Uma Musume: Pretty Derby — Beginning of a New Era (ウマ娘 プリティーダービー 新時代の扉) (2024)
| Theatrical Performance | ||
| Domestic Box Office | $1,275,499 | Details |
| International Box Office | $9,490,971 | Details |
| Worldwide Box Office | $10,766,470 | |
| OpusData ID: 670260100 More info... | ||
| Further financial details... | ||
Synopsis
After witnessing Fuji Kiseki win a race, young Jungle Pocket is inspired to become the fastest horse girl alive. Training alongside Fuji and her veteran trainer, Pocket’s goal looks to be within reach—right up until she encounters Agnes Tachyon. In the face of Tachyon’s impossible speed and polar opposite personality, beating Tachyon becomes an obsession. But all too soon, that obsession becomes a looming specter—the final barrier that stands between Pocket and her dream.
Metrics
| Opening Weekend: | $896,382 (70.3% of total gross) |
| Legs: | 1.42 (domestic box office/biggest weekend) |
| Domestic Share: | 11.8% (domestic box office/worldwide) |
| Theater counts: | 600 opening theaters/600 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,275,499 |
Movie Details
| Domestic Releases: | February 27th, 2026 (Limited) by GAGA Corporation, released as Uma Musume: Pretty Derby — Beginning of a New Era |
| International Releases: | May 24th, 2024 (Limited) (Japan)
July 11th, 2024 (Limited), released as Uma Musume: Pretty Derby — Beginning of a New Era (South Korea) April 16th, 2026 (Limited), released as Uma Musume: Pretty Derby — Beginning of a New Era (Australia) April 16th, 2026 (Limited), released as Uma Musume: Pretty Derby — Beginning of a New Era (New Zealand) ... Show all releases |
| MPA Rating: | Not Rated (Rated 3/3/2026) |
| Running Time: | 108 minutes |
| Franchise: | Umamusume |
| Cast, crew, or production detail: | Anime |
| Geographical setting: | Japan |
| Plot point: | Horse Racing, Track and Field, Underdog |
| Subgenre: | Sports Drama |
| Source: | Based on Game |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | GAGA Corporation |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2026 | 13 | $896,382 | 600 | $1,494 | $896,382 | 1 | |
| Mar 6, 2026 | - | $87,676 | -90% | 600 | $146 | $1,225,612 | 2 |
| Mar 13, 2026 | - | $1,730 | -98% | 7 | $247 | $1,274,568 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2026 | 10 | $386,396 | 600 | $644 | $386,396 | 1 | ||
| Feb 28, 2026 | 13 | $303,662 | -21% | 600 | $506 | $690,058 | 2 | |
| Mar 1, 2026 | 14 | $206,235 | -32% | 600 | $344 | $896,293 | 3 | |
| Mar 2, 2026 | - | $70,240 | -66% | 600 | $117 | $966,533 | 4 | |
| Mar 3, 2026 | - | $69,564 | -1% | 600 | $116 | $1,036,097 | 5 | |
| Mar 4, 2026 | - | $64,692 | -7% | 600 | $108 | $1,100,789 | 6 | |
| Mar 5, 2026 | - | $37,147 | -43% | 600 | $62 | $1,137,936 | 7 | |
| Mar 6, 2026 | - | $20,999 | -43% | -95% | 600 | $35 | $1,158,935 | 8 |
| Mar 7, 2026 | - | $35,885 | +71% | -88% | 600 | $60 | $1,194,820 | 9 |
| Mar 8, 2026 | - | $30,792 | -14% | -85% | 600 | $51 | $1,225,612 | 10 |
| Mar 9, 2026 | - | $9,983 | -68% | -86% | 600 | $17 | $1,235,595 | 11 |
| Mar 10, 2026 | - | $12,687 | +27% | -82% | 600 | $21 | $1,248,282 | 12 |
| Mar 11, 2026 | - | $14,859 | +17% | -77% | 600 | $25 | $1,263,141 | 13 |
| Mar 12, 2026 | - | $9,697 | -35% | -74% | 600 | $16 | $1,272,838 | 14 |
| Mar 13, 2026 | - | $280 | -97% | -99% | 7 | $40 | $1,273,118 | 15 |
| Mar 14, 2026 | - | $671 | +140% | -98% | 7 | $96 | $1,273,789 | 16 |
