Unbroken: Path to Redemption (2018)
| Theatrical Performance | ||
| Domestic Box Office | $6,216,897 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $843,307 | |
| Blu-ray Sales (estimated) | $1,919,515 | |
| Total | $2,762,822 | |
| OpusData ID: 319820100 More info... | ||
| Further financial details... | ||
Synopsis
After surviving a plane crash, weeks of floating on a makeshift raft in the Pacific, and then years of torture as a prisoner of war, Louis Zamperini finally returns home to California, seemingly unbroken. Haunted by nightmares of his torment, Louie sees himself as anything but a hero. Then, he meets Cynthia, a young woman who captures his eye—and his heart. Louie’s wrathful quest for revenge drives him deeper into despair, putting the couple on the brink of divorce. Until Cynthia experiences Billy Graham’s 1949 Los Angeles Crusade, where she finds faith in God and a renewed commitment to her marriage and her husband. Now, her most fervent prayer is for God to help Louie find the peace and forgiveness he so desperately needs.
Metrics
| Opening Weekend: | $2,238,723 (36.0% of total gross) |
| Legs: | 2.78 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 1,620 opening theaters/1,620 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,161,815 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Wide) by Pure Flix Entertainment |
| Video Release: | November 27th, 2018 by Universal Home Entertainment |
| MPA Rating: | PG-13 for thematic content and related disturbing images. (Rating bulletin 2529 (Cert #51621), 5/30/2018) |
| Running Time: | 98 minutes |
| Franchise: | Unbroken |
| Geographical setting: | California |
| Plot point: | Christians, PTSD, Returning Soldiers |
| Social setting: | World War II |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Universal 1440 Entertainment, WTA Group, Matt Baer Films, Pure Flix |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 10 | $2,238,723 | 1,620 | $1,382 | $2,238,723 | 1 | |
| Sep 21, 2018 | 12 | $1,284,253 | -43% | 1,484 | $865 | $4,539,775 | 2 |
| Sep 28, 2018 | 20 | $487,470 | -62% | 741 | $658 | $5,595,589 | 3 |
| Oct 5, 2018 | 30 | $160,208 | -67% | 335 | $478 | $5,991,271 | 4 |
| Oct 12, 2018 | 34 | $46,663 | -71% | 124 | $376 | $6,143,765 | 5 |
| Oct 19, 2018 | 48 | $14,035 | -70% | 52 | $270 | $6,184,569 | 6 |
| Oct 26, 2018 | 69 | $4,668 | -67% | 21 | $222 | $6,197,181 | 7 |
| Nov 2, 2018 | 67 | $4,399 | -6% | 11 | $400 | $6,204,263 | 8 |
| Nov 9, 2018 | 79 | $1,860 | -58% | 4 | $465 | $6,208,365 | 9 |
| Nov 16, 2018 | 76 | $1,109 | -40% | 10 | $111 | $6,210,183 | 10 |
| Nov 23, 2018 | 64 | $3,476 | +213% | 8 | $435 | $6,215,390 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 9 | $817,023 | 1,620 | $504 | $817,023 | 1 | ||
| Sep 15, 2018 | 11 | $856,661 | +5% | 1,620 | $529 | $1,673,684 | 2 | |
| Sep 16, 2018 | 11 | $565,039 | -34% | 1,620 | $349 | $2,238,723 | 3 | |
| Sep 17, 2018 | 9 | $215,503 | -62% | 1,620 | $133 | $2,454,226 | 4 | |
| Sep 18, 2018 | 8 | $378,602 | +76% | 1,620 | $234 | $2,832,828 | 5 | |
| Sep 19, 2018 | 11 | $202,521 | -47% | 1,620 | $125 | $3,035,349 | 6 | |
| Sep 20, 2018 | 8 | $220,173 | +9% | 1,620 | $136 | $3,255,522 | 7 | |
| Sep 21, 2018 | 13 | $423,785 | +92% | -48% | 1,484 | $286 | $3,679,307 | 8 |
