The Turning (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $15,472,775 | Details |
| International Box Office | $2,987,964 | Details |
| Worldwide Box Office | $18,460,739 | |
| OpusData ID: 330210100 More info... | ||
| Further financial details... | ||
Synopsis
At a mysterious estate in the Maine countryside, newly appointed nanny Kate is charged with the care of two disturbed orphans, Flora and Miles. Quickly though, she discovers that both the children and the house are harboring dark secrets and things may not be as they appear.
Metrics
| Opening Weekend: | $6,950,045 (44.9% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 83.8% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 2,571 opening theaters/2,571 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,158,425 |
Movie Details
| Domestic Releases: | January 24th, 2020 (Wide) by Universal |
| International Releases: | January 23rd, 2020 (Wide) (Paraguay)
January 24th, 2020 (Limited) (United Kingdom) January 24th, 2020 (Wide), released as Presencias del Mal (Mexico) January 24th, 2020 (Wide) (Ecuador) January 29th, 2020 (Wide) (Trinidad) ... Show all releases |
| Video Release: | April 7th, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for terror, violence, disturbing images, brief strong language and some suggestive content. (Rating bulletin 2585 (Cert #52284), 7/3/2019) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | F-Rated |
| Geographical setting: | Maine |
| Plot point: | Haunted House, Nanny, Orphan |
| Social setting: | Supernatural |
| Source material: | Modern Adaptation |
| Subgenre: | Supernatural Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DreamWorks Pictures, Vertigo Entertainment, Reliance Entertainment, Chislehurst Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 6 | $6,950,045 | 2,571 | $2,703 | $6,950,045 | 1 | |
| Jan 31, 2020 | 9 | $3,011,025 | -57% | 2,571 | $1,171 | $11,666,465 | 2 |
| Feb 7, 2020 | 14 | $1,493,400 | -50% | 1,848 | $808 | $14,104,730 | 3 |
| Feb 14, 2020 | 19 | $542,340 | -64% | 610 | $889 | $15,068,905 | 4 |
| Feb 21, 2020 | 30 | $127,200 | -77% | 315 | $404 | $15,345,435 | 5 |
| Feb 28, 2020 | 36 | $67,580 | -47% | 136 | $497 | $15,451,135 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 23, 2020 | P | $425,000 | 2,200 | $193 | $425,000 | |||
| Jan 24, 2020 | 5 | $2,519,605 | 2,571 | $980 | $2,519,605 | 1 | ||
| Jan 25, 2020 | 6 | $2,910,120 | +15% | 2,571 | $1,132 | $5,429,725 | 2 | |
| Jan 26, 2020 | 7 | $1,520,320 | -48% | 2,571 | $591 | $6,950,045 | 3 | |
| Jan 27, 2020 | 8 | $394,955 | -74% | 2,571 | $154 | $7,345,000 | 4 | |
| Jan 28, 2020 | 7 | $626,175 | +59% | 2,571 | $244 | $7,971,175 | 5 | |
| Jan 29, 2020 | 8 | $360,490 | -42% | 2,571 | $140 | $8,331,665 | 6 | |
| Jan 30, 2020 | 9 | $323,775 | -10% | 2,571 | $126 | $8,655,440 | 7 | |
| Jan 31, 2020 | 8 | $919,795 | +184% | -63% | 2,571 | $358 | $9,575,235 | 8 |
