Truman (2015)
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| Theatrical Performance | ||
| Domestic Box Office | $210,840 | Details |
| International Box Office | $8,744,010 | Details |
| Worldwide Box Office | $8,954,850 | |
| OpusData ID: 249490100 More info... | ||
| Further financial details... | ||
Synopsis
Explores the intimacy and tenderness of a lifelong friendship headed towards its imminent end. Diagnosed with terminal cancer, Julián has decided to forgo treatment, and spend his final days tying up loose ends. When childhood friend Tomás pays his ailing friend an unexpected visit, he quickly realizes he won’t be able to change his mind. In what will be their final reunion, the two friends set out to finalize Julián’s funeral arrangements, settle his accounts and, most importantly, find a home for his beloved dog, Truman.
Metrics
| Opening Weekend: | $18,258 (8.7% of total gross) |
| Legs: | 6.18 (domestic box office/biggest weekend) |
| Domestic Share: | 2.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/22 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $281,120 |
Movie Details
| Domestic Releases: | April 7th, 2017 (Limited) by FilmRise |
| International Releases: | September 24th, 2015 (Wide) (Argentina)
October 8th, 2015 (Wide) (Uruguay) October 30th, 2015 (Wide) (Spain) December 24th, 2015 (Wide) (Colombia) January 14th, 2016 (Wide) (Chile) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Geographical setting: | Amsterdam, Netherlands |
| Plot point: | Cancer, Childhood Friends, Fired, Friends Reuniting, LGBTQ+, Terminal Illness, Theater Actor |
| Social setting: | Theater |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Impossible Films, Trumanfilm AIE, BD Cine |
| Production Countries: | Spain, Argentina |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 52 | $18,258 | 3 | $6,086 | $18,258 | 1 | |
| Apr 14, 2017 | 43 | $30,479 | +67% | 9 | $3,387 | $56,693 | 2 |
| Apr 21, 2017 | 42 | $34,099 | +12% | 18 | $1,894 | $103,678 | 3 |
| Apr 28, 2017 | 51 | $22,701 | -33% | 22 | $1,032 | $139,094 | 4 |
| May 5, 2017 | 56 | $13,474 | -41% | 14 | $962 | $164,743 | 5 |
| May 12, 2017 | 70 | $5,813 | -57% | 9 | $646 | $176,161 | 6 |
| May 19, 2017 | - | $6,628 | +14% | 6 | $1,105 | $186,920 | 7 |
| May 26, 2017 | 63 | $6,351 | -4% | 5 | $1,270 | $197,561 | 8 |
| Jun 2, 2017 | 74 | $2,385 | -62% | 3 | $795 | $205,184 | 9 |
| Jun 16, 2017 | 76 | $1,876 | 3 | $625 | $208,799 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 51 | $26,214 | 3 | $8,738 | $26,214 | 1 | |
| Apr 14, 2017 | 45 | $43,365 | +65% | 9 | $4,818 | $69,579 | 2 |
| Apr 21, 2017 | 42 | $48,058 | +11% | 18 | $2,670 | $117,637 | 3 |
| Apr 28, 2017 | 52 | $33,632 | -30% | 22 | $1,529 | $151,269 | 4 |
| May 5, 2017 | 55 | $20,236 | -40% | 14 | $1,445 | $171,505 | 5 |
| May 12, 2017 | 67 | $9,944 | -51% | 9 | $1,105 | $181,449 | 6 |
| May 19, 2017 | 58 | $10,658 | +7% | 6 | $1,776 | $192,107 | 7 |
| May 26, 2017 | 58 | $11,849 | +11% | 5 | $2,370 | $203,956 | 8 |
| Jun 2, 2017 | 79 | $3,912 | -67% | 3 | $1,304 | $207,868 | 9 |
| Jun 16, 2017 | 73 | $3,917 | 3 | $1,306 | $210,840 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/24/2015 | $580,364 | 159 | 159 | 593 | $2,363,282 | 12/31/2018 | |||
| Australia | 8/5/2016 | $9,312 | 14 | 19 | 155 | $293,103 | 1/23/2017 | |||
| Austria | 2/26/2016 | $15,183 | 23 | 23 | 71 | $59,277 | 6/9/2016 | |||