| Sep 22, 2018 | 13 | $534,697 | +26% | -38% | 1,484 | $360 | $4,214,004 | 9 |
| Sep 23, 2018 | 12 | $325,771 | -39% | -42% | 1,484 | $220 | $4,539,775 | 10 |
| Sep 24, 2018 | 12 | $132,233 | -59% | -39% | 1,484 | $89 | $4,672,008 | 11 |
| Sep 25, 2018 | 12 | $219,518 | +66% | -42% | 1,484 | $148 | $4,891,526 | 12 |
| Sep 26, 2018 | 12 | $124,409 | -43% | -39% | 1,484 | $84 | $5,015,935 | 13 |
| Sep 27, 2018 | 12 | $92,184 | -26% | -58% | 1,484 | $62 | $5,108,119 | 14 |
| Sep 28, 2018 | - | $157,281 | +71% | -63% | 741 | $212 | $5,265,400 | 15 |
| Sep 29, 2018 | - | $199,910 | +27% | -63% | 741 | $270 | $5,465,310 | 16 |
| Sep 30, 2018 | - | $130,279 | -35% | -60% | 741 | $176 | $5,595,589 | 17 |
| Oct 1, 2018 | - | $49,123 | -62% | -63% | 741 | $66 | $5,644,712 | 18 |
| Oct 2, 2018 | - | $84,952 | +73% | -61% | 741 | $115 | $5,729,664 | 19 |
| Oct 3, 2018 | - | $52,427 | -38% | -58% | 741 | $71 | $5,782,091 | 20 |
| Oct 4, 2018 | - | $48,972 | -7% | -47% | 741 | $66 | $5,831,063 | 21 |
| Oct 5, 2018 | - | $48,063 | -2% | -69% | 335 | $143 | $5,879,126 | 22 |
| Oct 6, 2018 | - | $64,347 | +34% | -68% | 335 | $192 | $5,943,473 | 23 |
| Oct 7, 2018 | - | $47,798 | -26% | -63% | 335 | $143 | $5,991,271 | 24 |
| Oct 8, 2018 | - | $27,999 | -41% | -43% | 335 | $84 | $6,019,270 | 25 |
| Oct 9, 2018 | - | $30,966 | +11% | -64% | 335 | $92 | $6,050,236 | 26 |
| Oct 10, 2018 | - | $25,035 | -19% | -52% | 335 | $75 | $6,075,271 | 27 |
| Oct 11, 2018 | - | $21,831 | -13% | -55% | 335 | $65 | $6,097,102 | 28 |
| Oct 12, 2018 | - | $13,983 | -36% | -71% | 124 | $113 | $6,111,085 | 29 |
| Oct 13, 2018 | - | $18,381 | +31% | -71% | 124 | $148 | $6,129,466 | 30 |
| Oct 14, 2018 | - | $14,299 | -22% | -70% | 124 | $115 | $6,143,765 | 31 |
| Oct 15, 2018 | - | $7,018 | -51% | -75% | 124 | $57 | $6,150,783 | 32 |
| Oct 16, 2018 | - | $7,438 | +6% | -76% | 124 | $60 | $6,158,221 | 33 |
| Oct 17, 2018 | - | $5,690 | -24% | -77% | 124 | $46 | $6,163,911 | 34 |
| Oct 18, 2018 | - | $6,623 | +16% | -70% | 124 | $53 | $6,170,534 | 35 |
| Oct 19, 2018 | - | $4,149 | -37% | -70% | 52 | $80 | $6,174,683 | 36 |
| Oct 20, 2018 | - | $5,254 | +27% | -71% | 52 | $101 | $6,179,937 | 37 |
| Oct 21, 2018 | - | $4,632 | -12% | -68% | 52 | $89 | $6,184,569 | 38 |
| Oct 22, 2018 | - | $2,101 | -55% | -70% | 52 | $40 | $6,186,670 | 39 |
| Oct 23, 2018 | - | $1,763 | -16% | -76% | 52 | $34 | $6,188,433 | 40 |
| Oct 24, 2018 | - | $1,837 | +4% | -68% | 52 | $35 | $6,190,270 | 41 |
| Oct 25, 2018 | - | $2,243 | +22% | -66% | 52 | $43 | $6,192,513 | 42 |
| Oct 26, 2018 | - | $1,420 | -37% | -66% | 21 | $68 | $6,193,933 | 43 |
| Oct 27, 2018 | - | $1,708 | +20% | -67% | 21 | $81 | $6,195,641 | 44 |
| Oct 28, 2018 | - | $1,540 | -10% | -67% | 21 | $73 | $6,197,181 | 45 |
| Oct 29, 2018 | - | $581 | -62% | -72% | 21 | $28 | $6,197,762 | 46 |
| Oct 30, 2018 | - | $362 | -38% | -79% | 21 | $17 | $6,198,124 | 47 |
| Oct 31, 2018 | - | $868 | +140% | -53% | 21 | $41 | $6,198,992 | 48 |
| Nov 1, 2018 | - | $872 | n/c | -61% | 21 | $42 | $6,199,864 | 49 |
| Nov 2, 2018 | - | $1,576 | +81% | +11% | 11 | $143 | $6,201,440 | 50 |
| Nov 3, 2018 | - | $1,460 | -7% | -15% | 11 | $133 | $6,202,900 | 51 |
| Nov 4, 2018 | - | $1,363 | -7% | -11% | 11 | $124 | $6,204,263 | 52 |
