Transit (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $815,290 | Details |
| International Box Office | $639,024 | Details |
| Worldwide Box Office | $1,454,314 | |
| OpusData ID: 337850100 More info... | ||
| Further financial details... | ||
Synopsis
As fascism spreads, German refugee Georg flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying. Living among refugees from around the world, Georg falls for Marie, a mysterious woman searching for her husband—the man whose identity he has stolen.
Metrics
| Opening Weekend: | $31,931 (3.9% of total gross) |
| Legs: | 6.90 (domestic box office/biggest weekend) |
| Domestic Share: | 56.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/72 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,064,500 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by Music Box Films |
| International Releases: | April 27th, 2018 (Wide) (France)
June 15th, 2018 (Wide), released as En transito (Spain) September 7th, 2018 (Wide) (Turkey) October 26th, 2018 (Wide) (Argentina) October 26th, 2018 (Wide) (Italy) ... Show all releases |
| Video Release: | June 25th, 2019 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | France |
| Plot point: | False Identity, Nazis, Romance, Stolen Identity, Writing and Writers |
| Social setting: | World War II |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | The Match Factory, Schramm Film Koerner & Weber Production, Neon Productions, ZDF, Arte, ARTE France |
| Production Countries: | Germany, France |
| Languages: | German, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 52 | $31,931 | 2 | $15,966 | $31,931 | 1 | |
| Mar 8, 2019 | 49 | $39,810 | +25% | 5 | $7,962 | $87,002 | 2 |
| Mar 15, 2019 | 32 | $118,132 | +197% | 44 | $2,685 | $228,748 | 3 |
| Mar 22, 2019 | 33 | $114,371 | -3% | 72 | $1,588 | $390,078 | 4 |
| Mar 29, 2019 | 29 | $78,336 | -32% | 64 | $1,224 | $516,197 | 5 |
| Apr 5, 2019 | 32 | $66,181 | -16% | 55 | $1,203 | $617,624 | 6 |
| Apr 12, 2019 | 40 | $42,643 | -36% | 47 | $907 | $686,525 | 7 |
| Apr 19, 2019 | 53 | $26,520 | -38% | 30 | $884 | $731,745 | 8 |
| Apr 26, 2019 | 46 | $23,582 | -11% | 28 | $842 | $766,459 | 9 |
| May 3, 2019 | 56 | $9,643 | -59% | 14 | $689 | $786,662 | 10 |
| May 10, 2019 | 61 | $5,670 | -41% | 5 | $1,134 | $798,237 | 11 |
| May 17, 2019 | 77 | $2,347 | -59% | 4 | $587 | $803,529 | 12 |
| May 24, 2019 | 76 | $1,881 | -20% | 4 | $470 | $808,441 | 13 |
| May 31, 2019 | 76 | $1,538 | -18% | 3 | $513 | $810,649 | 14 |
| Jun 7, 2019 | 85 | $442 | -71% | 1 | $442 | $813,246 | 15 |
| Jun 21, 2019 | 77 | $338 | 1 | $338 | $813,752 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 50 | $47,192 | 2 | $23,596 | $47,192 | 1 | |
| Mar 8, 2019 | 51 | $63,424 | +34% | 6 | $10,571 | $110,616 | 2 |
| Mar 15, 2019 | 35 | $165,091 | +160% | 44 | $3,752 | $275,707 | 3 |
| Mar 22, 2019 | 33 | $162,154 | -2% | 72 | $2,252 | $437,861 | 4 |
| Mar 29, 2019 | 31 | $113,582 | -30% | 64 | $1,775 | $551,443 | 5 |
| Apr 5, 2019 | 33 | $92,439 | -19% | 64 | $1,444 | $643,882 | 6 |
| Apr 12, 2019 | 43 | $61,334 | -34% | 47 | $1,305 | $705,225 | 7 |
| Apr 19, 2019 | 53 | $37,652 | -39% | 30 | $1,255 | $742,877 | 8 |
| Apr 26, 2019 | 46 | $34,142 | -9% | 28 | $1,219 | $777,019 | 9 |
| May 3, 2019 | 57 | $15,548 | -54% | 14 | $1,111 | $792,567 | 10 |
| May 10, 2019 | 64 | $8,615 | -45% | 6 | $1,436 | $801,182 | 11 |
| May 17, 2019 | 69 | $5,378 | -38% | 12 | $448 | $806,560 | 12 |
| May 24, 2019 | 84 | $2,551 | -53% | 4 | $638 | $809,111 | 13 |
| May 31, 2019 | 82 | $2,155 | -16% | 3 | $718 | $811,266 | 14 |
| Jun 7, 2019 | - | $1,364 | -37% | 2 | $682 | $812,630 | 15 |
| Jun 14, 2019 | - | $784 | -43% | 1 | $784 | $813,414 | 16 |
