Training Day (2001)
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| Theatrical Performance | ||
| Domestic Box Office | $76,261,036 | Details |
| International Box Office | $28,244,316 | Details |
| Worldwide Box Office | $104,505,352 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $10,491 | |
| Blu-ray Sales (estimated) | $2,241,859 | |
| Total | $2,252,350 | |
| OpusData ID: 6220100 More info... | ||
| Further financial details... | ||
Synopsis
Every day a war rages between drug dealers and cops on the streets of America’s inner cities. With every war come casualties, none greater than 13-year veteran Los Angeles narcotics officer Alonzo Harris, whose questionable methods blur the line between legal and corrupt. Today Alonzo gets a new partner, idealistic rookie Jake Hoyt, and Jake has one day — and one day only — to prove his mettle to his fiercely charismatic superior. Over 24hours, Jake will be dragged into the ethical mire of Alonzo’s logic as both men risk their careers and their lives to serve conflicting notions of justice.
Metrics
| Opening Weekend: | $22,550,788 (29.6% of total gross) |
| Legs: | 3.38 (domestic box office/biggest weekend) |
| Domestic Share: | 73.0% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 2.3 times production budget) |
| Theater counts: | 2,712 opening theaters/2,712 max. theaters, 6.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $161,145,225 |
Movie Details
| Domestic Releases: | October 5th, 2001 (Wide) by Warner Bros. |
| International Releases: | January 31st, 2002 (Wide) (New Zealand)
August 25th, 2023 (Limited) (4K Restoration) (United Kingdom) |
| Video Release: | March 19th, 2002 by Warner Home Video |
| MPA Rating: | R for strong brutal violence, pervasive language, drug content and brief nudity. |
| Running Time: | 122 minutes |
| Plot point: | Corrupt Cops |
| Release detail: | Disrupted by 2001 September 11 Attacks |
| Social setting: | Film Noir, Hood Film |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Training Day Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2001 | 1 | $22,550,788 | 2,712 | $8,315 | $22,550,788 | 1 | |
| Oct 12, 2001 | 1 | $13,386,457 | -41% | 2,712 | $4,936 | $43,439,167 | 2 |
| Oct 19, 2001 | 3 | $9,325,443 | -30% | 2,603 | $3,583 | $57,283,521 | 3 |
| Oct 26, 2001 | 5 | $5,137,712 | -45% | 2,328 | $2,207 | $65,029,281 | 4 |
| Nov 2, 2001 | 8 | $3,052,422 | -41% | 1,805 | $1,691 | $69,569,698 | 5 |
| Nov 9, 2001 | 10 | $2,023,429 | -34% | 1,407 | $1,438 | $72,608,774 | 6 |
| Nov 16, 2001 | 12 | $908,870 | -55% | 855 | $1,063 | $74,190,371 | 7 |
| Nov 23, 2001 | 19 | $430,014 | -53% | 458 | $939 | $74,950,886 | 8 |
| Nov 30, 2001 | 21 | $221,281 | -49% | 251 | $882 | $75,261,635 | 9 |
| Dec 7, 2001 | 16 | $352,772 | +59% | 441 | $800 | $75,685,034 | 10 |
| Dec 14, 2001 | 17 | $229,348 | -35% | 345 | $665 | $76,074,739 | 11 |
| Dec 21, 2001 | 32 | $71,321 | -69% | 337 | $212 | $76,261,036 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 5, 2001 | 1 | $7,530,000 | 2,712 | $2,777 | $7,530,000 | 1 | ||