| Nov 5, 2018 | - | $710 | -48% | +22% | 11 | $65 | $6,204,973 | 53 |
| Nov 6, 2018 | - | $692 | -3% | +91% | 11 | $63 | $6,205,665 | 54 |
| Nov 7, 2018 | - | $486 | -30% | -44% | 11 | $44 | $6,206,151 | 55 |
| Nov 8, 2018 | - | $354 | -27% | -59% | 11 | $32 | $6,206,505 | 56 |
| Nov 9, 2018 | - | $526 | +49% | -67% | 4 | $132 | $6,207,031 | 57 |
| Nov 10, 2018 | - | $854 | +62% | -42% | 4 | $214 | $6,207,885 | 58 |
| Nov 11, 2018 | - | $480 | -44% | -65% | 4 | $120 | $6,208,365 | 59 |
| Nov 12, 2018 | - | $224 | -53% | -68% | 4 | $56 | $6,208,589 | 60 |
| Nov 13, 2018 | - | $147 | -34% | -79% | 4 | $37 | $6,208,736 | 61 |
| Nov 14, 2018 | - | $154 | +5% | -68% | 4 | $39 | $6,208,890 | 62 |
| Nov 15, 2018 | - | $184 | +19% | -48% | 4 | $46 | $6,209,074 | 63 |
| Nov 16, 2018 | - | $391 | +113% | -26% | 10 | $39 | $6,209,465 | 64 |
| Nov 17, 2018 | - | $289 | -26% | -66% | 10 | $29 | $6,209,754 | 65 |
| Nov 18, 2018 | - | $429 | +48% | -11% | 10 | $43 | $6,210,183 | 66 |
| Nov 19, 2018 | - | $63 | -85% | -72% | 10 | $6 | $6,210,246 | 67 |
| Nov 20, 2018 | - | $96 | +52% | -35% | 10 | $10 | $6,210,342 | 68 |
| Nov 21, 2018 | - | $793 | +726% | +415% | 10 | $79 | $6,211,135 | 69 |
| Nov 22, 2018 | - | $779 | -2% | +323% | 10 | $78 | $6,211,914 | 70 |
| Nov 23, 2018 | - | $1,555 | +100% | +298% | 8 | $194 | $6,213,469 | 71 |
| Nov 24, 2018 | - | $1,473 | -5% | +410% | 8 | $184 | $6,214,942 | 72 |
| Nov 25, 2018 | - | $448 | -70% | +4% | 8 | $56 | $6,215,390 | 73 |
| Nov 26, 2018 | - | $370 | -17% | +487% | 8 | $46 | $6,215,760 | 74 |
| Nov 27, 2018 | - | $394 | +6% | +310% | 8 | $49 | $6,216,154 | 75 |
| Nov 28, 2018 | - | $334 | -15% | -58% | 8 | $42 | $6,216,488 | 76 |
| Nov 29, 2018 | - | $409 | +22% | -47% | 8 | $51 | $6,216,897 | 77 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 9 | $3,255,522 | 1,620 | $2,010 | $3,255,522 | 1 | |
| Sep 21, 2018 | 13 | $1,852,597 | -43% | 1,484 | $1,248 | $5,108,119 | 2 |
| Sep 28, 2018 | 20 | $722,944 | -61% | 741 | $976 | $5,831,063 | 3 |
| Oct 5, 2018 | 29 | $266,039 | -63% | 335 | $794 | $6,097,102 | 4 |
| Oct 12, 2018 | 37 | $73,432 | -72% | 124 | $592 | $6,170,534 | 5 |
| Oct 19, 2018 | 52 | $21,979 | -70% | 52 | $423 | $6,192,513 | 6 |
| Oct 26, 2018 | 70 | $7,351 | -67% | 21 | $350 | $6,199,864 | 7 |
| Nov 2, 2018 | 64 | $6,641 | -10% | 11 | $604 | $6,206,505 | 8 |
| Nov 9, 2018 | 81 | $2,569 | -61% | 4 | $642 | $6,209,074 | 9 |
| Nov 16, 2018 | 73 | $2,840 | +11% | 10 | $284 | $6,211,914 | 10 |
| Nov 23, 2018 | 63 | $4,983 | +75% | 8 | $623 | $6,216,897 | 11 |
Leading
| Samuel Hunt | Louis Zamperini |
Supporting
| Merritt Patterson | Cynthia Applewhite-Zamperini | |
| Vincenzo Amato | Anthony Zamperini | |
| Vanessa Bell Calloway | Lila Burkholder | |
| Bobby Campo | Pete Zamperini | |
| Bob Gunton | Major Zeigler | |
| Maddalena Ischale | Louis Zamperini | |
| David Sakurai | Mutsuhiro “The Bird” Wantanabe | |
| Gary Cole | Dr. George Bailey | |
| Will Graham | Billy Graham | |
| David DeLuise | Howard Lambert | |
| Gianna Simone | Sylvia Zamperini | |
| Ali Eagle | Virginia Zamperini | |
| Andrew Caldwell | Harry Read | |
| Donald Martin Stark | Reggie | |
| Scott Subiono | Fred Porter | |
| April Bowlby | Cecy Phillips | |
