USS Indianapolis: Men of Courage (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,663,785 | Details |
| Worldwide Box Office | $1,663,785 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,935,526 | |
| Blu-ray Sales (estimated) | $698,794 | |
| Total | $2,634,320 | |
| OpusData ID: 262080100 More info... | ||
| Further financial details... | ||
Synopsis
Throughout WWII, the USS INDIANAPOLIS was known as one of the fastest ships in the entire US Navy. Under the command of Captain McVay, its crew fought bravely in every major US campaign in the Pacific. As President Truman negotiates Germany’s surrender, he gives McVay a new mission. This is the remarkable true story of survival. Filled with tense action and brave heroes, it is the ultimate untold story of WWII.
Metrics
| Production Budget: | $40,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 11th, 2016 (Limited) by Saban Films |
| International Releases: | September 23rd, 2016 (Wide) (Russia (CIS))
June 30th, 2017 (Wide), released as USS Indianapolis: Homens de Coragem (Portugal) July 20th, 2017 (Wide), released as USS Indianapolis (Italy) |
| Video Release: | January 24th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for war-related images and brief language. (Rating bulletin 2429 (Cert #50512), 6/15/2016) |
| Running Time: | 110 minutes |
| Plot point: | Animals Gone Bad, Disaster, On a Boat |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Hannibal Classics, USS Indianapolis |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/20/2017 | $309,635 | 0 | 0 | 0 | $1,293,732 | 8/29/2017 | |||
| Portugal | 6/30/2017 | $9,841 | 11 | 13 | 36 | $27,275 | 7/27/2017 | |||
| Russia (CIS) | 9/23/2016 | $221,876 | 555 | 555 | 1,341 | $342,778 | 11/14/2018 | |||
| International Total | $1,663,785 | 11/14/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicolas Cage | Captain McVay |
Supporting
| James Remar | Admiral Parnell |
Leading
| Tom Sizemore | McWhorter |
Supporting
| Thomas Jane | Adrian Marks | |
| Matt Lanter | Bama | |
| Brian Presley | Waxman | |
| Yutaka Takeuchi | Commander Hashimoto | |
| Johnny Wactor | Connor | |
| Adam Scott Miller | D’Antonio | |
| Cody Walker | West | |
| Callard Harris | Lt. Kennedy | |
| Mandela Van Peebles | Theodore | |
| Craig Tate | Garrison | |
| Joey Capone | Alvin | |
| Emily Tennant | Clara | |
| Weronika Rosati | Louise | |
| Jose Julian | Sanchez | |
| Patrice Cols | Jean-Pierre | |
| Max Ryan | Lt. Chuck Gwinn |
Production and Technical Credits
| Mario Van Peebles | Director | |
| Cam Cannon | Screenwriter | |
| Richard Rionda del Castro | Screenwriter | |
| Richard Rionda del Castro | Producer | |
| Michael Mendelsohn | Producer | |
| Patricia Eberle | Executive Producer | |
| Timothy Patrick Cavanaugh | Executive Producer | |
| Cam Cannon | Executive Producer | |
| William W. Wilson III | Executive Producer | |
| William V. Bromley Jr | Executive Producer | |
| Shanan Becker | Executive Producer | |
| Ness Saban | Executive Producer | |
| Jamal Sannan | Executive Producer | |
| Mariusz Lukomski | Executive Producer | |
| Yan Fisher Romanovsky | Executive Producer | |
| Sean Leigh Hart | Executive Producer | |
| Frederico Lapenda | Executive Producer | |
| Vladimir Fernandes | Executive Producer | |
| Claiton Fernandes | Executive Producer | |
| Euzebio Munhoz Jr | Executive Producer | |
| Balan Melarkode | Executive Producer | |
| Lindsey Roth | Executive Producer | |
| Dylan McGinty | Executive Producer | |
| Kristy Eberle | Executive Producer | |
| Mike Nilon | Executive Producer | |
| Robert Nau | Executive Producer | |
| Raymond Hamrick | Executive Producer | |
| Martin Barab | Executive Producer | |
| Dama Claire | Executive Producer | |
| Natalie Perrotta | Associate Producer | |
| Charline Cartoux | Associate Producer | |
| Joshua P. Dease | Associate Producer | |
| Robert Ferretti | Associate Producer | |
| Andrzej Sekula | Director of Photography | |
| Robert Ferretti | Editor | |
| Laurent Eyquem | Composer | |
| Joe Lemmon | Production Designer | |
| Patrick O'Driscoll | Costume Designer | |
| Melissa Wulfemeyer | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Throughout WWII, the USS INDIANAPOLIS was known as one of the fastest ships in the entire US Navy. Under the command of Captain McVay, its crew fought bravely in every major US campaign in the Pacific. As President Truman negotiates Germany’s surrender, he gives McVay a new mission. This is the remarkable true story of survival. Filled with tense action and brave heroes, it is the ultimate untold story of WWII.