| Feb 1, 2020 | 8 | $1,580,955 | +72% | -46% | 2,571 | $615 | $11,156,190 | 9 |
| Feb 2, 2020 | 9 | $510,275 | -68% | -66% | 2,571 | $198 | $11,666,465 | 10 |
| Feb 3, 2020 | 10 | $211,595 | -59% | -46% | 2,571 | $82 | $11,878,060 | 11 |
| Feb 4, 2020 | 12 | $338,070 | +60% | -46% | 2,571 | $131 | $12,216,130 | 12 |
| Feb 5, 2020 | 12 | $208,000 | -38% | -42% | 2,571 | $81 | $12,424,130 | 13 |
| Feb 6, 2020 | 13 | $187,200 | -10% | -42% | 2,571 | $73 | $12,611,330 | 14 |
| Feb 7, 2020 | 13 | $398,180 | +113% | -57% | 1,848 | $215 | $13,009,510 | 15 |
| Feb 8, 2020 | 13 | $731,790 | +84% | -54% | 1,848 | $396 | $13,741,300 | 16 |
| Feb 9, 2020 | 14 | $363,430 | -50% | -29% | 1,848 | $197 | $14,104,730 | 17 |
| Feb 10, 2020 | 14 | $105,905 | -71% | -50% | 1,848 | $57 | $14,210,635 | 18 |
| Feb 11, 2020 | 15 | $142,860 | +35% | -58% | 1,848 | $77 | $14,353,495 | 19 |
| Feb 12, 2020 | 15 | $94,170 | -34% | -55% | 1,848 | $51 | $14,447,665 | 20 |
| Feb 13, 2020 | 15 | $78,900 | -16% | -58% | 1,848 | $43 | $14,526,565 | 21 |
| Feb 14, 2020 | - | $224,760 | +185% | -44% | 610 | $368 | $14,751,325 | 22 |
| Feb 15, 2020 | - | $192,025 | -15% | -74% | 610 | $315 | $14,943,350 | 23 |
| Feb 16, 2020 | - | $125,555 | -35% | -65% | 610 | $206 | $15,068,905 | 24 |
| Feb 17, 2020 | - | $65,255 | -48% | -38% | 610 | $107 | $15,134,160 | 25 |
| Feb 18, 2020 | - | $40,090 | -39% | -72% | 610 | $66 | $15,174,250 | 26 |
| Feb 19, 2020 | - | $27,570 | -31% | -71% | 610 | $45 | $15,201,820 | 27 |
| Feb 20, 2020 | - | $16,415 | -40% | -79% | 610 | $27 | $15,218,235 | 28 |
| Feb 21, 2020 | - | $38,240 | +133% | -83% | 315 | $121 | $15,256,475 | 29 |
| Feb 22, 2020 | - | $60,665 | +59% | -68% | 315 | $193 | $15,317,140 | 30 |
| Feb 23, 2020 | - | $28,295 | -53% | -77% | 315 | $90 | $15,345,435 | 31 |
| Feb 24, 2020 | - | $9,055 | -68% | -86% | 315 | $29 | $15,354,490 | 32 |
| Feb 25, 2020 | - | $12,905 | +43% | -68% | 315 | $41 | $15,367,395 | 33 |
| Feb 26, 2020 | - | $9,390 | -27% | -66% | 315 | $30 | $15,376,785 | 34 |
| Feb 27, 2020 | - | $6,770 | -28% | -59% | 315 | $21 | $15,383,555 | 35 |
| Feb 28, 2020 | - | $19,590 | +189% | -49% | 136 | $144 | $15,403,145 | 36 |
| Feb 29, 2020 | - | $32,880 | +68% | -46% | 136 | $242 | $15,436,025 | 37 |
| Mar 1, 2020 | - | $15,110 | -54% | -47% | 136 | $111 | $15,451,135 | 38 |
| Mar 2, 2020 | - | $5,050 | -67% | -44% | 136 | $37 | $15,456,185 | 39 |
| Mar 3, 2020 | - | $6,250 | +24% | -52% | 136 | $46 | $15,462,435 | 40 |
| Mar 4, 2020 | - | $5,230 | -16% | -44% | 136 | $38 | $15,467,665 | 41 |
| Mar 5, 2020 | - | $5,110 | -2% | -25% | 136 | $38 | $15,472,775 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 6 | $8,655,440 | 2,571 | $3,367 | $8,655,440 | 1 | |
| Jan 31, 2020 | 9 | $3,955,890 | -54% | 2,571 | $1,539 | $12,611,330 | 2 |
| Feb 7, 2020 | 14 | $1,915,235 | -52% | 1,848 | $1,036 | $14,526,565 | 3 |
| Feb 14, 2020 | 20 | $691,670 | -64% | 610 | $1,134 | $15,218,235 | 4 |
