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Uncle Drew (2018)

Uncle Drew
Theatrical Performance
Domestic Box Office $40,027,474Details
International Box Office $1,515,000Details
Worldwide Box Office $41,542,474
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After draining his life savings to enter a team in the Rucker Classic street ball tournament in Harlem, Dax is dealt a series of unfortunate setbacks, including losing his team to his longtime rival. Desperate to win the tournament and the cash prize, Dax stumbles upon the man, the myth, the legend Uncle Drew and convinces him to return to the court one more time. The two men embark on a road trip to round up Drew’s old basketball squad and prove that a group of septuagenarians can still win the big one.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: June 29th, 2018 (Wide) by Lionsgate
International Releases: June 27th, 2018 (Wide) (Philippines)
June 27th, 2018 (Wide) (West Indies)
June 28th, 2018 (Wide) (Aruba)
June 28th, 2018 (Wide) (Curacao)
June 28th, 2018 (Wide) (Hong Kong)
... Show all releases
MPAA Rating: PG-13 for suggestive material, language and brief nudity.
(Rating bulletin 2526 (Cert #51514), 5/9/2018)
Running Time: 103 minutes
Comparisons: vs. Tag
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Keywords: Basketball, Road Trip, Out of Retirement, Ensemble, Gratuitous Cameos, Harlem, New York City
Source:Based on TV
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Summit Entertainment, Temple Hill Entertainment, Pepsi Productions
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Independence Day (All Movies, 3-Day) 183 $6,606,643 Jul 6, 2018 10
Independence Day (All Movies, 3-Day, Inflation Adjusted) 287 $6,765,316 Jul 6, 2018 10

Lead Ensemble Members

   Uncle Drew
   Dax
   Big Fella
   Preacher
   Lights
   Boots
   Maya
   Betty Lou
   Angelo
   Louis
   Jess
   Mookie

Supporting Cast

Aaron Gordon    Casper
Wesley Witherspoon    Mario
Thomas Mills    Duke Tango
Lavar Walker    Marty the Manager
Maurice G. Smith    Dominic ‘The Glove’ Willis
Kevin Benton    Zeke ‘The Mouth’ Murray
Aiden Williams    Adopted Kid
Tinuke Adetunji    Angelo’s Girl
Deadra Moore    Attending Nurse
Enoch King    Baby’s Dad
Crystal Lee Brown    Baby’s Mom
Kenneth Crudup    Baller
Mark Ellis    Basketball Coach
Terence Rosemore    Customer
Dwayne Boyd    Customer
Terrence "T.C." Carson    Customer
Rick Ross    Customer
Trey Griffith    Dax-4 Years Old
Judah Howery    Dax-10 Years Old
Ashton Tyler    Dax-13 Years Old
Carrie Walrond    Foot Locker Mother
Lorenzo Davis    Opponent
Brian Kortovich    Opponent
Keith Evans    Other Kid
Josh Henry    Paramedic
Phil Ductan    Player
Elijah Everett    Player
Rocco Poveromo    Referee
Barry S. Rorhssen    Referee
Matt McHugh    Security Guard
Brandon Rice    Someone
Jeremy Green    Choreographer
Keith Jamal Nedd Bridgeman    Young Dude Dancer
Marc Innis    Young Dude Dancer

Narrator(s)