Metrics
| Production Budget: | $40,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 11th, 2016 (Limited) by Saban Films |
| International Releases: | September 23rd, 2016 (Wide) (Russia (CIS))
June 30th, 2017 (Wide), released as USS Indianapolis: Homens de Coragem (Portugal) July 20th, 2017 (Wide), released as USS Indianapolis (Italy) |
| Video Release: | January 24th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for war-related images and brief language. (Rating bulletin 2429 (Cert #50512), 6/15/2016) |
| Running Time: | 110 minutes |
| Plot point: | Animals Gone Bad, Disaster, On a Boat |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Hannibal Classics, USS Indianapolis |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/20/2017 | $309,635 | 0 | 0 | 0 | $1,293,732 | 8/29/2017 | |||
| Portugal | 6/30/2017 | $9,841 | 11 | 13 | 36 | $27,275 | 7/27/2017 | |||
| Russia (CIS) | 9/23/2016 | $221,876 | 555 | 555 | 1,341 | $342,778 | 11/14/2018 | |||
| International Total | $1,663,785 | 11/14/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicolas Cage | Captain McVay |
Supporting
| James Remar | Admiral Parnell |
Leading
| Tom Sizemore | McWhorter |
Supporting
| Thomas Jane | Adrian Marks | |
| Matt Lanter | Bama | |
| Brian Presley | Waxman | |
| Yutaka Takeuchi | Commander Hashimoto | |
| Johnny Wactor | Connor | |
| Adam Scott Miller | D’Antonio | |
| Cody Walker | West | |
| Callard Harris | Lt. Kennedy | |
| Mandela Van Peebles | Theodore | |
| Craig Tate | Garrison | |
| Joey Capone | Alvin | |
| Emily Tennant | Clara | |
| Weronika Rosati | Louise | |
| Jose Julian | Sanchez | |
| Patrice Cols | Jean-Pierre | |
| Max Ryan | Lt. Chuck Gwinn |
Production and Technical Credits
| Mario Van Peebles | Director | |
| Cam Cannon | Screenwriter | |
| Richard Rionda del Castro | Screenwriter | |
| Richard Rionda del Castro | Producer | |
| Michael Mendelsohn | Producer | |
| Patricia Eberle | Executive Producer | |
| Timothy Patrick Cavanaugh | Executive Producer | |
| Cam Cannon | Executive Producer | |
| William W. Wilson III | Executive Producer | |
| William V. Bromley Jr | Executive Producer | |
| Shanan Becker | Executive Producer | |
| Ness Saban | Executive Producer | |
| Jamal Sannan | Executive Producer | |
| Mariusz Lukomski | Executive Producer | |
| Yan Fisher Romanovsky | Executive Producer | |
| Sean Leigh Hart | Executive Producer | |
| Frederico Lapenda | Executive Producer | |
| Vladimir Fernandes | Executive Producer | |
| Claiton Fernandes | Executive Producer | |
| Euzebio Munhoz Jr | Executive Producer | |
| Balan Melarkode | Executive Producer | |
| Lindsey Roth | Executive Producer | |
| Dylan McGinty | Executive Producer | |
| Kristy Eberle | Executive Producer | |
| Mike Nilon | Executive Producer | |
| Robert Nau | Executive Producer | |
| Raymond Hamrick | Executive Producer | |
| Martin Barab | Executive Producer | |
| Dama Claire | Executive Producer | |
| Natalie Perrotta | Associate Producer | |
| Charline Cartoux | Associate Producer | |
| Joshua P. Dease | Associate Producer | |
| Robert Ferretti | Associate Producer | |
| Andrzej Sekula | Director of Photography | |
| Robert Ferretti | Editor | |
| Laurent Eyquem | Composer | |
| Joe Lemmon | Production Designer | |
| Patrick O'Driscoll | Costume Designer | |
| Melissa Wulfemeyer | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.