The Trials of Muhammad Ali (2013)
| Theatrical Performance | ||
| Domestic Box Office | $59,081 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $255,303 | |
| Total | $255,303 | |
| OpusData ID: 195080100 More info... | ||
| Further financial details... | ||
Synopsis
From joining the controversial Nation of Islam and changing his name from Cassius Clay to Muhammad Ali, to his refusal to serve in the Vietnam War in the name of protesting racial inequality, to his global humanitarian work, Muhammad Ali remains an inspiring and controversial figure. Outspoken and passionate in his beliefs, Ali found himself in the center of America’s controversies over race, religion, and war.
Metrics
| Opening Weekend: | $2,980 (5.0% of total gross) |
| Legs: | 8.77 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,901 |
Movie Details
| Domestic Releases: | August 23rd, 2013 (Limited) by Kino Lorber |
| Video Release: | April 22nd, 2014 by Kino Video |
| MPA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Plot point: | Biography, Boxing, Civil Disobedience, War |
| Social setting: | Vietnam War |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Kartemquin Films, Projecto Willis, ITVS, Corp. for Public Broadcasting |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2013 | 81 | $2,980 | 1 | $2,980 | $2,980 | 1 | |
| Sep 6, 2013 | 127 | $136 | 1 | $136 | $8,898 | 3 | |
| Sep 13, 2013 | 96 | $1,078 | +693% | 1 | $1,078 | $10,194 | 4 |
| Sep 20, 2013 | 105 | $718 | -33% | 1 | $718 | $11,911 | 5 |
| Sep 27, 2013 | 70 | $6,734 | +838% | 9 | $748 | $19,041 | 6 |
| Oct 4, 2013 | 85 | $4,517 | -33% | 9 | $502 | $27,990 | 7 |
| Oct 11, 2013 | 93 | $1,074 | -76% | 6 | $179 | $30,470 | 8 |
| Oct 18, 2013 | 84 | $4,694 | +337% | 3 | $1,565 | $35,954 | 9 |
| Oct 25, 2013 | 78 | $3,012 | -36% | 4 | $753 | $41,122 | 10 |
| Nov 1, 2013 | 68 | $1,772 | -41% | 3 | $591 | $42,894 | 11 |
| Nov 8, 2013 | 63 | $6,620 | +274% | 3 | $2,207 | $53,135 | 12 |
| Nov 22, 2013 | 90 | $392 | 1 | $392 | $57,579 | 14 | |
| Nov 29, 2013 | 86 | $28 | -93% | 1 | $28 | $57,607 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2013 | 80 | $5,120 | 1 | $5,120 | $5,120 | 1 | |
| Aug 30, 2013 | 83 | $3,642 | -29% | 1 | $3,642 | $8,762 | 2 |
| Sep 6, 2013 | 115 | $354 | -90% | 1 | $354 | $9,116 | 3 |
| Sep 13, 2013 | - | $2,014 | +469% | 1 | $2,014 | $11,130 | 4 |
| Sep 20, 2013 | 101 | $1,177 | -42% | 1 | $1,177 | $12,307 | 5 |
| Sep 27, 2013 | 63 | $11,538 | +880% | 10 | $1,154 | $23,845 | 6 |
| Oct 4, 2013 | 79 | $5,923 | -49% | 9 | $658 | $29,396 | 7 |
| Oct 11, 2013 | 99 | $1,864 | -69% | 7 | $266 | $31,260 | 8 |
| Oct 18, 2013 | 68 | $6,850 | +267% | 3 | $2,283 | $38,110 | 9 |
| Nov 1, 2013 | 61 | $2,743 | 3 | $914 | $46,515 | 11 | |
| Nov 29, 2013 | 85 | $62 | 1 | $62 | $57,641 | 15 | |
| Jan 17, 2014 | 60 | $611 | 1 | $611 | $59,081 | 22 |
Documentary Subject
| Muhammad Ali | Himself |
Inverviewee
| Louis Farrakhan | Himself | |
| Belinda Boyd | Herself | |
| Khalilah Camacho-Ali | Herself | |
| Robert Lipsyte | Himself | |
| Rahman Ali | Himself | |
| Hana Ali | Herself | |
| Gordon Davidson | Himself | |
| Salim Muwakkil | Himself | |
| John Carlos | Himself |
Production and Technical Credits
| Bill Siegel | Director | |
| Rachel Pikelny | Producer | |
| Bill Siegel | Producer | |
| Leon Gast | Executive Producer | |
| Kat White | Executive Producer | |
| Sally Jo Fifer | Executive Producer | |
| Justine Nagan | Executive Producer | |
| Gordon Quinn | Executive Producer | |
| Aaron Wickenden | Editor | |
| Joshua Abrams | Composer | |
| Andy Black | Director of Photography | |
| Marcel Cabrera | Director of Photography | |
| Jeff Freeman | Director of Photography | |
| Slawomir Grunberg | Director of Photography | |
| Dana Kupper | Director of Photography | |
| Duane Poquis | Director of Photography | |
| Ines Sommer | Director of Photography | |
| Stanley Staniski | Director of Photography | |
| Aaron Wickenden | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From joining the controversial Nation of Islam and changing his name from Cassius Clay to Muhammad Ali, to his refusal to serve in the Vietnam War in the name of protesting racial inequality, to his global humanitarian work, Muhammad Ali remains an inspiring and controversial figure. Outspoken and passionate in his beliefs, Ali found himself in the center of America’s controversies over race, religion, and war.
