Tully (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $9,369,755 | Details |
| International Box Office | $6,582,933 | Details |
| Worldwide Box Office | $15,952,688 | |
| OpusData ID: 289460100 More info... | ||
| Further financial details... | ||
Synopsis
Marlo, a mother of three including a newborn, is gifted a night nanny by her brother. Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully.
Metrics
| Opening Weekend: | $3,282,610 (35.0% of total gross) |
| Legs: | 2.85 (domestic box office/biggest weekend) |
| Domestic Share: | 58.7% (domestic box office/worldwide) |
| Theater counts: | 1,353 opening theaters/1,356 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,301,015 |
Movie Details
| Domestic Releases: | May 4th, 2018 (Wide) by Focus Features |
| International Releases: | May 4th, 2018 (Wide), released as Auklė Tulė (Lithuania)
May 4th, 2018 (Wide) (United Kingdom) May 10th, 2018 (Wide) (Mexico) May 11th, 2018 (Wide) (New Zealand) May 11th, 2018 (Wide) (Australia) ... Show all releases |
| Video Release: | July 17th, 2018 by Focus Features |
| MPA Rating: | R for language and some sexuality/nudity. (Rating bulletin 2495 (Cert #50982), 9/27/2017) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | F-Rated |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Car Accident, Dysfunctional Family, Imaginary Character, Mental Illness, Nanny, Non-Chronological, Pregnant Women, Surprise Twist |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bron Studios, Right of Way Films, Denver & Delilah Films, Focus Features, West Egg, Creative Wealth Media Finance |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 6 | $3,282,610 | 1,353 | $2,426 | $3,282,610 | 1 | |
| May 11, 2018 | 8 | $2,248,945 | -31% | 1,356 | $1,659 | $6,992,005 | 2 |
| May 18, 2018 | 14 | $560,020 | -75% | 670 | $836 | $8,430,545 | 3 |
| May 25, 2018 | 23 | $209,565 | -63% | 191 | $1,097 | $8,926,125 | 4 |
| Jun 1, 2018 | 31 | $103,270 | -51% | 148 | $698 | $9,173,645 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 4, 2018 | 5 | $1,161,600 | 1,353 | $859 | $1,161,600 | 1 | ||
| May 5, 2018 | 7 | $1,195,270 | +3% | 1,353 | $883 | $2,356,870 | 2 | |
| May 6, 2018 | 6 | $925,740 | -23% | 1,353 | $684 | $3,282,610 | 3 | |
| May 7, 2018 | 6 | $325,870 | -65% | 1,353 | $241 | $3,608,480 | 4 | |
| May 8, 2018 | 6 | $455,515 | +40% | 1,353 | $337 | $4,063,995 | 5 | |
| May 9, 2018 | 5 | $353,580 | -22% | 1,353 | $261 | $4,417,575 | 6 | |
| May 10, 2018 | 5 | $325,485 | -8% | 1,353 | $241 | $4,743,060 | 7 | |
| May 11, 2018 | 8 | $567,940 | +74% | -51% | 1,356 | $419 | $5,311,000 | 8 |
| May 12, 2018 | 9 | $878,875 | +55% | -26% | 1,356 | $648 | $6,189,875 | 9 |
| May 13, 2018 | 8 | $802,130 | -9% | -13% | 1,356 | $592 | $6,992,005 | 10 |
| May 14, 2018 | 8 | $211,025 | -74% | -35% | 1,356 | $156 | $7,203,030 | 11 |
| May 15, 2018 | 8 | $264,100 | +25% | -42% | 1,356 | $195 | $7,467,130 | 12 |