| Oct 6, 2001 | 1 | $9,350,000 | +24% | 2,712 | $3,448 | $16,880,000 | 2 | |
| Oct 7, 2001 | 1 | $5,880,000 | -37% | 2,712 | $2,168 | $22,550,000 | 3 | |
| Oct 8, 2001 | 1 | $2,703,000 | -54% | 2,712 | $997 | $25,253,000 | 4 | |
| Oct 9, 2001 | 1 | $1,804,000 | -33% | 2,712 | $665 | $27,058,000 | 5 | |
| Oct 10, 2001 | 1 | $1,563,000 | -13% | 2,712 | $576 | $28,621,000 | 6 | |
| Oct 11, 2001 | 1 | $1,432,000 | -8% | 2,712 | $528 | $30,053,000 | 7 | |
| Oct 12, 2001 | 1 | $4,061,000 | +184% | -46% | 2,712 | $1,497 | $34,114,000 | 8 |
| Oct 13, 2001 | 2 | $5,706,000 | +41% | -39% | 2,712 | $2,104 | $39,820,000 | 9 |
| Oct 14, 2001 | 1 | $3,620,000 | -37% | -38% | 2,712 | $1,335 | $43,440,000 | 10 |
| Oct 15, 2001 | 1 | $1,112,000 | -69% | -59% | 2,712 | $410 | $44,551,000 | 11 |
| Oct 16, 2001 | 1 | $1,273,000 | +14% | -29% | 2,712 | $469 | $45,825,000 | 12 |
| Oct 17, 2001 | 1 | $1,076,000 | -15% | -31% | 2,712 | $397 | $46,901,000 | 13 |
| Oct 18, 2001 | 1 | $1,057,000 | -2% | -26% | 2,712 | $390 | $47,958,000 | 14 |
| Oct 19, 2001 | 3 | $2,689,000 | +154% | -34% | 2,603 | $1,033 | $50,647,000 | 15 |
| Oct 20, 2001 | 3 | $4,140,000 | +54% | -27% | 2,603 | $1,590 | $54,787,000 | 16 |
| Oct 21, 2001 | 2 | $2,430,000 | -41% | -33% | 2,603 | $934 | $57,283,521 | 17 |
| Oct 22, 2001 | 3 | $647,000 | -73% | -42% | 2,603 | $249 | $57,930,000 | 18 |
| Oct 23, 2001 | 2 | $787,000 | +22% | -38% | 2,603 | $302 | $58,717,000 | 19 |
| Oct 24, 2001 | 3 | $616,000 | -22% | -43% | 2,603 | $237 | $59,288,000 | 20 |
| Oct 25, 2001 | 3 | $603,000 | -2% | -43% | 2,603 | $232 | $59,892,000 | 21 |
| Oct 26, 2001 | 5 | $1,772,000 | +194% | -34% | 2,603 | $681 | $61,660,000 | 22 |
| Oct 27, 2001 | 5 | $2,250,000 | +27% | -46% | 2,328 | $966 | $63,910,000 | 23 |
| Oct 28, 2001 | 5 | $1,380,000 | -39% | -43% | 2,328 | $593 | $65,030,000 | 24 |
| Oct 29, 2001 | 4 | $405,000 | -71% | -37% | 2,328 | $174 | $65,435,000 | 25 |
| Oct 30, 2001 | 5 | $368,000 | -9% | -53% | 2,328 | $158 | $65,803,000 | 26 |
| Oct 31, 2001 | 5 | $331,000 | -10% | -46% | 2,328 | $142 | $66,134,000 | 27 |
| Nov 1, 2001 | 5 | $383,000 | +16% | -36% | 2,328 | $165 | $66,517,000 | 28 |
| Nov 2, 2001 | 8 | $940,000 | +145% | -47% | 1,805 | $521 | $67,460,000 | 29 |
| Nov 3, 2001 | 8 | $1,400,000 | +49% | -38% | 1,805 | $776 | $68,860,000 | 30 |
| Nov 4, 2001 | 8 | $760,000 | -46% | -45% | 1,805 | $421 | $69,570,000 | 31 |
| Nov 5, 2001 | 8 | $258,000 | -66% | -36% | 1,805 | $143 | $69,828,000 | 32 |
| Nov 6, 2001 | 8 | $272,000 | +5% | -26% | 1,805 | $151 | $70,100,000 | 33 |
| Nov 7, 2001 | 8 | $240,000 | -12% | -27% | 1,805 | $133 | $70,340,000 | 34 |
| Nov 8, 2001 | 8 | $245,000 | +2% | -36% | 1,805 | $136 | $70,585,000 | 35 |
| Nov 9, 2001 | 10 | $560,000 | +129% | -40% | 1,407 | $398 | $71,140,000 | 36 |
| Nov 10, 2001 | 10 | $900,000 | +61% | -36% | 1,407 | $640 | $72,040,000 | 37 |