| Maddie McCormick | Valerie | |
| Christopher Wallinger | Allen “Phil” Phillips | |
| Derek Brandon | Chris Johnson | |
| Michael Broderick | Army Colonel | |
| James Immekus | Robert Trumbull | |
| Miguel Perez | Father Cardarelli | |
| Ken Narasaki | Japanese Doorman | |
| Matt Angel | Carlos |
Production and Technical Credits
| Harold Cronk | Director | |
| Richard Friedenberg | Screenwriter | |
| Ken Hixon | Screenwriter | |
| Laura Hillenbrand | Story based on the book ‘Unbroken’ by | |
| Matthew Baer | Producer | |
| Mike Elliott | Producer | |
| Luke Zamperini | Executive Producer | |
| Lisa Zamperini | Executive Producer | |
| Bill Reeves | Executive Producer | |
| Erik Weir | Executive Producer | |
| Scott Michael | Executive Producer | |
| Dave Mechem | Executive Producer | |
| Greg Holstein | Co-Producer | |
| Bruce Wayne Gillies | Line Producer | |
| Zoran Popovic | Director of Photography | |
| Mayne Berke | Production Designer | |
| Amy P McGrath | Editor | |
| Diane Crooke | Costume Designer | |
| Brandon Roberts | Composer | |
| Nancy Nayor | Casting Director | |
| Bruce Wayne Gillies | Unit Production Manager | |
| Steve Harrison | First Assistant Director | |
| Rachel Dickson | Second Assistant Director | |
| Scott Rogers | Stunt Coordinator | |
| Frances Lynn Hernandez | Art Director | |
| Steven Saylor | Set Designer | |
| Becky Sullivan | Supervising Sound Editor | |
| Colleen Marshall | Associate Producer | |
| Buck Robinson | Sound Mixer | |
| Ron Rosegard | Special Effects Coordinator | |
| Stephanie Fox Kramer | Costume Supervisor | |
| Trish Bertisch | Costume Supervisor | |
| Marina Proctor | Make up | |
| Allison Bryan | Make up | |
| Shauna Thomas | Make up | |
| Daniel Curet | Hairstylist | |
| Bryson Conley | Hairstylist | |
| Nancy Solomon | Script Supervisor | |
| Stuart Neumann | Location Manager | |
| Greg Holstein | Production Supervisor | |
| Jan Kikumoto | Post-Production Supervisor | |
| Brett Roach | Assistant Editor | |
| Jeff Ervin | Assistant Editor | |
| Hector Gika | Sound Designer | |
| David Stanke | First Assistant Sound Editor | |
| Michael Hertlein | Dialogue Editor | |
| Bruce Tanis | Foley Editor | |
| Colin Rogers | Foley Mixer | |
| Caleb Hollenback | Re-recording Mixer | |
| Kyle O’ Neal | Re-recording Mixer | |
| Robert Carr | Re-recording Mixer | |
| Angela Claverie | Music Editor | |
| Chris McGeary | Music Editor | |
| Giorgi Hristovski | Score Mixer | |
| Dustin Solomon | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After surviving a plane crash, weeks of floating on a makeshift raft in the Pacific, and then years of torture as a prisoner of war, Louis Zamperini finally returns home to California, seemingly unbroken. Haunted by nightmares of his torment, Louie sees himself as anything but a hero. Then, he meets Cynthia, a young woman who captures his eye—and his heart. Louie’s wrathful quest for revenge drives him deeper into despair, putting the couple on the brink of divorce. Until Cynthia experiences Billy Graham’s 1949 Los Angeles Crusade, where she finds faith in God and a renewed commitment to her marriage and her husband. Now, her most fervent prayer is for God to help Louie find the peace and forgiveness he so desperately needs.
