Tuscaloosa (2020)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 452330100 More info... | ||
| Further financial details... | ||
Synopsis
1972. Vietnam war protests and racial tension is sizzling in the late summer heat of Tuscaloosa, Alabama. Billy Mitchell, a recent college graduate, spends the summer working on the lush grounds of an old world mental institution run by his psychiatrist father. Billy falls in love with Virginia, a patient who is possibly crazy, or perhaps she is the only sane person Billy has in his world. Billy’s best friend Nigel becomes involved with a radical civil rights activist against Tuscaloosa’s power elite, which includes Billy’s father. Billy is torn between Nigel, his father and his cronies, and Virginia who is planning her escape with or without Billy.
Metrics
Movie Details
| Domestic Releases: | March 13th, 2020 (Limited) by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Geographical setting: | Vietnam |
| Time period setting: | 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Devon Bostick | Billy | |
| Natalia Dyer | Virginia | |
| YG | Antoine |
Supporting
| Marchánt Davis | Nigel |
Leading
| Tate Donovan | Doctor |
Supporting
| Ella Rae Peck | Anne | |
| Birgundi Baker | Carmen | |
| Nathan Phillips | Deputy | |
| Paul Cram | Earl | |
| Bruce Bohme | Papa |
Production and Technical Credits
| Philip Harder | Director | |
| Philip Harder | Screenwriter | |
| W. Glasgow Phillips | Story by | |
| Patrick Riley | Producer | |
| Brian Etting | Executive Producer | |
| Jenny Daly | Executive Producer | |
| Erik Helgeson | Executive Producer | |
| Dan Riley | Executive Producer | |
| Scott Franklin | Executive Producer | |
| Clayton Condit | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
1972. Vietnam war protests and racial tension is sizzling in the late summer heat of Tuscaloosa, Alabama. Billy Mitchell, a recent college graduate, spends the summer working on the lush grounds of an old world mental institution run by his psychiatrist father. Billy falls in love with Virginia, a patient who is possibly crazy, or perhaps she is the only sane person Billy has in his world. Billy’s best friend Nigel becomes involved with a radical civil rights activist against Tuscaloosa’s power elite, which includes Billy’s father. Billy is torn between Nigel, his father and his cronies, and Virginia who is planning her escape with or without Billy.
Metrics
Movie Details
| Domestic Releases: | March 13th, 2020 (Limited) by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Geographical setting: | Vietnam |
| Time period setting: | 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Devon Bostick | Billy | |
| Natalia Dyer | Virginia | |
| YG | Antoine |
Supporting
| Marchánt Davis | Nigel |
Leading
| Tate Donovan | Doctor |
Supporting
| Ella Rae Peck | Anne | |
| Birgundi Baker | Carmen | |
| Nathan Phillips | Deputy | |
| Paul Cram | Earl | |
| Bruce Bohme | Papa |
Production and Technical Credits
| Philip Harder | Director | |
| Philip Harder | Screenwriter | |
| W. Glasgow Phillips | Story by | |
| Patrick Riley | Producer | |
| Brian Etting | Executive Producer | |
| Jenny Daly | Executive Producer | |
| Erik Helgeson | Executive Producer | |
| Dan Riley | Executive Producer | |
| Scott Franklin | Executive Producer | |
| Clayton Condit | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.