| Nov 11, 2001 | 10 | $590,000 | -34% | -22% | 1,407 | $419 | $72,610,000 | 38 |
| Nov 12, 2001 | 10 | $264,000 | -55% | +2% | 1,407 | $188 | $72,872,000 | 39 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2001 | 1 | $30,052,710 | 2,712 | $11,081 | $30,052,710 | 1 | |
| Oct 12, 2001 | 1 | $17,905,368 | -40% | 2,712 | $6,602 | $47,958,078 | 2 |
| Oct 19, 2001 | 3 | $11,933,491 | -33% | 2,603 | $4,585 | $59,891,569 | 3 |
| Oct 26, 2001 | 5 | $6,625,707 | -44% | 2,328 | $2,846 | $66,517,276 | 4 |
| Nov 2, 2001 | 8 | $4,068,069 | -39% | 1,805 | $2,254 | $70,585,345 | 5 |
| Nov 9, 2001 | 10 | $2,696,156 | -34% | 1,407 | $1,916 | $73,281,501 | 6 |
| Nov 16, 2001 | 14 | $1,239,371 | -54% | 855 | $1,450 | $74,520,872 | 7 |
| Nov 23, 2001 | 19 | $519,482 | -58% | 458 | $1,134 | $75,040,354 | 8 |
| Nov 30, 2001 | 22 | $291,908 | -44% | 251 | $1,163 | $75,332,262 | 9 |
| Dec 7, 2001 | 15 | $513,129 | +76% | 441 | $1,164 | $75,845,391 | 10 |
| Dec 14, 2001 | 20 | $344,324 | -33% | 345 | $998 | $76,189,715 | 11 |
| Dec 21, 2001 | 46 | $71,321 | -79% | 337 | $212 | $76,261,036 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 1/31/2002 | $0 | 0 | 1 | 1 | $35 | 6/2/2026 | |||
| United Kingdom | 8/25/2023 | $3,466 | 29 | 29 | 29 | $3,466 | 8/30/2023 | |||
| Rest of World | $28,240,815 | |||||||||
| International Total | $28,244,316 | 6/2/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Denzel Washington | Alonzo Harris | |
| Ethan Hawke | Jake Hoyt |
Supporting
| Scott Glenn | Roger | |
| Cliff Curtis | Smiley | |
| Dr. Dre | Paul | |
| Snoop Dogg | Blue | |
| Tom Berenger | Stan Gursky | |
| Harris Yulin | Doug Rosselli | |
| Raymond J. Barry | Lou Jacobs | |
| Macy Gray | Sandman's Wife | |
| Charlotte Ayanna | Lisa Hoyt | |
| Eva Mendes | Sara | |
| Nick Chinlund | Tim | |
| Jaime P. Gomez | Mark | |
| Raymond Cruz | Sniper | |
| Noel Gugliemi | Moreno | |
| Samantha Becker | Letty | |
| Richard Browner | Waiter, Dining Car | |
| Ronald Ellis | Gangster | |
| William English | Dice Player #4 | |
| Kyjel N. Jolly | Alonzo's Son | |
| Fran Kranz | College Driver | |
| Janeen Krikorian | Waitress, Diner | |
| Princera Lee | Wig Store Owner | |
| Robert Leon | Veterano | |
| Seidy Lopez | Dreamer | |
| Kenneth Allen Madden | Dice Player #1 | |
| Sarah Danielle Madison | Female College Passenger | |
| Chris Patterson | Dice Player #2 | |
| Rudy Perez | PeeWee | |
| Darrel Sellers | Dice Player #3 | |
| Ben Skorstad | LAPD Pilot | |
| Cle "Shiheed" Sloan* | Bone | |
| Brett Sorenson | Male College Passenger | |
| Abel Soto | Neto | |
| Will Foster Stewart | Crackhead #2 | |
| Denzel Whitaker | Dimitri | |
| Garland Whitt | Crackhead #1 |
Production and Technical Credits
| Antoine Fuqua | Director | |
| David Ayer | Screenwriter | |
| Jeffrey Silver | Producer | |
| Bobby Newmyer | Producer | |
| Bruce Berman | Executive Producer | |
| Davis Guggenheim | Executive Producer | |
| Naomi Shohan | Production Designer | |
| Conrad Buff | Editor | |
| Mark Mancina | Composer | |
