The Trouble I See… (2026)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 783870100 More info... | ||
| Further financial details... | ||
Synopsis
An intimate look at two families fighting to stay connected despite a system designed to keep them apart. Using the Richmond City Jail's annual Father-Daughter Dance as its emotional centerpiece, the film follows Joey and Rashaan—two men who have cycled in and out of incarceration throughout their adulthood—and asks a fundamental question: how does a family survive when they are forced apart? Filmed over several years, the film is above all about family connection. Despite overwhelming obstacles, these families face their circumstances with humor, fierce devotion to one another, and remarkable charisma. The Trouble I See… reveals not just what the system takes from them, but what it cannot: the unbreakable bonds of family.
Metrics
Movie Details
| Video Release: | January 16th, 2026 by Freestyle Digital Media |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Interviewee
| Tonette Jones | Herself | |
| Rashaan Williams | Himself | |
| Jamillah Jones | Herself | |
| Nikki Jones | Herself | |
| Lamar Jackson | Himself | |
| Brandy Jackson | Herself | |
| Shaniya Laster Williams | Herself | |
| Amy Cleaver Atkins | Herself | |
| Joey Atkins | Himself | |
| Alexis Atkins | Herself |
Production and Technical Credits
| Patrick Gregory | Director | |
| Sally O’Grady | Director | |
| Sandra Guardado | Screenwriter | |
| Patrick Gregory | Screenwriter | |
| Sally O’Grady | Screenwriter | |
| Patrick Gregory | Producer | |
| Sally O’Grady | Producer | |
| Sandra Guardado | Editor | |
| Patrick Gregory | Cinematographer | |
| Scott Converey | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An intimate look at two families fighting to stay connected despite a system designed to keep them apart. Using the Richmond City Jail's annual Father-Daughter Dance as its emotional centerpiece, the film follows Joey and Rashaan—two men who have cycled in and out of incarceration throughout their adulthood—and asks a fundamental question: how does a family survive when they are forced apart? Filmed over several years, the film is above all about family connection. Despite overwhelming obstacles, these families face their circumstances with humor, fierce devotion to one another, and remarkable charisma. The Trouble I See… reveals not just what the system takes from them, but what it cannot: the unbreakable bonds of family.
Metrics
Movie Details
| Video Release: | January 16th, 2026 by Freestyle Digital Media |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Interviewee
| Tonette Jones | Herself | |
| Rashaan Williams | Himself | |
| Jamillah Jones | Herself | |
| Nikki Jones | Herself | |
| Lamar Jackson | Himself | |
| Brandy Jackson | Herself | |
| Shaniya Laster Williams | Herself | |
| Amy Cleaver Atkins | Herself | |
| Joey Atkins | Himself | |
| Alexis Atkins | Herself |
Production and Technical Credits
| Patrick Gregory | Director | |
| Sally O’Grady | Director | |
| Sandra Guardado | Screenwriter | |
| Patrick Gregory | Screenwriter | |
| Sally O’Grady | Screenwriter | |
| Patrick Gregory | Producer | |
| Sally O’Grady | Producer | |
| Sandra Guardado | Editor | |
| Patrick Gregory | Cinematographer | |
| Scott Converey | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.