| Feb 21, 2020 | 31 | $165,320 | -76% | 315 | $525 | $15,383,555 | 5 |
| Feb 28, 2020 | 36 | $89,220 | -46% | 136 | $656 | $15,472,775 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bolivia | 2/13/2020 | $11,669 | 18 | 18 | 33 | $22,941 | 2/10/2021 | |||
| Brazil | 1/31/2020 | $249,000 | 273 | 273 | 330 | $461,661 | 5/6/2020 | |||
| Central America | 2/20/2020 | $75,446 | 116 | 116 | 140 | $108,802 | 11/18/2020 | |||
| Chile | 3/12/2020 | $21,112 | 32 | 32 | 32 | $21,944 | 3/18/2020 | |||
| Colombia | 1/31/2020 | $111,000 | 154 | 154 | 155 | $170,727 | 9/16/2020 | |||
| Ecuador | 1/24/2020 | $0 | 0 | 18 | 21 | $150,496 | 9/23/2020 | |||
| Hong Kong | 2/14/2020 | $57,016 | 29 | 29 | 49 | $99,349 | 2/1/2021 | |||
| Indonesia | 2/7/2020 | $130,305 | 0 | 0 | 0 | $171,730 | 2/22/2020 | |||
| Lithuania | 1/31/2020 | $19,560 | 11 | 11 | 20 | $34,222 | 10/19/2022 | |||
| Mexico | 1/24/2020 | $344,919 | 0 | 384 | 478 | $658,959 | 10/19/2022 | |||
| Paraguay | 1/23/2020 | $0 | 0 | 1 | 1 | $8,763 | 2/19/2020 | |||
| Peru | 3/5/2020 | $50,661 | 48 | 48 | 54 | $85,947 | 12/24/2020 | |||
| Portugal | 1/31/2020 | $54,556 | 35 | 35 | 82 | $110,309 | 10/19/2022 | |||
| Slovenia | 1/31/2020 | $8,756 | 19 | 19 | 35 | $17,890 | 4/6/2020 | |||
| South Korea | 4/2/2020 | $53,657 | 294 | 294 | 484 | $125,870 | 5/27/2020 | |||
| Spain | 12/11/2020 | $83,811 | 165 | 165 | 403 | $270,394 | 3/5/2021 | |||
| Trinidad | 1/29/2020 | $0 | 0 | 3 | 4 | $21,397 | 2/26/2020 | |||
| United Kingdom | 1/24/2020 | $136,530 | 249 | 249 | 268 | $233,668 | 4/4/2026 | |||
| Uruguay | 2/20/2020 | $7,438 | 12 | 12 | 18 | $14,714 | 3/18/2020 | |||
| Venezuela | 1/31/2020 | $0 | 0 | 0 | 0 | $10,874 | 2/19/2020 | |||
| Rest of World | $187,307 | |||||||||
| International Total | $2,987,964 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Mackenzie Davis | Kate Mandell |
Leading
| Finn Wolfhard | Miles Fairchild | |
| Brooklynn Prince | Flora |
Supporting
| Joely Richardson | Darla Mandell | |
| Mark Huberman | Bert | |
| Niall Greig Fulton | Peter Quint | |
| Barbara Marten | Mrs. Grose | |
| Denna Thomsen | Miss Jessel | |
| Karen Egan | Nancy |
Production and Technical Credits
| Fioria Sigismondi | Director | |
| Carey Hayes | Screenwriter | |
| Chad Hayes | Screenwriter | |
| Henry James | Story based on “The Turn of the Screw” by | |
| Scott Bernstein | Producer | |
| Roy Lee | Producer | |
| John Powers Middleton | Executive Producer | |
| Seth William Meier | Executive Producer | |
| David Ungaro | Director of Photography | |
| Paki Smith | Production Designer | |
| Glenn Garland | Editor | |
| Leonie Prendergast | Costume Designer | |
| Nathan Barr | Composer | |
| Donal O'Farrell | Stunt Coordinator | |
| Alan Walsh | Stunt Coordinator | |
| Leslee Feldman | Casting Director | |
| Priscilla John | Casting Director | |
| Jonas Spaccarotelli | First Assistant Director | |