| Mauro Fiore | Director of Photography | |
| David Wisnievitz | Co-Producer | |
| Scott Strauss | Co-Producer | |
| David Ayer | Co-Producer | |
| Susan E. Novick | Associate Producer | |
| Randy Fletcher | Assistant Director | |
| David Wisnievitz | Unit Production Manager | |
| David Lazan | Art Director | |
| Jan Pascale | Set Decorator | |
| Chuck Cohen | Second Unit Camera | |
| Michele Michel | Costume Designer | |
| Maritza L. Garcia-Roddy | Costume Supervisor | |
| Russell Williams II | Sound Mixer | |
| Steve Pederson | Re-recording Mixer | |
| Daniel Leahy | Re-recording Mixer | |
| Michael Herbick | Re-recording Mixer | |
| Kevin E. Carpenter | Additional Sound Re-recording Mixer | |
| Gregory H. Watkins | Additional Sound Re-recording Mixer | |
| George Simpson | Supervising Sound Editor | |
| Michael Jonascu | Sound Effects Editor | |
| Piero Mura | Sound Effects Editor | |
| David Stone | Sound Effects Editor | |
| John P. Fasal* | Sound Effects Editor | |
| Eric Potter | Sound Effects Editor | |
| Steve Lee | Sound Effects Editor | |
| Curt Schulkey | Dialogue Editor | |
| Kimberly Lowe-Voigt | Dialogue Editor | |
| Robert Guastini | Dialogue Editor | |
| Richard Ford | Music Editor | |
| Shannon Erbe | Music Editor | |
| Ken Diaz | Make up | |
| Dino Ganziano | Hairstylist | |
| Mark Mancina | Music Producer | |
| Chuck Choi | Music Producer | |
| John Houlihan | Music Supervisor | |
| Mary Vernieu | Casting Director | |
| Ken Bates | Stunt Coordinator | |
| Spiro Razatos | Stunt Coordinator | |
| Tierre Turner | Stunt Coordinator | |
| Igor Meglic | Second Unit Camera | |
| Ken Bates | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Every day a war rages between drug dealers and cops on the streets of America’s inner cities. With every war come casualties, none greater than 13-year veteran Los Angeles narcotics officer Alonzo Harris, whose questionable methods blur the line between legal and corrupt. Today Alonzo gets a new partner, idealistic rookie Jake Hoyt, and Jake has one day — and one day only — to prove his mettle to his fiercely charismatic superior. Over 24hours, Jake will be dragged into the ethical mire of Alonzo’s logic as both men risk their careers and their lives to serve conflicting notions of justice.
Metrics
| Opening Weekend: | $22,550,788 (29.6% of total gross) |
| Legs: | 3.38 (domestic box office/biggest weekend) |
| Domestic Share: | 73.0% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 2.3 times production budget) |
| Theater counts: | 2,712 opening theaters/2,712 max. theaters, 6.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $161,145,225 |
Movie Details
| Domestic Releases: | October 5th, 2001 (Wide) by Warner Bros. |
| International Releases: | January 31st, 2002 (Wide) (New Zealand)
August 25th, 2023 (Limited) (4K Restoration) (United Kingdom) |
| Video Release: | March 19th, 2002 by Warner Home Video |
| MPA Rating: | R for strong brutal violence, pervasive language, drug content and brief nudity. |