| Brazil | 4/14/2016 | $72,694 | 34 | 34 | 34 | $623,238 | 11/16/2018 | |||
| Central America | 4/7/2016 | $0 | 0 | 3 | 3 | $24,130 | 4/19/2016 | |||
| Chile | 1/14/2016 | $24,738 | 10 | 10 | 27 | $73,854 | 12/31/2018 | |||
| Colombia | 12/24/2015 | $40,561 | 24 | 24 | 48 | $95,678 | 12/31/2018 | |||
| France | 7/8/2016 | $167,148 | 0 | 0 | 0 | $367,643 | 8/17/2018 | |||
| Germany | 2/25/2016 | $81,028 | 80 | 80 | 204 | $198,433 | 6/9/2016 | |||
| Italy | 4/22/2016 | $108,938 | 0 | 0 | 0 | $369,642 | 6/9/2016 | |||
| Mexico | 4/8/2016 | $0 | 0 | 0 | 0 | $81,818 | 9/8/2018 | |||
| Netherlands | 5/12/2016 | $35,227 | 20 | 24 | 129 | $160,472 | 6/22/2016 | |||
| Peru | 3/3/2016 | $20,790 | 13 | 13 | 17 | $36,617 | 12/31/2018 | |||
| Portugal | 4/21/2016 | $7,835 | 6 | 7 | 16 | $20,991 | 6/9/2016 | |||
| Spain | 10/30/2015 | $543,893 | 140 | 217 | 1,782 | $3,831,034 | 11/28/2018 | |||
| United Kingdom | 5/6/2016 | $4,962 | 1 | 1 | 1 | $4,962 | 6/9/2016 | |||
| Uruguay | 10/8/2015 | $0 | 0 | 1 | 1 | $139,836 | 12/30/2018 | |||
| International Total | $8,744,010 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ricardo Darin | Julian | |
| Javier Camara | Tomas |
Supporting
| Dolores Fonzi | Paula | |
| Eduard Fernandez | Luis | |
| Alex Brendemuhl | Veterinarian | |
| Pedro Casablanc | Doctor | |
| Jose Luis Gomez | Veterinarian | |
| Javier Gutierrez | Coffin Salesman | |
| Elvira Minquez | Gloria | |
| Oriol Pla | Nico |
Production and Technical Credits
| Cesc Gay | Director | |
| Marta Esteban | Producer | |
| Diego Dubcovsky | Producer | |
| Daniel Burman | Co-Producer | |
| Alejandro Gorodisch | Co-Producer | |
| Axel Kuschevatzky | Co-Producer | |
| Matias Mosteirin | Co-Producer | |
| Hugo Sigman | Co-Producer | |
| Tomas Aragay | Screenwriter | |
| Cesc Gay | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Explores the intimacy and tenderness of a lifelong friendship headed towards its imminent end. Diagnosed with terminal cancer, Julián has decided to forgo treatment, and spend his final days tying up loose ends. When childhood friend Tomás pays his ailing friend an unexpected visit, he quickly realizes he won’t be able to change his mind. In what will be their final reunion, the two friends set out to finalize Julián’s funeral arrangements, settle his accounts and, most importantly, find a home for his beloved dog, Truman.
Metrics
| Opening Weekend: | $18,258 (8.7% of total gross) |
| Legs: | 6.18 (domestic box office/biggest weekend) |
| Domestic Share: | 2.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/22 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $281,120 |
Movie Details
| Domestic Releases: | April 7th, 2017 (Limited) by FilmRise |
| International Releases: | September 24th, 2015 (Wide) (Argentina)
October 8th, 2015 (Wide) (Uruguay) October 30th, 2015 (Wide) (Spain) December 24th, 2015 (Wide) (Colombia) January 14th, 2016 (Wide) (Chile) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Geographical setting: | Amsterdam, Netherlands |
| Plot point: | Cancer, Childhood Friends, Fired, Friends Reuniting, LGBTQ+, Terminal Illness, Theater Actor |
| Social setting: | Theater |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Impossible Films, Trumanfilm AIE, BD Cine |
| Production Countries: | Spain, Argentina |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 52 | $18,258 | 3 | $6,086 | $18,258 | 1 | |