| Jun 21, 2019 | 80 | $338 | -57% | 1 | $338 | $815,290 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/26/2018 | $21,648 | 19 | 19 | 19 | $42,944 | 4/4/2026 | |||
| Australia | 4/12/2019 | $2,539 | 3 | 3 | 12 | $52,632 | 10/20/2022 | |||
| Bulgaria | 12/13/2019 | $0 | 0 | 0 | 0 | $2,522 | 1/1/2020 | |||
| France | 4/27/2018 | $110,437 | 0 | 0 | 0 | $208,050 | 6/12/2018 | |||
| Italy | 10/26/2018 | $0 | 0 | 5 | 9 | $150,736 | 9/26/2019 | |||
| Lithuania | 1/18/2019 | $5,537 | 18 | 18 | 27 | $7,940 | 1/29/2019 | |||
| New Zealand | 6/13/2019 | $0 | 0 | 1 | 6 | $4,893 | 10/19/2022 | |||
| Portugal | 1/25/2019 | $4,714 | 4 | 4 | 13 | $16,355 | 2/28/2019 | |||
| South Korea | 7/2/2020 | $8,368 | 42 | 42 | 93 | $40,561 | 10/7/2021 | |||
| Spain | 6/15/2018 | $31,431 | 38 | 39 | 77 | $62,587 | 6/28/2018 | |||
| Turkey | 9/7/2018 | $3,487 | 22 | 22 | 41 | $10,382 | 2/26/2019 | |||
| United Kingdom | 8/16/2019 | $31,389 | 19 | 19 | 19 | $31,389 | 8/21/2019 | |||
| Rest of World | $8,033 | |||||||||
| International Total | $639,024 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Franz Rogowski | Georg | |
| Paula Beer | Marie |
Supporting
| Godehard Giese | Richard | |
| Lilien Batman | Driss | |
| Maryam Zaree | Melissa | |
| Matthias Brandt | Mont Ventoux Bartender / Narrator | |
| Sebastian Hulk | Paul | |
| Emilie de Preissac | Paris Hotel Owner | |
| Antoine Oppenheim | George Binnet | |
| Ronald Kukulies | Heinz | |
| Justus von Dohnany | Conductor | |
| Alex Brendemuhl | Mexican Consul | |
| Trystan Putter | U.S. Consul |
Production and Technical Credits
| Christian Petzold | Director | |
| Christian Petzold | Screenwriter | |
| Anna Seghers | Story adapted from the novel by | |
| Florian Koerner von Gustorf | Producer | |
| Michael Weber | Producer | |
| Bettina Bohler | Editor | |
| Stefan Will | Composer | |
| Hans Fromm | Director of Photography | |
| Antonin Dedet | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As fascism spreads, German refugee Georg flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying. Living among refugees from around the world, Georg falls for Marie, a mysterious woman searching for her husband—the man whose identity he has stolen.
Metrics
| Opening Weekend: | $31,931 (3.9% of total gross) |
| Legs: | 6.90 (domestic box office/biggest weekend) |
| Domestic Share: | 56.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/72 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,064,500 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by Music Box Films |
| International Releases: | April 27th, 2018 (Wide) (France)
June 15th, 2018 (Wide), released as En transito (Spain) September 7th, 2018 (Wide) (Turkey) October 26th, 2018 (Wide) (Argentina) October 26th, 2018 (Wide) (Italy) ... Show all releases |
| Video Release: | June 25th, 2019 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | France |
| Plot point: | False Identity, Nazis, Romance, Stolen Identity, Writing and Writers |
| Social setting: | World War II |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | The Match Factory, Schramm Film Koerner & Weber Production, Neon Productions, ZDF, Arte, ARTE France |
| Production Countries: | Germany, France |
| Languages: | German, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 52 | $31,931 | 2 | $15,966 | $31,931 | 1 | |
| Mar 8, 2019 | 49 | $39,810 | +25% | 5 | $7,962 | $87,002 | 2 |
| Mar 15, 2019 | 32 | $118,132 | +197% | 44 | $2,685 | $228,748 | 3 |
| Mar 22, 2019 | 33 | $114,371 | -3% | 72 | $1,588 | $390,078 | 4 |
| Mar 29, 2019 | 29 | $78,336 | -32% | 64 | $1,224 | $516,197 | 5 |
| Apr 5, 2019 | 32 | $66,181 | -16% | 55 | $1,203 | $617,624 | 6 |
