Umma (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $2,121,025 | Details |
| International Box Office | $180,230 | Details |
| Worldwide Box Office | $2,301,255 | |
| OpusData ID: 535710100 More info... | ||
| Further financial details... | ||
Synopsis
Umma, which is the Korean word for “mother,” follows Amanda and her daughter living a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
Metrics
| Opening Weekend: | $915,290 (43.2% of total gross) |
| Legs: | 2.32 (domestic box office/biggest weekend) |
| Domestic Share: | 92.2% (domestic box office/worldwide) |
| Theater counts: | 805 opening theaters/805 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,409,067 |
Movie Details
| Domestic Releases: | March 18th, 2022 (Wide) by Sony Pictures |
| International Releases: | March 25th, 2022 (Wide) (United Kingdom)
May 11th, 2022 (Wide), released as 엄마 (South Korea) |
| Video Release: | May 10th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for terror, brief strong language and some thematic elements. (Rating bulletin 2721 (cert #53648), 3/2/2022) |
| Plot point: | Adult Child Dealing with the Death of a Parent |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Target audience: | Asian-Americans |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stage 6 Films, Starlight Media, Raimi Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 11 | $915,290 | 805 | $1,137 | $915,290 | 1 | |
| Mar 25, 2022 | - | $460,068 | -50% | 805 | $572 | $1,700,654 | 2 |
| Apr 1, 2022 | - | $118,115 | -74% | 338 | $349 | $2,021,887 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 11 | $339,301 | 805 | $421 | $339,301 | 1 | ||
| Mar 19, 2022 | 11 | $352,052 | +4% | 805 | $437 | $691,353 | 2 | |
| Mar 20, 2022 | 11 | $223,937 | -36% | 805 | $278 | $915,290 | 3 | |
| Mar 21, 2022 | - | $78,972 | -65% | 805 | $98 | $994,262 | 4 | |
| Mar 22, 2022 | - | $105,593 | +34% | 805 | $131 | $1,099,855 | 5 | |
| Mar 23, 2022 | - | $78,167 | -26% | 805 | $97 | $1,178,022 | 6 | |
| Mar 24, 2022 | - | $62,564 | -20% | 805 | $78 | $1,240,586 | 7 | |
| Mar 25, 2022 | - | $130,020 | +108% | -62% | 805 | $162 | $1,370,606 | 8 |
| Mar 26, 2022 | - | $201,081 | +55% | -43% | 805 | $250 | $1,571,687 | 9 |
| Mar 27, 2022 | - | $128,967 | -36% | -42% | 805 | $160 | $1,700,654 | 10 |
| Mar 28, 2022 | - | $55,196 | -57% | -30% | 805 | $69 | $1,755,850 | 11 |
| Mar 29, 2022 | - | $62,108 | +13% | -41% | 805 | $77 | $1,817,958 | 12 |
| Mar 30, 2022 | - | $50,571 | -19% | -35% | 805 | $63 | $1,868,529 | 13 |
| Mar 31, 2022 | - | $35,243 | -30% | -44% | 805 | $44 | $1,903,772 | 14 |
| Apr 1, 2022 | - | $36,314 | +3% | -72% | 338 | $107 | $1,940,086 | 15 |
| Apr 2, 2022 | - | $51,305 | +41% | -74% | 338 | $152 | $1,991,391 | 16 |
| Apr 3, 2022 | - | $30,496 | -41% | -76% | 338 | $90 | $2,021,887 | 17 |
| Apr 4, 2022 | - | $11,920 | -61% | -78% | 338 | $35 | $2,033,807 | 18 |
| Apr 5, 2022 | - | $16,135 | +35% | -74% | 338 | $48 | $2,049,942 | 19 |
| Apr 6, 2022 | - | $13,971 | -13% | -72% | 338 | $41 | $2,063,913 | 20 |
| Apr 7, 2022 | - | $7,582 | -46% | -78% | 338 | $22 | $2,071,495 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $1,240,586 | 805 | $1,541 | $1,240,586 | 1 | |
| Mar 25, 2022 | - | $663,186 | -47% | 805 | $824 | $1,903,772 | 2 |
| Apr 1, 2022 | - | $167,723 | -75% | 338 | $496 | $2,071,495 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 5/11/2022 | $76,660 | 187 | 187 | 211 | $133,143 | 5/25/2022 | |||
| United Kingdom | 3/25/2022 | $47,087 | 138 | 138 | 138 | $47,087 | 4/5/2022 | |||
| International Total | $180,230 | 5/25/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sandra Oh |
Supporting
| Fivel Stewart | ||
| MeeWha Alana Lee | ||
| Tom Yi | ||
| Odeya Rush | ||
| Dermot Mulroney |
Production and Technical Credits
| Iris K. Shim | Director | |
| Iris K. Shim | Screenwriter | |
| Sam Raimi | Producer | |
| Zainab Azizi | Producer | |
| Peter Luo | Executive Producer | |
| Cheng Yang | Executive Producer | |
| Yedong Mu | Executive Producer | |
| Tao Zhou | Executive Producer | |
| André Øvredal | Executive Producer | |
| Matt Black | Executive Producer | |