| Running Time: | 122 minutes |
| Plot point: | Corrupt Cops |
| Release detail: | Disrupted by 2001 September 11 Attacks |
| Social setting: | Film Noir, Hood Film |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Training Day Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2001 | 1 | $22,550,788 | 2,712 | $8,315 | $22,550,788 | 1 | |
| Oct 12, 2001 | 1 | $13,386,457 | -41% | 2,712 | $4,936 | $43,439,167 | 2 |
| Oct 19, 2001 | 3 | $9,325,443 | -30% | 2,603 | $3,583 | $57,283,521 | 3 |
| Oct 26, 2001 | 5 | $5,137,712 | -45% | 2,328 | $2,207 | $65,029,281 | 4 |
| Nov 2, 2001 | 8 | $3,052,422 | -41% | 1,805 | $1,691 | $69,569,698 | 5 |
| Nov 9, 2001 | 10 | $2,023,429 | -34% | 1,407 | $1,438 | $72,608,774 | 6 |
| Nov 16, 2001 | 12 | $908,870 | -55% | 855 | $1,063 | $74,190,371 | 7 |
| Nov 23, 2001 | 19 | $430,014 | -53% | 458 | $939 | $74,950,886 | 8 |
| Nov 30, 2001 | 21 | $221,281 | -49% | 251 | $882 | $75,261,635 | 9 |
| Dec 7, 2001 | 16 | $352,772 | +59% | 441 | $800 | $75,685,034 | 10 |
| Dec 14, 2001 | 17 | $229,348 | -35% | 345 | $665 | $76,074,739 | 11 |
| Dec 21, 2001 | 32 | $71,321 | -69% | 337 | $212 | $76,261,036 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 5, 2001 | 1 | $7,530,000 | 2,712 | $2,777 | $7,530,000 | 1 | ||
| Oct 6, 2001 | 1 | $9,350,000 | +24% | 2,712 | $3,448 | $16,880,000 | 2 | |
| Oct 7, 2001 | 1 | $5,880,000 | -37% | 2,712 | $2,168 | $22,550,000 | 3 | |
| Oct 8, 2001 | 1 | $2,703,000 | -54% | 2,712 | $997 | $25,253,000 | 4 | |
| Oct 9, 2001 | 1 | $1,804,000 | -33% | 2,712 | $665 | $27,058,000 | 5 | |
| Oct 10, 2001 | 1 | $1,563,000 | -13% | 2,712 | $576 | $28,621,000 | 6 | |
| Oct 11, 2001 | 1 | $1,432,000 | -8% | 2,712 | $528 | $30,053,000 | 7 | |
| Oct 12, 2001 | 1 | $4,061,000 | +184% | -46% | 2,712 | $1,497 | $34,114,000 | 8 |
| Oct 13, 2001 | 2 | $5,706,000 | +41% | -39% | 2,712 | $2,104 | $39,820,000 | 9 |
| Oct 14, 2001 | 1 | $3,620,000 | -37% | -38% | 2,712 | $1,335 | $43,440,000 | 10 |
| Oct 15, 2001 | 1 | $1,112,000 | -69% | -59% | 2,712 | $410 | $44,551,000 | 11 |
| Oct 16, 2001 | 1 | $1,273,000 | +14% | -29% | 2,712 | $469 | $45,825,000 | 12 |
| Oct 17, 2001 | 1 | $1,076,000 | -15% | -31% | 2,712 | $397 | $46,901,000 | 13 |
| Oct 18, 2001 | 1 | $1,057,000 | -2% | -26% | 2,712 | $390 | $47,958,000 | 14 |
| Oct 19, 2001 | 3 | $2,689,000 | +154% | -34% | 2,603 | $1,033 | $50,647,000 | 15 |
| Oct 20, 2001 | 3 | $4,140,000 | +54% | -27% | 2,603 | $1,590 | $54,787,000 | 16 |
| Oct 21, 2001 | 2 | $2,430,000 | -41% | -33% | 2,603 | $934 | $57,283,521 | 17 |
| Oct 22, 2001 | 3 | $647,000 | -73% | -42% | 2,603 | $249 | $57,930,000 | 18 |
| Oct 23, 2001 | 2 | $787,000 | +22% | -38% | 2,603 | $302 | $58,717,000 | 19 |
| Oct 24, 2001 | 3 | $616,000 | -22% | -43% | 2,603 | $237 | $59,288,000 | 20 |
| Oct 25, 2001 | 3 | $603,000 | -2% | -43% | 2,603 | $232 | $59,892,000 | 21 |
| Oct 26, 2001 | 5 | $1,772,000 | +194% | -34% | 2,603 | $681 | $61,660,000 | 22 |
