $9,005 | -52% | 17 | $530 | $279,825 | 6 |
| Mar 13, 2020 | 44 | $11,665 | +30% | 43 | $271 | $294,783 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 41 | $34,521 | 3 | $11,507 | $34,521 | 1 | |
| Feb 7, 2020 | 38 | $59,674 | +73% | 17 | $3,510 | $94,195 | 2 |
| Feb 14, 2020 | 36 | $77,029 | +29% | 29 | $2,656 | $171,224 | 3 |
| Feb 21, 2020 | 35 | $72,017 | -7% | 45 | $1,600 | $243,241 | 4 |
| Feb 28, 2020 | 50 | $27,579 | -62% | 31 | $890 | $270,820 | 5 |
| Mar 6, 2020 | 61 | $12,298 | -55% | 17 | $723 | $283,118 | 6 |
| Mar 13, 2020 | 34 | $12,909 | +5% | 43 | $300 | $296,027 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/8/2020 | $13,770 | 12 | 12 | 47 | $70,762 | 10/19/2022 | |||
| Czech Republic | 11/22/2019 | $7,825 | 20 | 20 | 52 | $23,015 | 10/19/2022 | |||
| France | 11/1/2019 | $856,312 | 152 | 310 | 1,416 | $2,588,461 | 12/13/2019 | |||
| Germany | 8/14/2020 | $54,254 | 74 | 78 | 152 | $146,814 | 8/27/2020 | |||
| Italy | 5/23/2019 | $1,613,773 | 0 | 9 | 61 | $5,334,226 | 12/28/2019 | |||
| Netherlands | 1/17/2020 | $50,419 | 33 | 33 | 114 | $190,096 | 10/19/2022 | |||
| New Zealand | 6/14/2021 | $0 | 0 | 1 | 10 | $8,570 | 10/20/2022 | |||
| Poland | 7/3/2020 | $6,786 | 78 | 78 | 156 | $45,957 | 10/22/2022 | |||
| Portugal | 10/25/2019 | $8,552 | 12 | 12 | 30 | $39,505 | 10/19/2022 | |||
| Romania | 2/21/2020 | $3,698 | 16 | 16 | 30 | $6,211 | 3/5/2020 | |||
| Russia (CIS) | 11/29/2019 | $0 | 0 | 51 | 58 | $46,880 | 10/19/2022 | |||
| Slovakia | 1/24/2020 | $1,873 | 8 | 8 | 8 | $2,051 | 1/29/2020 | |||
| Slovenia | 1/31/2020 | $931 | 5 | 5 | 5 | $6,877 | 4/6/2020 | |||
| Spain | 12/6/2019 | $74,127 | 80 | 80 | 141 | $141,940 | 12/21/2019 | |||
| Turkey | 12/13/2019 | $2,437 | 18 | 156 | 360 | $294,310 | 1/16/2025 | |||
| United Kingdom | 7/24/2020 | $1,117 | 12 | 12 | 12 | $1,117 | 8/6/2020 | |||
| International Total | $8,946,792 | 1/16/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Pierfrancesco Favino | Tommaso Buscetta | |
| Maria Fernanda Candido | Cristina Buscetta | |
| Luigi Lo Cascio | Totuccio Contorno | |
| Fausto Russo Alesi | Giovanni Falcone | |
| Nicola Cali | Toto Riina | |
| Fabrizio Ferracane | Pippo Calo |
Supporting
| Giovanni Calcagno | Tano Badalamenti | |
| Alberto Storti | Franco Coppi, avv. Andreotti | |
| Vincenzo Pirrotta | Luciano Liggio | |
| Goffredo Bruno | Stefano Bontate |
Production and Technical Credits
| Marco Bellocchio | Director | |
| Valia Santella | Screenwriter | |
| Ludovica Rampoldi | Screenwriter | |
| Marco Bellocchio | Screenwriter | |
| Francesco Piccolo | Screenwriter | |
| Vladan Radovic | Director of Photography | |
| Gaetano Carito | Sound Mixer | |
| Adriano Di Lorenzo | Sound Mixer | |
| Nicola Piovani | Composer | |
| Daria Calvelli | Costume Designer | |
| Andrea Castorina | Art Director | |
| Francesca Calvelli | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
THE TRAITOR tells the true story of Tommaso Buscetta, the man who brought down the Cosa Nostra. In the early 1980’s, an all out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: He decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra.