Metrics
| Opening Weekend: | $2,238,723 (36.0% of total gross) |
| Legs: | 2.78 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 1,620 opening theaters/1,620 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,161,815 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Wide) by Pure Flix Entertainment |
| Video Release: | November 27th, 2018 by Universal Home Entertainment |
| MPA Rating: | PG-13 for thematic content and related disturbing images. (Rating bulletin 2529 (Cert #51621), 5/30/2018) |
| Running Time: | 98 minutes |
| Franchise: | Unbroken |
| Geographical setting: | California |
| Plot point: | Christians, PTSD, Returning Soldiers |
| Social setting: | World War II |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Universal 1440 Entertainment, WTA Group, Matt Baer Films, Pure Flix |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 10 | $2,238,723 | 1,620 | $1,382 | $2,238,723 | 1 | |
| Sep 21, 2018 | 12 | $1,284,253 | -43% | 1,484 | $865 | $4,539,775 | 2 |
| Sep 28, 2018 | 20 | $487,470 | -62% | 741 | $658 | $5,595,589 | 3 |
| Oct 5, 2018 | 30 | $160,208 | -67% | 335 | $478 | $5,991,271 | 4 |
| Oct 12, 2018 | 34 | $46,663 | -71% | 124 | $376 | $6,143,765 | 5 |
| Oct 19, 2018 | 48 | $14,035 | -70% | 52 | $270 | $6,184,569 | 6 |
| Oct 26, 2018 | 69 | $4,668 | -67% | 21 | $222 | $6,197,181 | 7 |
| Nov 2, 2018 | 67 | $4,399 | -6% | 11 | $400 | $6,204,263 | 8 |
| Nov 9, 2018 | 79 | $1,860 | -58% | 4 | $465 | $6,208,365 | 9 |
| Nov 16, 2018 | 76 | $1,109 | -40% | 10 | $111 | $6,210,183 | 10 |
| Nov 23, 2018 | 64 | $3,476 | +213% | 8 | $435 | $6,215,390 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 9 | $817,023 | 1,620 | $504 | $817,023 | 1 | ||
| Sep 15, 2018 | 11 | $856,661 | +5% | 1,620 | $529 | $1,673,684 | 2 | |
| Sep 16, 2018 | 11 | $565,039 | -34% | 1,620 | $349 | $2,238,723 | 3 | |
| Sep 17, 2018 | 9 | $215,503 | -62% | 1,620 | $133 | $2,454,226 | 4 | |
| Sep 18, 2018 | 8 | $378,602 | +76% | 1,620 | $234 | $2,832,828 | 5 | |
| Sep 19, 2018 | 11 | $202,521 | -47% | 1,620 | $125 | $3,035,349 | 6 | |
| Sep 20, 2018 | 8 | $220,173 | +9% | 1,620 | $136 | $3,255,522 | 7 | |
| Sep 21, 2018 | 13 | $423,785 | +92% | -48% | 1,484 | $286 | $3,679,307 | 8 |
| Sep 22, 2018 | 13 | $534,697 | +26% | -38% | 1,484 | $360 | $4,214,004 | 9 |
| Sep 23, 2018 | 12 | $325,771 | -39% | -42% | 1,484 | $220 | $4,539,775 | 10 |
| Sep 24, 2018 | 12 | $132,233 | -59% | -39% | 1,484 | $89 | $4,672,008 | 11 |
| Sep 25, 2018 | 12 | $219,518 | +66% | -42% | 1,484 | $148 | $4,891,526 | 12 |
| Sep 26, 2018 | 12 | $124,409 | -43% | -39% | 1,484 | $84 | $5,015,935 | 13 |
| Sep 27, 2018 | 12 | $92,184 | -26% | -58% | 1,484 | $62 | $5,108,119 | 14 |
| Sep 28, 2018 | - | $157,281 | +71% | -63% | 741 | $212 | $5,265,400 | 15 |
| Sep 29, 2018 | - | $199,910 | +27% | -63% | 741 | $270 | $5,465,310 | 16 |