| May 16, 2018 | 8 | $233,190 | -12% | -34% | 1,356 | $172 | $7,700,320 | 13 |
| May 17, 2018 | 7 | $170,205 | -27% | -48% | 1,356 | $126 | $7,870,525 | 14 |
| May 18, 2018 | 15 | $152,405 | -10% | -73% | 670 | $227 | $8,022,930 | 15 |
| May 19, 2018 | 13 | $240,630 | +58% | -73% | 670 | $359 | $8,263,560 | 16 |
| May 20, 2018 | 15 | $166,985 | -31% | -79% | 670 | $249 | $8,430,545 | 17 |
| May 21, 2018 | 12 | $70,675 | -58% | -67% | 670 | $105 | $8,501,220 | 18 |
| May 22, 2018 | 12 | $86,365 | +22% | -67% | 670 | $129 | $8,587,585 | 19 |
| May 23, 2018 | 13 | $73,410 | -15% | -69% | 670 | $110 | $8,660,995 | 20 |
| May 24, 2018 | 13 | $55,565 | -24% | -67% | 670 | $83 | $8,716,560 | 21 |
| May 25, 2018 | - | $46,480 | -16% | -70% | 191 | $243 | $8,763,040 | 22 |
| May 26, 2018 | - | $78,635 | +69% | -67% | 191 | $412 | $8,841,675 | 23 |
| May 27, 2018 | - | $84,450 | +7% | -49% | 191 | $442 | $8,926,125 | 24 |
| May 28, 2018 | - | $64,970 | -23% | -8% | 191 | $340 | $8,991,095 | 25 |
| May 29, 2018 | - | $26,510 | -59% | -69% | 191 | $139 | $9,017,605 | 26 |
| May 30, 2018 | - | $26,950 | +2% | -63% | 191 | $141 | $9,044,555 | 27 |
| May 31, 2018 | - | $25,820 | -4% | -54% | 191 | $135 | $9,070,375 | 28 |
| Jun 1, 2018 | - | $27,795 | +8% | -40% | 148 | $188 | $9,098,170 | 29 |
| Jun 2, 2018 | - | $46,140 | +66% | -41% | 148 | $312 | $9,144,310 | 30 |
| Jun 3, 2018 | - | $29,335 | -36% | -65% | 148 | $198 | $9,173,645 | 31 |
| Jun 4, 2018 | - | $13,130 | -55% | -80% | 148 | $89 | $9,186,775 | 32 |
| Jun 5, 2018 | - | $16,605 | +26% | -37% | 148 | $112 | $9,203,380 | 33 |
| Jun 6, 2018 | - | $13,155 | -21% | -51% | 148 | $89 | $9,216,535 | 34 |
| Jun 7, 2018 | - | $10,595 | -19% | -59% | 148 | $72 | $9,227,130 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 6 | $4,743,060 | 1,353 | $3,506 | $4,743,060 | 1 | |
| May 11, 2018 | 8 | $3,127,465 | -34% | 1,356 | $2,306 | $7,870,525 | 2 |
| May 18, 2018 | 14 | $846,035 | -73% | 670 | $1,263 | $8,716,560 | 3 |
| May 25, 2018 | 22 | $353,815 | -58% | 191 | $1,852 | $9,070,375 | 4 |
| Jun 1, 2018 | 32 | $156,755 | -56% | 148 | $1,059 | $9,227,130 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/18/2018 | $36,301 | 0 | 0 | 0 | $47,853 | 1/1/2019 | |||
| Australia | 5/11/2018 | $288,930 | 179 | 182 | 719 | $893,138 | 7/9/2018 | |||
| Brazil | 5/25/2018 | $61,614 | 0 | 0 | 0 | $140,876 | 6/8/2018 | |||
| France | 6/29/2018 | $262,216 | 0 | 0 | 0 | $685,253 | 7/27/2018 | |||
| Italy | 6/28/2018 | $35,443 | 0 | 2 | 2 | $79,823 | 12/11/2018 | |||
| Lithuania | 5/4/2018 | $5,914 | 77 | 77 | 100 | $10,846 | 5/18/2018 | |||
| Mexico | 5/10/2018 | $98,115 | 0 | 0 | 0 | $118,771 | 5/14/2018 | |||
| Netherlands | 5/11/2018 | $81,616 | 50 | 51 | 248 | $318,058 | 7/20/2018 | |||
| New Zealand | 5/11/2018 | $57,884 | 51 | 52 | 236 | $183,152 | 7/16/2018 | |||
| Poland | 5/11/2018 | $80,119 | 0 | 0 | 0 | $310,657 | 1/1/2019 | |||
| Portugal | 6/8/2018 | $28,897 | 32 | 32 | 71 | $56,450 | 7/6/2018 | |||