Metrics
| Opening Weekend: | $23,240 (7.9% of total gross) |
| Legs: | 5.87 (domestic box office/biggest weekend) |
| Domestic Share: | 3.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/45 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $385,674 |
Movie Details
| Domestic Releases: | January 31st, 2020 (Limited) by Sony Pictures Classics, released as The Traitor |
| International Releases: | May 23rd, 2019 (Wide) (Italy)
October 25th, 2019 (Wide), released as O Traidor (Portugal) November 1st, 2019 (Wide) (France) November 22nd, 2019 (Wide), released as První zrádce (Czech Republic) November 29th, 2019 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | May 12th, 2020 by Sony Pictures Home Entertainment, released as The Traitor |
| MPA Rating: | R for violence, sexual content, language and brief graphic nudity. (Rating bulletin 2598 (Cert #52415), 10/2/2019) |
| Running Time: | 150 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | IBC Spotlight, Kavac Film, RAI Cinema, Ad Vitam, The Match Factory, Gullane, Telecine, Canal Brasil, ARTE France, ZDF, Arte, Canal Plus, Cine Plus, L'Aide aux Cinema du Monde |
| Production Countries: | Italy, France, Brazil, Germany |
| Languages: | Italian, Sicilian, Portuguese, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 40 | $23,240 | 3 | $7,747 | $23,240 | 1 | |
| Feb 7, 2020 | 40 | $40,309 | +73% | 17 | $2,371 | $74,830 | 2 |
| Feb 14, 2020 | 36 | $50,410 | +25% | 29 | $1,738 | $144,605 | 3 |
| Feb 21, 2020 | 35 | $50,054 | -1% | 45 | $1,112 | $221,278 | 4 |
| Feb 28, 2020 | 50 | $18,776 | -62% | 31 | $606 | $262,017 | 5 |
| Mar 6, 2020 | 62 | $9,005 | -52% | 17 | $530 | $279,825 | 6 |
| Mar 13, 2020 | 44 | $11,665 | +30% | 43 | $271 | $294,783 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 41 | $34,521 | 3 | $11,507 | $34,521 | 1 | |
| Feb 7, 2020 | 38 | $59,674 | +73% | 17 | $3,510 | $94,195 | 2 |
| Feb 14, 2020 | 36 | $77,029 | +29% | 29 | $2,656 | $171,224 | 3 |
| Feb 21, 2020 | 35 | $72,017 | -7% | 45 | $1,600 | $243,241 | 4 |
| Feb 28, 2020 | 50 | $27,579 | -62% | 31 | $890 | $270,820 | 5 |
| Mar 6, 2020 | 61 | $12,298 | -55% | 17 | $723 | $283,118 | 6 |
| Mar 13, 2020 | 34 | $12,909 | +5% | 43 | $300 | $296,027 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/8/2020 | $13,770 | 12 | 12 | 47 | $70,762 | 10/19/2022 | |||
| Czech Republic | 11/22/2019 | $7,825 | 20 | 20 | 52 | $23,015 | 10/19/2022 | |||
| France | 11/1/2019 | $856,312 | 152 | 310 | 1,416 | $2,588,461 | 12/13/2019 | |||
| Germany | 8/14/2020 | $54,254 | 74 | 78 | 152 | $146,814 | 8/27/2020 | |||
| Italy | 5/23/2019 | $1,613,773 | 0 | 9 | 61 | $5,334,226 | 12/28/2019 | |||
| Netherlands | 1/17/2020 | $50,419 | 33 | 33 | 114 | $190,096 | 10/19/2022 | |||
| New Zealand | 6/14/2021 | $0 | 0 | 1 | 10 | $8,570 | 10/20/2022 | |||
| Poland | 7/3/2020 | $6,786 | 78 | 78 | 156 | $45,957 | 10/22/2022 | |||
| Portugal | 10/25/2019 | $8,552 | 12 | 12 | 30 | $39,505 | 10/19/2022 | |||
| Romania | 2/21/2020 | $3,698 | 16 | 16 | 30 | $6,211 | 3/5/2020 | |||
| Russia (CIS) | 11/29/2019 | $0 | 0 | 51 | 58 | $46,880 | 10/19/2022 | |||
| Slovakia | 1/24/2020 | $1,873 | 8 | 8 | 8 | $2,051 | 1/29/2020 | |||
| Slovenia | 1/31/2020 | $931 | 5 | 5 | 5 | $6,877 | 4/6/2020 | |||
| Spain | 12/6/2019 | $74,127 | 80 | 80 | 141 | $141,940 | 12/21/2019 | |||
| Turkey | 12/13/2019 | $2,437 | 18 | 156 | 360 | $294,310 | 1/16/2025 | |||
| United Kingdom | 7/24/2020 | $1,117 | 12 | 12 | 12 | $1,117 | 8/6/2020 | |||
| International Total | $8,946,792 | 1/16/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Pierfrancesco Favino | Tommaso Buscetta | |
| Maria Fernanda Candido | Cristina Buscetta | |
| Luigi Lo Cascio | Totuccio Contorno | |
| Fausto Russo Alesi | Giovanni Falcone | |
| Nicola Cali | Toto Riina | |
| Fabrizio Ferracane | Pippo Calo |
Supporting
| Giovanni Calcagno | Tano Badalamenti | |
| Alberto Storti | Franco Coppi, avv. Andreotti | |
| Vincenzo Pirrotta | Luciano Liggio | |
| Goffredo Bruno | Stefano Bontate |
Production and Technical Credits
| Marco Bellocchio | Director | |
| Valia Santella | Screenwriter | |
| Ludovica Rampoldi | Screenwriter | |
| Marco Bellocchio | Screenwriter | |
| Francesco Piccolo | Screenwriter | |
| Vladan Radovic | Director of Photography | |
| Gaetano Carito | Sound Mixer | |
| Adriano Di Lorenzo | Sound Mixer | |
| Nicola Piovani | Composer | |
| Daria Calvelli | Costume Designer | |
| Andrea Castorina | Art Director | |
| Francesca Calvelli | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.