Trespass Against Us (2016)
| Theatrical Performance | ||
| Domestic Box Office | $5,711 | Details |
| International Box Office | $1,195,731 | Details |
| Worldwide Box Office | $1,201,442 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $24,238 | |
| Blu-ray Sales (estimated) | $34,926 | |
| Total | $59,164 | |
| OpusData ID: 221110100 More info... | ||
| Further financial details... | ||
Synopsis
Chad Cutler is heir apparent to his bruising criminal father, Colby and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family.
Metrics
| Opening Weekend: | $1,620 (28.4% of total gross) |
| Legs: | 3.03 (domestic box office/biggest weekend) |
| Domestic Share: | 0.5% (domestic box office/worldwide) |
| Theater counts: | 20 opening theaters/20 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,619 |
Movie Details
| Domestic Releases: | January 20th, 2017 (Limited) by A24 |
| International Releases: | November 11th, 2016 (Wide) (Australia)
March 3rd, 2017 (Wide) (United Kingdom) March 17th, 2017 (Wide) (Russia (CIS)) March 17th, 2017 (Wide), released as Código de Família (Portugal) March 17th, 2017 (Limited) (New Zealand) ... Show all releases |
| Video Release: | March 7th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for pervasive language, some disturbing behavior and brief graphic nudity. (Rating bulletin 2421 (Cert #50298), 4/20/2016) |
| Running Time: | 94 minutes |
| Geographical setting: | United Kingdom |
| Plot point: | Car Chase, Career Criminal, Dysfunctional Family, Generational Conflict, Heir, Heist, Outlaws |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Potboiler Productions, Film 4, BFI, Animal Kingdom, LypSync Productions, Westgrove Partners, DMC Film, Protagonist Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 61 | $1,620 | 20 | $81 | $1,620 | 1 | |
| Jan 27, 2017 | 58 | $1,886 | +16% | 8 | $236 | $4,746 | 2 |
| Feb 3, 2017 | 75 | $170 | -91% | 2 | $85 | $5,413 | 3 |
| Feb 10, 2017 | 80 | $37 | -78% | 1 | $37 | $5,670 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 61 | $2,860 | 20 | $143 | $2,860 | 1 | |
| Jan 27, 2017 | 58 | $2,383 | -17% | 8 | $298 | $5,243 | 2 |
| Feb 3, 2017 | 70 | $390 | -84% | 2 | $195 | $5,633 | 3 |
| Feb 10, 2017 | 76 | $78 | -80% | 1 | $78 | $5,711 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/11/2016 | $5,333 | 11 | 11 | 40 | $31,820 | 7/13/2017 | |||
| Italy | 6/28/2017 | $112,632 | 0 | 0 | 0 | $210,361 | 7/12/2017 | |||
| New Zealand | 3/17/2017 | $3,206 | 8 | 13 | 32 | $15,022 | 4/18/2017 | |||
| Portugal | 3/17/2017 | $4,660 | 10 | 10 | 20 | $9,709 | 3/30/2017 | |||
| Russia (CIS) | 3/17/2017 | $21,164 | 70 | 70 | 70 | $33,764 | 1/1/2019 | |||
| South Korea | 6/7/2017 | $0 | 0 | 56 | 70 | $33,009 | 4/4/2026 | |||
| United Kingdom | 3/3/2017 | $39,893 | 85 | 85 | 137 | $95,207 | 5/10/2017 | |||
| Rest of World | $766,839 | |||||||||
| International Total | $1,195,731 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Fassbender | Chad Cutler | |
| Brendan Gleeson | Colby Cutler |
Supporting
| Lyndsey Marshal | Kelly Cutler | |
| Killian Scott | Kenny | |
| Rory Kinnear | P.C. Lovage | |
| Sean Harris | Gordon | |
| Kingsley Ben-Adir | Sampson | |
| Kacie Anderson | Mini Cutler | |
| Tony Way | Norman | |
| Gerard Kearns | Lester | |
| Georgie Smith | Tyson |
Production and Technical Credits
| Adam Smith | Director | |
| Alastair Siddons | Screenwriter | |
| Alastair Siddons | Producer | |
| Gail Egan | Producer | |
| Andrea Calderwood | Producer | |
| Tessa Ross | Executive Producer | |
| Rose Garnet | Executive Producer | |
| David Kosse | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Daniel Khalili | Executive Producer | |
| Natascha Wharton | Executive Producer | |
| Frederick W. Green | Executive Producer | |
| Joshua Astrachan | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Norman Merry | Executive Producer | |
| Nigel Williams | Executive Producer | |
| Manuel Chiche | Executive Producer | |
| Jean Labadie | Executive Producer | |
| Jim Spencer | Co-Producer | |
| Edu Grau | Director of Photography | |
| Nick Palmer | Production Designer | |
| Kristina Hetherington | Editor | |
| Jake Roberts | Editor | |
| Tom Rowland | Composer | |
| Polly Duval | Post-Production Supervisor | |
| Suzanne Cave | Costume Designer | |
| Sharon Martin | Make-up and Hair Designer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Chad Cutler is heir apparent to his bruising criminal father, Colby and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family.