| Mar 15, 2026 | - | $779 | +16% | -97% | 7 | $111 | $1,274,568 | 17 |
| Mar 16, 2026 | - | $267 | -66% | -97% | 7 | $38 | $1,274,835 | 18 |
| Mar 17, 2026 | - | $204 | -24% | -98% | 7 | $29 | $1,275,039 | 19 |
| Mar 18, 2026 | - | $397 | +95% | -97% | 7 | $57 | $1,275,436 | 20 |
| Mar 19, 2026 | - | $63 | -84% | -99% | 7 | $9 | $1,275,499 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2026 | 12 | $1,134,140 | 600 | $1,890 | $1,134,140 | 1 | |
| Mar 6, 2026 | 28 | $134,902 | -88% | 240 | $562 | $1,272,838 | 2 |
| Mar 13, 2026 | 60 | $2,661 | -98% | 7 | $380 | $1,275,499 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/16/2026 | $59,516 | 24 | 24 | 0 | $75,020 | 5/4/2026 | |||
| Japan | 5/24/2024 | $0 | 0 | 0 | 0 | $8,939,327 | 2/5/2025 | |||
| New Zealand | 4/16/2026 | $7,723 | 23 | 23 | 0 | $8,530 | 4/28/2026 | |||
| South Korea | 7/11/2024 | $79,536 | 136 | 7 | 520 | $468,094 | 4/4/2026 | |||
| International Total | $9,490,971 | 5/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Yuri Fujimoto | Jungle Pocket | |
| Sumire Uesaka | Agnes Tachyon | |
| Yui Ogura | Manhattan Cafe | |
| Haruna Fukushima | Dantsu Flame | |
| Sora Tokui | T.M. Opera O | |
| Eriko Matsui | Fuji Kiseki | |
| Kanna Nakamura | Narita Top Road | |
| Misaki Watada | Meisho Doto | |
| Kenichi Ogata | Trainer Tanabe | |
| Miyuki Sakurai | Ru | |
| Yurie Igoma | Shima | |
| Saya Hitomi | Mai | |
| Rina Honnizumi | Nana Izumoto |
Production and Technical Credits
| Ken Yamamoto | Director | |
| Masayoshi Oishi | Screenwriter | |
| Kiyoko Yoshimura | Screenwriter | |
| Masayoshi Oishi | Composer | |
| Jun Yamazaki | Character Designer | |
| Jun Yamazaki | Lead Animation Director | |
| Akane Fushihara | Cinematographer | |
| Yūki Kawashita | Cinematographer | |
| Kashiko Kimura | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After witnessing Fuji Kiseki win a race, young Jungle Pocket is inspired to become the fastest horse girl alive. Training alongside Fuji and her veteran trainer, Pocket’s goal looks to be within reach—right up until she encounters Agnes Tachyon. In the face of Tachyon’s impossible speed and polar opposite personality, beating Tachyon becomes an obsession. But all too soon, that obsession becomes a looming specter—the final barrier that stands between Pocket and her dream.
Metrics
| Opening Weekend: | $896,382 (70.3% of total gross) |
| Legs: | 1.42 (domestic box office/biggest weekend) |
| Domestic Share: | 11.8% (domestic box office/worldwide) |
| Theater counts: | 600 opening theaters/600 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,275,499 |
Movie Details
| Domestic Releases: | February 27th, 2026 (Limited) by GAGA Corporation, released as Uma Musume: Pretty Derby — Beginning of a New Era |
| International Releases: | May 24th, 2024 (Limited) (Japan)
July 11th, 2024 (Limited), released as Uma Musume: Pretty Derby — Beginning of a New Era (South Korea) April 16th, 2026 (Limited), released as Uma Musume: Pretty Derby — Beginning of a New Era (Australia) April 16th, 2026 (Limited), released as Uma Musume: Pretty Derby — Beginning of a New Era (New Zealand) ... Show all releases |
| MPA Rating: | Not Rated (Rated 3/3/2026) |
| Running Time: | 108 minutes |
| Franchise: | Umamusume |
| Cast, crew, or production detail: | Anime |
| Geographical setting: | Japan |
| Plot point: | Horse Racing, Track and Field, Underdog |