Metrics
| Opening Weekend: | $2,980 (5.0% of total gross) |
| Legs: | 8.77 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,901 |
Movie Details
| Domestic Releases: | August 23rd, 2013 (Limited) by Kino Lorber |
| Video Release: | April 22nd, 2014 by Kino Video |
| MPA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Plot point: | Biography, Boxing, Civil Disobedience, War |
| Social setting: | Vietnam War |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Kartemquin Films, Projecto Willis, ITVS, Corp. for Public Broadcasting |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2013 | 81 | $2,980 | 1 | $2,980 | $2,980 | 1 | |
| Sep 6, 2013 | 127 | $136 | 1 | $136 | $8,898 | 3 | |
| Sep 13, 2013 | 96 | $1,078 | +693% | 1 | $1,078 | $10,194 | 4 |
| Sep 20, 2013 | 105 | $718 | -33% | 1 | $718 | $11,911 | 5 |
| Sep 27, 2013 | 70 | $6,734 | +838% | 9 | $748 | $19,041 | 6 |
| Oct 4, 2013 | 85 | $4,517 | -33% | 9 | $502 | $27,990 | 7 |
| Oct 11, 2013 | 93 | $1,074 | -76% | 6 | $179 | $30,470 | 8 |
| Oct 18, 2013 | 84 | $4,694 | +337% | 3 | $1,565 | $35,954 | 9 |
| Oct 25, 2013 | 78 | $3,012 | -36% | 4 | $753 | $41,122 | 10 |
| Nov 1, 2013 | 68 | $1,772 | -41% | 3 | $591 | $42,894 | 11 |
| Nov 8, 2013 | 63 | $6,620 | +274% | 3 | $2,207 | $53,135 | 12 |
| Nov 22, 2013 | 90 | $392 | 1 | $392 | $57,579 | 14 | |
| Nov 29, 2013 | 86 | $28 | -93% | 1 | $28 | $57,607 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2013 | 80 | $5,120 | 1 | $5,120 | $5,120 | 1 | |
| Aug 30, 2013 | 83 | $3,642 | -29% | 1 | $3,642 | $8,762 | 2 |
| Sep 6, 2013 | 115 | $354 | -90% | 1 | $354 | $9,116 | 3 |
| Sep 13, 2013 | - | $2,014 | +469% | 1 | $2,014 | $11,130 | 4 |
| Sep 20, 2013 | 101 | $1,177 | -42% | 1 | $1,177 | $12,307 | 5 |
| Sep 27, 2013 | 63 | $11,538 | +880% | 10 | $1,154 | $23,845 | 6 |
| Oct 4, 2013 | 79 | $5,923 | -49% | 9 | $658 | $29,396 | 7 |
| Oct 11, 2013 | 99 | $1,864 | -69% | 7 | $266 | $31,260 | 8 |
| Oct 18, 2013 | 68 | $6,850 | +267% | 3 | $2,283 | $38,110 | 9 |
| Nov 1, 2013 | 61 | $2,743 | 3 | $914 | $46,515 | 11 | |
| Nov 29, 2013 | 85 | $62 | 1 | $62 | $57,641 | 15 | |
| Jan 17, 2014 | 60 | $611 | 1 | $611 | $59,081 | 22 |
Documentary Subject
| Muhammad Ali | Himself |
Inverviewee
| Louis Farrakhan | Himself | |
| Belinda Boyd | Herself | |
| Khalilah Camacho-Ali | Herself | |
| Robert Lipsyte | Himself | |
| Rahman Ali | Himself | |
| Hana Ali | Herself | |
| Gordon Davidson | Himself | |
| Salim Muwakkil | Himself | |
| John Carlos | Himself |
Production and Technical Credits
| Bill Siegel | Director | |
| Rachel Pikelny | Producer | |
| Bill Siegel | Producer | |
| Leon Gast | Executive Producer | |
| Kat White | Executive Producer | |
| Sally Jo Fifer | Executive Producer | |
| Justine Nagan | Executive Producer | |
| Gordon Quinn | Executive Producer | |
| Aaron Wickenden | Editor | |
| Joshua Abrams | Composer | |
| Andy Black | Director of Photography | |
| Marcel Cabrera | Director of Photography | |
| Jeff Freeman | Director of Photography | |
| Slawomir Grunberg | Director of Photography | |
| Dana Kupper | Director of Photography | |
| Duane Poquis | Director of Photography | |
| Ines Sommer | Director of Photography | |
| Stanley Staniski | Director of Photography | |
| Aaron Wickenden | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.