Trautmann (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $2,056,577 | Details |
| Worldwide Box Office | $2,056,577 | |
| OpusData ID: 402000100 More info... | ||
| Further financial details... | ||
Synopsis
The Keeper tells the incredible true story of Bert Trautmann, a German soldier and prisoner of war who, against a backdrop of British post-war protest and prejudice, secures the position of Goalkeeper at Manchester City, and in doing so becomes a footballing icon. His signing causes outrage to thousands of fans, many of them Jewish. But Bert receives support from an unexpected direction: Rabbi Alexander Altmann, who fled the Nazis. Bert’s love for Margaret, an Englishwoman, carries him through and he wins over even his harshest opponents by winning the 1956 FA Cup Final, playing on with a broken neck to secure victory. But fate will soon twist the knife for Bert and Margaret, when their love and loyalty to each other is put to the ultimate test.
Metrics
Movie Details
| Domestic Releases: | October 2nd, 2020 (Limited) by Menemsha Entertainment, released as The Keeper October 2nd, 2020 (Virtual) by Menemsha Entertainment, released as The Keeper |
| International Releases: | March 15th, 2019 (Wide) (Germany)
April 5th, 2019 (Limited), released as The Keeper (United Kingdom) July 25th, 2019 (Wide), released as The Keeper (New Zealand) July 26th, 2019 (Wide), released as The Keeper (Australia) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 113 minutes |
| Social setting: | World War II |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lieblingsfilm, Zephyr Films Limited |
| Production Countries: | Germany, United Kingdom |
| Languages: | English, German |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/26/2019 | $155,004 | 95 | 110 | 740 | $848,722 | 6/25/2020 | |||
| Germany | 3/15/2019 | $422,581 | 0 | 0 | 0 | $539,045 | 3/23/2019 | |||
| New Zealand | 7/25/2019 | $0 | 0 | 34 | 195 | $206,024 | 1/8/2020 | |||
| United Kingdom | 4/5/2019 | $101,231 | 84 | 84 | 283 | $462,786 | 7/24/2019 | |||
| International Total | $2,056,577 | 6/25/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Kross | Bert Trautmann | |
| Freya Mavor | Margaret | |
| John Henshaw | ||
| Dave Johns |
Supporting
| Gary Lewis | ||
| Dervla Kirwan | ||
| Harry Melling | ||
| Michael Socha | ||
| Julian Sands | ||
| Barbara Young | ||
| Chloe Harris | ||
| Mikey Collins |
Production and Technical Credits
| Marcus H. Rosenmüller | Director | |
| Chris Curling | Producer | |
| Robert Marciniak | Producer | |
| Marcus H. Rosenmüller | Screenwriter | |
| Nicholas J. Schofield | Screenwriter | |
| Christian Eisenbeiss | Executive Producer | |
| Steve Milne | Producer | |
| Josef Reidinger | Co-Producer | |
| Christine Strobl | Co-Producer | |
| Al Munteanu | Co-Producer | |
| Lars Wiebe | Co-Producer | |
| Ben Rosenkind | Re-recording Mixer | |
| Jeremy Price | Supervising Sound Editor | |
| Michael Vetter | Sound Recordist | |
| David Laubsch | Visual Effects Supervisor | |
| Thomas Blieninger | Line Producer | |
| Anke Winckler | Costume Designer | |
| Johannes Sternagel | Production Designer | |
| Doerthe Komnick | Production Designer | |
| Michael Binzer | Production Designer | |
| Alexander Berner | Editor | |
| Gerd Baumann | Composer | |
| Daniel Gottschalk | Director of Photography | |
| Dan Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The Keeper tells the incredible true story of Bert Trautmann, a German soldier and prisoner of war who, against a backdrop of British post-war protest and prejudice, secures the position of Goalkeeper at Manchester City, and in doing so becomes a footballing icon. His signing causes outrage to thousands of fans, many of them Jewish. But Bert receives support from an unexpected direction: Rabbi Alexander Altmann, who fled the Nazis. Bert’s love for Margaret, an Englishwoman, carries him through and he wins over even his harshest opponents by winning the 1956 FA Cup Final, playing on with a broken neck to secure victory. But fate will soon twist the knife for Bert and Margaret, when their love and loyalty to each other is put to the ultimate test.
Metrics
Movie Details
| Domestic Releases: | October 2nd, 2020 (Limited) by Menemsha Entertainment, released as The Keeper October 2nd, 2020 (Virtual) by Menemsha Entertainment, released as The Keeper |
| International Releases: | March 15th, 2019 (Wide) (Germany)
April 5th, 2019 (Limited), released as The Keeper (United Kingdom) July 25th, 2019 (Wide), released as The Keeper (New Zealand) July 26th, 2019 (Wide), released as The Keeper (Australia) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 113 minutes |
| Social setting: | World War II |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lieblingsfilm, Zephyr Films Limited |
| Production Countries: | Germany, United Kingdom |
| Languages: | English, German |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/26/2019 | $155,004 | 95 | 110 | 740 | $848,722 | 6/25/2020 | |||
| Germany | 3/15/2019 | $422,581 | 0 | 0 | 0 | $539,045 | 3/23/2019 | |||
| New Zealand | 7/25/2019 | $0 | 0 | 34 | 195 | $206,024 | 1/8/2020 | |||
| United Kingdom | 4/5/2019 | $101,231 | 84 | 84 | 283 | $462,786 | 7/24/2019 | |||
| International Total | $2,056,577 | 6/25/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Kross | Bert Trautmann | |
| Freya Mavor | Margaret | |
| John Henshaw | ||
| Dave Johns |
Supporting
| Gary Lewis | ||
| Dervla Kirwan | ||
| Harry Melling | ||
| Michael Socha | ||
| Julian Sands | ||
| Barbara Young | ||
| Chloe Harris | ||
| Mikey Collins |
Production and Technical Credits
| Marcus H. Rosenmüller | Director | |
| Chris Curling | Producer | |
| Robert Marciniak | Producer | |
| Marcus H. Rosenmüller | Screenwriter | |
| Nicholas J. Schofield | Screenwriter | |
| Christian Eisenbeiss | Executive Producer | |
| Steve Milne | Producer | |
| Josef Reidinger | Co-Producer | |
| Christine Strobl | Co-Producer | |
| Al Munteanu | Co-Producer | |
| Lars Wiebe | Co-Producer | |
| Ben Rosenkind | Re-recording Mixer | |
| Jeremy Price | Supervising Sound Editor | |
| Michael Vetter | Sound Recordist | |
| David Laubsch | Visual Effects Supervisor | |
| Thomas Blieninger | Line Producer | |
| Anke Winckler | Costume Designer | |
| Johannes Sternagel | Production Designer | |
| Doerthe Komnick | Production Designer | |
| Michael Binzer | Production Designer | |
| Alexander Berner | Editor | |
| Gerd Baumann | Composer | |
| Daniel Gottschalk | Director of Photography | |
| Dan Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.