| Subgenre: | Sports Drama |
| Source: | Based on Game |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | GAGA Corporation |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2026 | 13 | $896,382 | 600 | $1,494 | $896,382 | 1 | |
| Mar 6, 2026 | - | $87,676 | -90% | 600 | $146 | $1,225,612 | 2 |
| Mar 13, 2026 | - | $1,730 | -98% | 7 | $247 | $1,274,568 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2026 | 10 | $386,396 | 600 | $644 | $386,396 | 1 | ||
| Feb 28, 2026 | 13 | $303,662 | -21% | 600 | $506 | $690,058 | 2 | |
| Mar 1, 2026 | 14 | $206,235 | -32% | 600 | $344 | $896,293 | 3 | |
| Mar 2, 2026 | - | $70,240 | -66% | 600 | $117 | $966,533 | 4 | |
| Mar 3, 2026 | - | $69,564 | -1% | 600 | $116 | $1,036,097 | 5 | |
| Mar 4, 2026 | - | $64,692 | -7% | 600 | $108 | $1,100,789 | 6 | |
| Mar 5, 2026 | - | $37,147 | -43% | 600 | $62 | $1,137,936 | 7 | |
| Mar 6, 2026 | - | $20,999 | -43% | -95% | 600 | $35 | $1,158,935 | 8 |
| Mar 7, 2026 | - | $35,885 | +71% | -88% | 600 | $60 | $1,194,820 | 9 |
| Mar 8, 2026 | - | $30,792 | -14% | -85% | 600 | $51 | $1,225,612 | 10 |
| Mar 9, 2026 | - | $9,983 | -68% | -86% | 600 | $17 | $1,235,595 | 11 |
| Mar 10, 2026 | - | $12,687 | +27% | -82% | 600 | $21 | $1,248,282 | 12 |
| Mar 11, 2026 | - | $14,859 | +17% | -77% | 600 | $25 | $1,263,141 | 13 |
| Mar 12, 2026 | - | $9,697 | -35% | -74% | 600 | $16 | $1,272,838 | 14 |
| Mar 13, 2026 | - | $280 | -97% | -99% | 7 | $40 | $1,273,118 | 15 |
| Mar 14, 2026 | - | $671 | +140% | -98% | 7 | $96 | $1,273,789 | 16 |
| Mar 15, 2026 | - | $779 | +16% | -97% | 7 | $111 | $1,274,568 | 17 |
| Mar 16, 2026 | - | $267 | -66% | -97% | 7 | $38 | $1,274,835 | 18 |
| Mar 17, 2026 | - | $204 | -24% | -98% | 7 | $29 | $1,275,039 | 19 |
| Mar 18, 2026 | - | $397 | +95% | -97% | 7 | $57 | $1,275,436 | 20 |
| Mar 19, 2026 | - | $63 | -84% | -99% | 7 | $9 | $1,275,499 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2026 | 12 | $1,134,140 | 600 | $1,890 | $1,134,140 | 1 | |
| Mar 6, 2026 | 28 | $134,902 | -88% | 240 | $562 | $1,272,838 | 2 |
| Mar 13, 2026 | 60 | $2,661 | -98% | 7 | $380 | $1,275,499 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/16/2026 | $59,516 | 24 | 24 | 0 | $75,020 | 5/4/2026 | |||
| Japan | 5/24/2024 | $0 | 0 | 0 | 0 | $8,939,327 | 2/5/2025 | |||
| New Zealand | 4/16/2026 | $7,723 | 23 | 23 | 0 | $8,530 | 4/28/2026 | |||
| South Korea | 7/11/2024 | $79,536 | 136 | 7 | 520 | $468,094 | 4/4/2026 | |||
| International Total | $9,490,971 | 5/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Yuri Fujimoto | Jungle Pocket | |
| Sumire Uesaka | Agnes Tachyon | |
| Yui Ogura | Manhattan Cafe | |
| Haruna Fukushima | Dantsu Flame | |
| Sora Tokui | T.M. Opera O | |
| Eriko Matsui | Fuji Kiseki | |
| Kanna Nakamura | Narita Top Road | |
| Misaki Watada | Meisho Doto | |
| Kenichi Ogata | Trainer Tanabe | |
| Miyuki Sakurai | Ru | |
| Yurie Igoma | Shima | |
| Saya Hitomi | Mai | |
| Rina Honnizumi | Nana Izumoto |
Production and Technical Credits
| Ken Yamamoto | Director | |
| Masayoshi Oishi | Screenwriter | |
| Kiyoko Yoshimura | Screenwriter | |
| Masayoshi Oishi | Composer | |
| Jun Yamazaki | Character Designer | |
| Jun Yamazaki | Lead Animation Director | |
| Akane Fushihara | Cinematographer | |
| Yūki Kawashita | Cinematographer | |
| Kashiko Kimura | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.