| Orla King | Second Assistant Director | |
| Jo Homewood | Line Producer | |
| Holly Bario | Co-Producer | |
| Alan Maloney | Co-Producer | |
| Jonas Spaccarotelli | Co-Producer | |
| Jane Moran | Editor | |
| Duwayne Dunham | Editor | |
| Nigel Pollock | Supervising Art Director | |
| Jason Groarke | Story Artist | |
| John Fox | Story Artist | |
| Michael Standish | Set Decorator | |
| Robert Flanagan | Sound Mixer | |
| Kevin Byrne | Special Effects Supervisor | |
| Lynn Johnston | Make up | |
| Orla Carroll | Hairstylist | |
| Renee Foley Burke | Script Supervisor | |
| Colm Nolan | Location Manager | |
| Lee Sheward | Second Unit Director | |
| Gunnar McGrew | Post-Production Supervisor | |
| Michael Trent | Additional Editor | |
| Gregg London | First Assistant Editor | |
| Mathias Hilger | Assistant Editor | |
| Drew Kilcoin | Assistant Editor | |
| Kevin Birou | Assistant Editor | |
| Sean Brown | Assistant Editor | |
| Danny Miller | Assistant Editor | |
| Scott Millan | Re-recording Mixer | |
| David Esparza | Re-recording Mixer | |
| Daniel Pagan | Supervising Sound Editor | |
| Russell Farmarco | Dialogue Editor | |
| Randy Wilson | Foley Mixer | |
| Ron Mellegers | Foley Mixer | |
| John Loranger | Foley Supervising Editor | |
| Kristi McIntyre | Foley Editor | |
| Lawrence Rothman | Music Supervisor | |
| Michael T Ryan | Music Editor | |
| Justin Burnett | Additional Music | |
| Ashley Koons | Visual Effects Producer | |
| Aymeric Perceval | Visual Effects Supervisor | |
| Lashay Carr | Production Manager | |
| Gaurav Tomar | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
At a mysterious estate in the Maine countryside, newly appointed nanny Kate is charged with the care of two disturbed orphans, Flora and Miles. Quickly though, she discovers that both the children and the house are harboring dark secrets and things may not be as they appear.
Metrics
| Opening Weekend: | $6,950,045 (44.9% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 83.8% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 2,571 opening theaters/2,571 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,158,425 |
Movie Details
| Domestic Releases: | January 24th, 2020 (Wide) by Universal |
| International Releases: | January 23rd, 2020 (Wide) (Paraguay)
January 24th, 2020 (Limited) (United Kingdom) January 24th, 2020 (Wide), released as Presencias del Mal (Mexico) January 24th, 2020 (Wide) (Ecuador) January 29th, 2020 (Wide) (Trinidad) ... Show all releases |
| Video Release: | April 7th, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for terror, violence, disturbing images, brief strong language and some suggestive content. (Rating bulletin 2585 (Cert #52284), 7/3/2019) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | F-Rated |
| Geographical setting: | Maine |
| Plot point: | Haunted House, Nanny, Orphan |
| Social setting: | Supernatural |
| Source material: | Modern Adaptation |