| Oct 27, 2001 | 5 | $2,250,000 | +27% | -46% | 2,328 | $966 | $63,910,000 | 23 |
| Oct 28, 2001 | 5 | $1,380,000 | -39% | -43% | 2,328 | $593 | $65,030,000 | 24 |
| Oct 29, 2001 | 4 | $405,000 | -71% | -37% | 2,328 | $174 | $65,435,000 | 25 |
| Oct 30, 2001 | 5 | $368,000 | -9% | -53% | 2,328 | $158 | $65,803,000 | 26 |
| Oct 31, 2001 | 5 | $331,000 | -10% | -46% | 2,328 | $142 | $66,134,000 | 27 |
| Nov 1, 2001 | 5 | $383,000 | +16% | -36% | 2,328 | $165 | $66,517,000 | 28 |
| Nov 2, 2001 | 8 | $940,000 | +145% | -47% | 1,805 | $521 | $67,460,000 | 29 |
| Nov 3, 2001 | 8 | $1,400,000 | +49% | -38% | 1,805 | $776 | $68,860,000 | 30 |
| Nov 4, 2001 | 8 | $760,000 | -46% | -45% | 1,805 | $421 | $69,570,000 | 31 |
| Nov 5, 2001 | 8 | $258,000 | -66% | -36% | 1,805 | $143 | $69,828,000 | 32 |
| Nov 6, 2001 | 8 | $272,000 | +5% | -26% | 1,805 | $151 | $70,100,000 | 33 |
| Nov 7, 2001 | 8 | $240,000 | -12% | -27% | 1,805 | $133 | $70,340,000 | 34 |
| Nov 8, 2001 | 8 | $245,000 | +2% | -36% | 1,805 | $136 | $70,585,000 | 35 |
| Nov 9, 2001 | 10 | $560,000 | +129% | -40% | 1,407 | $398 | $71,140,000 | 36 |
| Nov 10, 2001 | 10 | $900,000 | +61% | -36% | 1,407 | $640 | $72,040,000 | 37 |
| Nov 11, 2001 | 10 | $590,000 | -34% | -22% | 1,407 | $419 | $72,610,000 | 38 |
| Nov 12, 2001 | 10 | $264,000 | -55% | +2% | 1,407 | $188 | $72,872,000 | 39 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2001 | 1 | $30,052,710 | 2,712 | $11,081 | $30,052,710 | 1 | |
| Oct 12, 2001 | 1 | $17,905,368 | -40% | 2,712 | $6,602 | $47,958,078 | 2 |
| Oct 19, 2001 | 3 | $11,933,491 | -33% | 2,603 | $4,585 | $59,891,569 | 3 |
| Oct 26, 2001 | 5 | $6,625,707 | -44% | 2,328 | $2,846 | $66,517,276 | 4 |
| Nov 2, 2001 | 8 | $4,068,069 | -39% | 1,805 | $2,254 | $70,585,345 | 5 |
| Nov 9, 2001 | 10 | $2,696,156 | -34% | 1,407 | $1,916 | $73,281,501 | 6 |
| Nov 16, 2001 | 14 | $1,239,371 | -54% | 855 | $1,450 | $74,520,872 | 7 |
| Nov 23, 2001 | 19 | $519,482 | -58% | 458 | $1,134 | $75,040,354 | 8 |
| Nov 30, 2001 | 22 | $291,908 | -44% | 251 | $1,163 | $75,332,262 | 9 |
| Dec 7, 2001 | 15 | $513,129 | +76% | 441 | $1,164 | $75,845,391 | 10 |
| Dec 14, 2001 | 20 | $344,324 | -33% | 345 | $998 | $76,189,715 | 11 |
| Dec 21, 2001 | 46 | $71,321 | -79% | 337 | $212 | $76,261,036 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 1/31/2002 | $0 | 0 | 1 | 1 | $35 | 6/2/2026 | |||
| United Kingdom | 8/25/2023 | $3,466 | 29 | 29 | 29 | $3,466 | 8/30/2023 | |||
| Rest of World | $28,240,815 | |||||||||
| International Total | $28,244,316 | 6/2/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Denzel Washington | Alonzo Harris | |
| Ethan Hawke | Jake Hoyt |
Supporting
| Scott Glenn | Roger | |
| Cliff Curtis | Smiley | |
| Dr. Dre | Paul | |
| Snoop Dogg | Blue | |
| Tom Berenger | Stan Gursky | |
| Harris Yulin | Doug Rosselli | |
| Raymond J. Barry | Lou Jacobs | |
| Macy Gray | Sandman's Wife | |
| Charlotte Ayanna | Lisa Hoyt | |
| Eva Mendes | Sara | |