Adam Lazarre-White    Frankie the Tournament Director/Narrator

Cameos

Sal Masekela    Himself
John Calipari    Himself
Joe Hammond    Himself
Scoop Jackson    Himself
Pee Wee Kirkland    Himself
Earl Monroe    Himself
Chris Mullin    Himself
Bill Walton    Himself
George Gervin    Himself
Steve Nash    Himself
David Robinson    Himself
Jerry West    Himself
Rick Barry    Himself
Dikembe Mutombo    Himself
NeNe Leakes    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Jay Longino    Screenwriter
Marty Bowen    Producer
Wyck Godfrey    Producer
John Fischer    Producer
Louis Arbetter    Executive Producer
Aziel Rivers    Executive Producer
Marc Gilbar    Executive Producer
Colin Smeeton    Executive Producer
Perry Rogers    Executive Producer
Jeff Wechsler    Executive Producer
Erik Feig    Executive Producer
Michael Flynn    Executive Producer
Mike Upton    Executive Producer
Crash    Director of Photography
Douglas J. Meerdink*    Production Designer
Jeff Freeman    Editor
Sean Valla    Editor
Johnetta Boone    Costume Designer
Christopher Lennertz    Composer
Stephanie Diaz-Matos    Music Supervisor
Jason Brown    Co-Producer
Adam Harter    Co-Producer
Jay Longino    Co-Producer
Victoria Thomas    Casting Director
Michael Upton*    Unit Production Manager
Benita Allen    First Assistant Director
Tim Fitzgerald    Second Assistant Director
Steven Ritzi    Stunt Coordinator
Jon Poll    Additional Editor
Karen Jarnecke    Production Supervisor
Mark Garner    Art Director
Matthew Groves    Set Decorator
Sheryl Benko    Post-Production Supervisor
Brett D. Carroll*    Assistant Editor
Jason Barnoski    Assistant Editor
Carolyn Calvert    Assistant Editor
Lori Grabowski    Script Supervisor
Karen M. Cantley    Script Supervisor
Erik H. Magnus    Sound Mixer
Yolande Thame    Set Designer
Ken Gorrell    Special Effects Coordinator
Darlene Jackson    Costume Supervisor
Matthew Silva    Make-up and Prosthetic Effects Designer
David Presto    Make-up and Prosthetic Effects Designer
Patrice Coleman    Make up
Andrea C. Brotherton    Hairstylist
Talya R. Melvey    Hairstylist
Ryan Schaetzle    Location Manager
Steven Ritzi    Second Unit Director
Elliott L. Koretz    Sound Designer
Bruce Barris    Sound Designer
Elliott L. Koretz    Sound Supervisor
Bruce Barris    Sound Supervisor
Terry Porter    Re-recording Mixer
Gabriel J. Serrano    Re-recording Mixer
Susan Dudeck    Supervising Dialogue/ADR Editor
Bruce Tanis    Sound Effects Editor
Martin Jacob Lopez    Sound Effects Editor
Chase Keehn    Dialogue Editor
Mike Wilhoit    Dialogue Editor
Michele Perrone    Dialogue Editor
Jason Stanford    Visual Effects Executive Producer
Chris LeDoux    Visual Effects Executive Producer
Mark Ledoux    Visual Effects Supervisor
Wes Dorough    Visual Effects Producer
Dara Taylor    Additional Music
Sam Zeines    Supervising Music Editor
Johnny Caruso    Music Editor
Jeff Vaughn    Score Recordist
Joshua Margolis    Score Recordist
Jeff Vaughn    Score Mixer
Joshua Margolis    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Predictions: Will the Wasp Help Ant-Man Grow at the Box Office?

July 5th, 2018

Ant-Man and the Wasp

It’s technically the July 4th Weekend, although July 4th was yesterday. This is a good weekend to release a film and Ant-Man and the Wasp is looking to take advantage of the holiday. Meanwhile, The First Purge already started its run with $2.5 million in previews. Jurassic World: Fallen Kingdom and Incredibles 2 will continue to be a major presence at the box office. This weekend last year, Spider-Man: Homecoming opened with $117.03 million. There’s no way Ant-Man and the Wasp is going to match that. It’s highly unlikely Ant-Man and the Wasp and The First Purge combined will match that. The depth this year is a little better, but I think 2018 will lose in the year-over-year comparison. Hopefully it will be close. More...

Weekend Wrap-Up: Dinos Help the Box Office Hold On

July 3rd, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom was within a rounding error of our prediction with $60.91 million over the weekend. Additionally, both new releases, Sicario: Day of the Soldado and Uncle Drew, beat expectations, as did every other film in the top five helping the overall box office reach $178 million. Granted, this weekend still plummeted 36% from last weekend, but last weekend was the biggest ever weekend in June, so falling from that figure isn’t disappointing. In fact, it is 4.8% higher than the same weekend last year, which is higher than the rate of inflation, so I would call that a significant margin. Year-to-date, 2018 has pulled in $6.15 billion, making it the fastest year to get to the $6 billion mark. This is also $560 million or 10.0% higher than the same pace last year. I’m going to make a prediction that is the the peak lead 2018 will have over 2017, at least in terms of percentage. More...

Weekend Estimates: The Fallen Jurassic World Still Comes out on Top with $60.0 million

July 1st, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom fell like a typical blockbuster hit, down 59% to $60 million over the weekend for a two-week total of $264.8 million. This matches our prediction perfectly. The film will have no trouble crossing $300 million next weekend and should finish north of $350 million domestically. As for its international numbers, it added $56.1 million to its running tally, which now sits at $667.6 million, while its worldwide total is a hair under $1 billion at $932.4 million. More...

Friday Estimates: Soldado is Solid, but Dinosaurs Dominate

June 30th, 2018

Sicario: Day of the Soldado

Jurassic World: Fallen Kingdom added $17.44 million on Friday, after hitting $200 million on Thursday. It was easily the best film on the day; however, this was still 70% lower than its opening Friday. Granted, it will bounce back tomorrow and should come close to our $60 million prediction, but it is not going to have great legs, like its predecessor had. More...