| Apr 12, 2019 | 40 | $42,643 | -36% | 47 | $907 | $686,525 | 7 |
| Apr 19, 2019 | 53 | $26,520 | -38% | 30 | $884 | $731,745 | 8 |
| Apr 26, 2019 | 46 | $23,582 | -11% | 28 | $842 | $766,459 | 9 |
| May 3, 2019 | 56 | $9,643 | -59% | 14 | $689 | $786,662 | 10 |
| May 10, 2019 | 61 | $5,670 | -41% | 5 | $1,134 | $798,237 | 11 |
| May 17, 2019 | 77 | $2,347 | -59% | 4 | $587 | $803,529 | 12 |
| May 24, 2019 | 76 | $1,881 | -20% | 4 | $470 | $808,441 | 13 |
| May 31, 2019 | 76 | $1,538 | -18% | 3 | $513 | $810,649 | 14 |
| Jun 7, 2019 | 85 | $442 | -71% | 1 | $442 | $813,246 | 15 |
| Jun 21, 2019 | 77 | $338 | 1 | $338 | $813,752 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 50 | $47,192 | 2 | $23,596 | $47,192 | 1 | |
| Mar 8, 2019 | 51 | $63,424 | +34% | 6 | $10,571 | $110,616 | 2 |
| Mar 15, 2019 | 35 | $165,091 | +160% | 44 | $3,752 | $275,707 | 3 |
| Mar 22, 2019 | 33 | $162,154 | -2% | 72 | $2,252 | $437,861 | 4 |
| Mar 29, 2019 | 31 | $113,582 | -30% | 64 | $1,775 | $551,443 | 5 |
| Apr 5, 2019 | 33 | $92,439 | -19% | 64 | $1,444 | $643,882 | 6 |
| Apr 12, 2019 | 43 | $61,334 | -34% | 47 | $1,305 | $705,225 | 7 |
| Apr 19, 2019 | 53 | $37,652 | -39% | 30 | $1,255 | $742,877 | 8 |
| Apr 26, 2019 | 46 | $34,142 | -9% | 28 | $1,219 | $777,019 | 9 |
| May 3, 2019 | 57 | $15,548 | -54% | 14 | $1,111 | $792,567 | 10 |
| May 10, 2019 | 64 | $8,615 | -45% | 6 | $1,436 | $801,182 | 11 |
| May 17, 2019 | 69 | $5,378 | -38% | 12 | $448 | $806,560 | 12 |
| May 24, 2019 | 84 | $2,551 | -53% | 4 | $638 | $809,111 | 13 |
| May 31, 2019 | 82 | $2,155 | -16% | 3 | $718 | $811,266 | 14 |
| Jun 7, 2019 | - | $1,364 | -37% | 2 | $682 | $812,630 | 15 |
| Jun 14, 2019 | - | $784 | -43% | 1 | $784 | $813,414 | 16 |
| Jun 21, 2019 | 80 | $338 | -57% | 1 | $338 | $815,290 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/26/2018 | $21,648 | 19 | 19 | 19 | $42,944 | 4/4/2026 | |||
| Australia | 4/12/2019 | $2,539 | 3 | 3 | 12 | $52,632 | 10/20/2022 | |||
| Bulgaria | 12/13/2019 | $0 | 0 | 0 | 0 | $2,522 | 1/1/2020 | |||
| France | 4/27/2018 | $110,437 | 0 | 0 | 0 | $208,050 | 6/12/2018 | |||
| Italy | 10/26/2018 | $0 | 0 | 5 | 9 | $150,736 | 9/26/2019 | |||
| Lithuania | 1/18/2019 | $5,537 | 18 | 18 | 27 | $7,940 | 1/29/2019 | |||
| New Zealand | 6/13/2019 | $0 | 0 | 1 | 6 | $4,893 | 10/19/2022 | |||
| Portugal | 1/25/2019 | $4,714 | 4 | 4 | 13 | $16,355 | 2/28/2019 | |||
| South Korea | 7/2/2020 | $8,368 | 42 | 42 | 93 | $40,561 | 10/7/2021 | |||
| Spain | 6/15/2018 | $31,431 | 38 | 39 | 77 | $62,587 | 6/28/2018 | |||
| Turkey | 9/7/2018 | $3,487 | 22 | 22 | 41 | $10,382 | 2/26/2019 | |||
| United Kingdom | 8/16/2019 | $31,389 | 19 | 19 | 19 | $31,389 | 8/21/2019 | |||
| Rest of World | $8,033 | |||||||||
| International Total | $639,024 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Franz Rogowski | Georg | |
| Paula Beer | Marie |
Supporting
| Godehard Giese | Richard | |
| Lilien Batman | Driss | |
| Maryam Zaree | Melissa | |
| Matthias Brandt | Mont Ventoux Bartender / Narrator | |
| Sebastian Hulk | Paul | |
| Emilie de Preissac | Paris Hotel Owner | |
| Antoine Oppenheim | George Binnet | |
| Ronald Kukulies | Heinz | |
| Justus von Dohnany | Conductor | |
| Alex Brendemuhl | Mexican Consul | |
| Trystan Putter | U.S. Consul |
Production and Technical Credits
| Christian Petzold | Director | |
| Christian Petzold | Screenwriter | |
| Anna Seghers | Story adapted from the novel by | |
| Florian Koerner von Gustorf | Producer | |
| Michael Weber | Producer | |
| Bettina Bohler | Editor | |
| Stefan Will | Composer | |
| Hans Fromm | Director of Photography | |
| Antonin Dedet | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.