| Apr 14, 2017 | 43 | $30,479 | +67% | 9 | $3,387 | $56,693 | 2 |
| Apr 21, 2017 | 42 | $34,099 | +12% | 18 | $1,894 | $103,678 | 3 |
| Apr 28, 2017 | 51 | $22,701 | -33% | 22 | $1,032 | $139,094 | 4 |
| May 5, 2017 | 56 | $13,474 | -41% | 14 | $962 | $164,743 | 5 |
| May 12, 2017 | 70 | $5,813 | -57% | 9 | $646 | $176,161 | 6 |
| May 19, 2017 | - | $6,628 | +14% | 6 | $1,105 | $186,920 | 7 |
| May 26, 2017 | 63 | $6,351 | -4% | 5 | $1,270 | $197,561 | 8 |
| Jun 2, 2017 | 74 | $2,385 | -62% | 3 | $795 | $205,184 | 9 |
| Jun 16, 2017 | 76 | $1,876 | 3 | $625 | $208,799 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 51 | $26,214 | 3 | $8,738 | $26,214 | 1 | |
| Apr 14, 2017 | 45 | $43,365 | +65% | 9 | $4,818 | $69,579 | 2 |
| Apr 21, 2017 | 42 | $48,058 | +11% | 18 | $2,670 | $117,637 | 3 |
| Apr 28, 2017 | 52 | $33,632 | -30% | 22 | $1,529 | $151,269 | 4 |
| May 5, 2017 | 55 | $20,236 | -40% | 14 | $1,445 | $171,505 | 5 |
| May 12, 2017 | 67 | $9,944 | -51% | 9 | $1,105 | $181,449 | 6 |
| May 19, 2017 | 58 | $10,658 | +7% | 6 | $1,776 | $192,107 | 7 |
| May 26, 2017 | 58 | $11,849 | +11% | 5 | $2,370 | $203,956 | 8 |
| Jun 2, 2017 | 79 | $3,912 | -67% | 3 | $1,304 | $207,868 | 9 |
| Jun 16, 2017 | 73 | $3,917 | 3 | $1,306 | $210,840 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/24/2015 | $580,364 | 159 | 159 | 593 | $2,363,282 | 12/31/2018 | |||
| Australia | 8/5/2016 | $9,312 | 14 | 19 | 155 | $293,103 | 1/23/2017 | |||
| Austria | 2/26/2016 | $15,183 | 23 | 23 | 71 | $59,277 | 6/9/2016 | |||
| Brazil | 4/14/2016 | $72,694 | 34 | 34 | 34 | $623,238 | 11/16/2018 | |||
| Central America | 4/7/2016 | $0 | 0 | 3 | 3 | $24,130 | 4/19/2016 | |||
| Chile | 1/14/2016 | $24,738 | 10 | 10 | 27 | $73,854 | 12/31/2018 | |||
| Colombia | 12/24/2015 | $40,561 | 24 | 24 | 48 | $95,678 | 12/31/2018 | |||
| France | 7/8/2016 | $167,148 | 0 | 0 | 0 | $367,643 | 8/17/2018 | |||
| Germany | 2/25/2016 | $81,028 | 80 | 80 | 204 | $198,433 | 6/9/2016 | |||
| Italy | 4/22/2016 | $108,938 | 0 | 0 | 0 | $369,642 | 6/9/2016 | |||
| Mexico | 4/8/2016 | $0 | 0 | 0 | 0 | $81,818 | 9/8/2018 | |||
| Netherlands | 5/12/2016 | $35,227 | 20 | 24 | 129 | $160,472 | 6/22/2016 | |||
| Peru | 3/3/2016 | $20,790 | 13 | 13 | 17 | $36,617 | 12/31/2018 | |||
| Portugal | 4/21/2016 | $7,835 | 6 | 7 | 16 | $20,991 | 6/9/2016 | |||
| Spain | 10/30/2015 | $543,893 | 140 | 217 | 1,782 | $3,831,034 | 11/28/2018 | |||
| United Kingdom | 5/6/2016 | $4,962 | 1 | 1 | 1 | $4,962 | 6/9/2016 | |||
| Uruguay | 10/8/2015 | $0 | 0 | 1 | 1 | $139,836 | 12/30/2018 | |||
| International Total | $8,744,010 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ricardo Darin | Julian | |
| Javier Camara | Tomas |
Supporting
| Dolores Fonzi | Paula | |
| Eduard Fernandez | Luis | |
| Alex Brendemuhl | Veterinarian | |
| Pedro Casablanc | Doctor | |
| Jose Luis Gomez | Veterinarian | |
| Javier Gutierrez | Coffin Salesman | |
| Elvira Minquez | Gloria | |
| Oriol Pla | Nico |
Production and Technical Credits
| Cesc Gay | Director | |
| Marta Esteban | Producer | |
| Diego Dubcovsky | Producer | |
| Daniel Burman | Co-Producer | |
| Alejandro Gorodisch | Co-Producer | |
| Axel Kuschevatzky | Co-Producer | |
| Matias Mosteirin | Co-Producer | |
| Hugo Sigman | Co-Producer | |
| Tomas Aragay | Screenwriter | |
| Cesc Gay | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.