| Subgenre: | Supernatural Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DreamWorks Pictures, Vertigo Entertainment, Reliance Entertainment, Chislehurst Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 6 | $6,950,045 | 2,571 | $2,703 | $6,950,045 | 1 | |
| Jan 31, 2020 | 9 | $3,011,025 | -57% | 2,571 | $1,171 | $11,666,465 | 2 |
| Feb 7, 2020 | 14 | $1,493,400 | -50% | 1,848 | $808 | $14,104,730 | 3 |
| Feb 14, 2020 | 19 | $542,340 | -64% | 610 | $889 | $15,068,905 | 4 |
| Feb 21, 2020 | 30 | $127,200 | -77% | 315 | $404 | $15,345,435 | 5 |
| Feb 28, 2020 | 36 | $67,580 | -47% | 136 | $497 | $15,451,135 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 23, 2020 | P | $425,000 | 2,200 | $193 | $425,000 | |||
| Jan 24, 2020 | 5 | $2,519,605 | 2,571 | $980 | $2,519,605 | 1 | ||
| Jan 25, 2020 | 6 | $2,910,120 | +15% | 2,571 | $1,132 | $5,429,725 | 2 | |
| Jan 26, 2020 | 7 | $1,520,320 | -48% | 2,571 | $591 | $6,950,045 | 3 | |
| Jan 27, 2020 | 8 | $394,955 | -74% | 2,571 | $154 | $7,345,000 | 4 | |
| Jan 28, 2020 | 7 | $626,175 | +59% | 2,571 | $244 | $7,971,175 | 5 | |
| Jan 29, 2020 | 8 | $360,490 | -42% | 2,571 | $140 | $8,331,665 | 6 | |
| Jan 30, 2020 | 9 | $323,775 | -10% | 2,571 | $126 | $8,655,440 | 7 | |
| Jan 31, 2020 | 8 | $919,795 | +184% | -63% | 2,571 | $358 | $9,575,235 | 8 |
| Feb 1, 2020 | 8 | $1,580,955 | +72% | -46% | 2,571 | $615 | $11,156,190 | 9 |
| Feb 2, 2020 | 9 | $510,275 | -68% | -66% | 2,571 | $198 | $11,666,465 | 10 |
| Feb 3, 2020 | 10 | $211,595 | -59% | -46% | 2,571 | $82 | $11,878,060 | 11 |
| Feb 4, 2020 | 12 | $338,070 | +60% | -46% | 2,571 | $131 | $12,216,130 | 12 |
| Feb 5, 2020 | 12 | $208,000 | -38% | -42% | 2,571 | $81 | $12,424,130 | 13 |
| Feb 6, 2020 | 13 | $187,200 | -10% | -42% | 2,571 | $73 | $12,611,330 | 14 |
| Feb 7, 2020 | 13 | $398,180 | +113% | -57% | 1,848 | $215 | $13,009,510 | 15 |
| Feb 8, 2020 | 13 | $731,790 | +84% | -54% | 1,848 | $396 | $13,741,300 | 16 |
| Feb 9, 2020 | 14 | $363,430 | -50% | -29% | 1,848 | $197 | $14,104,730 | 17 |
| Feb 10, 2020 | 14 | $105,905 | -71% | -50% | 1,848 | $57 | $14,210,635 | 18 |
| Feb 11, 2020 | 15 | $142,860 | +35% | -58% | 1,848 | $77 | $14,353,495 | 19 |
| Feb 12, 2020 | 15 | $94,170 | -34% | -55% | 1,848 | $51 | $14,447,665 | 20 |
| Feb 13, 2020 | 15 | $78,900 | -16% | -58% | 1,848 | $43 | $14,526,565 | 21 |
| Feb 14, 2020 | - | $224,760 | +185% | -44% | 610 | $368 | $14,751,325 | 22 |
| Feb 15, 2020 | - | $192,025 | -15% | -74% | 610 | $315 | $14,943,350 | 23 |
| Feb 16, 2020 | - | $125,555 | -35% | -65% | 610 | $206 | $15,068,905 | 24 |
| Feb 17, 2020 | - | $65,255 | -48% | -38% | 610 | $107 | $15,134,160 | 25 |
| Feb 18, 2020 | - | $40,090 | -39% | -72% | 610 | $66 | $15,174,250 | 26 |
| Feb 19, 2020 | - | $27,570 | -31% | -71% | 610 | $45 | $15,201,820 | 27 |
| Feb 20, 2020 | - | $16,415 | -40% | -79% | 610 | $27 | $15,218,235 | 28 |