Thursday Night Previews: CIA Dunks on Drew

June 29th, 2018

Sicario: Day of the Soldado

Sicario: Day of the Soldado earned $2 million during previews, which is better than expected. Granted, we’ve seen too many films open well in previews before settling down to Earth over the rest of the weekend, but I’m still optimistic after this start. It should beat our prediction and $20 million is within range. It does depend on the word-of-mouth, which if its reviews are any indication, should be good, but not great. More...

Weekend Predictions: Putting a Hit out on the Box Office

June 28th, 2018

Sicario: Day of the Soldado

After two monster hits in a row, the weekend crashes back down to Earth. Neither Sicario: Day of the Soldado nor Uncle Drew are expected to do much at the box office, but they are expected to open with similar amounts and there’s no consensus which film will do better, so at least there’s something to talk about. This weekend last year, Despicable Me 3 opened with $72.43 million. We will be relying almost entirely on holdovers to win in the year-over-year comparison. I think we’ve got an excellent shot of doing that by a significant margin. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Uncle Drew Trailer

May 31st, 2018

Comedy starring Kyrie Irving, Lil Rel Howery, and Shaquille O’Neal opens June 29 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/06/29 4 $15,242,781   2,742 $5,559   $15,242,781 1
2018/07/06 6 $6,606,643 -57% 2,742 $2,409   $29,930,263 2
2018/07/13 9 $3,186,625 -52% 1,702 $1,872   $36,653,665 3
2018/07/20 13 $1,525,000 -52% 1,237 $1,233   $40,027,474 4

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/06/29 4 $6,127,065   2,742 $2,235   $6,127,065 1
2018/06/30 4 $5,175,622 -16% 2,742 $1,888   $11,302,687 2
2018/07/01 4 $3,940,094 -24% 2,742 $1,437   $15,242,781 3
2018/07/02 4 $1,815,214 -54% 2,742 $662   $17,057,995 4
2018/07/03 4 $2,493,506 +37% 2,742 $909   $19,551,501 5
2018/07/04 5 $2,177,946 -13% 2,742 $794   $21,729,447 6
2018/07/05 5 $1,594,173 -27% 2,742 $581   $23,323,620 7
2018/07/06 6 $2,167,555 +36% 2,742 $791   $25,491,175 8
2018/07/07 6 $2,562,448 +18% 2,742 $935   $28,053,623 9
2018/07/08 6 $1,876,640 -27% 2,742 $684   $29,930,263 10
2018/07/09 6 $837,765 -55% 2,742 $306   $30,768,028 11
2018/07/10 5 $1,240,048 +48% 2,742 $452   $32,008,076 12
2018/07/11 6 $806,921 -35% 2,742 $294   $32,814,997 13
2018/07/12 6 $652,043 -19% 2,742 $238   $33,467,040 14
2018/07/13 9 $936,081 +44% 1,702 $550   $34,403,121 15
2018/07/14 9 $1,303,220 +39% 1,702 $766   $35,706,341 16
2018/07/15 9 $947,324 -27% 1,702 $557   $36,653,665 17
2018/07/16 9 $435,049 -54% 1,702 $256   $37,088,714 18
2018/07/17 7 $663,531 +53% 1,702 $390   $37,752,245 19
2018/07/18 10 $423,929 -36% 1,702 $249   $38,176,174 20
2018/07/19 9 $326,300 -23% 1,702 $192   $38,502,474 21
2018/07/20 13 $442,000 +35% 1,237 $357   $38,944,474 22
2018/07/21 - $633,000 +43% 1,237 $512   $39,577,474 23
2018/07/22 - $450,000 -29% 1,237 $364   $40,027,474 24

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/06/29 4 $23,323,620   2,742 $8,506   $23,323,620 1
2018/07/06 6 $10,143,420 -57% 2,742 $3,699   $33,467,040 2
2018/07/13 9 $5,035,434 -50% 1,702 $2,959   $38,502,474 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 6/28/2018 $3,841 0 0 0 $3,841 7/6/2018
Curacao 6/28/2018 $1,906 0 0 0 $1,906 7/6/2018
Hong Kong 6/28/2018 $309,446 23 23 23 $309,446 7/6/2018
India 7/6/2018 $17,528 0 0 0 $17,528 7/20/2018
Mexico 6/29/2018 $2,430 31 31 31 $6,095 7/19/2018
Philippines 6/27/2018 $285,281 121 121 121 $285,281 7/6/2018
United Kingdom 7/6/2018 $200,712 272 272 272 $200,712 7/11/2018
West Indies 6/27/2018 $2,740 0 0 0 $2,740 7/6/2018
 
Rest of World $687,451
 
International Total$1,515,000 7/20/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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