El último Traje (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $73,548 | Details |
| International Box Office | $498,429 | Details |
| Worldwide Box Office | $571,977 | |
| OpusData ID: 307600100 More info... | ||
| Further financial details... | ||
Synopsis
At 88, Abraham Bursztein is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day. Comedic and poignant in equal measure, from Argentina to Spain, across Germany and finally to Poland, Abraham is on his own but also accompanied by the characters he meets along the way, who both help him and need his help. A standout among these is the iconic Spanish actress Angela Molina, as the proprietor of the Madrid hotel where he stays.
Metrics
| Opening Weekend: | $27,549 (37.5% of total gross) |
| Legs: | 2.67 (domestic box office/biggest weekend) |
| Domestic Share: | 12.9% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $96,553 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Limited) by Outsider, released as The Last Suit September 21st, 2018 (Limited) by Outsider, released as The Last Suit |
| International Releases: | October 6th, 2017 (Wide) (Spain)
October 27th, 2017 (Wide), released as The Last Suit (Australia) January 26th, 2018 (Wide) (Argentina) September 6th, 2018 (Wide), released as The Last Suit (South Korea) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 86 minutes |
| Geographical setting: | Argentina, Buenos Aires, Poland |
| Plot point: | Autumn Years, Holocaust Survivor, Jewish |
| Social setting: | Holocaust, World War II |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Spain, Argentina |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 55 | $27,549 | 6 | $4,592 | $27,549 | 1 | |
| Mar 30, 2018 | 61 | $13,952 | -49% | 6 | $2,325 | $51,627 | 2 |
| Apr 6, 2018 | 59 | $13,185 | -5% | 6 | $2,198 | $73,548 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 56 | $37,675 | 6 | $6,279 | $37,675 | 1 | |
| Mar 30, 2018 | 59 | $22,688 | -40% | 6 | $3,781 | $60,363 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/26/2018 | $73,944 | 0 | 0 | 0 | $151,420 | 4/4/2026 | |||
| Australia | 10/27/2017 | $0 | 0 | 4 | 8 | $50,449 | 8/30/2018 | |||
| South Korea | 9/6/2018 | $10,540 | 20 | 21 | 36 | $38,002 | 4/4/2026 | |||
| Spain | 10/6/2017 | $39,566 | 55 | 55 | 120 | $183,850 | 11/27/2017 | |||
| Rest of World | $74,708 | |||||||||
| International Total | $498,429 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miguel Ángel Solá | Abraham Bursztein |
Production and Technical Credits
| Pablo Solarz | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
At 88, Abraham Bursztein is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day. Comedic and poignant in equal measure, from Argentina to Spain, across Germany and finally to Poland, Abraham is on his own but also accompanied by the characters he meets along the way, who both help him and need his help. A standout among these is the iconic Spanish actress Angela Molina, as the proprietor of the Madrid hotel where he stays.
Metrics
| Opening Weekend: | $27,549 (37.5% of total gross) |
| Legs: | 2.67 (domestic box office/biggest weekend) |
| Domestic Share: | 12.9% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $96,553 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Limited) by Outsider, released as The Last Suit September 21st, 2018 (Limited) by Outsider, released as The Last Suit |
| International Releases: | October 6th, 2017 (Wide) (Spain)
October 27th, 2017 (Wide), released as The Last Suit (Australia) January 26th, 2018 (Wide) (Argentina) September 6th, 2018 (Wide), released as The Last Suit (South Korea) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 86 minutes |
| Geographical setting: | Argentina, Buenos Aires, Poland |
| Plot point: | Autumn Years, Holocaust Survivor, Jewish |
| Social setting: | Holocaust, World War II |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Spain, Argentina |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 55 | $27,549 | 6 | $4,592 | $27,549 | 1 | |
| Mar 30, 2018 | 61 | $13,952 | -49% | 6 | $2,325 | $51,627 | 2 |
| Apr 6, 2018 | 59 | $13,185 | -5% | 6 | $2,198 | $73,548 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 56 | $37,675 | 6 | $6,279 | $37,675 | 1 | |
| Mar 30, 2018 | 59 | $22,688 | -40% | 6 | $3,781 | $60,363 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/26/2018 | $73,944 | 0 | 0 | 0 | $151,420 | 4/4/2026 | |||
| Australia | 10/27/2017 | $0 | 0 | 4 | 8 | $50,449 | 8/30/2018 | |||
| South Korea | 9/6/2018 | $10,540 | 20 | 21 | 36 | $38,002 | 4/4/2026 | |||
| Spain | 10/6/2017 | $39,566 | 55 | 55 | 120 | $183,850 | 11/27/2017 | |||
| Rest of World | $74,708 | |||||||||
| International Total | $498,429 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miguel Ángel Solá | Abraham Bursztein |
Production and Technical Credits
| Pablo Solarz | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.