| Feb 21, 2020 | - | $38,240 | +133% | -83% | 315 | $121 | $15,256,475 | 29 |
| Feb 22, 2020 | - | $60,665 | +59% | -68% | 315 | $193 | $15,317,140 | 30 |
| Feb 23, 2020 | - | $28,295 | -53% | -77% | 315 | $90 | $15,345,435 | 31 |
| Feb 24, 2020 | - | $9,055 | -68% | -86% | 315 | $29 | $15,354,490 | 32 |
| Feb 25, 2020 | - | $12,905 | +43% | -68% | 315 | $41 | $15,367,395 | 33 |
| Feb 26, 2020 | - | $9,390 | -27% | -66% | 315 | $30 | $15,376,785 | 34 |
| Feb 27, 2020 | - | $6,770 | -28% | -59% | 315 | $21 | $15,383,555 | 35 |
| Feb 28, 2020 | - | $19,590 | +189% | -49% | 136 | $144 | $15,403,145 | 36 |
| Feb 29, 2020 | - | $32,880 | +68% | -46% | 136 | $242 | $15,436,025 | 37 |
| Mar 1, 2020 | - | $15,110 | -54% | -47% | 136 | $111 | $15,451,135 | 38 |
| Mar 2, 2020 | - | $5,050 | -67% | -44% | 136 | $37 | $15,456,185 | 39 |
| Mar 3, 2020 | - | $6,250 | +24% | -52% | 136 | $46 | $15,462,435 | 40 |
| Mar 4, 2020 | - | $5,230 | -16% | -44% | 136 | $38 | $15,467,665 | 41 |
| Mar 5, 2020 | - | $5,110 | -2% | -25% | 136 | $38 | $15,472,775 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 6 | $8,655,440 | 2,571 | $3,367 | $8,655,440 | 1 | |
| Jan 31, 2020 | 9 | $3,955,890 | -54% | 2,571 | $1,539 | $12,611,330 | 2 |
| Feb 7, 2020 | 14 | $1,915,235 | -52% | 1,848 | $1,036 | $14,526,565 | 3 |
| Feb 14, 2020 | 20 | $691,670 | -64% | 610 | $1,134 | $15,218,235 | 4 |
| Feb 21, 2020 | 31 | $165,320 | -76% | 315 | $525 | $15,383,555 | 5 |
| Feb 28, 2020 | 36 | $89,220 | -46% | 136 | $656 | $15,472,775 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bolivia | 2/13/2020 | $11,669 | 18 | 18 | 33 | $22,941 | 2/10/2021 | |||
| Brazil | 1/31/2020 | $249,000 | 273 | 273 | 330 | $461,661 | 5/6/2020 | |||
| Central America | 2/20/2020 | $75,446 | 116 | 116 | 140 | $108,802 | 11/18/2020 | |||
| Chile | 3/12/2020 | $21,112 | 32 | 32 | 32 | $21,944 | 3/18/2020 | |||
| Colombia | 1/31/2020 | $111,000 | 154 | 154 | 155 | $170,727 | 9/16/2020 | |||
| Ecuador | 1/24/2020 | $0 | 0 | 18 | 21 | $150,496 | 9/23/2020 | |||
| Hong Kong | 2/14/2020 | $57,016 | 29 | 29 | 49 | $99,349 | 2/1/2021 | |||
| Indonesia | 2/7/2020 | $130,305 | 0 | 0 | 0 | $171,730 | 2/22/2020 | |||
| Lithuania | 1/31/2020 | $19,560 | 11 | 11 | 20 | $34,222 | 10/19/2022 | |||
| Mexico | 1/24/2020 | $344,919 | 0 | 384 | 478 | $658,959 | 10/19/2022 | |||
| Paraguay | 1/23/2020 | $0 | 0 | 1 | 1 | $8,763 | 2/19/2020 | |||
| Peru | 3/5/2020 | $50,661 | 48 | 48 | 54 | $85,947 | 12/24/2020 | |||
| Portugal | 1/31/2020 | $54,556 | 35 | 35 | 82 | $110,309 | 10/19/2022 | |||
| Slovenia | 1/31/2020 | $8,756 | 19 | 19 | 35 | $17,890 | 4/6/2020 | |||
| South Korea | 4/2/2020 | $53,657 | 294 | 294 | 484 | $125,870 | 5/27/2020 | |||
| Spain | 12/11/2020 | $83,811 | 165 | 165 | 403 | $270,394 | 3/5/2021 | |||
| Trinidad | 1/29/2020 | $0 | 0 | 3 | 4 | $21,397 | 2/26/2020 | |||
| United Kingdom | 1/24/2020 | $136,530 | 249 | 249 | 268 | $233,668 | 4/4/2026 | |||