| Sep 30, 2018 | - | $130,279 | -35% | -60% | 741 | $176 | $5,595,589 | 17 |
| Oct 1, 2018 | - | $49,123 | -62% | -63% | 741 | $66 | $5,644,712 | 18 |
| Oct 2, 2018 | - | $84,952 | +73% | -61% | 741 | $115 | $5,729,664 | 19 |
| Oct 3, 2018 | - | $52,427 | -38% | -58% | 741 | $71 | $5,782,091 | 20 |
| Oct 4, 2018 | - | $48,972 | -7% | -47% | 741 | $66 | $5,831,063 | 21 |
| Oct 5, 2018 | - | $48,063 | -2% | -69% | 335 | $143 | $5,879,126 | 22 |
| Oct 6, 2018 | - | $64,347 | +34% | -68% | 335 | $192 | $5,943,473 | 23 |
| Oct 7, 2018 | - | $47,798 | -26% | -63% | 335 | $143 | $5,991,271 | 24 |
| Oct 8, 2018 | - | $27,999 | -41% | -43% | 335 | $84 | $6,019,270 | 25 |
| Oct 9, 2018 | - | $30,966 | +11% | -64% | 335 | $92 | $6,050,236 | 26 |
| Oct 10, 2018 | - | $25,035 | -19% | -52% | 335 | $75 | $6,075,271 | 27 |
| Oct 11, 2018 | - | $21,831 | -13% | -55% | 335 | $65 | $6,097,102 | 28 |
| Oct 12, 2018 | - | $13,983 | -36% | -71% | 124 | $113 | $6,111,085 | 29 |
| Oct 13, 2018 | - | $18,381 | +31% | -71% | 124 | $148 | $6,129,466 | 30 |
| Oct 14, 2018 | - | $14,299 | -22% | -70% | 124 | $115 | $6,143,765 | 31 |
| Oct 15, 2018 | - | $7,018 | -51% | -75% | 124 | $57 | $6,150,783 | 32 |
| Oct 16, 2018 | - | $7,438 | +6% | -76% | 124 | $60 | $6,158,221 | 33 |
| Oct 17, 2018 | - | $5,690 | -24% | -77% | 124 | $46 | $6,163,911 | 34 |
| Oct 18, 2018 | - | $6,623 | +16% | -70% | 124 | $53 | $6,170,534 | 35 |
| Oct 19, 2018 | - | $4,149 | -37% | -70% | 52 | $80 | $6,174,683 | 36 |
| Oct 20, 2018 | - | $5,254 | +27% | -71% | 52 | $101 | $6,179,937 | 37 |
| Oct 21, 2018 | - | $4,632 | -12% | -68% | 52 | $89 | $6,184,569 | 38 |
| Oct 22, 2018 | - | $2,101 | -55% | -70% | 52 | $40 | $6,186,670 | 39 |
| Oct 23, 2018 | - | $1,763 | -16% | -76% | 52 | $34 | $6,188,433 | 40 |
| Oct 24, 2018 | - | $1,837 | +4% | -68% | 52 | $35 | $6,190,270 | 41 |
| Oct 25, 2018 | - | $2,243 | +22% | -66% | 52 | $43 | $6,192,513 | 42 |
| Oct 26, 2018 | - | $1,420 | -37% | -66% | 21 | $68 | $6,193,933 | 43 |
| Oct 27, 2018 | - | $1,708 | +20% | -67% | 21 | $81 | $6,195,641 | 44 |
| Oct 28, 2018 | - | $1,540 | -10% | -67% | 21 | $73 | $6,197,181 | 45 |
| Oct 29, 2018 | - | $581 | -62% | -72% | 21 | $28 | $6,197,762 | 46 |
| Oct 30, 2018 | - | $362 | -38% | -79% | 21 | $17 | $6,198,124 | 47 |
| Oct 31, 2018 | - | $868 | +140% | -53% | 21 | $41 | $6,198,992 | 48 |
| Nov 1, 2018 | - | $872 | n/c | -61% | 21 | $42 | $6,199,864 | 49 |
| Nov 2, 2018 | - | $1,576 | +81% | +11% | 11 | $143 | $6,201,440 | 50 |
| Nov 3, 2018 | - | $1,460 | -7% | -15% | 11 | $133 | $6,202,900 | 51 |
| Nov 4, 2018 | - | $1,363 | -7% | -11% | 11 | $124 | $6,204,263 | 52 |
| Nov 5, 2018 | - | $710 | -48% | +22% | 11 | $65 | $6,204,973 | 53 |
| Nov 6, 2018 | - | $692 | -3% | +91% | 11 | $63 | $6,205,665 | 54 |