| Russia (CIS) | 7/12/2018 | $80,168 | 377 | 377 | 650 | $179,384 | 2/26/2019 | |||
| South Korea | 11/22/2018 | $66,578 | 138 | 161 | 200 | $268,017 | 4/4/2026 | |||
| Spain | 6/22/2018 | $132,294 | 125 | 129 | 338 | $403,754 | 9/6/2018 | |||
| United Kingdom | 5/4/2018 | $187,702 | 200 | 200 | 566 | $771,942 | 4/4/2026 | |||
| Rest of World | $2,114,959 | |||||||||
| International Total | $6,582,933 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlize Theron | Marlo |
Supporting
| Mackenzie Davis | Tully | |
| Mark Duplass | Craig | |
| Ron Livingston | Drew Moreau | |
| Asher Miles Fallica | Jonah | |
| Lia Frankland | Sarah | |
| Emily Haine | Barista | |
| Elaine Tan | Elyse | |
| Maddie Dixon-Poirier | Emmy | |
| Colleen Wheeler | Dr. Smythe |
Production and Technical Credits
| Jason Reitman | Director | |
| Diablo Cody | Screenwriter | |
| Aaron L. Gilbert | Producer | |
| Jason Reitman | Producer | |
| Helen Estabrook | Producer | |
| Mason Novick | Producer | |
| A.J. Dix | Producer | |
| Beth Kono | Producer | |
| Charlize Theron | Producer | |
| Diablo Cody | Producer | |
| Jason Blumenfeld | Executive Producer | |
| Ron McLeod | Executive Producer | |
| Stan Thomas | Executive Producer | |
| Dale Wells | Executive Producer | |
| Paul Tennyson | Executive Producer | |
| Andy Pollack | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Anastasia Masaro | Production Designer | |
| Tricia Halloran | Music Supervisor | |
| Rob Simonsen | Music by | |
| Stefan Grube | Editor | |
| Eric Steelberg | Director of Photography | |
| Aieisha Li | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Marlo, a mother of three including a newborn, is gifted a night nanny by her brother. Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully.
Metrics
| Opening Weekend: | $3,282,610 (35.0% of total gross) |
| Legs: | 2.85 (domestic box office/biggest weekend) |
| Domestic Share: | 58.7% (domestic box office/worldwide) |
| Theater counts: | 1,353 opening theaters/1,356 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,301,015 |
Movie Details
| Domestic Releases: | May 4th, 2018 (Wide) by Focus Features |
| International Releases: | May 4th, 2018 (Wide), released as Auklė Tulė (Lithuania)
May 4th, 2018 (Wide) (United Kingdom) May 10th, 2018 (Wide) (Mexico) May 11th, 2018 (Wide) (New Zealand) May 11th, 2018 (Wide) (Australia) ... Show all releases |
| Video Release: | July 17th, 2018 by Focus Features |
| MPA Rating: | R for language and some sexuality/nudity. (Rating bulletin 2495 (Cert #50982), 9/27/2017) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | F-Rated |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Car Accident, Dysfunctional Family, Imaginary Character, Mental Illness, Nanny, Non-Chronological, Pregnant Women, Surprise Twist |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bron Studios, Right of Way Films, Denver & Delilah Films, Focus Features, West Egg, Creative Wealth Media Finance |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 6 | $3,282,610 | 1,353 | $2,426 | $3,282,610 | 1 | |