| Nick Chinlund | Tim | |
| Jaime P. Gomez | Mark | |
| Raymond Cruz | Sniper | |
| Noel Gugliemi | Moreno | |
| Samantha Becker | Letty | |
| Richard Browner | Waiter, Dining Car | |
| Ronald Ellis | Gangster | |
| William English | Dice Player #4 | |
| Kyjel N. Jolly | Alonzo's Son | |
| Fran Kranz | College Driver | |
| Janeen Krikorian | Waitress, Diner | |
| Princera Lee | Wig Store Owner | |
| Robert Leon | Veterano | |
| Seidy Lopez | Dreamer | |
| Kenneth Allen Madden | Dice Player #1 | |
| Sarah Danielle Madison | Female College Passenger | |
| Chris Patterson | Dice Player #2 | |
| Rudy Perez | PeeWee | |
| Darrel Sellers | Dice Player #3 | |
| Ben Skorstad | LAPD Pilot | |
| Cle "Shiheed" Sloan* | Bone | |
| Brett Sorenson | Male College Passenger | |
| Abel Soto | Neto | |
| Will Foster Stewart | Crackhead #2 | |
| Denzel Whitaker | Dimitri | |
| Garland Whitt | Crackhead #1 |
Production and Technical Credits
| Antoine Fuqua | Director | |
| David Ayer | Screenwriter | |
| Jeffrey Silver | Producer | |
| Bobby Newmyer | Producer | |
| Bruce Berman | Executive Producer | |
| Davis Guggenheim | Executive Producer | |
| Naomi Shohan | Production Designer | |
| Conrad Buff | Editor | |
| Mark Mancina | Composer | |
| Mauro Fiore | Director of Photography | |
| David Wisnievitz | Co-Producer | |
| Scott Strauss | Co-Producer | |
| David Ayer | Co-Producer | |
| Susan E. Novick | Associate Producer | |
| Randy Fletcher | Assistant Director | |
| David Wisnievitz | Unit Production Manager | |
| David Lazan | Art Director | |
| Jan Pascale | Set Decorator | |
| Chuck Cohen | Second Unit Camera | |
| Michele Michel | Costume Designer | |
| Maritza L. Garcia-Roddy | Costume Supervisor | |
| Russell Williams II | Sound Mixer | |
| Steve Pederson | Re-recording Mixer | |
| Daniel Leahy | Re-recording Mixer | |
| Michael Herbick | Re-recording Mixer | |
| Kevin E. Carpenter | Additional Sound Re-recording Mixer | |
| Gregory H. Watkins | Additional Sound Re-recording Mixer | |
| George Simpson | Supervising Sound Editor | |
| Michael Jonascu | Sound Effects Editor | |
| Piero Mura | Sound Effects Editor | |
| David Stone | Sound Effects Editor | |
| John P. Fasal* | Sound Effects Editor | |
| Eric Potter | Sound Effects Editor | |
| Steve Lee | Sound Effects Editor | |
| Curt Schulkey | Dialogue Editor | |
| Kimberly Lowe-Voigt | Dialogue Editor | |
| Robert Guastini | Dialogue Editor | |
| Richard Ford | Music Editor | |
| Shannon Erbe | Music Editor | |
| Ken Diaz | Make up | |
| Dino Ganziano | Hairstylist | |
| Mark Mancina | Music Producer | |
| Chuck Choi | Music Producer | |
| John Houlihan | Music Supervisor | |
| Mary Vernieu | Casting Director | |
| Ken Bates | Stunt Coordinator | |
| Spiro Razatos | Stunt Coordinator | |
| Tierre Turner | Stunt Coordinator | |
| Igor Meglic | Second Unit Camera | |
| Ken Bates | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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