| Nov 7, 2018 | - | $486 | -30% | -44% | 11 | $44 | $6,206,151 | 55 |
| Nov 8, 2018 | - | $354 | -27% | -59% | 11 | $32 | $6,206,505 | 56 |
| Nov 9, 2018 | - | $526 | +49% | -67% | 4 | $132 | $6,207,031 | 57 |
| Nov 10, 2018 | - | $854 | +62% | -42% | 4 | $214 | $6,207,885 | 58 |
| Nov 11, 2018 | - | $480 | -44% | -65% | 4 | $120 | $6,208,365 | 59 |
| Nov 12, 2018 | - | $224 | -53% | -68% | 4 | $56 | $6,208,589 | 60 |
| Nov 13, 2018 | - | $147 | -34% | -79% | 4 | $37 | $6,208,736 | 61 |
| Nov 14, 2018 | - | $154 | +5% | -68% | 4 | $39 | $6,208,890 | 62 |
| Nov 15, 2018 | - | $184 | +19% | -48% | 4 | $46 | $6,209,074 | 63 |
| Nov 16, 2018 | - | $391 | +113% | -26% | 10 | $39 | $6,209,465 | 64 |
| Nov 17, 2018 | - | $289 | -26% | -66% | 10 | $29 | $6,209,754 | 65 |
| Nov 18, 2018 | - | $429 | +48% | -11% | 10 | $43 | $6,210,183 | 66 |
| Nov 19, 2018 | - | $63 | -85% | -72% | 10 | $6 | $6,210,246 | 67 |
| Nov 20, 2018 | - | $96 | +52% | -35% | 10 | $10 | $6,210,342 | 68 |
| Nov 21, 2018 | - | $793 | +726% | +415% | 10 | $79 | $6,211,135 | 69 |
| Nov 22, 2018 | - | $779 | -2% | +323% | 10 | $78 | $6,211,914 | 70 |
| Nov 23, 2018 | - | $1,555 | +100% | +298% | 8 | $194 | $6,213,469 | 71 |
| Nov 24, 2018 | - | $1,473 | -5% | +410% | 8 | $184 | $6,214,942 | 72 |
| Nov 25, 2018 | - | $448 | -70% | +4% | 8 | $56 | $6,215,390 | 73 |
| Nov 26, 2018 | - | $370 | -17% | +487% | 8 | $46 | $6,215,760 | 74 |
| Nov 27, 2018 | - | $394 | +6% | +310% | 8 | $49 | $6,216,154 | 75 |
| Nov 28, 2018 | - | $334 | -15% | -58% | 8 | $42 | $6,216,488 | 76 |
| Nov 29, 2018 | - | $409 | +22% | -47% | 8 | $51 | $6,216,897 | 77 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 9 | $3,255,522 | 1,620 | $2,010 | $3,255,522 | 1 | |
| Sep 21, 2018 | 13 | $1,852,597 | -43% | 1,484 | $1,248 | $5,108,119 | 2 |
| Sep 28, 2018 | 20 | $722,944 | -61% | 741 | $976 | $5,831,063 | 3 |
| Oct 5, 2018 | 29 | $266,039 | -63% | 335 | $794 | $6,097,102 | 4 |
| Oct 12, 2018 | 37 | $73,432 | -72% | 124 | $592 | $6,170,534 | 5 |
| Oct 19, 2018 | 52 | $21,979 | -70% | 52 | $423 | $6,192,513 | 6 |
| Oct 26, 2018 | 70 | $7,351 | -67% | 21 | $350 | $6,199,864 | 7 |
| Nov 2, 2018 | 64 | $6,641 | -10% | 11 | $604 | $6,206,505 | 8 |
| Nov 9, 2018 | 81 | $2,569 | -61% | 4 | $642 | $6,209,074 | 9 |
| Nov 16, 2018 | 73 | $2,840 | +11% | 10 | $284 | $6,211,914 | 10 |
| Nov 23, 2018 | 63 | $4,983 | +75% | 8 | $623 | $6,216,897 | 11 |
Leading
| Samuel Hunt | Louis Zamperini |
Supporting
| Merritt Patterson | Cynthia Applewhite-Zamperini | |
| Vincenzo Amato | Anthony Zamperini | |
| Vanessa Bell Calloway | Lila Burkholder | |
| Bobby Campo | Pete Zamperini | |
| Bob Gunton | Major Zeigler | |
| Maddalena Ischale | Louis Zamperini | |
| David Sakurai | Mutsuhiro “The Bird” Wantanabe | |
| Gary Cole | Dr. George Bailey | |