| May 11, 2018 | 8 | $2,248,945 | -31% | 1,356 | $1,659 | $6,992,005 | 2 |
| May 18, 2018 | 14 | $560,020 | -75% | 670 | $836 | $8,430,545 | 3 |
| May 25, 2018 | 23 | $209,565 | -63% | 191 | $1,097 | $8,926,125 | 4 |
| Jun 1, 2018 | 31 | $103,270 | -51% | 148 | $698 | $9,173,645 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 4, 2018 | 5 | $1,161,600 | 1,353 | $859 | $1,161,600 | 1 | ||
| May 5, 2018 | 7 | $1,195,270 | +3% | 1,353 | $883 | $2,356,870 | 2 | |
| May 6, 2018 | 6 | $925,740 | -23% | 1,353 | $684 | $3,282,610 | 3 | |
| May 7, 2018 | 6 | $325,870 | -65% | 1,353 | $241 | $3,608,480 | 4 | |
| May 8, 2018 | 6 | $455,515 | +40% | 1,353 | $337 | $4,063,995 | 5 | |
| May 9, 2018 | 5 | $353,580 | -22% | 1,353 | $261 | $4,417,575 | 6 | |
| May 10, 2018 | 5 | $325,485 | -8% | 1,353 | $241 | $4,743,060 | 7 | |
| May 11, 2018 | 8 | $567,940 | +74% | -51% | 1,356 | $419 | $5,311,000 | 8 |
| May 12, 2018 | 9 | $878,875 | +55% | -26% | 1,356 | $648 | $6,189,875 | 9 |
| May 13, 2018 | 8 | $802,130 | -9% | -13% | 1,356 | $592 | $6,992,005 | 10 |
| May 14, 2018 | 8 | $211,025 | -74% | -35% | 1,356 | $156 | $7,203,030 | 11 |
| May 15, 2018 | 8 | $264,100 | +25% | -42% | 1,356 | $195 | $7,467,130 | 12 |
| May 16, 2018 | 8 | $233,190 | -12% | -34% | 1,356 | $172 | $7,700,320 | 13 |
| May 17, 2018 | 7 | $170,205 | -27% | -48% | 1,356 | $126 | $7,870,525 | 14 |
| May 18, 2018 | 15 | $152,405 | -10% | -73% | 670 | $227 | $8,022,930 | 15 |
| May 19, 2018 | 13 | $240,630 | +58% | -73% | 670 | $359 | $8,263,560 | 16 |
| May 20, 2018 | 15 | $166,985 | -31% | -79% | 670 | $249 | $8,430,545 | 17 |
| May 21, 2018 | 12 | $70,675 | -58% | -67% | 670 | $105 | $8,501,220 | 18 |
| May 22, 2018 | 12 | $86,365 | +22% | -67% | 670 | $129 | $8,587,585 | 19 |
| May 23, 2018 | 13 | $73,410 | -15% | -69% | 670 | $110 | $8,660,995 | 20 |
| May 24, 2018 | 13 | $55,565 | -24% | -67% | 670 | $83 | $8,716,560 | 21 |
| May 25, 2018 | - | $46,480 | -16% | -70% | 191 | $243 | $8,763,040 | 22 |
| May 26, 2018 | - | $78,635 | +69% | -67% | 191 | $412 | $8,841,675 | 23 |
| May 27, 2018 | - | $84,450 | +7% | -49% | 191 | $442 | $8,926,125 | 24 |
| May 28, 2018 | - | $64,970 | -23% | -8% | 191 | $340 | $8,991,095 | 25 |
| May 29, 2018 | - | $26,510 | -59% | -69% | 191 | $139 | $9,017,605 | 26 |
| May 30, 2018 | - | $26,950 | +2% | -63% | 191 | $141 | $9,044,555 | 27 |
| May 31, 2018 | - | $25,820 | -4% | -54% | 191 | $135 | $9,070,375 | 28 |
| Jun 1, 2018 | - | $27,795 | +8% | -40% | 148 | $188 | $9,098,170 | 29 |
| Jun 2, 2018 | - | $46,140 | +66% | -41% | 148 | $312 | $9,144,310 | 30 |
| Jun 3, 2018 | - | $29,335 | -36% | -65% | 148 | $198 | $9,173,645 | 31 |
| Jun 4, 2018 | - | $13,130 | -55% | -80% | 148 | $89 | $9,186,775 | 32 |
| Jun 5, 2018 | - | $16,605 | +26% | -37% | 148 | $112 | $9,203,380 | 33 |
| Jun 6, 2018 | - | $13,155 | -21% | -51% | 148 | $89 | $9,216,535 | 34 |