Metrics
| Opening Weekend: | $1,620 (28.4% of total gross) |
| Legs: | 3.03 (domestic box office/biggest weekend) |
| Domestic Share: | 0.5% (domestic box office/worldwide) |
| Theater counts: | 20 opening theaters/20 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,619 |
Movie Details
| Domestic Releases: | January 20th, 2017 (Limited) by A24 |
| International Releases: | November 11th, 2016 (Wide) (Australia)
March 3rd, 2017 (Wide) (United Kingdom) March 17th, 2017 (Wide) (Russia (CIS)) March 17th, 2017 (Wide), released as Código de Família (Portugal) March 17th, 2017 (Limited) (New Zealand) ... Show all releases |
| Video Release: | March 7th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for pervasive language, some disturbing behavior and brief graphic nudity. (Rating bulletin 2421 (Cert #50298), 4/20/2016) |
| Running Time: | 94 minutes |
| Geographical setting: | United Kingdom |
| Plot point: | Car Chase, Career Criminal, Dysfunctional Family, Generational Conflict, Heir, Heist, Outlaws |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Potboiler Productions, Film 4, BFI, Animal Kingdom, LypSync Productions, Westgrove Partners, DMC Film, Protagonist Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 61 | $1,620 | 20 | $81 | $1,620 | 1 | |
| Jan 27, 2017 | 58 | $1,886 | +16% | 8 | $236 | $4,746 | 2 |
| Feb 3, 2017 | 75 | $170 | -91% | 2 | $85 | $5,413 | 3 |
| Feb 10, 2017 | 80 | $37 | -78% | 1 | $37 | $5,670 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 61 | $2,860 | 20 | $143 | $2,860 | 1 | |
| Jan 27, 2017 | 58 | $2,383 | -17% | 8 | $298 | $5,243 | 2 |
| Feb 3, 2017 | 70 | $390 | -84% | 2 | $195 | $5,633 | 3 |
| Feb 10, 2017 | 76 | $78 | -80% | 1 | $78 | $5,711 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/11/2016 | $5,333 | 11 | 11 | 40 | $31,820 | 7/13/2017 | |||
| Italy | 6/28/2017 | $112,632 | 0 | 0 | 0 | $210,361 | 7/12/2017 | |||
| New Zealand | 3/17/2017 | $3,206 | 8 | 13 | 32 | $15,022 | 4/18/2017 | |||
| Portugal | 3/17/2017 | $4,660 | 10 | 10 | 20 | $9,709 | 3/30/2017 | |||
| Russia (CIS) | 3/17/2017 | $21,164 | 70 | 70 | 70 | $33,764 | 1/1/2019 | |||
| South Korea | 6/7/2017 | $0 | 0 | 56 | 70 | $33,009 | 4/4/2026 | |||
| United Kingdom | 3/3/2017 | $39,893 | 85 | 85 | 137 | $95,207 | 5/10/2017 | |||
| Rest of World | $766,839 | |||||||||
| International Total | $1,195,731 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Fassbender | Chad Cutler | |
| Brendan Gleeson | Colby Cutler |
Supporting
| Lyndsey Marshal | Kelly Cutler | |
| Killian Scott | Kenny | |
| Rory Kinnear | P.C. Lovage | |
| Sean Harris | Gordon | |
| Kingsley Ben-Adir | Sampson | |
| Kacie Anderson | Mini Cutler | |
| Tony Way | Norman | |
| Gerard Kearns | Lester | |
| Georgie Smith | Tyson |
Production and Technical Credits
| Adam Smith | Director | |
| Alastair Siddons | Screenwriter | |
| Alastair Siddons | Producer | |
| Gail Egan | Producer | |
| Andrea Calderwood | Producer | |
| Tessa Ross | Executive Producer | |
| Rose Garnet | Executive Producer | |
| David Kosse | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Daniel Khalili | Executive Producer | |
| Natascha Wharton | Executive Producer | |
| Frederick W. Green | Executive Producer | |
| Joshua Astrachan | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Norman Merry | Executive Producer | |
| Nigel Williams | Executive Producer | |
| Manuel Chiche | Executive Producer | |
| Jean Labadie | Executive Producer | |
| Jim Spencer | Co-Producer | |
| Edu Grau | Director of Photography | |
| Nick Palmer | Production Designer | |
| Kristina Hetherington | Editor | |
| Jake Roberts | Editor | |
| Tom Rowland | Composer | |
| Polly Duval | Post-Production Supervisor | |
| Suzanne Cave | Costume Designer | |
| Sharon Martin | Make-up and Hair Designer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.