Turbulence (1997)
| Theatrical Performance | ||
| Domestic Box Office | $11,532,774 | Details |
| OpusData ID: 34900100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,464,008 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2,094 opening theaters/2,094 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,417,348 |
Movie Details
| Domestic Releases: | January 10th, 1997 (Wide) by MGM |
| Video Release: | June 25th, 1997 by HBO Home Video |
| MPA Rating: | R for terror, strong violence and language |
| Running Time: | 100 minutes |
| Plot point: | Serial Killer, Surprise Twist |
| Social setting: | In a Plane |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 10, 1997 | 8 | $4,464,008 | 2,094 | $2,132 | $4,464,008 | 1 | |
| Jan 17, 1997 | 13 | $2,541,279 | -43% | 2,094 | $1,214 | $8,428,563 | 2 |
| Jan 24, 1997 | 19 | $813,237 | -68% | 1,499 | $543 | $9,814,961 | 3 |
| Jan 31, 1997 | 23 | $476,904 | -41% | 772 | $618 | $10,651,372 | 4 |
| Feb 7, 1997 | 29 | $222,994 | -53% | 338 | $660 | $11,058,080 | 5 |
| Feb 14, 1997 | 49 | $77,766 | -65% | 145 | $536 | $11,206,783 | 6 |
| Feb 21, 1997 | 48 | $69,033 | -11% | 120 | $575 | $11,294,659 | 7 |
| Feb 28, 1997 | 54 | $43,543 | -37% | 87 | $500 | $11,364,423 | 8 |
| Mar 7, 1997 | 56 | $32,428 | -26% | 61 | $532 | $11,416,516 | 9 |
| Mar 14, 1997 | 58 | $29,942 | -8% | 55 | $544 | $11,466,088 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 10, 1997 | 8 | $5,887,284 | 2,094 | $2,812 | $5,887,284 | 1 | |
| Jan 17, 1997 | 13 | $3,114,440 | -47% | 2,094 | $1,487 | $9,001,724 | 2 |
| Jan 24, 1997 | 19 | $1,172,744 | -62% | 1,499 | $782 | $10,174,468 | 3 |
| Jan 31, 1997 | 23 | $660,618 | -44% | 772 | $856 | $10,835,086 | 4 |
| Feb 7, 1997 | 28 | $293,931 | -56% | 338 | $870 | $11,129,017 | 5 |
| Feb 14, 1997 | 47 | $96,609 | -67% | 145 | $666 | $11,225,626 | 6 |
| Feb 21, 1997 | 45 | $95,254 | -1% | 120 | $794 | $11,320,880 | 7 |
| Feb 28, 1997 | 51 | $63,208 | -34% | 87 | $727 | $11,384,088 | 8 |
| Mar 7, 1997 | 48 | $52,058 | -18% | 61 | $853 | $11,436,146 | 9 |
| Ray Liotta | Ryan Weaver | |
| Hector Elizondo | Lt. Aldo Hines | |
| Brendan Gleeson | Stubbs | |
| Lauren Holly | Teri Halloran | |
| Rachel Ticotin | Rachel Taper, Transcon Crisis Management Center Rep | |
| Catherine Hicks | F.A. Maggie |
Production and Technical Credits
| Robert Butler | Director | |
| Jonathan Brett | Screenwriter | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,464,008 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2,094 opening theaters/2,094 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,417,348 |
Movie Details
| Domestic Releases: | January 10th, 1997 (Wide) by MGM |
| Video Release: | June 25th, 1997 by HBO Home Video |
| MPA Rating: | R for terror, strong violence and language |
| Running Time: | 100 minutes |
| Plot point: | Serial Killer, Surprise Twist |
| Social setting: | In a Plane |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 10, 1997 | 8 | $4,464,008 | 2,094 | $2,132 | $4,464,008 | 1 | |
| Jan 17, 1997 | 13 | $2,541,279 | -43% | 2,094 | $1,214 | $8,428,563 | 2 |
| Jan 24, 1997 | 19 | $813,237 | -68% | 1,499 | $543 | $9,814,961 | 3 |
| Jan 31, 1997 | 23 | $476,904 | -41% | 772 | $618 | $10,651,372 | 4 |
| Feb 7, 1997 | 29 | $222,994 | -53% | 338 | $660 | $11,058,080 | 5 |
| Feb 14, 1997 | 49 | $77,766 | -65% | 145 | $536 | $11,206,783 | 6 |
| Feb 21, 1997 | 48 | $69,033 | -11% | 120 | $575 | $11,294,659 | 7 |
| Feb 28, 1997 | 54 | $43,543 | -37% | 87 | $500 | $11,364,423 | 8 |
| Mar 7, 1997 | 56 | $32,428 | -26% | 61 | $532 | $11,416,516 | 9 |
| Mar 14, 1997 | 58 | $29,942 | -8% | 55 | $544 | $11,466,088 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 10, 1997 | 8 | $5,887,284 | 2,094 | $2,812 | $5,887,284 | 1 | |
| Jan 17, 1997 | 13 | $3,114,440 | -47% | 2,094 | $1,487 | $9,001,724 | 2 |
| Jan 24, 1997 | 19 | $1,172,744 | -62% | 1,499 | $782 | $10,174,468 | 3 |
| Jan 31, 1997 | 23 | $660,618 | -44% | 772 | $856 | $10,835,086 | 4 |
| Feb 7, 1997 | 28 | $293,931 | -56% | 338 | $870 | $11,129,017 | 5 |
| Feb 14, 1997 | 47 | $96,609 | -67% | 145 | $666 | $11,225,626 | 6 |
| Feb 21, 1997 | 45 | $95,254 | -1% | 120 | $794 | $11,320,880 | 7 |
| Feb 28, 1997 | 51 | $63,208 | -34% | 87 | $727 | $11,384,088 | 8 |
| Mar 7, 1997 | 48 | $52,058 | -18% | 61 | $853 | $11,436,146 | 9 |
| Ray Liotta | Ryan Weaver | |
| Hector Elizondo | Lt. Aldo Hines | |
| Brendan Gleeson | Stubbs | |
| Lauren Holly | Teri Halloran | |
| Rachel Ticotin | Rachel Taper, Transcon Crisis Management Center Rep | |
| Catherine Hicks | F.A. Maggie |
Production and Technical Credits
| Robert Butler | Director | |
| Jonathan Brett | Screenwriter | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.