| Will Graham | Billy Graham | |
| David DeLuise | Howard Lambert | |
| Gianna Simone | Sylvia Zamperini | |
| Ali Eagle | Virginia Zamperini | |
| Andrew Caldwell | Harry Read | |
| Donald Martin Stark | Reggie | |
| Scott Subiono | Fred Porter | |
| April Bowlby | Cecy Phillips | |
| Maddie McCormick | Valerie | |
| Christopher Wallinger | Allen “Phil” Phillips | |
| Derek Brandon | Chris Johnson | |
| Michael Broderick | Army Colonel | |
| James Immekus | Robert Trumbull | |
| Miguel Perez | Father Cardarelli | |
| Ken Narasaki | Japanese Doorman | |
| Matt Angel | Carlos |
Production and Technical Credits
| Harold Cronk | Director | |
| Richard Friedenberg | Screenwriter | |
| Ken Hixon | Screenwriter | |
| Laura Hillenbrand | Story based on the book ‘Unbroken’ by | |
| Matthew Baer | Producer | |
| Mike Elliott | Producer | |
| Luke Zamperini | Executive Producer | |
| Lisa Zamperini | Executive Producer | |
| Bill Reeves | Executive Producer | |
| Erik Weir | Executive Producer | |
| Scott Michael | Executive Producer | |
| Dave Mechem | Executive Producer | |
| Greg Holstein | Co-Producer | |
| Bruce Wayne Gillies | Line Producer | |
| Zoran Popovic | Director of Photography | |
| Mayne Berke | Production Designer | |
| Amy P McGrath | Editor | |
| Diane Crooke | Costume Designer | |
| Brandon Roberts | Composer | |
| Nancy Nayor | Casting Director | |
| Bruce Wayne Gillies | Unit Production Manager | |
| Steve Harrison | First Assistant Director | |
| Rachel Dickson | Second Assistant Director | |
| Scott Rogers | Stunt Coordinator | |
| Frances Lynn Hernandez | Art Director | |
| Steven Saylor | Set Designer | |
| Becky Sullivan | Supervising Sound Editor | |
| Colleen Marshall | Associate Producer | |
| Buck Robinson | Sound Mixer | |
| Ron Rosegard | Special Effects Coordinator | |
| Stephanie Fox Kramer | Costume Supervisor | |
| Trish Bertisch | Costume Supervisor | |
| Marina Proctor | Make up | |
| Allison Bryan | Make up | |
| Shauna Thomas | Make up | |
| Daniel Curet | Hairstylist | |
| Bryson Conley | Hairstylist | |
| Nancy Solomon | Script Supervisor | |
| Stuart Neumann | Location Manager | |
| Greg Holstein | Production Supervisor | |
| Jan Kikumoto | Post-Production Supervisor | |
| Brett Roach | Assistant Editor | |
| Jeff Ervin | Assistant Editor | |
| Hector Gika | Sound Designer | |
| David Stanke | First Assistant Sound Editor | |
| Michael Hertlein | Dialogue Editor | |
| Bruce Tanis | Foley Editor | |
| Colin Rogers | Foley Mixer | |
| Caleb Hollenback | Re-recording Mixer | |
| Kyle O’ Neal | Re-recording Mixer | |
| Robert Carr | Re-recording Mixer | |
| Angela Claverie | Music Editor | |
| Chris McGeary | Music Editor | |
| Giorgi Hristovski | Score Mixer | |
| Dustin Solomon | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.