| Jun 7, 2018 | - | $10,595 | -19% | -59% | 148 | $72 | $9,227,130 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 6 | $4,743,060 | 1,353 | $3,506 | $4,743,060 | 1 | |
| May 11, 2018 | 8 | $3,127,465 | -34% | 1,356 | $2,306 | $7,870,525 | 2 |
| May 18, 2018 | 14 | $846,035 | -73% | 670 | $1,263 | $8,716,560 | 3 |
| May 25, 2018 | 22 | $353,815 | -58% | 191 | $1,852 | $9,070,375 | 4 |
| Jun 1, 2018 | 32 | $156,755 | -56% | 148 | $1,059 | $9,227,130 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/18/2018 | $36,301 | 0 | 0 | 0 | $47,853 | 1/1/2019 | |||
| Australia | 5/11/2018 | $288,930 | 179 | 182 | 719 | $893,138 | 7/9/2018 | |||
| Brazil | 5/25/2018 | $61,614 | 0 | 0 | 0 | $140,876 | 6/8/2018 | |||
| France | 6/29/2018 | $262,216 | 0 | 0 | 0 | $685,253 | 7/27/2018 | |||
| Italy | 6/28/2018 | $35,443 | 0 | 2 | 2 | $79,823 | 12/11/2018 | |||
| Lithuania | 5/4/2018 | $5,914 | 77 | 77 | 100 | $10,846 | 5/18/2018 | |||
| Mexico | 5/10/2018 | $98,115 | 0 | 0 | 0 | $118,771 | 5/14/2018 | |||
| Netherlands | 5/11/2018 | $81,616 | 50 | 51 | 248 | $318,058 | 7/20/2018 | |||
| New Zealand | 5/11/2018 | $57,884 | 51 | 52 | 236 | $183,152 | 7/16/2018 | |||
| Poland | 5/11/2018 | $80,119 | 0 | 0 | 0 | $310,657 | 1/1/2019 | |||
| Portugal | 6/8/2018 | $28,897 | 32 | 32 | 71 | $56,450 | 7/6/2018 | |||
| Russia (CIS) | 7/12/2018 | $80,168 | 377 | 377 | 650 | $179,384 | 2/26/2019 | |||
| South Korea | 11/22/2018 | $66,578 | 138 | 161 | 200 | $268,017 | 4/4/2026 | |||
| Spain | 6/22/2018 | $132,294 | 125 | 129 | 338 | $403,754 | 9/6/2018 | |||
| United Kingdom | 5/4/2018 | $187,702 | 200 | 200 | 566 | $771,942 | 4/4/2026 | |||
| Rest of World | $2,114,959 | |||||||||
| International Total | $6,582,933 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlize Theron | Marlo |
Supporting
| Mackenzie Davis | Tully | |
| Mark Duplass | Craig | |
| Ron Livingston | Drew Moreau | |
| Asher Miles Fallica | Jonah | |
| Lia Frankland | Sarah | |
| Emily Haine | Barista | |
| Elaine Tan | Elyse | |
| Maddie Dixon-Poirier | Emmy | |
| Colleen Wheeler | Dr. Smythe |
Production and Technical Credits
| Jason Reitman | Director | |
| Diablo Cody | Screenwriter | |
| Aaron L. Gilbert | Producer | |
| Jason Reitman | Producer | |
| Helen Estabrook | Producer | |
| Mason Novick | Producer | |
| A.J. Dix | Producer | |
| Beth Kono | Producer | |
| Charlize Theron | Producer | |
| Diablo Cody | Producer | |
| Jason Blumenfeld | Executive Producer | |
| Ron McLeod | Executive Producer | |
| Stan Thomas | Executive Producer | |
| Dale Wells | Executive Producer | |
| Paul Tennyson | Executive Producer | |
| Andy Pollack | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Anastasia Masaro | Production Designer | |
| Tricia Halloran | Music Supervisor | |
| Rob Simonsen | Music by | |
| Stefan Grube | Editor | |
| Eric Steelberg | Director of Photography | |
| Aieisha Li | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.