| Uruguay | 2/20/2020 | $7,438 | 12 | 12 | 18 | $14,714 | 3/18/2020 | |||
| Venezuela | 1/31/2020 | $0 | 0 | 0 | 0 | $10,874 | 2/19/2020 | |||
| Rest of World | $187,307 | |||||||||
| International Total | $2,987,964 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Mackenzie Davis | Kate Mandell |
Leading
| Finn Wolfhard | Miles Fairchild | |
| Brooklynn Prince | Flora |
Supporting
| Joely Richardson | Darla Mandell | |
| Mark Huberman | Bert | |
| Niall Greig Fulton | Peter Quint | |
| Barbara Marten | Mrs. Grose | |
| Denna Thomsen | Miss Jessel | |
| Karen Egan | Nancy |
Production and Technical Credits
| Fioria Sigismondi | Director | |
| Carey Hayes | Screenwriter | |
| Chad Hayes | Screenwriter | |
| Henry James | Story based on “The Turn of the Screw” by | |
| Scott Bernstein | Producer | |
| Roy Lee | Producer | |
| John Powers Middleton | Executive Producer | |
| Seth William Meier | Executive Producer | |
| David Ungaro | Director of Photography | |
| Paki Smith | Production Designer | |
| Glenn Garland | Editor | |
| Leonie Prendergast | Costume Designer | |
| Nathan Barr | Composer | |
| Donal O'Farrell | Stunt Coordinator | |
| Alan Walsh | Stunt Coordinator | |
| Leslee Feldman | Casting Director | |
| Priscilla John | Casting Director | |
| Jonas Spaccarotelli | First Assistant Director | |
| Orla King | Second Assistant Director | |
| Jo Homewood | Line Producer | |
| Holly Bario | Co-Producer | |
| Alan Maloney | Co-Producer | |
| Jonas Spaccarotelli | Co-Producer | |
| Jane Moran | Editor | |
| Duwayne Dunham | Editor | |
| Nigel Pollock | Supervising Art Director | |
| Jason Groarke | Story Artist | |
| John Fox | Story Artist | |
| Michael Standish | Set Decorator | |
| Robert Flanagan | Sound Mixer | |
| Kevin Byrne | Special Effects Supervisor | |
| Lynn Johnston | Make up | |
| Orla Carroll | Hairstylist | |
| Renee Foley Burke | Script Supervisor | |
| Colm Nolan | Location Manager | |
| Lee Sheward | Second Unit Director | |
| Gunnar McGrew | Post-Production Supervisor | |
| Michael Trent | Additional Editor | |
| Gregg London | First Assistant Editor | |
| Mathias Hilger | Assistant Editor | |
| Drew Kilcoin | Assistant Editor | |
| Kevin Birou | Assistant Editor | |
| Sean Brown | Assistant Editor | |
| Danny Miller | Assistant Editor | |
| Scott Millan | Re-recording Mixer | |
| David Esparza | Re-recording Mixer | |
| Daniel Pagan | Supervising Sound Editor | |
| Russell Farmarco | Dialogue Editor | |
| Randy Wilson | Foley Mixer | |
| Ron Mellegers | Foley Mixer | |
| John Loranger | Foley Supervising Editor | |
| Kristi McIntyre | Foley Editor | |
| Lawrence Rothman | Music Supervisor | |
| Michael T Ryan | Music Editor | |
| Justin Burnett | Additional Music | |
| Ashley Koons | Visual Effects Producer | |
| Aymeric Perceval | Visual Effects Supervisor | |
| Lashay Carr | Production Manager | |
| Gaurav Tomar | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.