| Marcei A. Brown | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Sandra Oh | Executive Producer | |
| Mark Rayner | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Umma, which is the Korean word for “mother,” follows Amanda and her daughter living a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
Metrics
| Opening Weekend: | $915,290 (43.2% of total gross) |
| Legs: | 2.32 (domestic box office/biggest weekend) |
| Domestic Share: | 92.2% (domestic box office/worldwide) |
| Theater counts: | 805 opening theaters/805 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,409,067 |
Movie Details
| Domestic Releases: | March 18th, 2022 (Wide) by Sony Pictures |
| International Releases: | March 25th, 2022 (Wide) (United Kingdom)
May 11th, 2022 (Wide), released as 엄마 (South Korea) |
| Video Release: | May 10th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for terror, brief strong language and some thematic elements. (Rating bulletin 2721 (cert #53648), 3/2/2022) |
| Plot point: | Adult Child Dealing with the Death of a Parent |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Target audience: | Asian-Americans |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stage 6 Films, Starlight Media, Raimi Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 11 | $915,290 | 805 | $1,137 | $915,290 | 1 | |
| Mar 25, 2022 | - | $460,068 | -50% | 805 | $572 | $1,700,654 | 2 |
| Apr 1, 2022 | - | $118,115 | -74% | 338 | $349 | $2,021,887 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | 11 | $339,301 | 805 | $421 | $339,301 | 1 | ||
| Mar 19, 2022 | 11 | $352,052 | +4% | 805 | $437 | $691,353 | 2 | |
| Mar 20, 2022 | 11 | $223,937 | -36% | 805 | $278 | $915,290 | 3 | |
| Mar 21, 2022 | - | $78,972 | -65% | 805 | $98 | $994,262 | 4 | |
| Mar 22, 2022 | - | $105,593 | +34% | 805 | $131 | $1,099,855 | 5 | |
| Mar 23, 2022 | - | $78,167 | -26% | 805 | $97 | $1,178,022 | 6 | |
| Mar 24, 2022 | - | $62,564 | -20% | 805 | $78 | $1,240,586 | 7 | |
| Mar 25, 2022 | - | $130,020 | +108% | -62% | 805 | $162 | $1,370,606 | 8 |
| Mar 26, 2022 | - | $201,081 | +55% | -43% | 805 | $250 | $1,571,687 | 9 |
| Mar 27, 2022 | - | $128,967 | -36% | -42% | 805 | $160 | $1,700,654 | 10 |
| Mar 28, 2022 | - | $55,196 | -57% | -30% | 805 | $69 | $1,755,850 | 11 |
| Mar 29, 2022 | - | $62,108 | +13% | -41% | 805 | $77 | $1,817,958 | 12 |
| Mar 30, 2022 | - | $50,571 | -19% | -35% | 805 | $63 | $1,868,529 | 13 |
| Mar 31, 2022 | - | $35,243 | -30% | -44% | 805 | $44 | $1,903,772 | 14 |
| Apr 1, 2022 | - | $36,314 | +3% | -72% | 338 | $107 | $1,940,086 | 15 |
| Apr 2, 2022 | - | $51,305 | +41% | -74% | 338 | $152 | $1,991,391 | 16 |
| Apr 3, 2022 | - | $30,496 | -41% | -76% | 338 | $90 | $2,021,887 | 17 |
| Apr 4, 2022 | - | $11,920 | -61% | -78% | 338 | $35 | $2,033,807 | 18 |
| Apr 5, 2022 | - | $16,135 | +35% | -74% | 338 | $48 | $2,049,942 | 19 |
| Apr 6, 2022 | - | $13,971 | -13% | -72% | 338 | $41 | $2,063,913 | 20 |
| Apr 7, 2022 | - | $7,582 | -46% | -78% | 338 | $22 | $2,071,495 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $1,240,586 | 805 | $1,541 | $1,240,586 | 1 | |
| Mar 25, 2022 | - | $663,186 | -47% | 805 | $824 | $1,903,772 | 2 |
| Apr 1, 2022 | - | $167,723 | -75% | 338 | $496 | $2,071,495 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 5/11/2022 | $76,660 | 187 | 187 | 211 | $133,143 | 5/25/2022 | |||
| United Kingdom | 3/25/2022 | $47,087 | 138 | 138 | 138 | $47,087 | 4/5/2022 | |||
| International Total | $180,230 | 5/25/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sandra Oh |
Supporting
| Fivel Stewart | ||
| MeeWha Alana Lee | ||
| Tom Yi | ||
| Odeya Rush | ||
| Dermot Mulroney |
Production and Technical Credits
| Iris K. Shim | Director | |
| Iris K. Shim | Screenwriter | |
| Sam Raimi | Producer | |
| Zainab Azizi | Producer | |
| Peter Luo | Executive Producer | |
| Cheng Yang | Executive Producer | |
| Yedong Mu | Executive Producer | |
| Tao Zhou | Executive Producer | |
| André Øvredal | Executive Producer | |
| Matt Black | Executive Producer | |
| Marcei A. Brown | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Sandra Oh | Executive Producer | |
| Mark Rayner | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.