Twilight of the Dead (2025)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 711500100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Franchise: | Night of the Living Dead |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magenta Light |
| Production Countries: | United States |
| Languages: | English |
Leading
| Kate Beckinsale | ||
| Betty Gabriel |
Production and Technical Credits
| Doron Paz | Director | |
| Yoav Paz | Director | |
| Paolo Zelati | Screenwriter | |
| John Baldecchi | Producer | |
| Sarah Donnelly | Producer | |
| Paolo Zelati | Producer | |
| Dominic Ianno | Executive Producer | |
| Bob Yari | Producer | |
| Shaun Sanghani | Producer | |
| Kenneth Kim | Producer | |
| Ho Sung Pak | Producer | |
| George Furla | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
Movie Details
| Franchise: | Night of the Living Dead |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magenta Light |
| Production Countries: | United States |
| Languages: | English |
Leading
| Kate Beckinsale | ||
| Betty Gabriel |
Production and Technical Credits
| Doron Paz | Director | |
| Yoav Paz | Director | |
| Paolo Zelati | Screenwriter | |
| John Baldecchi | Producer | |
| Sarah Donnelly | Producer | |
| Paolo Zelati | Producer | |
| Dominic Ianno | Executive Producer | |
| Bob Yari | Producer | |
| Shaun Sanghani | Producer | |
| Kenneth Kim | Producer | |
| Ho Sung Pak | Producer | |
| George Furla | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.